Showing posts with label Lobsters. Show all posts
Showing posts with label Lobsters. Show all posts

Friday, 19 June 2020

Consider The Lobster


“The central postmodernist claim seems to me that because there’s a near infinite number of ways to interpret a complex set of phenomena, which actually happens to be the case

You can’t make a case that any of those modes of interpretation are canonical. And so, if they’re not canonical, and if that canonical element isn’t based in some kind of reality, then it serves some other master.

And so The Master that it hypothetically serves for the postmodernists is NOTHING BUT POWER because that seems to be EVERYTHING They believe in. 

They don’t BELIEVE in Competence. 
They don’t BELIEVE in Authority. 

They don’t seem to believe in an Objective World, because everything is LANGUAGE-MEDIATED

So it’s an extraordinarily cynical perspective: that because there’s an infinite number of interpretations, none of them are canonical. 

You can attribute everything to Power and Dominance.

It’s a Radical Relativism."

Wednesday, 17 June 2020

Consider The Lobster






“There are LIMITS to what even interested persons can ASK of each other. "

- David Foster Wallace, 
Consider The Lobster,
2004







“There are LIMITS to what even interested persons can ASK of each other. "

- David Foster Wallace, 
Consider The Lobster,
2004




Following is my own personal interpretation of the symbolism within the moon tarot. I'm not prevy to or necessarily even interested in the tarot, however the symbolism is interesting and relevant here.

Under the shade of the moon (chaos compared to light under the sun) the lobster (representation of the character that moves up and down hierarchies) is walking up the path from the water (origins of chaos) into the distance where there are mountains (a higher elevation for the lobster). On either side of the path stands both a dog and a wolf. One being the representation of the infantilised, trained and domesticated, the other being the wild, untamed and dangerous being. Both are highly undesirable and both will eat the lobster if it strays off the path. This narrative is represented in the shade of the moon because in darkness that it is easy to stray off the path, but it is also in darkness when lobsters are active, which may be another way of representing the concept of the character that is refined and found in the hardest of times.

Along side both the dog and the wolf in the back ground are two towers in the mid ground. Two towers within symbology is incredible deep and complicated. There are many connotations and interpretations but then all generally follow a similar role of ushering in the kingdom of god, typically on their destruction. I'm taking this to mean that at the end of the moon cycle, or on the rising of the Sun a new kingdom is ushered in. When rising out of the state of darkness as being, you usher in a new stage of being. Hopefully this makes sense and is interesting”





" There happen to be two main criteria that most ethicists agree on for determining whether a living creature has the capacity to suffer and so has genuine interests that it may or may not be our moral duty to consider. 

One is how much of the neurological hardware required for pain-experience the animal comes equipped with—nociceptors, prostaglandins, neuronal opioid receptors, etc. The other criterion is whether the animal demonstrates behavior associated with pain. And it takes a lot of intellectual gymnastics and behaviorist hairsplitting not to see struggling, thrashing, and lid-clattering as just such pain-behavior. According to marine zoologists, it usually takes lobsters between 35 and 45 seconds to die in boiling water. (No source I could find talks about how long it takes them to die in superheated steam; one rather hopes it’s faster.) 

There are, of course, other ways to kill your lobster on-site and so achieve maximum freshness. Some cooks’ practice is to drive a sharp heavy knife point-first into a spot just above the midpoint between the lobster’s eyestalks (more or less where the Third Eye is in human foreheads). 

This is alleged either to kill the lobster instantly or to render it insensate, and is said at least to eliminate some of the cowardice involved in throwing a creature into boiling water and then fleeing the room. 

As far as I can tell from talking to proponents of the knife-in-head method, the idea is that it’s more violent but ultimately more merciful, plus that a willingness to exert personal agency and accept responsibility for stabbing the lobster’s head honors the lobster somehow and entitles one to eat it (there’s often a vague sort of Native American spirituality-of-the-hunt flavor to pro-knife arguments). 

But the problem with the knife method is basic biology: Lobsters’ nervous systems operate off not one but several ganglia, a.k.a. nerve bundles, which are sort of wired in series and distributed all along the lobster’s underside, from stem to stern. And disabling only the frontal ganglion does not normally result in quick death or unconsciousness. 

Another alternative is to put the lobster in cold saltwater and then very slowly bring it up to a full boil. Cooks who advocate this method are going on the analogy to a frog, which can supposedly be kept from jumping out of a boiling pot by heating the water incrementally. In order to save a lot of research-summarizing, I’ll simply assure you that the analogy between frogs and lobsters turns out not to hold — plus, if the kettle’s water isn’t aerated seawater, the immersed lobster suffers from slow suffocation, although usually not decisive enough suffocation to keep it from still thrashing and clattering when the water gets hot enough to kill it. 

In fact, lobsters boiled incrementally often display a whole bonus set of gruesome, convulsionlike reactions that you don’t see in regular boiling. 

Ultimately, the only certain virtues of the home-lobotomy and slow-heating methods are comparative, because there are even worse/ crueler ways people prepare lobster. 

Time-thrifty cooks sometimes microwave them alive (usually after poking several vent-holes in the carapace, which is a precaution most shellfish-microwavers learn about the hard way). 

Live dismemberment, on the other hand, is big in Europe—some chefs cut the lobster in half before cooking; others like to tear off the claws and tail and toss only these parts into the pot. 

And there’s more unhappy news respecting suffering-criterion number one. 

Lobsters don’t have much in the way of eyesight or hearing, but they do have an exquisite tactile sense, one facilitated by hundreds of thousands of tiny hairs that protrude through their carapace. “Thus it is,” in the words of T. M. Prudden’s industry classic About Lobster, “that although encased in what seems a solid, impenetrable armor, the lobster can receive stimuli and impressions from without as readily as if it possessed a soft and delicate skin.” 

And lobsters do have nociceptors, as well as invertebrate versions of the prostaglandins and major neurotransmitters via which our own brains register pain. Lobsters do not, on the other hand, appear to have the equipment for making or absorbing natural opioids like endorphins and enkephalins, which are what more advanced nervous systems use to try to handle intense pain. 

From this fact, though, one could conclude either that lobsters are maybe even more vulnerable to pain, since they lack mammalian nervous systems’ built-in analgesia, or, instead, that the absence of natural opioids implies an absence of the really intense pain-sensations that natural opioids are designed to mitigate. 

I for one can detect a marked upswing in mood as I contemplate this latter possibility. It could be that their lack of endorphin/ enkephalin hardware means that lobsters’ raw subjective experience of pain is so radically different from mammals’ that it may not even deserve the term “pain.” 




Perhaps lobsters are more like those frontal-lobotomy patients one reads about who report experiencing pain in a totally different way than you and I. These patients evidently do feel physical pain, neurologically speaking, but don’t dislike it—though neither do they like it; it’s more that they feel it but don’t feel anything about it—the point being that the pain is not distressing to them or something they want to get away from. 

Maybe lobsters, who are also without frontal lobes, are detached from the neurological-registration-of-injury-or-hazard we call pain in just the same way. There is, after all, a difference between (1) pain as a purely neurological event, and (2) actual suffering, which seems crucially to involve an emotional component, an awareness of pain as unpleasant, as something to fear/ dislike/ want to avoid. Still, after all the abstract intellection, there remain the facts of the frantically clanking lid, the pathetic clinging to the edge of the pot. 

Standing at the stove, it is hard to deny in any meaningful way that this is a living creature experiencing pain and wishing to avoid/ escape the painful experience. To my lay mind, the lobster’s behavior in the kettle appears to be the expression of a preference; and it may well be that an ability to form preferences is the decisive criterion for real suffering.

The logic of this (preference [[ Right arrow]] suffering) relation may be easiest to see in the negative case. If you cut certain kinds of worms in half, the halves will often keep crawling around and going about their vermiform business as if nothing had happened. When we assert, based on their post-op behavior, that these worms appear not to be suffering, what we’re really saying is that there’s no sign the worms know anything bad has happened or would prefer not to have gotten cut in half. Lobsters, though, are known to exhibit preferences. Experiments have shown that they can detect changes of only a degree or two in water temperature; one reason for their complex migratory cycles (which can often cover 100-plus miles a year) is to pursue the temperatures they like best. 20 And, as mentioned, they’re bottom-dwellers and do not like bright light—if a tank of food-lobsters is out in the sunlight or a store’s fluorescence, the lobsters will always congregate in whatever part is darkest. Fairly solitary in the ocean, they also clearly dislike the crowding that’s part of their captivity in tanks, since (as also mentioned) one reason why lobsters’ claws are banded on capture is to keep them from attacking one another under the stress of close-quarter storage. 

In any event, at the MLF, standing by the bubbling tanks outside the World’s Largest Lobster Cooker, watching the fresh-caught lobsters pile over one another, wave their hobbled claws impotently, huddle in the rear corners, or scrabble frantically back from the glass as you approach, it is difficult not to sense that they’re unhappy, or frightened, even if it’s some rudimentary version of these feelings … and, again, why does rudimentariness even enter into it? 

Why is a primitive, inarticulate form of suffering less urgent or uncomfortable for the person who’s helping to inflict it by paying for the food it results in? 

I’m not trying to give you a PETA-like screed here—at least I don’t think so. 

I’m trying, rather, to work out and articulate some of the troubling questions that arise amid all the laughter and saltation and community pride of the Maine Lobster Festival. The truth is that if you, the festival attendee, permit yourself to think that lobsters can suffer and would rather not, the MLF begins to take on the aspect of something like a Roman circus or medieval torture-fest. 

Does that comparison seem a bit much? If so, exactly why? Or what about this one: Is it possible that future generations will regard our present agribusiness and eating practices in much the same way we now view Nero’s entertainments or Mengele’s experiments? 

My own initial reaction is that such a comparison is hysterical, extreme—and yet the reason it seems extreme to me appears to be that I believe animals are less morally important than human beings; and when it comes to defending such a belief, even to myself, I have to acknowledge that (a) I have an obvious selfish interest in this belief, since I like to eat certain kinds of animals and want to be able to keep doing it, and (b) I haven’t succeeded in working out any sort of personal ethical system in which the belief is truly defensible instead of just selfishly convenient. 

Given this article’s venue and my own lack of culinary sophistication, I’m curious about whether the reader can identify with any of these reactions and acknowledgments and discomforts. I’m also concerned not to come off as shrill or preachy when what I really am is more like confused. 

For those Gourmet readers who enjoy well-prepared and -presented meals involving beef, veal, lamb, pork, chicken, lobster, etc.: Do you think much about the (possible) moral status and (probable) suffering of the animals involved? If you do, what ethical convictions have you worked out that permit you not just to eat but to savor and enjoy flesh-based viands (since of course refined enjoyment, rather than mere ingestion, is the whole point of gastronomy)? 

If, on the other hand, you’ll have no truck with confusions or convictions and regard stuff like the previous paragraph as just so much fatuous navel-gazing, what makes it feel truly okay, inside, to just dismiss the whole thing out of hand? 

That is, is your refusal to think about any of this the product of actual thought, or is it just that you don’t want to think about it? And if the latter, then why not? 

Do you ever think, even idly, about the possible reasons for your reluctance to think about it? I am not trying to bait anyone here—I’m genuinely curious. 

After all, isn’t being extra aware and attentive and thoughtful about one’s food and its overall context part of what distinguishes a real gourmet? 
Or is all the gourmet’s extra attention and sensibility just supposed to be sensuous? Is it really all just a matter of taste and presentation? 

These last few queries, though, while sincere, obviously involve much larger and more abstract questions about the connections (if any) between aesthetics and morality — about what the adjective in a phrase like “The Magazine of Good Living” is really supposed to mean — and these questions lead straightaway into such deep and treacherous waters that it’s probably best to stop the public discussion right here. 

There are limits to what even interested persons can ask of each other. "


2004

Sunday, 14 June 2020

Personal Experience Does Not Constitute Authority Over Others

Jordan B. Peterson Conversation/BlackLivesMatter 

"There are Limits to what even interested persons can ask of each other."

-- David Foster Wallace, 
Consider The Lobster




WILL 
So what's this? A Taster's Choice moment between guys? 
This is really nice. You got a thing for swans? 
Is this like a fetish? 
It's something, like, maybe we need to devote some time to?

 SEAN 
I thought about what you said to me the other day, about my painting.

 WILL 
eah?

 SEAN 
Stayed up half the night thinking about it. 
Something occurred to me, I fell into a deep peaceful sleep, and I haven't thought about you since. 
You know what occurred to me?

 WILL No.

 SEAN 
You're just a kid. 
You don't have the faintest idea what you're talking about.

 WILL 
Why Thank You.

 SEAN 
It's all right. 
You've never been out of Boston.

 WILL
Nope.

 SEAN
So, if I asked you about art, you'd probably give me the skinny on every art book ever written. 

Michelangelo. You know a lot about him. 
Life's work, political aspirations, him and the Pope, sexual orientation, the whole works, right? 

But I bet you can't tell me what it smells like in the Sistine Chapel. 
You've never actually stood there and looked up at that beautiful ceiling. Seen that....

If I ask you about women, you'd probably give me a syllabus of your personal favorites. 


You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. I ask you about war, you'd probably uh...throw Shakespeare at me, right? "Once more into the breach, dear friends." But you've never been near one. You've never held your best friend's head in your lap, and watched him gasp his last breath looking to you for help. I ask you about love, y'probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable...known someone that could level you with her eyes. Feeling like God put an angel on Earth just for you..who could rescue you from the depths of Hell. And you wouldn't know what it's like to be her angel, n to have that love for her be there forever. Through anything. Through cancer. And you wouldn't know about sleepin' sittin' up in a hospital room for two months, holding her hand because the doctors could see in your eyes that the terms visiting hours don't apply to you. You don't know about real loss, because that only occurs when you love something more than you love yourself. I doubt you've ever dared to love anybody that much. I look at you: I don't see an intelligent, confident man. I see a cocky, scared shitless kid. But you're a genius, Will. No one denies that. no one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine and ripped my fuckin' life apart. You're an orphan, right? Do you think I'd know the first thing about how hard your life has been, how you feel, who you are because I read Oliver Twist? Does that encapsulate you? Personally, I don't give a shit about that, because you know what? I can't learn anything from you I can't read in some fuckin' book. Unless you wanna talk about you, who you are. And I'm fascinated. I'm in. But you don't wanna do that, do you, sport? You're terrified of what you might say. >>> Your move, chief. > 




Carmine Falcone : 
You're taller than you look in the tabloids, Mr. Wayne.

No gun? I'm insulted! 

You could have just sent a thank-you note.


Bruce Wayne : I didn't come here to thank you. 

I came here to show you that not everyone in Gotham's afraid of you.


Carmine Falcone : Only those who know me, kid. 

Look around you: you'll see two councilmen, a union official, a couple off-duty cops, and a judge.

Now, I wouldn't have a second's hesitation of blowing your head off right HERE and right NOW in front of 'em. 

Now, that's power you CAN’T BUY — That's The Power of fear.
Bruce Wayne : I'm not afraid of you.
Carmine Falcone : Because you think you got nothing to lose. But you haven't thought it through. You haven't thought about your lady-friend down at the D.A.'s office. You haven't thought about your old butler. Bang!
Carmine Falcone : People from your world have so much to lose. Now, you think because your mommy and your daddy got shot, you know about the ugly side of life, but you don't. You've never tasted desperate. You're, uh, you're Bruce Wayne, the Prince of Gotham; you'd have to go a thousand miles to meet someone who didn't know your name. So, don't-don't come down here with your anger, trying to prove something to yourself. This is a world you'll never understand. And you always fear what you don't understand. Alright.

 

Carmine Falcone : Yeah, you got spirit, kid. I'll give you that. More than your old man, anyway. In the joint, Chill told me, uh, told me about the night he killed your parents. He said your father begged for mercy. Begged. Like a dog.

Sunday, 8 March 2020

EARTHY







The presence of a Terran defector on this ship is to be regarded as classified.

Its utterance will carry a penalty of Treason.

Do you understand?



“Every man has a double anima. He comes factory equipped — it is absolutely ingrained—  with two visions of woman. How he manages this dilemma says a great deal about his integrity. 

The first is the heavenly vision, a Beatrice-like figure who leaves him speechless at the world that she opens for him. 

Beatrice appears early in a man’s life, and all he can do is store her away until he is strong enough to reencounter her. 

The other vision is an earthy woman who is lots of fun, sexually attractive, and perfect for courtship. 

She has all the human attributes, as well as the dark aspects —a dragon, a bitch, a whore. 

Every man is torn between the light and dark expectations of woman. 
And every woman has experienced man vacillating between these visions.

The woman’s animus also comes double - a knight on a white horse and a barbarian

Her soul guide, usually a male figure, will guide her in much the same manner as Beatrice guides Dante. 

If you’re homosexual, the same thing happens, but the labels are reversed. 

We all follow the same path.”

Excerpt from: 
"Inner Gold: Understanding Psychological Projection"



Wanting Sumptuous Heavens
BY ROBERT BLY

No one grumbles among the oyster clans,
And lobsters play their bone guitars all summer.
Only we, with our opposable thumbs, want
Heaven to be, and God to come, again.
There is no end to our grumbling; we want
Comfortable earth and sumptuous Heaven.
But the heron standing on one leg in the bog
Drinks his dark rum all day, and is content.





Terrans exhibited only one physiological difference from prime universe Humans: sensitivity to bright light.

Although this was only stated in "Vaulting Ambition", in mirror universe episodes predating Discovery and following "Mirror, Mirror", Terran starships and habitats are noticeably darker than a Federation starship would be, and Jonathan Archer appeared to squint while in the captain's chair of the USS Defiant.






When building The Tower of Babel (as a direct, intentional affront to God), Nimrod commanded it be constructed with the use of Slime for mortar (instead of mortar).

Thursday, 9 January 2020

The Victorious Lobster


“To say it again: There is very little difference between The Capacity for Mayhem and Destruction, integrated, and Strength of Character. 





This is one of the most difficult lessons of life. Maybe you are a loser. And maybe you’re not—but if you are, you don’t have to continue in that mode. Maybe you just have a bad habit. Maybe you’re even just a collection of bad habits. Nonetheless, even if you came by your poor posture honestly—even if you were unpopular or bullied at home or in grade school28—it’s not necessarily appropriate now. Circumstances change. If you slump around, with the same bearing that characterizes a defeated lobster, people will assign you a lower status, and the old counter that you share with crustaceans, sitting at the very base of your brain, will assign you a low dominance number. Then your brain will not produce as much serotonin. This will make you less happy, and more anxious and sad, and more likely to back down when you should stand up for yourself. It will also decrease the probability that you will get to live in a good neighbourhood, have access to the highest quality resources, and obtain a healthy, desirable mate. It will render you more likely to abuse cocaine and alcohol, as you live for the present in a world full of uncertain futures. It will increase your susceptibility to heart disease, cancer and dementia. All in all, it’s just not good. 




Circumstances change, and so can you. Positive feedback loops, adding effect to effect, can spiral counterproductively in a negative direction, but can also work to get you ahead. That’s the other, far more optimistic lesson of Price’s law and the Pareto distribution: those who start to have will probably get more. Some of these upwardly moving loops can occur in your own private, subjective space. Alterations in body language offer an important example. If you are asked by a researcher to move your facial muscles, one at a time, into a position that would look sad to an observer, you will report feeling sadder. If you are asked to move the muscles one by one into a position that looks happy, you will report feeling happier. Emotion is partly bodily expression, and can be amplified (or dampened) by that expression. 29 Some of the positive feedback loops instantiated by body language can occur beyond the private confines of subjective experience, in the social space you share with other people. If your posture is poor, for example—if you slump, shoulders forward and rounded, chest tucked in, head down, looking small, defeated and ineffectual (protected, in theory, against attack from behind)—then you will feel small, defeated and ineffectual. The reactions of others will amplify that. People, like lobsters, size each other up, partly in consequence of stance. If you present yourself as defeated, then people will react to you as if you are losing. If you start to straighten up, then people will look at and treat you differently. You might object: the bottom is real. Being at the bottom is equally real. A mere transformation of posture is insufficient to change anything that fixed. If you’re in number ten position, then standing up straight and appearing dominant might only attract the attention of those who want, once again, to put you down. And fair enough. But standing up straight with your shoulders back is not something that is only physical, because you’re not only a body. You’re a spirit, so to speak—a psyche—as well. Standing up physically also implies and invokes and demands standing up metaphysically. Standing up means voluntarily accepting the burden of Being. Your nervous system responds in an entirely different manner when you face the demands of life voluntarily. You respond to a challenge, instead of bracing for a catastrophe. You see the gold the dragon hoards, instead of shrinking in terror from the all-too-real fact of the dragon. You step forward to take your place in the dominance hierarchy, and occupy your territory, manifesting your willingness to defend, expand and transform it. That can all occur practically or symbolically, as a physical or as a conceptual restructuring. To stand up straight with your shoulders back is to accept the terrible responsibility of life, with eyes wide open. It means deciding to voluntarily transform the chaos of potential into the realities of habitable order. It means adopting the burden of self-conscious vulnerability, and accepting the end of the unconscious paradise of childhood, where finitude and mortality are only dimly comprehended. It means willingly undertaking the sacrifices necessary to generate a productive and meaningful reality (it means acting to please God, in the ancient language). To stand up straight with your shoulders back means building the ark that protects the world from the flood, guiding your people through the desert after they have escaped tyranny, making your way away from comfortable home and country, and speaking the prophetic word to those who ignore the widows and children. It means shouldering the cross that marks the X, the place where you and Being intersect so terribly. It means casting dead, rigid and too tyrannical order back into the chaos in which it was generated; it means withstanding the ensuing uncertainty, and establishing, in consequence, a better, more meaningful and more productive order. So, attend carefully to your posture. Quit drooping and hunching around. Speak your mind. Put your desires forward, as if you had a right to them—at least the same right as others. Walk tall and gaze forthrightly ahead. Dare to be dangerous. Encourage the serotonin to flow plentifully through the neural pathways desperate for its calming influence. People, including yourself, will start to assume that you are competent and able (or at least they will not immediately conclude the reverse). Emboldened by the positive responses you are now receiving, you will begin to be less anxious. You will then find it easier to pay attention to the subtle social clues that people exchange when they are communicating. Your conversations will flow better, with fewer awkward pauses. This will make you more likely to meet people, interact with them, and impress them. Doing so will not only genuinely increase the probability that good things will happen to you—it will also make those good things feel better when they do happen. Thus strengthened and emboldened, you may choose to embrace Being, and work for its furtherance and improvement. Thus strengthened, you may be able to stand, even during the illness of a loved one, even during the death of a parent, and allow others to find strength alongside you when they would otherwise be overwhelmed with despair. Thus emboldened, you will embark on the voyage of your life, let your light shine, so to speak, on the heavenly hill, and pursue your rightful destiny. Then the meaning of your life may be sufficient to keep the corrupting influence of mortal despair at bay. Then you may be able to accept the terrible burden of the World, and find joy. Look for your inspiration to the victorious lobster, with its 350 million years of practical wisdom. 

Stand up straight, with your shoulders back.



Monday, 30 December 2019

Who Are Your People? : The Losers Club






Just saw this scene for the first time, and I was actually moved to tears by it - it profoundly affected me, and got into me and affected me under my skin so much, I just found myself totally overwhelmed with a spontaneous rush of emotional intensity.

“To say it again: There is VERY LITTLE DIFFERENCE between The Capacity for Mayhem and Destruction, INTEGRATED, and Strength of Character. 

This is one of the most difficult lessons of life. 
Maybe you are a loser. 



And maybe you’re not
but if you are, you don’t have to continue in that mode. 


Maybe you just have a bad habit. 
Maybe you’re even just a collection of bad habits. 

Nonetheless, even if you came by your poor posture honestly—even if you were unpopular or bullied at home or in grade school — it’s not necessarily appropriate now.

Circumstances change. 
If you slump around, with the same bearing that characterizes a defeated lobster, people will assign you a lower status, and the old counter that you share with crustaceans, sitting at the very base of your brain, will assign you a low dominance number. 

Then your brain will not produce as much serotonin. This will make you less happy, and more anxious and sad, and more likely to back down when you should stand up for yourself. 

It will also decrease the probability that you will get to live in a good neighbourhood, have access to the highest quality resources, and obtain a healthy, desirable mate. 

It will render you more likely to abuse cocaine and alcohol, as you live for the present in a world full of uncertain futures. 


It will increase your susceptibility to heart disease, cancer and dementia. All in all, it’s just not good. Circumstances change, and so can you. Positive feedback loops, adding effect to effect, can spiral counterproductively in a negative direction, but can also work to get you ahead. That’s the other, far more optimistic lesson of Price’s law and the Pareto distribution: those who start to have will probably get more. Some of these upwardly moving loops can occur in your own private, subjective space. Alterations in body language offer an important example. If you are asked by a researcher to move your facial muscles, one at a time, into a position that would look sad to an observer, you will report feeling sadder. If you are asked to move the muscles one by one into a position that looks happy, you will report feeling happier. Emotion is partly bodily expression, and can be amplified (or dampened) by that expression. 29 Some of the positive feedback loops instantiated by body language can occur beyond the private confines of subjective experience, in the social space you share with other people. If your posture is poor, for example—if you slump, shoulders forward and rounded, chest tucked in, head down, looking small, defeated and ineffectual (protected, in theory, against attack from behind)—then you will feel small, defeated and ineffectual. The reactions of others will amplify that. People, like lobsters, size each other up, partly in consequence of stance. If you present yourself as defeated, then people will react to you as if you are losing. If you start to straighten up, then people will look at and treat you differently. You might object: the bottom is real. Being at the bottom is equally real. A mere transformation of posture is insufficient to change anything that fixed. If you’re in number ten position, then standing up straight and appearing dominant might only attract the attention of those who want, once again, to put you down. And fair enough. But standing up straight with your shoulders back is not something that is only physical, because you’re not only a body. You’re a spirit, so to speak—a psyche—as well. Standing up physically also implies and invokes and demands standing up metaphysically. Standing up means voluntarily accepting the burden of Being. Your nervous system responds in an entirely different manner when you face the demands of life voluntarily. You respond to a challenge, instead of bracing for a catastrophe. You see the gold the dragon hoards, instead of shrinking in terror from the all-too-real fact of the dragon. You step forward to take your place in the dominance hierarchy, and occupy your territory, manifesting your willingness to defend, expand and transform it. That can all occur practically or symbolically, as a physical or as a conceptual restructuring. To stand up straight with your shoulders back is to accept the terrible responsibility of life, with eyes wide open. It means deciding to voluntarily transform the chaos of potential into the realities of habitable order. It means adopting the burden of self-conscious vulnerability, and accepting the end of the unconscious paradise of childhood, where finitude and mortality are only dimly comprehended. It means willingly undertaking the sacrifices necessary to generate a productive and meaningful reality (it means acting to please God, in the ancient language). To stand up straight with your shoulders back means building the ark that protects the world from the flood, guiding your people through the desert after they have escaped tyranny, making your way away from comfortable home and country, and speaking the prophetic word to those who ignore the widows and children. It means shouldering the cross that marks the X, the place where you and Being intersect so terribly. It means casting dead, rigid and too tyrannical order back into the chaos in which it was generated; it means withstanding the ensuing uncertainty, and establishing, in consequence, a better, more meaningful and more productive order. So, attend carefully to your posture. Quit drooping and hunching around. Speak your mind. Put your desires forward, as if you had a right to them—at least the same right as others. Walk tall and gaze forthrightly ahead. Dare to be dangerous. Encourage the serotonin to flow plentifully through the neural pathways desperate for its calming influence. People, including yourself, will start to assume that you are competent and able (or at least they will not immediately conclude the reverse). Emboldened by the positive responses you are now receiving, you will begin to be less anxious. You will then find it easier to pay attention to the subtle social clues that people exchange when they are communicating. Your conversations will flow better, with fewer awkward pauses. This will make you more likely to meet people, interact with them, and impress them. Doing so will not only genuinely increase the probability that good things will happen to you—it will also make those good things feel better when they do happen. Thus strengthened and emboldened, you may choose to embrace Being, and work for its furtherance and improvement. Thus strengthened, you may be able to stand, even during the illness of a loved one, even during the death of a parent, and allow others to find strength alongside you when they would otherwise be overwhelmed with despair. Thus emboldened, you will embark on the voyage of your life, let your light shine, so to speak, on the heavenly hill, and pursue your rightful destiny. Then the meaning of your life may be sufficient to keep the corrupting influence of mortal despair at bay. Then you may be able to accept the terrible burden of the World, and find joy. Look for your inspiration to the victorious lobster, with its 350 million years of practical wisdom. Stand up straight, with your shoulders back.

Friday, 6 December 2019

DEFEAT








In the aftermath of a losing battle, regardless of how aggressively a lobster has behaved, it becomes unwilling to fight further, even against another, previously defeated opponent. 

A vanquished competitor loses confidence, sometimes for days. Sometimes the defeat can have even more severe consequences. 

If a dominant lobster is badly defeated, its brain basically dissolves. Then it grows a new, subordinate’s brain—one more appropriate to its new, lowly position. 

Its original brain just isn’t sophisticated to manage the transformation from king to bottom dog without virtually complete dissolution and regrowth. 

Anyone who has experienced a painful transformation after a serious defeat in romance or career may feel some sense of kinship with the once successful crustacean. 


The Neurochemistry of Defeat and Victory 

A lobster loser’s brain chemistry differs importantly from that of a lobster winner. This is reflected in their relative postures. Whether a lobster is confident or cringing depends on the ratio of two chemicals that modulate communication between lobster neurons: serotonin and octopamine. 

Winning increases the ratio of the former to the latter. A lobster with high levels of serotonin and low levels of octopamine is a cocky, strutting sort of shellfish, much less likely to back down when challenged. 

This is because serotonin helps regulate postural flexion. A flexed lobster extends its appendages so that it can look tall and dangerous, like Clint Eastwood in a spaghetti Western. 

When a lobster that has just lost a battle is exposed to serotonin, it will stretch itself out, advance even on former victors, and fight longer and harder. 

The drugs prescribed to depressed human beings, which are selective serotonin reuptake inhibitors, have much the same chemical and behavioural effect. In one of the more staggering demonstrations of the evolutionary continuity of life on Earth, Prozac even cheers up lobsters. 

High serotonin/ low octopamine characterizes the victor. The opposite neurochemical configuration, a high ratio of octopamine to serotonin, produces a defeated-looking, scrunched-up, inhibited, drooping, skulking sort of lobster, very likely to hang around street corners, and to vanish at the first hint of trouble. 

Serotonin and octopamine also regulate the tail-flick reflex, which serves to propel a lobster rapidly backwards when it needs to escape. 

Less provocation is necessary to trigger that reflex in a defeated lobster. You can see an echo of that in the heightened startle reflex characteristic of the soldier or battered child with post-traumatic stress disorder. 


The Principle of Unequal Distribution 

When a defeated lobster regains its courage and dares to fight again it is more likely to lose again than you would predict, statistically, from a tally of its previous fights. 

Its victorious opponent, on the other hand, is more likely to win. It’s winner-take-all in the lobster world, just as it is in human societies, where the top 1 percent have as much loot as the bottom 50 percent11—and where the richest eighty-five people have as much as the bottom three and a half billion.


“One time, sparring with another white belt, I was choked out with a ‘guillotine’ choke, where one arm is round your head like a playground headlock and the other under your throat pulling upwards. 

Because it was another beginner, not Chris or another warlord from the control end of the room, the sparring was competitive and – this is interesting – my ego was suddenly invited back into the equation. 

When I’m sparring with Chris the relationship has explicit and implicit safety built into it, I’m not competing, I couldn’t compete, I’m learning. When it’s against Dave, Smasher, my ego would do just as well to pit itself against the hydraulic jaws of a garbage truck. 

Against another white belt, my ego sees a little chance for glory and sidles in where it would best be left out. As the choke took hold and I felt beaten and submitted it were as if the wrench on my neck had opened a valve to an inaccessible cellar where my bruised adolescent self lay hiding. 

I sat quietly afterwards, uncertain of what I felt. 

My wife remarked that I was quiet that evening and I, reluctantly (ego, again) told her what had happened.

She almost thought it funny, not in a derisory way or in a way that made me feel more ashamed and defensive, but in a way that highlighted the idiosyncrasy of my feeling. 

I spoke about it to someone else who doesn’t drink and does Jiu Jitsu and he explained that it’s a contact sport and that these feelings are normal and have to be accepted. I learned an important lesson through that particular experience. 

I had avoided an entire aspect of my nature because of an unwillingness to confront the vulnerability, no, the shame, that is inhered within physical defeat. 

It came to me in this way, this may not be historically true, but mythically it is: 

I • As a boy I could fight, I had no fear. 
II • As an adolescent I was not initiated. 
III • As I awoke, I was not shown how to live at the new frequency, I had only women to observe and ‘role model’. 

• When violence came, as it does to all teenage boys, I was not equipped and the shame killed a part of me, it put it ‘underground’. 

• I was too afraid to try and revive it; it was in adolescence of course that I became a drug addict. 

• I did not become willing to go into The Underworld until I killed the person I had to become to survive my youth. 

• When I finally went there, in my middle years, through the means of Jiu Jitsu, I needed a mentor, in this case Chris, to hold the space for me.”

Russell Brand,
“Mentors.” 

Saturday, 23 November 2019

PECK

I am but a humble servant who hopes to be useful in some small way to the needs of The Collective and to the wishes of Our Master.

The “S" before "H.
My Beloved, The Master of Disaster —
Her Majesty, Queen Lenore I,
The Breakfast Queen :
Everybody out.
Now.
Nice.
Is that Japanese? 

Switch :
Chinese.

The “S" before "H.
My Beloved, The Master of Disaster —
Her Majesty, Queen Lenore I,
The Breakfast Queen :
Whatever.


So, um David wants you, right now, but don't get any ideas, because I am his major domo.

Got it? This Girl, not you.
With your adorable fashion sense and your superpowers.

I help him more than you ever will.
He needs me.

So, if you want to live here and be part of the commune, you got to remember one thing:

You work for me.

And I work for him.

And that is The Order.

Got it? 








The “S" before "H.
My Beloved, The Master of Disaster —
Her Majesty, Queen Lenore I,
The Breakfast Queen :
I'll take that as a ‘yes.’



Birds—and Territory

My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. 

A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre-emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. 

I had broken my leg skiing the previous winter—first time down the hill—and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high-tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So, I went out into the bright spring sunlight and taped a few minutes of the wren laying furious claim to his territory with song. Then I let him hear his own voice. That little bird, one-third the size of a sparrow, began to dive-bomb me and my cassette recorder, swooping back and forth, inches from the speaker. We saw a lot of that sort of behaviour, even in the absence of the tape recorder. If a larger bird ever dared to sit and rest in any of the trees near our birdhouse there was a good chance he would get knocked off his perch by a kamikaze wren. 

Now, wrens and lobsters are very different. Lobsters do not fly, sing or perch in trees. Wrens have feathers, not hard shells. Wrens can’t breathe underwater, and are seldom served with butter. However, they are also similar in important ways. Both are obsessed with status and position, for example, like a great many creatures. The Norwegian zoologist and comparative psychologist Thorlief Schjelderup-Ebbe observed (back in 1921) that even common barnyard chickens establish a “pecking order.” 

The determination of Who’s Who in the chicken world has important implications for each individual bird’s survival, particularly in times of scarcity. The birds that always have priority access to whatever food is sprinkled out in the yard in the morning are the celebrity chickens. After them come the second-stringers, the hangers-on and wannabes. Then the third-rate chickens have their turn, and so on, down to the bedraggled, partially-feathered and badly-pecked wretches who occupy the lowest, untouchable stratum of the chicken hierarchy. 

Chickens, like suburbanites, live communally. Songbirds, such as wrens, do not, but they still inhabit a dominance hierarchy. It’s just spread out over more territory. The wiliest, strongest, healthiest and most fortunate birds occupy prime territory, and defend it. Because of this, they are more likely to attract high-quality mates, and to hatch chicks who survive and thrive. Protection from wind, rain and predators, as well as easy access to superior food, makes for a much less stressed existence. Territory matters, and there is little difference between territorial rights and social status. It is often a matter of life and death. 

If a contagious avian disease sweeps through a neighbourhood of well-stratified songbirds, it is the least dominant and most stressed birds, occupying the lowest rungs of the bird world, who are most likely to sicken and die. This is equally true of human neighbourhoods, when bird flu viruses and other illnesses sweep across the planet. The poor and stressed always die first, and in greater numbers. They are also much more susceptible to non-infectious diseases, such as cancer, diabetes and heart disease. When the aristocracy catches a cold, as it is said, the working class dies of pneumonia. 

 Because territory matters, and because the best locales are always in short supply, territory-seeking among animals produces conflict. Conflict, in turn, produces another problem: how to win or lose without the disagreeing parties incurring too great a cost. This latter point is particularly important. Imagine that two birds engage in a squabble about a desirable nesting area. The interaction can easily degenerate into outright physical combat. Under such circumstances, one bird, usually the largest, will eventually win—but even the victor may be hurt by the fight. That means a third bird, an undamaged, canny bystander, can move in, opportunistically, and defeat the now-crippled victor. That is not at all a good deal for the first two birds.


Conflict—and Territory 

Over the millennia, animals who must co-habit with others in the same territories have in consequence learned many tricks to establish dominance, while risking the least amount of possible damage. A defeated wolf, for example, will roll over on its back, exposing its throat to the victor, who will not then deign to tear it out. The now-dominant wolf may still require a future hunting partner, after all, even one as pathetic as his now-defeated foe. 

Bearded dragons, remarkable social lizards, wave their front legs peaceably at one another to indicate their wish for continued social harmony. Dolphins produce specialized sound pulses while hunting and during other times of high excitement to reduce potential conflict among dominant and subordinate group members. Such behavior is endemic in the community of living things.

Sunday, 13 January 2019

The Favourite



"Let us race Lobsters and then Eat Them."

I think this could be the reason for the Hebrew's prohibition on consuming shellfish -

Batman eats lobster by himself  whilst floating around the Bat-cave

Woody Allen and Annie Hall struggle together valiently against a squad of escaped lobsters which are rampaging through her kitchen; when the situation re-occurs towards the end of the film, with a new girlfriend, who refuses to help, just sits there and smokes, it serves to ultimately underline and finally illustrate to Woody Allen that he has lost something truly special - as this is not a woman he can contend with.

The subterranean inn in Pinocchio where The Fox and The Cat meet The Devil is The Red Lobster Inn - a Red Lobster is by definition a victim, otherwise it wouldn't be red;
It's red because it has been cooked, so not only is it a victim, it's a un-willing victim.

The Virgin (played by Mena Sauvari) in American Beauty, when trying to chat-up and seduce her best friend's father, speaks of weekly family meals at Red Lobster.


Women are Circular,
Men are Linear



“A lobster with high levels of serotonin and low levels of octopamine is a cocky, strutting sort of shellfish, much less likely to back down when challenged. This is because serotonin helps regulate postural flexion. A flexed lobster extends its appendages so that it can look tall and dangerous, like Clint Eastwood in a spaghetti Western. 

When a lobster that has just lost a battle is exposed to serotonin, it will stretch itself out, advance even on former victors, and fight longer and harder.  The drugs prescribed to depressed human beings, which are selective serotonin reuptake inhibitors, have much the same chemical and behavioural effect. In one of the more staggering demonstrations of the evolutionary continuity of life on Earth, Prozac even cheers up lobsters. 

High serotonin/ low octopamine characterizes the victor. The opposite neurochemical configuration, a high ratio of octopamine to serotonin, produces a defeated-looking, scrunched-up, inhibited, drooping, skulking sort of lobster, very likely to hang around street corners, and to vanish at the first hint of trouble. Serotonin and octopamine also regulate the tail-flick reflex, which serves to propel a lobster rapidly backwards when it needs to escape. 

Less provocation is necessary to trigger that reflex in a defeated lobster. You can see an echo of that in the heightened startle reflex characteristic of the soldier or battered child with post-traumatic stress disorder.”










"Let us race Lobsters and then Eat Them."