Showing posts with label Parzival. Show all posts
Showing posts with label Parzival. Show all posts

Sunday, 6 November 2022

You Don't Understand The Implications





“When I was doing The Invisibles… I kind of went method acting on it. So if I had a transvestite witch character then I had to become a transvestite witch and see what that felt like and I had to summon Mayan and Mexican Gods and deal with Them and see what They look like and copy down what they have to say… I became the King Mob character, the Lord Fanny character… I was living out that book. The idea was to do almost like an art installation… you know I wound up in hospital because I had my lead character in hospital. This shaven headed bald guy who had lots of fun and sex and girls. So when he got sick, I got sick and when he got well I got well.
And I found I could put things inand it was very weird I still don’t know what it is and I ask other people to try this… 

Try and implicate Your Art and Your Life to such a degree that You can’t tell the difference anymore and strange things start to happen. Reality becomes very plastic. And it seems as if you can press buttons in Your Little Voodoo World, your little fictional Creation… and real things will happen… 
The more We test it the more it becomes a Human Technology that We can give to EVERYONE…”


Monday, 4 October 2021

Taming









Andre Gregory :
“….And then one day, in the early fall...
I was out in The Country,
walking in a field...
and I suddenly heard 
A Voice say, "Little Prince".

Of course, The Little Prince
was a book that I always thought of
as disgusting, childish treacle.

But still, I thought, 
“Well, you know, if 
A Voice comes to me in a field --
-- this was the first voice 
I had ever heard --

-- Maybe I should go 
and read The Book.

Now, that same morning 
I'd got a letter from a young woman
who'd been in my group in Poland.

And in her letter she'd written,
"You have dominated me." --
--You know, she spoke very awkward English.
-- so, she'd gone 
to The Dictionary,
and she'd crossed out 
The Word "dominated"...
and she'd said, 
"No. The correct word 
is "Tamed".

And then, 
when I went to Town
and Bought The Book 
and started to read it, 
I saw that "taming" was 
The Most Important Word 
in The Whole Book.

By the end of the book, 
I was in tears
I was so moved 
by The Story.

And then I went and tried to write
An Answer to her letter 'cause 
she'd written Me a very long letter.

But I just couldn't find the right words
so finally I took my hand...
I put it on a piece of paper,
I outlined it with a pen...
and I wrote in the centre, something
like, "Your Heart is in My Hand."

....something like that.

Then I went over to 
my brother's house 
to swim 'cause he lives nearby 
in The Country and 
he has a pool.

And he wasn't home. 
I went into His Library...
and he had bought at an auction
the collected issues of Minotaure.

You know, the surrealist magazine? 
Oh, it's a great, great surrealist 
magazine of the '20s and '30s.

And I never, you know,
I consider myself 
a bit of a surrealist.

I had never, ever seen 
a copy of Minotaure.

And here they all were,
bound, year after year.

So, at random,
I picked one out, 
I opened it up...
and there was a 
full-page reproduction 
of the letter ‘A’ from 
Tenniel's Alice in Wonderland.

And I thought that, 'Well, you know,
it's been A Day of Coincidences...
but that's not unusual that 
The Surrealists would have 
been interested in Alice...
And I did A Play of Alice,

So at randomI opened to another page... 
and there were four handprints.

One was André Breton,
another was André Derain...
The Third was André - I've got it 
written down somewhere.

It's not Malraux
It's, like, someone...
Another of The Surrealists.

All A's, and the fourth
was Antoine de Saint-Exupéry
who wrote The Little Prince.

And they'd shown these handprints
to some kind of expert,
without saying whose 
hands they belonged to.

And under Exupéry'sit said that 
He was An Artist,
with very powerful eyes,
who was A Tamer 
of Wild Animals.

I thought, "This is 
incredible, you know."

And I looked back to see
when the issue came out :

It came out on the newsstands
May 12th, 1934...
and I was born during the day
of May 11,1934.

So, well, that's what started me on,
Saint-Exupéry and 
The Little Prince.

Now, of course today...
today I think there's a very fascistic 
thing under The Little Prince.

You know, I...
Well, no, I think 
there's a kind of...

I think a kind of S.S.-totalitarian
sentimentality in there somewhere.

You know, there's something
you know, that… that love of...
Well, that masculine love
of a certain kind 
of oily muscle.

You know what I mean?
I mean, I can't quite 
put my finger on it.

But I can just imagine
some beautiful S.S.-Man 
loving The Little Prince.

Now, I don't know why, but there's
something wrong with it. It stinks.

Wally Shawn :
Well, didn't George tell Me that You were gonna 
Do A Play that was based on The Little Prince?

Hmm. Well, what happened, Wally was 
that fall I was in New York and 
I met this young Japanese Buddhist priest 
named Kozan and I thought He was Puck 
from the Midsummer Night's Dream --

You know, he had this 
beautiful, delicate smile.

I thought He was 
The Little Prince.

So, naturally, I decided to 
go off to The Sahara Desert
to work on The Little Prince
with two actors and 
this Japanese monk.

Wally Shawn :
You did?

Well, I mean, I was still in 
a very peculiar state 
at that time, Wally.

Tuesday, 13 April 2021

HE SAT IN A SPACE BETWEEN FEAR AND LONGING

  


The name “Amfortas” is the name of The Fisher King in Richard Wagner’s opera Parsifal, which itself is derived from “Anfortas,” the name of the character of the Fisher King in the Middle High German medieval Grail romance Parzival, by Wolfram von Eschenbach. 


Dr. Amfortas, like his literary and operatic namesakes, is a type of The Wounded King or Maimed King, a role traditionally occupied by the character of the Fisher King in medieval romances related to the Holy Grail legend, whose literary and mythological roles are discussed in detail by Jessie Weston in her 1920 examination of The Grail tradition, From Ritual to Romance.







HE SAT IN A SPACE BETWEEN FEAR AND LONGING, portable tape recorder clutched in one hand as he listened to cassettes of the music they had shared. Was it day or night outside? He didn't know. The world was veiled beyond his living room, and the light from the lamps seemed dim. He couldn't remember how long he'd been sitting there. Was it hours or only minutes? Reality danced in and out of his focus in a silent, baffling harlequinade. He'd doubled the steroid dosage, he remembered; the pain had eased to an ominous throbbing, a price that his brain had exacted for its ruin, for the drug ate away at its vital connections. He stared at a sofa and watched as it shrank to half its size. When he saw it smile he closed his eyes and gave himself totally to the music, a haunting song from a show they had seen:

 

 

Touch me. It's so easy to leave me

All alone with the memory

Of my days in the sun

 

 

The song swept through his soul and filled it. He wanted it louder and he fumbled for the volume control on the recorder when he heard a cassette fall softly to the floor. When he groped to pick it up two more of the cassettes slipped off his lap. He opened his eyes and saw the man. He was staring at his double.

 

The figure sat crouched in midair as though seated, mimicking Amfortas' posture precisely. Dressed in the same denim jeans and blue sweater, it was staring back with equal astonishment.

 

Amfortas leaned back; it leaned back. Amfortas put a hand to his face; it did the same. Amfortas said, "Hello"; it said, "Hello." Amfortas felt his heart begin to beat faster. "The Double" was an often-reported hallucination in serious disorders of the temporal lobe, but looking into those eyes and at that face was eerily disquieting, almost frightening. Amfortas shut his eyes and began to breathe deeply, and slowly his heart rate began to slow down. Would The Double be there when he opened his eyes again? he wondered. He looked. It was there. Now Amfortas grew fascinated. No neurologist had ever seen "The Double." The reports of its behavior were vague and contradictory. A clinical interest overcame him. He picked up his feet and held them out. The double did the same. He put his feet down. The Double followed. Then Amfortas started crossing and uncrossing his feet with a timing that he tried to make random and unplanned, but the double matched the movements simultaneously without flaw or variation.

 

Amfortas paused and thought for a moment. Then he held up the tape recorder in his hand. As the double imitated the action, its hand was empty, curled around the air. Amfortas wondered why the delusion stopped short of including the tape recorder. The Double wore clothing, after all. He could not think of an explanation.

 

Amfortas looked down at the double's shoes. Like his own, they were blue-and-white-striped Nikes. He looked at his feet and pigeoned them inward, making sure he could not see if the double was matching him. Would it mimic if he were not observing its action as it happened? He shifted his gaze to the double's feet. They were already pigeoned in. Amfortas was wondering what to try next when he noticed that the tip of The Double's left shoelace had something like an ink mark or a scuff on it. When he checked his own shoe he saw that his shoelace tip was the same. He thought that was odd. He didn't think he had known of such a marking until now. How had he seen it on the double? Perhaps his unconscious had known, he decided.

 

Amfortas lifted his gaze to the double's. It was haggard and burning. Amfortas leaned closer; he thought he saw lamplight reflected in the eyes. How could this be? the neurologist wondered. Again he experienced a sense of disquiet. The double was staring at him intently. Amfortas heard voices coming from the street, students shouting back and forth; then they faded to silence and he thought he could hear the beating of his heart when suddenly the double grasped at its temple and gasped in pain, and Amfortas was unable to distinguish the action of the double from his own as the searing pincers clutched at his brain. He stood up unsteadily and the tape recorder and cassettes tumbled down to the floor. Amfortas lurched blindly toward the stairs, knocking over an end table and a lamp. Moaning, he stumbled up to his bedroom, opened the medical bag on the bed and groped for the hypodermic and the drug. The pain was unbearable. He flopped on the edge of the bed and with shaking hands filled up the syringe. He could barely see. He stabbed the syringe through the fabric of his trousers and pressed twelve milligrams of steroid into his thigh. He'd done it so rapidly that the drug hit his muscle like a hammer; but soon he felt an easing of the pain in his head, and a calm and a clarity of thought. He exhaled a long and fluttering breath and allowed the disposable syringe to slip from his fingers to the floor. It rolled on the wood and then stopped at a wall.

 

When Amfortas looked up, he was staring at the double. It was sitting in midair calmly meeting his gaze. Amfortas saw a smile on its lips, his own. "I'd lost track of you," they said in perfect unison. Now Amfortas began to feel giddy. "Can you sing?" they said; then together they hummed a piece of the Adagio from Rachmaninoff s Symphony in C. When they broke it off, they chuckled in amusement. "What very good company you are," they said. Amfortas shifted his glance to the nightstand and the green and white ceramic of the duck. He picked it up and held it with tenderness while his eyes brushed over it, remembering. "I bought this for Ann while we were still dating," they said. "At Mama Leone's in New York. The food was awful but the duck was a hit. Ann cherished this crazy little thing." He looked up at the double. They smiled fondly. "She said it was romantic," said Amfortas and the double. "Like those flowers in Bora Bora. She said she had a painting of that in her heart.''

 

Amfortas frowned and the double frowned back. The doubling of his voice had abruptly begun to annoy the neurologist. He felt an odd sensation of floating, of becoming disconnected from his surroundings. Something smelled horrible. "Go away," he said to the double. It persisted, simultaneously mimicking his words. Amfortas stood up and walked unsteadily to the stairs. He could see the double at his side, a mirror image of his movements.

 

The next instant, Amfortas found himself sitting in the living room chair. He didn't know how he'd gotten there. He was holding the duck in his lap. His mind seemed clear again and tranquil, though he felt himself suffering in some way at a distant remove from his perceptions. He could hear a dull pounding in his head but could not feel it. He looked at the double with distaste. It was facing him, sitting in the air and scowling. Amfortas closed his eyes to escape from the vision.

 

"Do you mind if I smoke?"

 

For a moment the voice didn't register; then Amfortas opened his eyes and stared. The double was sitting on the sofa, one leg comfortably stretched on its cushions. It lit a cigarette and exhaled smoke. "God knows, I've been trying to give it up," it said. "Oh, well, I've at least cut down."

 

Amfortas was stunned.

 

"Have I upset you?" asked the double. It frowned as if in sympathy. "Awfully sorry." It shrugged its shoulders. "Strictly speaking, I shouldn't be relaxing like this, but for heaven's sakes, I'm tired. That's all. I need a break. And in this case, what's the harm? Do you know what I mean?" It was staring at Amfortas with an air of expectancy, but the neurologist was still speechless. "I understand," it said at last. "It takes a bit of getting used to, I suppose. I've never learned how to make a subtle entrance. I suppose I could have tried it an inch at a time.'' It gave a shrug of surrender, and then said, "Hindsight. Anyway, I'm here, and I do apologize. All these years I've been aware of you, of course, but you've never known about me. Too bad. There are times when I've wanted to shake you, so to speak; to set you straight. Well, I suppose I can't do that, even now. Stupid rules. But at least we can have a chat." It suddenly looked solicitous. "Feeling better? No. I see the cat still has your tongue. Never mind, I'll keep talking until you're used to me." A cigarette ash fell on its sweater. It looked down and brushed it away, and murmured, "Careless."

 

Amfortas started giggling.

 

"It's alive," said the double. "How nice." It stared as Amfortas continued to laugh. "Only nice to a point," said the double sternly. "Do you want me to mimic you again?"

 

Amfortas shook his head, still chuckling. Then he noticed that the table and lamp he'd knocked over were back in place. He stared, looking puzzled.

 

"Yes, I picked them up," said the double. "I'm real."

 

Amfortas returned his gaze to the double. "You're in my mind," he said.

 

"Four words. Well done. We're progressing. I'm referring to the form," said the double, "not the content."

 

"You're a hallucination."

 

"And the lamp and the table as well?"

 

"I went into a fugue coming down the steps. I picked them up and then forgot it."

 

The double breathed out smoke with a sigh. "Earth souls," it murmured, shaking its head. "Would it help to convince you if I were to touch you? If you could feel me?"

 

"Perhaps," said Amfortas.

 

"Well, it can't be done," said the double. "That's out."

 

"That's because I'm hallucinating."

 

"If you say that again I will vomit. Listen, who do you think that it is you're talking to?"

 

"Myself."

 

"Well, that's partially correct. Congratulations. Yes. I'm your other soul," said the double. "Say 'Pleased to meet you,' or something, would you? Manners. Oh, that puts me in mind of a story. About introductions and whatnot. It's lovely." The double sat up for a moment, smiling. "This was told to me by Noel Coward's double, and Coward himself says it's true, that it happened. It seems he was standing in a royal reception line. He was right beside the Queen and to the other side of him stood Nicol Williamson. Well, along came a man named Chuck Connors. An American actor. You know? Of course. Well, he thrust out his hand to shake Noel's and said, 'Mister Coward, I'm Chuck Connors!' And Noel said immediately in a soothing, reassuring tone, 'Why, my dear boy, of course you are.' Is that lovely?" The double leaned back against the sofa."What a wit, that Coward. Too bad he's moved on past the border. Good for him, of course. Bad for us." The double looked meaningfully at Amfortas. "Good conversationalists are so rare," it said. "Do you get my drift or do you not?'' It flicked the cigarette stub to the floor. "Don't worry. It's not going to burn," it said.

 

Amfortas felt a mixture of doubt and excitement. There was something of reality about the double, a flavor of life that was not his own. "Why don't you prove that I'm not hallucinating," he said.

 

The double looked puzzled. "Prove it?"

 

"Yes."

 

"How?"

 

"Tell me something I don't know."

 

"I can't stay here forever," said the double.

 

"Some fact I don't know that I can check."

 

"Did you know that little story about Noel Coward?"

 

"I made it up. It isn't a fact."

 

"You are utterly insatiable," said the double. "Do you think you had the wit to make that up?"

 

"My unconscious does," said Amfortas. 

 

"Once again you are close to the truth," said the double. "Your unconscious is your other soul. But not exactly in the way you suppose."

 

"Please explain that."

 

"Prevenient," said the double.

 

"What?"

 

"That's a fact you don't know. It just came to me. 'Prevenient.' That's a word. I heard it from Noel. There. Are you satisfied?"

 

"I know the Latin roots of the word."

 

"This is absolutely maddening if not insufferable," said the double. "I give up. You're hallucinating. And I suppose now you're going to tell me that you didn't commit those murders. Speaking of facts you don't know, old boy."

 

Amfortas froze. The double peered over at him slyly. "Not denying it, I see."

 

The neurologist's tongue was thick in his mouth. "What murders?" he asked.

 

"You know. The priests. That boy."

 

"No." Amfortas shook his head.

 

"Oh, don't be stubborn. Yes, I know, you weren't consciously aware of it. Still." The double shrugged. "You knew. You knew."

 

"I had nothing to do with those murders."

 

The double looked angry and suspicious. It sat up. "Oh, I suppose now you're going to blame me. Well, I haven't got a body, so that lets me out. Besides that, we don't meddle. Do you understand? It was you and your anger that committed those murders. Yes, your anger over God taking Ann from you. Face it. That's the reason you're allowing yourself to die. It's your guilt. Incidentally, that's a stupid idea. It's the coward's way out. It's premature."

 

Amfortas looked down at the ceramic. He was squeezing it, shaking his head. "I want to be with Ann," he said.

 

"She isn't there."

 

Amfortas looked up.

 

"I see I have your attention," said the double. It leaned back against the sofa. "Yes, you're dying, you think, because you want to join Ann. Well, I'm not going to argue that now. You're too stubborn. But it's pointless. Ann's moved on to another wing. With all that blood on your soul, I rather doubt that you'll ever catch up. Awfully sorry to be telling you this, but I'm not here to feed you lies. I can't afford it. I've got trouble enough as it is."

 

"Where is Ann?" The neurologist's heart was beating faster, the pain growing closer to his field of awareness.

 

"Ann is being treated,'' said the double. "Like the rest of us." It abruptly looked sly. "Do you know where I come from now?"

 

Amfortas turned his head and stared numbly at the tape recorder in the corner, and then back at the double.

 

"Amazing. A landmark in the history of learning. Yes, you've heard my voice before on your tapes. I'm from there. Would you like to know all about it?"

 

Amfortas was mesmerized. He nodded.

 

"I'm afraid I can't tell you," said the double. "Sorry. There are rules and regulations. Let's just say that it's a place of transition. As for Ann, as I told you before, she's gone on. That's just as well. You were bound to find out about her and Temple."

 

The neurologist held his breath and stared. The pounding in his head was growing louder, the pain more present and insistent. "What do you mean?" he said, his voice breaking.

 

The double shrugged and looked away. "Would you like to hear a nice definition of jealousy? It's the feeling that you get when someone you absolutely detest is having a wonderful time without you. There could be some truth in that. Think it over.''

 

"You aren't real," said Amfortas huskily. His vision was blurring. The double's body was undulating on the sofa.

 

"Christ, I'm out of cigarettes."

 

"You're not real." The light was growing dim.

 

The double was a voice amid shimmering movement. "Oh, I'm not? Well, by God, I'm going to break another rule. No, really. My patience has come to its limit. There's a nurse who joined your staff today. Her name is Cecily Woods. You couldn't possibly know that. She's on duty this minute. Go ahead, pick up the telephone and see whether or not I'm right. You want a fact you didn't know? That's it. Go ahead. Call Neurology and ask for Nurse Woods."

 

"You're not real."

 

"Call her now."

 

"You're not real!" Amfortas was shouting. He stood up from the chair, the ceramic in his hand, his body trembling, the pain pushing upward, tearing and crushing and making him cry out, "God! Oh, my God!" He moved blindly toward the sofa, stumbling, sobbing, and as the room began to whirl he tripped and fell forward, smashing his head against the corner of the coffee table with a force that opened up a red wound. He thudded to the floor and the green and white ceramic gripped in his hand smashed to pieces with a splintering sound of loss. In moments the blood seeping out from his temple was lapping at the shards and staining the fingers still tightly clutching a piece of the inscription. It said, adorable. The blood soon covered it over. Amfortas whispered, "Ann."

 

Tuesday, 1 December 2020

Parzival: A Tale with Many Tellings


The Vessels of Christ's Sufferings 

 

"To understand that The Metaphysical Mystery is :- 

To Go PAST All Opposites

Where you have Opposites of "Good" and "Evil", you are simply in The Field of Ethics.

 Adam and Eve were thrown out of The Garden when they knew The Difference Between Good and Evil.

 Nature Knows Nothing of That --

The Neutral Angels, Neither on God's Side, Nor on The Devil's Side. 

And Wulfram interprets "Parzival" to mean "The One Who Pierces The Veil - 

To Go Between The Two Two Peaks of Good and Evil. "

 

ALL YOU CAN DO -- is Lean Towards The Good. 

Mythologist Joseph Campbell explores the earliest tales of the quest for the Holy Grail. For more concerning the Grail and the Knights of the Round Table, see Mythos: The Shaping of Our Mythic Tradition (https://www.jcf.org/works/titles/mythos/) or Romance of the Grail: The Magic and Mystery of Arthurian Myth (https://jcf.org/works/titles/romance-...).