Showing posts with label Cat. Show all posts
Showing posts with label Cat. Show all posts

Wednesday, 10 August 2022

Cat

 
 
  


 

 


Lister clutched the bazookoid - the heavy portable rockblasting mining laser - to his chest, and checked again that the pack on his back was registering 'Full Charge'.

 

Light flitted through the wire mesh of the rickety lift as it clumsily juddered its way down into the bowels of the ship.

 

Three miles of lift shaft. Over five hundred floors, most of them stretching the six-mile length of the ship.

 

These were the cargo decks, where all the supplies were stored.

 

The tiny, exposed cage shuddered and rocked slowly past floor after floor.

 

Down.

 

Perhaps twenty floors of food, vacuum-sealed, tin mountains, stretching out beyond vision.

 

Down.

 

Four floors of wood - a million chopped trees stacked in silent pyramids.

 

Down.

 

Floors of mining equipment.

 

Down.

 

Floors of raw silicates, mined from Ganymede.

 

Down.

 

Floors of water, stored and still in enormous glass tanks.

 

And down.

 

And the only sound was the metallic squealing of the lift cable as it plunged them deeper and deeper into the gloomy abyss.

 

'I don't know why I'm scared. I'm a hologram. Whatever it is, it can't do anything to me.'

 

'Thanks. That makes me feel really secure.'

 

The gloom enveloped them. The light on Lister's mining helmet cut only twenty feet into the darkness. Lister flipped down the helmet's night-visor and switched the beam to infra red.

 

Down.

 

Then, something strange. These floors were empty. Hundreds of cubic miles of supplies were missing! Food, metal, wood, water - missing.

 

'It's gone!'

 

'What has?' Rimmer squinted blindly into the darkness.

 

'Everything.'

 

'What d'you mean, everything?'

 

'All the supplies The last ten floors - they were all empty.'

 

'I'm so glad I'm already dead. I'm so, so glad.'

 

'You want to shut the smeg up?'

 

Down.

 

D

 

O

 

W

 

N

 

In the bottom right hand corner of Lister's visor a small green cross began to flicker.

 

'Oh, smeg. There is something here.'

 

'Where?'

 

The cross crept up the visor. Lister wanted to say: 'The next floor,' but he couldn't. He couldn't speak.

 

The lift coughed to a stop. The whine of the motor faded to nothing.

 

There it was.

 

Stretching before them, six miles in length, half-lit and desolate.

 

A huge, impossible city.

 

A city!

 

The lift doors folded open - cher-chunk! - and they stepped out onto the rough cobbled street.

 

Crudely fashioned igloo-shaped dwellings lined the roadway; hummocks of carved wood, without doorways. Each had only a slit, perhaps a yard wide and less than a foot high, cut six feet from the ground.

 

Lister checked the charge on the bazookoid back pack, and they both started cautiously down the street. Before them was a crossroads. The igloo hummocks stretched out in every direction. The flashing cross in Lister's visor throbbed more insistently and indicated they should turn right.

 

'What is this place?'

 

Lister slung the bazookoid over his shoulder and scrambled up one of the hummocks. He poked his head through a slit and peered into the dim interior.

 

'Some kind of house. But it's tiny just enough room for two people to crouch in and peer out of the gash at the top. Whatever lived here really liked confined spaces.' Built into a tiny recess in the wall was a small bookcase containing six books. Lister reached in and managed to grab three of them. He dropped down from the hummock.

 

Rimmer peered over his shoulder as he opened each book in turn. Every single page in every book was blank. Lister slipped the books into his haversack, grabbed the bazookoid, re-checked the charge, and they moved off again.

 

After five minutes or so, they reached a square. Rows of benches faced a television screen attached to a video recorder. Lister ejected the disc. It bore the ship's regulation supply logo.

 

'What is it?' asked Rimmer.

 

'...The Flintstones.'

 

They turned left. More hummocks. Another square, but this time set out like a street cafe: tables with parasols; wooden chairs. And in the centre : a table, fully laid, with two gold candelabra, both lit. A meal, half-eaten, sat steaming on a plate.

 

The blip on Lister's visor was pulsing faster than ever.

 

'It's here!' Lister's finger tightened on the beam button of the bazookoid.

 

'Whatever it is, it's right here!'

 

A flash.

 

A pink blur flashed from the top of a hummock, pinning Lister to the floor, and sending the weapon skittering across the cobbles.

 

Rimmer watched, half-paralysed, as the pink neon-suited man with immaculate coiffeur sniffed Lister, looked up with a puzzled expression, sniffed him more deeply, then finally got to his feet, took out a clothes brush and smoothed out his suit.

 

'Sorry, Man,' he said, 'I thought you were food'

 

SIX

 


From the moment he discovered that the cadmium II had achieved critical mass, Holly had less than fifteen nanoseconds to act. He sealed off as much of the ship as possible - the whole cargo area, and the ship's supply bay.

 

Simultaneously, he set the drive computer to accelerate far beyond the dull green-blue disc of Neptune in the distance, and out into the abyss of unknown space. Then he read the Bible, the Koran, and other major religious works : he covered Islam, Zoroastrianism, Mazdaism, Zarathustrianism, Dharma, Brahmanism, Hinduism, Vedanta, Jainism, Buddhism, Hinayana, Mahayana, Sikhism, Shintoism, Taoism and Confucianism. Then he read all of Marx, Engels, Freud, jung and Einstein. And, to kill the remaining few nanoseconds, he skipped briefly through Joe Klumpp's Zero Gee Football - It's a Funny Old game.

 

At the end of this, Holly came to two conclusions. First, given the whole sphere of human knowledge, it was still impossible to determine the existence or not Of God. And second, Joe Klumpp should have stuck to having his hair permed.

 

***

 

In the hold, Frankenstein's four offspring began to breed. Each litter produced an average of four kittens, three times a year. At the end of the first year, the second generation of kittens started to breed too. They also produced three annual litters of three to four kittens.

 

When Frankenstein died, at the great old age of fourteen, she left behind one hundred and ninety-eight thousand, seven hundred and thirty-two cats.

 

198,732 cats, who continued to breed.

 

***

 

Still Red Dwarf accelerated.

 

Holly witnessed at first hand phenomena which had never been witnessed before.

 

He saw phenomena which had only been guessed at by theoretical physicists.

 

He saw a star form.

 

He saw another star die.

 

He saw a black hole.

 

He saw pulsars and quasars.

 

He saw twin and triplet sun systems.

 

He saw sights Copernicus would have torn out his eyes for, but all the while he couldn't stop thinking how bad that book was by Joe Klumpp.

 

***

 

The cats continued to breed.

 

***

 

Red Dwarf continued to accelerate.

 

***

 

The forty-square mile cargo hold was seething with cats.

 

A sea of cats.

 

A sea of cats, sealed from the radiation-poisoned decks above with nowhere to go.

 

Only the smartest, the biggest and the strongest survived — The Mutants.

 

The Mutants, who had rudimentary fingers instead of claws, who stood on their hind legs, and clubbed rivals to death with crudely made clubs. Who found the best breeding mates.

 

And bred.

 

Felis erectus was born

 

***

 

Red Dwarf, still accelerating, passed five stars in concentric orbits, Performing a breathtaking, mind-boggling stellar ballet.

 

Not that Holly noticed.

 

He'd been on his own now for two million years and was no longer interested in mind-boggling stellar ballets. What he was really into was Netta Muskett novels.

 

The young doctor had just told Jemma she had only three years to live, as he held her in his powerful masculine grip, his dark brooding eyes piercing her very soul. Outside, the suns danced into a perfect pentagon and span, end over end, like a gigantic Catherine wheel.

 

But Holly didn't see it. He was too busy reading Doctor, Darling.

 

***

 

Then there was a plague.

 

And the plague was hunger.

 

Less than thirty Cat tribes now survived, roaming the cargo decks on their hind legs in a desperate search for food.

 

But the food had gone.

 

The supplies were finished.

 

Weak and ailing, they prayed at the supply hold's silver mountains: huge towering acres of metal rocks which, in their pagan way, the mutant Cats believed watched over them.

 

Amid the wailing and the screeching one Cat stood up and held aloft the sacred icon. The icon which had been passed down as holy, and one day would make its use known.

 

It was a piece of V-shaped metal with a revolving handle on its head.

 

He took down a silver rock from the silver mountain, while the other Cats cowered and screamed at the blasphemy.

 

He placed the icon on the rim of the rock, and turned the handle.

 

And the handle turned.

 

And the rock opened.

 

And inside the rock was Alphabetti spaghetti in tomato sauce.

 

And in the other rocks were even more delights. Sugar-free baked beans. Chicken and mushroom Toastie Toppers. Faggots in rich meaty gravy. All sealed in perfect vacuums, preserved from the ravages of Time.

 

God had spoken.

 

And Felis sapiens was born.

 

***

 

Holly was gurning. He was pulling his pixelized face into the most bizarre and ludicrous expressions he could muster. He'd been gurning now for nearly two thousand years. It wasn't much of a hobby, but it helped pass the time.

 

He was beginning to worry that he was going computer-senile. Driven crazy by loneliness. What he needed, he decided, was a companion.

 

He would build a woman.

 

A perfectly functioning human woman, capable of independent thought and decision-making. Identical to a real woman in the minutest detail.

 

The problem was he didn't know how.

 

He didn't even know what to make the nose out of.

 

So he gave the whole scheme up as a bad idea, and started gurning again.

 

***

 

And there was a war between the Cats.

 

A bloody war that laid waste many of their number.

 

But the reason was good.

 

The cause was sensible.

 

The principle was worth fighting over.

 

It was a holy war.

 

Some of the Cats believed the one true father of Catkind was a man called Cloister, who saved Frankenstein, the Holy Mother, and was frozen in time by the evil men who sought to kill her. One day Cloister would return to lead them to Bearth, the planet where they could make their home.

 

The other Cats believed exactly the same thing, except they maintained the name of the true Father of Catkind was a man called Clister.

 

They spent the best part of two thousand years fighting over this huge, insuperable theological chasm.

 

Millions died.

 

Finally, a truce was called.

 

Commandeering the fleet of shuttles from the docking bay, half the Cats flew off in one direction, in search of Cloister and the Promised Planet, and the other half flew off in the opposite direction, in search of Clister and the Promised Planet.

 

Behind them they left the ones who were too weak to travel: the old, the lame, the sick and the dying.

 

And one by one, they died.

 

Soon only two remained: one a cripple, one an idiot.

 

They snuggled together for warmth and companionship And one day, to the cripple and the idiot, a son was born.

 

SEVEN

 


So the last human being alive, a man who had died, and a creature who'd evolved from cats, stood around the metal table that was bolted to the floor of the sleeping quarters and listened to a computer with an IQ of six thousand, who couldn't remember who'd knocked Swansea City out of the 1967 FA cup, explain what the hell was happening.

 

'So he's a Cat,' said Lister for the fourteenth time.

 

The Cat took a small portable steam iron out of his pocket and started pressing the sleeve of his jacket.

 

Outwardly, at least, he was human in appearance - there was a slight flattening of his face: his ears were a little higher on his head; and two of his gleaming upper teeth hung down longer and sharper than the others, so they peeked, whitely, over his lips whenever he grinned. Which he did a lot.

 

He didn't seem to have a trace of super-ego. He was all ego and id - monumentally self-centred and, if he'd been human, you would have described him as vain. But you couldn't apply human values to Cats - there seemed to be very little connection between the two cultures. The invention which proved the turning point in Cat history wasn't Fire or the Wheel: it was the Steam-operated Trouser Press.

 

Getting information out of the Cat wasn't easy : if you asked him too many questions, he just got bored, and went off to take one of the five or six showers he appeared to need daily.

 

He didn't have a name. He found it difficult to understand the idea. He was of the unshakeable conviction that he was the absolute centre of the entire universe, the reason for its being; and the notion that someone might not know who he was was beyond his comprehension.

 

'What about in relationships?' Lister had persisted.

 

'Re-la-tionships?' The Cat rolled the word around on his tongue. The Cats had learned English from the vast number of video discs and training films that were stored in the cargo decks, waiting for delivery to Triton. But most human concepts eluded them.

 

'Yeah, you know, between a man cat and a woman cat What do you call each other?'

 

'Hey, you.'

 

'What? In the entire relationship' you never refer to each other by name?'

 

'You know how long a Cat relationship lasts? Three minutes. First minute's fine; second minute, you feel trapped! Third minute, you've got to leave.

 

The very thought of a relationship which lasted longer than three minutes brought the Cat out in a cold sweat, and he had to go and take another hot shower.

 

And so the evening progressed.

 

When the Cat wasn't showering or snoozing' he was preening. He appeared to have secreted about his immaculate person an arsenal of combs and brushes, none of which seemed to spoil the line of his immaculate pink suit.

 

For the most part, details of the Cat's background remained obscure. He found the concept of 'parents' bewildering. He couldn't believe there was ever a time he wasn't born. When he put his mind to it, he did recall two other Cats who used to be around, but most of the time they'd avoided each other. One of them, he reckoned, had probably been his mother - because she wouldn't sleep with him.

 

In fact, she'd got quite angry at his approaches and hit him on the head with a large frying pan.

 

The other must have been his father; a deeply religious Cat who was constantly reciting The Seven Cat Commandments: 

 

'Thou shalt not be cool; 

Thou shalt not be in vain; 

Thou shalt not have more than ten suits; 

Thou shalt not partake of carnal knowledge with more than four members of the opposite sex at any one session; 

Thou shalt not slink; 

Thou shalt not hog the bathroom; and 

Thou shalt not steal another's hair-gel.'

 

In the Dark Ages of religious intolerance, these laws were laid down by Cat priests to keep their race in check. It was only through denying certain lusts, certain natural urges to be cool and stylish, they said' that a Cat could find redemption. Strict punishments were meted to transgressors: Cats caught slinking in public would have their shower units removed; Cats condemned as vain would have their hair-driers confiscated, and be forced to wear fashions some two or three seasons old.

 

'Paisley? With thin lapels and turn-ups?? But that was last spring! Please, no!

 

Have mercy!'

 

Friday, 23 April 2021

CAT








cat 
The animal that is thought of today as a beloved pet (and hardly as an exterminator of RATS and mice any more) has a predominantly negative reputation in symbolic tradition. It was domesticated in ancient Egypt around 2000 B.C. from the Nubian Felis sylvestris lybica

A short-tailed cat, the so-called "reed cat," which was known there even earlier, is mentioned in The Book of the Dead as slicing up the evil SNAKE Apepi.

The domestic cat soon replaced leonine deities: the cat goddess Bast or Bastet was a lioness in earlier times, but cats themselves came to be frequently mummified, and feline deities appeared, represented with a cat's head and a woman's body. 

In late antiquity cats were brought from Egypt to Greece and Rome and were viewed as attributes of the goddess DIANA. 

BLACK cats in particular were believed to have magic powers; even their ASHES, strewn over a farmer's fields, were believed to ward off harmful insects and animals. 

For the Celts cats symbolized evil forces and were frequently sacrificed, whereas the Norse goddess Freya was represented in a chariot drawn by cats.

The eye of the cat, which appears to change as the light strikes it from different angles, was considered deceptive, and the animal's ability to hunt even in virtual DARKNESS led to the belief that it was in league with the forces of darkness. 

It was associated with lasciviousness and cruelty and was considered above all the "familiar" (Latin spiritus familiaris) of WITCHES, who were often said to ride black {tom-}cats to their sabbaths. Even today the superstitious believe the black cat brings bad luck. 


Interestingly, humorous or satirical papyri from ancient Egypt often portray a "world turned upside down" in which mice in CHARIOTS wage war on cats in their entrenchments-not unlike the humor we find in "Tom and Jerry" cartoons of our day. 

For some psychologists the cat is "the typically feminine animal, " a creature of the NIGHT, "and woman is, we know, more deeply rooted in the dark, intuitive side of life than man, with his simpler psyche" [Aepplil] 

We are tempted to speculate that the negative valuation of the cat, which we have noted in many cultures, is related to an aggressive attitude toward that which is female. (Note the frequent feline metaphors in misogynist expressions and cliches: a "cat fight" between two women, a "catty" remark, "like a cat in heat."

In heraldic tradition cats appear frequently, and with associations that recall little of the ailurophobia we find elsewhere: "Cats, being difficult to catch or to confine, signify liberty. The cat is tireless and cunning when going after its prey-the virtues of a good soldier. This is why the Swabians, Swiss, and Burgundians of old had cats in their coats of arms, standing for liberty" [Bbckler] 







deer (male), stag, hart, or buck 
A symbolic animal prominent in Old World cultures. The stag seems to have been frequently paired with the BULL to form a mythic and cosmological DUALITY, not unlike the wild HORSE and the wild bull in Ice Age CAVE art in the hypothesis of French archaeologists. 

The stag's tree-like antlers with their periodic regeneration made him a symbol of rejuvenation, rebirth, and the passage of time. In Norse mythology four stags graze in the highest branches of the world-tree Yggdrasill, eating buds (hours), blossoms (days), and branches (seasons). 

The deer's antlers were seen as symbols of the SUN'S rays. 

In antiquity the stag was considered the enemy of poisonous SNAKES, its skin an amulet against snakebite. and powdered antler as protection for seed corn against black magic. In ancient China the deer (iu). through homonymy with the word for riches. came to symbolize wealth, and also filial piety (according to fable a young man disguised himself in a deerskin to obtain deer's milk as eye medicine for his blind parents); the animal accompanied the god of longevity, Shou-hsing. Christian iconography is greatly influenced by the 42nd Psalm: "As the hart panteth after the water brooks. so panteth my soul after thee, 0 God" [verse I] .

 According to the early Christian text Physiologus, the deer spits water into every crevice in which poisonous snakes are hiding; it thus floats them out and tramples them. "So too does our Lord strike the serpent. the DEVIL, with heavenly WATER . . .. In another sense. ascetics are like the deer: with tears of penitence they extinguish the flaming ARROWS of evil, and they trample the great serpent. the devil. and kill him." 

The deer is also said to be able to suck snakes out of their holes protecting itself against the snakes' venom by drinking spring water within three hours; then. supposedly, the deer will live another 50 years. "If you have the serpent in your heart, namely sin. then rush to the springs, to the veins of Holy Scripture. and drink the living water. . . and die not of sin." 

Medieval bestiaries repeat all of this. adding: deer discovered the miraculous power of the herb dittany (Dictamnus albus. or gas plant) when they had hunters' arrows in them and found that eating dittany enables them to expel the arrows and their wounds to heal. 

When deer cross a stream each one "lays its head on the hindquarters of the deer in front of it, thus reducing its weight. If they come to a filthy place, they quickly leap away from it. Thus, too, should Christians . . . help carry one another; they should leap over a place of filthy sin, and when they have satanic venom in their bodies they should run to Christ, the true spring and source, to confess and be rejuvenated" [Unterkircher]. 

Deer horn, according to the same sources, is an effective medicine, the RIGHT antler being more potent than the left, and burnt deer horn drives away any snake. Deer meat heals fever, and a salve made from the deer marrow is also an effect ive remedy for it. The stag appears frequently in heraldry, signifying "gentleness and mildness, because the deer is believed to have no yellow bile, the reputed reason for its long life, reaching a hundred years" [Bockler]. 

The antlers also appear alone (or a single antler, or a part thereof), referring, according to Bockler, to "strength." [n this context he explains the symbolism of "putting horns on" a husband: 

The Greek emperor Andronicus had horns placed on the houses of women with whom he had slept, authorizing them to hunt, and thus we speak even today of putting horns on a cuckold

Also in the time of Galeazzo Sforza, Count of Milan, women were not ashamed to sleep with princes, for their husbands came away not with paltry but with golden horns and received great honors." [n Celtic myth deer are "cattle of the fairies" and messengers between the world of the gods and that of mortals. The Celtic god Cemunnos was portrayed with antlers on his head like the shamans of ancient peoples. [n Christian sculpture of the Middle Ages the deer is sometimes portrayed nibbling on grapes (see WINE), symbolizing humanity, which even on earth can already enjoy the fruits of God's grace. The animal's striving to reach springs symbolizes the desire for purification through baptism: "Just as the deer devours the snake,/ Then rushes off his thirst to slake,/ Lets spring the venom wash away,! So all is well, can Christian say,! For he is saved, sin's trace is lost,! When in baptismal font he's washed." This is why the relief-work on such fonts often includes the representation of deer. 

The imagery of ALCHEMY sees the deer as a symbol in the context of the classical myth of the hunter ACTAEON, who was transformed into a stag by the goddess DIANA (Artemis) : for the alchemist the deer is a reminder of the possible transmutation of metals in connection with the lunar (see MOON), feminine world of SILVER

The animal is referred to figuratively in occasional idioms. Germans speak of "hunting the white deer" to indicate that a task is very difficult, or a goal unattainable; and in English "stag" refers to a man attending a social function unaccompanied by a woman: "to go stag," a "stag party." 

The legends of St. Eustace and St. Hubert tell of a CROSS appearing in the antlers of a hunted stag. Other saints (Meinulf, Meinhold, Oswald, Prokop of Bohemia) are portrayed with deer as their attributes. [n pre-Columbian Central America antlered animals resembling the deer (in Aztec, mazatl; in Maya, manik) give their name to the seventh of the 20 day-signs of the calendar. Like these creatures of the wild, persons born under this sign are said to roam through nature, seeking distant regions and shunning fixed abodes. [n the Shinto religion of Japan, the stag is the mount of the gods and is often portrayed with their symbols on scrolls at shrines. (See also DOE.)




Diana 
The Latin designation, popular in Europe since the Renaissance, for the goddess of the hunt, in Greek Artemis, who by this time had only allegorical or symbolic meaning. Statues of Diana with the crescent-MOON in her hair, bow and ARROWS in her hand, accompanied by hunting DOGS, adorned especially the gardens of the baroque period. 

On occasion, the legendary scene is represented in which ACTEON, having observed the chaste Diana bathing, is transformed into a stag (see DEER) and tom apart by his own hunting dogs. 

The crescent is explained by the fact that the early Italian goddess Diana was originally the goddess of the Moon and only later were the myths relating to Artemis, the mistress of the animals (potnia theron), carried over to her. 

Diana seems to have lived on not only in garden sculpture but also as a mythical figure in Italy. 

The American mythologist Charles G. Leland (1824-1903) reported in his book Arcadia (1899) about a cult of "WITCHES" (streghe) who revered Diana and appealed to her as a great goddess: "Diana! Diana! Diana! Queen of all magicians and of the dark night, the stars, the moon, all fate and fortune! You, mistress of ebb and flow, who shine at night upon the sea, throwing your light upon the water! You, commander of the sea, in your boat like a half-moon. . ." (from a hymn appearing in a legend in which Melampus has his mother ask that he be given the art of understanding the language of SNAKES). 

doe or hind 
A female DEER, stands in many myths for the female animal in general, which can have a demonic character, despite what we see as the gentleness of the doe. 

The second of the Labors of Hercules was to capture the Hind of Ceryneia. 

The chariot of Artemis (in Latin myth DIANA), the goddess of the hunt, was pulled by does

The animal is also important in Asiatic myth. In the Ural-Altaic regions she was the supernatural ancestor of several peoples (compare TOTEM).

The Hungarian myth of origlls of a fleeing doe who lured two primeval hunter into a swamp, where she transformed herself into two princesses who coupled with the hunters, becoming the progenitors of the Huns and the Magyars, respectively. 

Similarly, the family tree of Genghis Khan shows a doe and a WOLF as his progenitors. 

A doe was said to have rescued fleeing Frankish warriors by showing them a point at which they could ford the Main River. 

In many old European fairy tales young women and girls are transformed into does. 

In one ancient Chinese legend a doe gives birth to a human child, a girl who is later reared by a man; but when she dies her body disappears, revealing her supernatural origins. 

In prehistoric rites of passage does may have symbolized female initiates.

 [In Mayan mythology of the Yucatan, Zip is a god of the hunt; under the name A Uuc Yol Zip he is portrayed in ancient hieroglyphic writings as a horned man having intercourse with a doe.