“I think at this point
We start to wonder
What's Going on in His Head
and What's Going to Happen
because of this look on his face.”
“That's so interesting —
As An Actor,
What is He Playing?”
Elijah Wood :
He's playing,
"Oh, God, PLEASE Don't Let
My Mother KILL This Girl."
Norman Bates is presented
in all these little, you know,
encapsulated moments
throughout the film
and in much the same way
that The Murder is presented
in encapsulated moments of images
and compositions, cut together.
So, I think that The Movie is,
it's about Fragmentation,
it IS Fragmentation.
Norman goes up
to The House —
It's very important that The Audience SEES him LEAVE,
because he is reacting to a third character that we think
is in The House, Mother.
But that is really in His Mind.
He goes to The Stairs
and he looks up, and he looks like
he's sad because he realises that
Mom's not at Home upstairs.
Then he goes and flops
into The Kitchen, like
a dejected little schoolboy.
So he sits there, like,
"Oh, rats, I can't have dinner
with the lady I want to have dinner with."
I imagine he must've done that
a LOT when Mother was alive.
That she must've
yelled at him
and he would just
Go into The Kitchen
when he couldn't get
What He Wanted,
when She was
berating him
for whatever,
he wasn't living up
to Her Standards.
There's a LOT one could say about Hitchcock Mothers.
“Are you quite sure she didn't come down here to see you, to capture the rich Alex Sebastian for a husband?”
“Go get shaved before
Your Father gets Home.”
“You gentlemen aren't really
trying to kill My Son, are you?”
Eli Roth :
When you talk about
What is Sacred in America,
people talk about
“Mom, and Apple Pie.”
“Mom is Good, We Love Mom,
We are Mom, We are Good.”
On the other hand, there's something else going on
in 1950s America
in Culture and Society,
where Mom is also suspect.
There was a serious
Social Panic in America
about Juvenile Delinquency.
One thing that this Social Panic resulted in was this
Fear that Moms were Going to
Shelter and Spoil Children,
possibly America Itself,
to DEATH.
All of the sitcoms -
Father Knows Best,
Ozzie and Harriet, where
Mother never did anything.
All She Did was
Take Care of The House
and The Kids.”
“I'm just practically ready
and David has to get dressed.”
“Get dressed? You mean dressed up?”
“Well, yes, you want to look nice when Nancy gets here.”
The Director who exposes
The Horror
of The American Family
in The '50s
without making
a horror movie,
is Douglas Sirk.
“You see Kay, I love Ron.”
“You love him so much you're
willing to ruin all our lives?”
“You can't really think that.”
“What else can I think?”
In Sirk, it's the whole
construction of The Family.
It's not until Psycho, though, where
The Mother is
literally A Monster
when you see Her at The End.
HITCHCOCK :
I think My Mother scared Me
when I was three months old.
AUDIENCE LAUGHS
“You remember that?”
HITCHCOCK :
You see, She Said “Boo.”
“I don't know
how many times
in Psycho,
Do People Talk
about MOTHER.
“Oh, we can see each other.
We can even have dinner.
But respectably.
In My House, with
My Mother's Picture on The Mantel,
and My Sister helping me
broil a big Steak for Three.”
“And after The Steak,
will we send Sister
to The Movies,
turn Mama's Picture
to The Wall?”
“Sam!”
Patricia Hitchcock talks about,
she offers her A Tranquilliser :
“Have you got some aspirin?”
“I've got Something, not aspirin….
My Mother’s Doctor
gave them to me
The Day of My a
Wedding.
Teddy was furious
when he found out
I had taken tranquillisers.”
“Any calls?”
“Teddy called, me,
My Mother called, to see
if Teddy called...
Even in that office, the influence,
The Negative Influence
of Mothers,
and here it's
on Women, not on Men.
So, the fact that
Norman Bates' Mother,
we realise eventually
is Norman Bates himself,
might have on an unconscious level audiences saying,
"A-Ha! I knew it!
Mom IS gonna to Kill Us!
Mom IS going to be
The Death of Us ALL!"
• SHOWER RUNS •
OK. Once more unto The Breach :
Back to The Primal Moment —
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