Showing posts with label 1984. Show all posts
Showing posts with label 1984. Show all posts

Monday, 18 November 2024

Sometimes Boys Die.





'Winston, Winston!' his mother called after him. 'Come back! Give your sister back her chocolate!'

He stopped, but did not come back. His mother's anxious eyes were fixed on his face. Even now he was thinking about the thing, he did not know what it was that was on the point of happening. His sister, conscious of having been robbed of something, had set up a feeble wail. His mother drew her arm round the child and pressed its face against her breast. Something in the gesture told him that his sister was dying. He turned and fled down the stairs, with the chocolate growing sticky in his hand.

He never saw his mother again. 









'Do you know,' he said, 'that until this moment I believed I had murdered my mother?'

'Why did you murder her?' said Julia, almost asleep.

'I didn't murder her. Not physically.'

In the dream he had remembered his last glimpse of his mother, and within a few moments of waking the cluster of small events surrounding it had all come back. It was a memory that he must have deliberately pushed out of his consciousness over many years. He was not certain of the date, but he could not have been less than ten years old, possibly twelve, when it had happened.

His father had disappeared some time earlier, how much earlier he could not remember. He remembered better the rackety, uneasy circumstances of the time: the periodical panics about air-raids and the sheltering in Tube stations, the piles of rubble everywhere, the unintelligible proclamations posted at street corners, the gangs of youths in shirts all the same colour, the enormous queues outside the bakeries, the intermittent machine-gun fire in the distance -- above all, the fact that there was never enough to eat. He remembered long afternoons spent with other boys in scrounging round dustbins and rubbish heaps, picking out the ribs of cabbage leaves, potato peelings, sometimes even scraps of stale breadcrust from which they carefully scraped away the cinders; and also in waiting for the passing of trucks which travelled over a certain route and were known to carry cattle feed, and which, when they jolted over the bad patches in the road, sometimes spilt a few fragments of oil-cake.

When his father disappeared, his mother did not show any surprise or any violent grief, but a sudden change came over her. She seemed to have become completely spiritless. It was evident even to Winston that she was waiting for something that she knew must happen. She did everything that was needed--cooked, washed, mended, made the bed, swept the floor, dusted the mantelpiece--always very slowly and with a curious lack of superfluous motion, like an artist's lay-figure moving of its own accord. Her large shapely body seemed to relapse naturally into stillness. For hours at a time she would sit almost immobile on the bed, nursing his young sister, a tiny, ailing, very silent child of two or three, with a face made simian by thinness. Very occasionally she would take Winston in her arms and press him against her for a long time without saying anything. He was aware, in spite of his youthfulness and selfishness, that this was somehow connected with the never-mentioned thing that was about to happen.

He remembered the room where they lived, a dark, close-smelling room that seemed half filled by a bed with a white counterpane. There was a gas ring in the fender, and a shelf where food was kept, and on the landing outside there was a brown earthenware sink, common to several rooms. He remembered his mother's statuesque body bending over the gas ring to stir at something in a saucepan. Above all he remembered his continuous hunger, and the fierce sordid battles at mealtimes. He would ask his mother naggingly, over and over again, why there was not more food, he would shout and storm at her (he even remembered the tones of his voice, which was beginning to break prematurely and sometimes boomed in a peculiar way), or he would attempt a snivelling note of pathos in his efforts to get more than his share. His mother was quite ready to give him more than his share. She took it for granted that he, 'The Boy', should have the biggest portion; but however much she gave him he invariably demanded more. At every meal she would beseech him not to be selfish and to remember that his little sister was sick and also needed food, but it was no use. He would cry out with rage when she stopped ladling, he would try to wrench the saucepan and spoon out of her hands, he would grab bits from his sister's plate. He knew that he was starving the other two, but he could not help it; he even felt that he had a right to do it. The clamorous hunger in his belly seemed to justify him. Between meals, if his mother did not stand guard, he was constantly pilfering at the wretched store of food on the shelf.

One day a chocolate ration was issued. There had been no such issue for weeks or months past. He remembered quite clearly that precious little morsel of chocolate. It was a two-ounce slab (they still talked about ounces in those days) between the three of them. It was obvious that it ought to be divided into three equal parts. Suddenly, as though he were listening to somebody else, Winston heard himself demanding in a loud booming voice that he should be given the whole piece. His mother told him not to be greedy. There was a long, nagging argument that went round and round, with shouts, whines, tears, remonstrances, bargainings. His tiny sister, clinging to her mother with both hands, exactly like a baby monkey, sat looking over her shoulder at him with large, mournful eyes. In the end his mother broke off three-quarters of the chocolate and gave it to Winston, giving the other quarter to his sister. The little girl took hold of it and looked at it dully, perhaps not knowing what it was. Winston stood watching her for a moment. Then with a sudden swift spring he had snatched the piece of chocolate out of his sister's hand and was fleeing for the door.

'Winston, Winston!' his mother called after him. 'Come back! Give your sister back her chocolate!'

He stopped, but did not come back. His mother's anxious eyes were fixed on his face. Even now he was thinking about the thing, he did not know what it was that was on the point of happening. His sister, conscious of having been robbed of something, had set up a feeble wail. His mother drew her arm round the child and pressed its face against her breast. Something in the gesture told him that his sister was dying. He turned and fled down the stairs, with the chocolate growing sticky in his hand.

He never saw his mother again. After he had devoured the chocolate he felt somewhat ashamed of himself and hung about in the streets for several hours, until hunger drove him home. When he came back his mother had disappeared. This was already becoming normal at that time. Nothing was gone from the room except his mother and his sister. They had not taken any clothes, not even his mother's overcoat. To this day he did not know with any certainty that his mother was dead. It was perfectly possible that she had merely been sent to a forced-labour camp. As for his sister, she might have been removed, like Winston himself, to one of the colonies for homeless children (Reclamation Centres, they were called) which had grown up as a result of the civil war, or she might have been sent to the labour camp along with his mother, or simply left somewhere or other to die.

The dream was still vivid in his mind, especially the enveloping protecting gesture of the arm in which its whole meaning seemed to be contained. His mind went back to another dream of two months ago. Exactly as his mother had sat on the dingy white-quilted bed, with the child clinging to her, so she had sat in the sunken ship, far underneath him, and drowning deeper every minute, but still looking up at him through the darkening water.

He told Julia the story of his mother's disappearance. Without opening her eyes she rolled over and settled herself into a more comfortable position.

'I expect you were a beastly little swine in those days,' she said indistinctly. 'All children are swine.'

'Yes. But the real point of the story----'



Sunday, 23 June 2024

PIG


He told Julia The Story of 
His Mother's disappearance. 
Without opening her eyes 
she rolled over and settled herself 
into a more comfortable position.

'I expect you were a 
beastly little swine 
in those days,'
she said indistinctly. 
'All children are swine.'

'Yes. But the real point 
of The Story----'


Lord of the Flies  1963





'Have you done this before?'

'Of course. Hundreds of times -- well, scores of times, anyway.'

'With Party members?'

'Yes, always with Party members.'

'With members of the Inner Party?'

'Not with those swine, no. But there's plenty that WOULD if they got half a chance. They're not so holy as they make out.'

His heart leapt. Scores of times she had done it: he wished it had been hundreds -- thousands. Anything that hinted at corruption always filled him with a wild hope. Who knew, perhaps The Party was rotten under the surface, its cult of strenuousness and self-denial simply a sham concealing iniquity. If he could have infected the whole lot of them with leprosy or syphilis, how gladly he would have done so! Anything to rot, to weaken, to undermine! He pulled her down so that they were kneeling face to face.

'Listen. The more men you've had, the more I love you. Do you understand that?'

'Yes, perfectly.'

'I hate purity, I hate goodness! I don't want any virtue to exist anywhere. I want everyone to be corrupt to the bones.'

'Well then, I ought to suit you, dear. I'm corrupt to the bones.'

'You like doing this? I don't mean simply me : I mean the thing in itself?'

'I adore it.'

That was above all what he wanted to hear. Not merely the love of one person but the animal instinct, the simple undifferentiated desire : that was the force that would tear The Party to pieces. He pressed her down upon the grass, among the fallen bluebells. This time there was no difficulty. Presently the rising and falling of their breasts slowed to normal speed, and in a sort of pleasant helplessness they fell apart.







'It's coffee,' he murmured, 'real coffee.'

'It's Inner Party coffee. There's a whole kilo here,' she said.

'How did you manage to get hold of all these things?'

'It's all Inner Party stuff. There's nothing those swine don't have, nothing. But of course waiters and servants and people pinch things, and -- look, I got a little packet of tea as well.'

Winston had squatted down beside her. He tore open a corner of the packet.

'It's real tea. Not blackberry leaves.'

'There's been a lot of tea about lately. 
They've captured India, or something,' she said vaguely.



And He said, "What hast Thou DONE? 
The Voice of thy brother's blood crieth 
unto Me from the ground.

And now art Thou cursed from the earth, 
which hath opened her mouth to receive 
thy brother's blood from thy hand;

When Thou tillest the ground, it shall not 
henceforth yield unto thee her strength; 
a fugitive and a vagabond shalt Thou be in the earth.

And Cain said unto the LORD, 
"My Punishment is greater than I can bear.

Behold, Thou hast driven me out 
this day from the face of the earth; 
and from thy face shall I be hid; and 
I shall be a fugitive and a vagabond 
in the earth; and it shall come to pass, 
that every one that findeth me shall slay me."

And the LORD said unto him, 
"Therefore whosoever slayeth Cain
vengeance shall be taken on him sevenfold." 

And the LORD set a mark upon Cain, 
lest any finding him should kill him.

Sunday, 14 April 2024

Worm Food



DUNE author Frank Herbert: "My Arab friends 
wonder why it's called Science Fiction."

"I put a pot of Message in there 
with a Mess of Pottage."


Bryant Gumbal :
Is Science Fiction 
really fiction or is it 
just The Future
waiting to happen? 

Author Frank Herbert says 
it's a little bit of both. 

His books under the "Dune" title 
takes us to a strange planet 
where Life and Death is determined 
by A Spice, which is carefully doled-out 
by A Leader who is A Humanoid
in The Process of becoming A Worm. 

Now, before I ask you about 
the statement of that, Frank, :
Why is there a tendency 
for people to chuckle 
when they hear
 what I just said? 
To sneer? To smirk?

Perfectly-Frank Herbert :
Well, I think it makes people uncomfortable
the idea that a Human Being can 
become something other than 
a Human Being, especially 
something mindless
out of The Depths --

I'm very heavily imbued 
with Jungian psychology 
so I think that we do have 
a sense of The Mindless 
animal in The Depths 
of All of Us.

But Science Fiction, when 
people say ‘Science Fiction’
they automatically go, ah...
Yeah, but I write Science Fiction for 
people who don't 
read Science Fiction 
and people who 
read Science Fiction also.

Bryant Gumbal :
But you were just telling me 
that you were going after that 
general readership
but You were Frankly 
a little surprised when it 
went over as big as it did. Why?

Perfectly-Frank Herbert :
Well, I didn't - you don't wait for that. 
You go on to do another story and 
when it happened, it happened big and 
I was very surprised by it, 
by how big it came along.

Bryant Gumbal :
You've said Science Fiction writing 
can have a missionary impact. 
Can you elaborate on that 
for me a little bit?

Perfectly-Frank Herbert :
Well, I think it first has to be entertaining 
because if it's not entertaining
nobody's going to read it. 


I put a pot of Message in there 
with a Mess of Pottage, you see.

Bryant Gumbal :
What is The Message
What is The Statement, that you're 
attempting to make here?

Perfectly-Frank Herbert :
Well - Don't trust Leaders 
to always be right
I worked to create A Leader 
in this book who would be really 
an attractivecharismatic person, 
for all the good reasons, not 
for any bad reasons. 

Then, Power comes to him. 
He makes Decisions

….Some of His Decisions

Bryant Gumbal :
In a general sense, not in a specific sense, 
about Leto and Planet Arrakis, but in a very
general sense, do you make this statement 
because you're disenchanted with the way others are 
viewing The Future or preparing for The Future?

Perfectly-Frank Herbert :
Well, I think that Our Society was formed on 
a distrust for Government and we seem to
have lost that distrust in Government. 
I kid around when I say that 
My Favourite President in recent years 
has been Richard Nixon,  because 
he taught us to Distrust Government.

Bryant Gumbal :
What is it, that Government 
is a shared illusion? 
When The Myth dies -

Perfectly-Frank Herbert :
Oh yes. The Myth dies
It disappears

Religion, Government, other institutions, 
Do you see them in any way preparing
for what Frank Herbert sees as 
A Vision of The Future?

Perfectly-Frank Herbert :
No, I have a very passionate concern for Posterity
Another thing upon which This Country was founded,
the decent concern for Posterity and 
unfortunately, Posterity doesn't vote.

Bryant Gumbal :
"Dune" is going to become 
a Dino De Laurentiis movie.

Perfectly-Frank Herbert :
That's right.


That Frank Herbert's written 
The Screenplay for. 
Are we to expect another 
Star Wars type spectacle?

Perfectly-Frank Herbert :
I really am expecting much more 
of A David Lynch movie. 
David has really written The Screenplay. 
I hope he's using a lot of the stuff 
that I gave him, but I haven't 
seen The Screenplay. It'll be 
ready next Friday. 

We are expecting The Movie 
in a year, at the end of ‘83.

Bryant Gumbal :
How many more "Dunes" to come?

Perfectly-Frank Herbert :
At least 1 more.

Bryant Gumbal :
Frank Herbert. Thank You.

Perfectly-Frank Herbert :
Thank You, Bryant.


Wednesday, 14 December 2022

Yeah, You Just Keep Telling Yourself That....

 





Chapter 7 

 Winston had woken up with his eyes full of tears. Julia rolled sleepily against him, murmuring something that might have been 'What's the matter?'

'I dreamt--' he began, and stopped short. It was too complex to be put into words. There was the dream itself, and there was a memory connected with it that had swum into his mind in the few seconds after waking.

He lay back with his eyes shut, still sodden in the atmosphere of the dream. It was a vast, luminous dream in which his whole life seemed to stretch out before him like a landscape on a summer evening after rain. It had all occurred inside the glass paperweight, but the surface of the glass was the dome of the sky, and inside the dome everything was flooded with clear soft light in which one could see into interminable distances. The dream had also been comprehended by -- indeed, in some sense it had consisted in -- a gesture of the arm made by His Mother, and made again thirty years later by the Jewish woman he had seen on the news film, trying to shelter the small boy from the bullets, before the helicopter blew them both to pieces.

'Do you know,' he said, 'that until this moment I believed I had murdered My Mother?'

'Why did you murder her?' said Julia, almost asleep.

'I didn't murder her. Not physically.'

In the dream he had remembered his last glimpse of His Mother, and within a few moments of waking the cluster of small events surrounding it had all come back. It was a memory that he must have deliberately pushed out of his consciousness over many years. He was not certain of the date, but he could not have been less than ten years old, possibly twelve, when it had happened.

His Father had disappeared some time earlier, how much earlier he could not remember. He remembered better the rackety, uneasy circumstances of the time: the periodical panics about air-raids and the sheltering in Tube stations, the piles of rubble everywhere, the unintelligible proclamations posted at street corners, the gangs of youths in shirts all the same colour, the enormous queues outside the bakeries, the intermittent machine-gun fire in the distance -- above all, the fact that there was never enough to eat. 

He remembered long afternoons spent with other boys in scrounging round dustbins and rubbish heaps, picking out the ribs of cabbage leaves, potato peelings, sometimes even scraps of stale breadcrust from which they carefully scraped away the cinders; and also in waiting for the passing of trucks which travelled over a certain route and were known to carry cattle feed, and which, when they jolted over the bad patches in the road, sometimes spilt a few fragments of oil-cake.

When His Father disappeared, His Mother did not show any surprise or any violent grief, but a sudden change came over her. She seemed to have become completely spiritless. It was evident even to Winston that she was waiting for something that she knew must happen. She did everything that was needed -- cooked, washed, mended, made the bed, swept the floor, dusted the mantelpiece -- always very slowly and with a curious lack of superfluous motion, like an artist's lay-figure moving of its own accord. Her large shapely body seemed to relapse naturally into stillness. 

For hours at a time she would sit almost immobile on the bed, nursing His Young Sister, a tiny, ailing, very silent child of two or three, with a face made simian by thinness. Very occasionally she would take Winston in her arms and press him against her for a long time without saying anything

He was aware, in spite of his youthfulness and selfishness, that this was somehow connected with the never-mentioned Thing that was about to happen.

He remembered the room where they lived, a dark, close-smelling room that seemed half filled by a bed with a white counterpane. There was a gas ring in the fender, and a shelf where food was kept, and on the landing outside there was a brown earthenware sink, common to several rooms. He remembered His Mother's statuesque body bending over the gas ring to stir at something in a saucepan. 

Above all he remembered his continuous hunger, and the fierce sordid battles at mealtimes. 

He would ask his mother naggingly, over and over again, why there was not more food, he would shout and storm at her (he even remembered the tones of His Voice, which was beginning to break prematurely and sometimes boomed in a peculiar way), or he would attempt a snivelling note of pathos in his efforts to get more than his share. 

His Mother was quite ready to give him more than his share. She took it for granted that he, 'The Boy', should have the biggest portion; but however much she gave him he invariably demanded more. At every meal she would beseech him not to be selfish and to remember that His Little Sister was sick and also needed food, but it was no use. 

He would cry out with rage when she stopped ladling, he would try to wrench the saucepan and spoon out of her hands, he would grab bits from His Sister's plate. 

He knew that he was starving the other two, but he could not help it; he even felt that he had a right to do it. The clamorous hunger in his belly seemed to justify him. 

Between meals, if His Mother did not stand guard, he was constantly pilfering at the wretched store of food on the shelf.

One day a chocolate ration was issued. There had been no such issue for weeks or months past. He remembered quite clearly that precious little morsel of chocolate. It was a two-ounce slab (they still talked about ounces in those days) between the three of them. 

It was obvious that it ought to be divided into three equal parts. Suddenly, as though he were listening to somebody else, Winston heard himself demanding in a loud booming voice that he should be given the whole piece. 

His Mother told him not to be greedy. There was a long, nagging argument that went round and round, with shouts, whines, tears, remonstrances, bargainings. His Tiny Sister, clinging to Her Mother with both hands, exactly like a baby monkey, sat looking over her shoulder at him with large, mournful eyes. 

In the end His Mother broke off three-quarters of the chocolate and gave it to Winston, giving the other quarter to His Sister. The little girl took hold of it and looked at it dully, perhaps not knowing what it was

Winston stood watching her for a moment. Then with a sudden swift spring he had snatched the piece of chocolate out of His Sister's hand and was fleeing for the door.

'Winston, Winston!' His Mother called after him. 'Come back! Give Your Sister back Her Chocolate!'

He stopped, but did not come back. His Mother's anxious eyes were fixed on His Face. Even now he was thinking about the thing, he did not know what it was that was on the point of happening. 

His Sister, conscious of having been robbed of something, had set up a feeble wail. His Mother drew her arm round the child and pressed its face against her breast. Something in the gesture told him that His Sister was dying. He turned and fled down the stairs, with the chocolate growing sticky in his hand.

He never saw His Mother again. After he had devoured the chocolate he felt somewhat ashamed of himself and hung about in the streets for several hours, until hunger drove him Home. 

When he came back His Mother had disappeared. This was already becoming normal at that time. Nothing was gone from the room except His Mother and His Sister. They had not taken any clothes, not even His Mother's overcoat. To this day he did not know with any certainty that his mother was dead. It was perfectly possible that she had merely been sent to a forced-labour camp. As for His Sister, she might have been removed, like Winston himself, to one of the colonies for homeless children (Reclamation Centres, they were called) which had grown up as a result of the civil war, or she might have been sent to the labour camp along with His Mother, or simply left somewhere or other to die.

The Dream was still vivid in His Mind, especially the enveloping protecting gesture of the arm in which its whole meaning seemed to be contained. His Mind went back to another dream of two months ago. Exactly as His Mother had sat on the dingy white-quilted bed, with the child clinging to her, so she had sat in the sunken ship, far underneath him, and drowning deeper every minute, but still looking up at him through the darkening water.

He told Julia The Story of His Mother's Disappearance. Without opening her eyes she rolled over and settled herself into a more comfortable position.

'I expect you were a beastly little swine in those days,' she said indistinctly. 'All children are swine.'

'Yes. But the real point of The Story----'

From her breathing it was evident that she was going off to sleep again. He would have liked to continue talking about His Mother. He did not suppose, from what he could remember of her, that she had been an unusual woman, still less an intelligent one; and yet she had possessed a kind of nobility, a kind of purity, simply because the standards that she obeyed were private ones. Her Feelings were her own, and could not be altered from outside. It would not have occurred to her that an action which is ineffectual thereby becomes meaningless. If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. When the last of the chocolate was gone, His Mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did not avert the child's death or her own; but it seemed natural to her to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against the bullets than a sheet of paper. The terrible thing that The Party had done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over The Material World. When once you were in the grip of The Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of the stream of History. And yet to the people of only two generations ago this would not have seemed all-important, because they were not attempting to alter History. They were governed by private loyalties which they did not question. What mattered were individual relationships, and a completely helpless gesture, an embrace, a tear, a word spoken to a dying man, could have value in itself. The proles, it suddenly occurred to him, had remained in this condition. They were not loyal to A Party or A Country or An Idea, they were loyal to one another. For the first time in his life he did not despise the proles or think of them merely as an inert force which would one day spring to life and regenerate The World. The proles had stayed Human. They had not become hardened inside. They had held on to the primitive emotions which he himself had to re-learn by conscious effort. And in thinking this he remembered, without apparent relevance, how a few weeks ago he had seen a severed hand lying on the pavement and had kicked it into the gutter as though it had been a cabbage-stalk.

'The proles are Human Beings,' he said aloud. 'We are not Human.'

'Why not?' said Julia, who had woken up again.

He thought for a little while. 'Has it ever occurred to you,' he said, 'that the best thing for us to do would be simply to walk out of here before it's too late, and never see each other again?'

'Yes, dear, it has occurred to me, several times. But I'm not going to do it, all the same.'

'We've been lucky,' he said 'but it can't last much longer. You're young. You look normal and innocent. If you keep clear of people like me, you might Stay Alive for another fifty years.'

'No. I've thought it all out. What you do, I'm going to do. And don't be too downhearted. I'm rather good at Staying Alive.'

'We may be together for another six months -- a year -- there's no knowing. At the end we're certain to be apart. Do you realize how utterly alone we shall be? When once they get hold of us there will be nothing, literally nothing, that either of us can do for the other. If I confess, they'll shoot you, and if I refuse to confess, they'll shoot you just the same. Nothing that I can do or say, or stop myself from saying, will put off Your Death for as much as five minutes. Neither of us will even know whether the other is alive or dead. We shall be utterly without Power of any kind. The one thing that matters is that we shouldn't betray one another, although even that can't make the slightest difference.'

'If you mean confessing,' she said, 'we shall do that, right enough. Everybody always confesses. You can't help it. They torture you.'

'I don't mean confessing. Confession is not betrayal. What you say or do doesn't matter : only feelings matter. If they could make me stop loving you -- that would be the real betrayal.'

She thought it over. 'They can't do that,' she said finally. 'It's the one thing they can't do. They can make you say anything -- ANYTHING -- but they can't make you believe it. They can't get inside you.'

'No,' he said a little more hopefully, 'no; that's quite true. They can't get inside you. If you can FEEL that staying Human is worth while, even when it can't have any result whatever, you've beaten them.'

He thought of The TeleScreen with its never-sleeping ear. They could spy upon you night and day, but if you kept your head you could still outwit Them. With all Their cleverness they had never mastered The Secret of finding out What Another Human Being was Thinking. 

Perhaps that was less True when you were actually in their hands. One did not know what happened inside The Ministry of Love, but it was possible to guess : tortures, drugs, delicate instruments that registered your nervous reactions, gradual wearing-down by sleeplessness and solitude and persistent questioning. 

Facts, at any rate, could not be kept hidden. They could be tracked down by enquiry, they could be squeezed out of you by torture. 

But if the object was not to Stay Alive but to Stay Human, what difference did it ultimately make? They could not alter Your Feelings : for that matter you could not alter them yourself, even if you wanted to. They could lay bare in the utmost detail everything that you had done or said or thought; but the inner heart, whose workings were mysterious even to yourself, remained impregnable. 
 

Sunday, 23 October 2022

The Architecture of Belief : Two Tribes



PSY-434 - Maps of Meaning
The Architecture of Belief

“…and The Thing about Familiar Territory for us is,
most of the Familiar Territory that you inhabit
most of the time — is Other People.


Lecture: 2017 Maps of Meaning 01: Context and Background


“In this lecture, I discuss The Context within which 
The Theory I am delineating through 
this course emergedthat of The Cold War

What is Belief? 
Why is it so important to people? 
Why will they fight to protect it? 

I propose that Belief unites a culture's 
Expectations and Desires 
with The Actions of it's People
and that the match between those two 
allows for cooperative action 
and maintains emotional stability

I suggest, further, that Culture 
has a deep narrative structure
presenting The World as 
A Forum for Action, with characters 
representing The Individual, 
The Known, and The Unknown --
-- or The Individual, Culture and Nature --
-- or The Individual, Order and Chaos.”




Wednesday, 28 September 2022

Fat Old Sun












"Kirby could throw away in one single panel a high concept that would keep others busy for years : Crippled Vietnam War veteran Willie Walker became the vessel for The New God of Death — a black man in full armor hurtling through walls and space on skis. The Black Racer was a twist on Kirby’s original idea for the Silver Surfer, here as an angel of Death, not Life. The Mother Box, a living, emotionally nurturing, personal computer was the fusion of soul and machine carried by all the inhabitants of New Genesis. Metron the amoral science god with his dimension-traveling Mobius chair. The Source was for Kirby the ultimate ground of being, like the Ain Soph Aur of Judaic mysticism, beyond gods, beyond all divisions and definitions. Genetic manipulation, media control, the roots of Fascism — Kirby was on fire and had something new to say about everything under the sun.

  The Fourth World cycle was to be a great interlocking mechanism of books combining to form a complete modern myth, while, as an afterthought, re-creating the very idea of the superhero from the ground up and infusing it with Divinity. It might have run for five more years.

  But then The Fourth World spun off its axis. Carmine Infantino, promoted to DC’s vice president, allegedly looked at sales figures and canceled the books, which were doing well enough but not as well as had been hoped based on Kirby’s name. The King was hit hard, and The World lost the conclusion to a Great Work. He went on to create more titles, of course. Hundreds more original, quirky stories burst from that relentless mind, but the great mythographer had been thwarted in the midst of his masterpiece, brought down by dark forces and jealous gods. Kirby’s personal vision, his avalanche of novelty and energy, was too new for a culture in retreat, looking back to the fifties, dreaming of sock hops and ponytails, in the happy days before ’Nam and Richard Nixon.

  When Kirby returned in 1985, older and more wary, to complete his story, he was given only sixty pages to wrap up a saga that warranted thousands more. Imagine God halfway through Exodus having to hurry it up. The Hunger Dogs showed the passage of time and the footprints left by the relentless march of cynicism. Still The King delivered. As a dreadful elegy for the hopes of the baby boomers and the stark truth of their lives—growing older, facing Reagan and Thatcher — The Hunger Dogs, Kirby’s completion of The Story, was bleak, unforgettable, and in many ways the only perfect end to The Fourth World saga.

  But by the time it was released, Kirby’s hand-to-eye coordination had deteriorated significantly, making some pages appear ugly and rough-hewn. A more generous approach might imagine the artist embracing a new primitivism, a shorthand in which scale and perspective played second fiddle to the immediate expression of the ideas. But too many of the drawings were doodles that told the story with the barest minimum of effort. And his audience had flown. Fashion had passed him by. He was “Jack the Hack” now, an old man mocked and derided by the same people who had hailed his genius twenty years earlier and would again ten years later.

  The Epic had stalled and, like the great Aquarian youth revolution that had inspired so much of it, unraveled into world-weary cynicism. The Forever People had all grown up, gone bald, got jobs, and given up the struggle for a future among the stars. But Kirby had one final trick, one last visionary warning to leave his readers : A new superhero saga that would jump so far into The Future that it’s still reverberating and is more relevant today than it was when it was published to little acclaim in 1974...."

Sunday, 18 September 2022

Steve Trevor is MY Hero (still.)


Diana :
[mouthing] 
Oh, my God. It’s you
I missed you.

Diana :
So What Do You Remember?

Steve Trevor's Ghost :
I remember… I remember 
taking the plane up…

Diana :
Mmm-hmm.

Steve Trevor's Ghost :
and thennothing, really. Nothing
But somehow, I know 
I’ve been someplace since then. 
Someplace that’s, uh… 
I can’t really put words to it. 
But it’s… It’s good

And then I, uh… 
I woke up here.

Diana :
Where?

Steve Trevor's Ghost :
I ended up in a bed. Uh… Strange, 
strange pillow bed with slats.

Diana :
A futon, yeah.

Steve Trevor's Ghost :
A futon? Yeah. Well, not comfortable
And really a bit backwards 
if I’m being really honest with you. 
I mean, for a futuristic time like this. 
Nineteen… Eighty-four. 1984.

[both sigh]

[Passenger-Jet airplane passing]

Steve Trevor's Ghost :
That’s amazing
[Steve chuckles in astonishment]

[Diana laughing joyously]

Steve Trevor's Ghost :
Would you like to 
see my futon?

[kicks]

[door closes]

[objects clattering]

[Diana gasps]

Steve Trevor's Ghost :
Yeah. Um… You don’t have to tell me. 
The Place is a mess. Cheese on demand. 
I spent all morning cleaning His Bedroom
but he seems to me to be An Engineer. 
Lots of pictures of himself. 
Not what I would do, 
but to each his own.

Diana :
Oh, so this is how you found me.

Steve Trevor's Ghost :
Yeah, The Phone Book. 
I guess some things 
are just future-proof.

Diana :
So you went to My Apartment?

Steve Trevor's Ghost :
Yeah, I tried to use the bike at first. 
(it's an exercise bike)
I couldn’t really figure out how to get it going, 
so I ran over and saw you come back. 

And I was stunned. There you were
So I just, uh… followed you, like a creep. 
Diana, look at you. It’s… 
It’s like not one day has passed.

Diana :
I can’t say the same thing about you.

Steve Trevor's Ghost :
[sighs] Right, right, right. 

Right. Yeah, he’s, uh… 
He’s got it. [laughing
No, I like him.

He’s great, but all I see is you.



[groaning]
[laughing]
[sighs]
[gasps]

Steve Trevor's Ghost :
Hi.

Diana :
Come here.

Steve Trevor's Ghost :
Good Morning.

[Diana hums happily]

Steve Trevor's Ghost :
Been eating Pop-Tarts all morning, 
and I’ve had about three pots of coffee. 
This Place is amazing. [laughing]

Diana :
'This Place'?

Steve Trevor's Ghost :
Yeah. You know, if I really think about it, 
I don’t think I’ve ever been 
in a room more amazing.

Diana :
It’s True.

Steve Trevor's Ghost :
Yeah.

Diana :
This Room is the most amazing place 
I’ve ever been in, in my entire life.

Steve Trevor's Ghost :
It’s the most amazing place, right?

Diana :
So let’s stay. We shouldn’t go.

Steve Trevor's Ghost :
I really don’t want to.

Diana :
So, let’s not.

Steve Trevor's Ghost :
Okay.

Diana :
Let’s just stay here.

Steve Trevor's Ghost :
Let’s just stay here.

Diana : 
Forever

Although
(nose wrinkles
I should probably go and figure out 
How a Stone brought My Boyfriend 
back from The Dead in 
Someone Else’s body.

[Steve breathing heavily]

[Diana humming]

Steve Trevor's Ghost :
....that’s a fair point. Let’s go.