Sunday, 29 June 2025

Neil's Parents



Neil's Parents


DAMAGE: 

I was walking a dog, and this bloke, he comes to me and says, "Nice day, innit?" But it wasn't. It wasn't a nice day. It was a little bit cloudy. Which makes him very sar-carstic. So acting as if nothing would happen, I took his head, right, put it in me mouth, right, acting dead casual-like, clamped me teeth, and BIT HIS HEAD OFF!! Cause I hate people being sar-carstic.

NEIL: 

I wasn't, you know, being sar-castic.

DAMAGE: Weren't ya? Well, forget everything I just said then, all right?

VYVYAN: What? Everything from when you first came in?

DAMAGE: Now, if you don't get up against that wall by the time I count three, I'm gonna blow your heads off one by one, all right?! Ah-one. Ah-two...

    [A lady runs in. She is wearing a leopard skirt and cheap fur coat. Her hair is dyed a shade of pink. She's pushing a shopping cart full of junk.]

VYVYAN'S MUM: Yoo-hoo! Hello!

DAMAGE: Oh, God!!

VYVYAN'S MUM: Sorry I didn't knock, but some joker's impaled a head on the front door. Hello, Vyvyan. [pinches Vyvyan's cheek]

VYVYAN: Piss off.

VYVYAN'S MUM: That's no way to talk to your mother, Vyvyan!

VYVYAN: All right, then. Piss off, mum.

VYVYAN'S MUM: That's better.

VYVYAN: What do you want?

VYVYAN'S MUM: Well, what're moms for?

VYVYAN: I dunno. Having babies?

VYVYAN'S MUM: Don't be so sexist, Vyvyan.

    [squeezes him hard in the crotch]

VYVYAN: [in great pain, slumped over] I'm sorry, Mum.

VYVYAN'S MUM: No. I heard you was ill, so I brought you a present.

VYVYAN: The last present you gave me was a box of matches.

VYVYAN'S MUM: That was a joke!

VYVYAN: I was only eight weeks old.

DAMAGE: Here, excuse me, excuse me. But I'm not actually known for my patience.

RICK: Oh. Oh. Well, you're probably not Dr. Kildare then!

    [Damage hits Rick with the butt of his shotgun and flattens him]

VYVYAN: Well, what've you brought me this time?

VYVYAN'S MUM: [removes a bottle from the cart] A bottle of vodka.

VYVYAN: 

Oh, brilliant! Thanks, Mum. [takes the bottle, removes the cap, tips it over] This is empty.

VYVYAN'S MUM: 

[flips him the two-fingered salute] 

Ha ha! Up yours, ugly!

    [Runs out]

DAMAGE: 
God, what a nasty woman! [fires a shot in the air] All right, this has now gone on far too seriously long enough by half, OK?! I am now going to phone the authorities, right. And if they do not give me, within 20 minutes, a helicopter...100,000 pounds...a complete set of steak knives... in the presentation box... seven tickets to see the Brazilian National Mime Theatre at the Riverside Studios... a little can terrier named Bobby...one of them little black rubber things, you know them little black rubber things that go "nee nee nee nee", yeah, a big box full of them, right...the complete memoirs of Donald Sinden...

VYVYAN: Oh, very handy!

DAMAGE: Otherwise, I'm gonna blow your heads off, all right? Now, everybody up against that wall, now!!

    [Pushes the four boys against the wall by the front door. The ceiling collapses in front of the door as they hit the wall.]

RICK: Oh!! Bloody lummy! All right, who's responsible?!

MIKE: I think I'm quite responsible, actually.

NEIL: 

Yeah, Mike is, yeah.

RICK: 

Listen, listen! Somebody has got to clean all this muck up, and I can tell you one thing, matey boy, it's not going to be me.

VYVYAN: What does a bit of mess matter? We're all going to be dead in twenty minutes anyway.

DAMAGE: Yeah. [Cocks gun, aims at them]

NEIL: [panics] 

Oh, no! Oh, wow! Oh, heavy heavy heavy!! Oooooohhh

MIKE: 

What're you upset for? You've always wanted to die.

NEIL: 

Who's talking about dying? I just remembered! My parents are coming round to tea!! [Rick and Vyvyan start screaming]

MIKE: Don't panic. Don't panic! Worse things happen at sea.

RICK: Like what, Mike? Like what?!

MIKE: Well, like, you could be on a nice cruise in the South China Sea, having a lovely time. There's terrible weather, a big storm, and the ship sinks. You fall overboard, you're drowning! This big shark swims up to you and says, "By the way, Neil's parents are coming to tea in 30 seconds." That's when you panic. Come on!

    [Everybody runs around, cleaning up in super-speed motion. Damage polishes his rifle. Vyvyan throws some dirty dishes out the window. Mike hides the rubble from the collapsed ceiling under a rug in the hall. Rick and Vyvyan dump the garbage from the table into the sink, and Rick sits on it to pack it down. Neil replaces a "Smash the State" poster with one that reads "Keep London Tidy". Mike dusts the filth off the couch. Vyvyan removes the head of Damage's policeman friend off the front door. He takes it into a back room, where three old witches are stirring a big black kettle.]

WITCH #1: All hail McVyvyan, Thane of Corridor!

VYVYAN: Eh?

WITCH #2: All hail McVyvyan, Thane of the Outside Toilet, and that little gravelly patch next to the garden shed.

WITCH #3: All hail McVyvyan, that shall be king of the whole house here after!

VYVYAN: Are you suggesting that I murder Mike, Rick, and Neil, in order to have the whole house to myself?

WITCH #3: Yes!

VYVYAN: It's a thought, I suppose. Make a great play!

    [drops the head into the pot, leaves]

    [Mike is relaxing on the sofa, Rick is sweeping up, and Neil is just panicking]

MIKE: 27... 28... 29...

    [A knock at the door. Neil answers it. His parents are well-dressed and well-groomed, in their late 50s. They look extremely out of place among all the fighting and the shabby house. Neil shows them in]

NEIL: [quietly, embarassed] Hello, Mummy. Hello, Daddy.

NEIL'S MUM: Hello.

    [kisses him as if she doesn't want to touch him]

NEIL'S DAD: Hello. Take my coat, will you?

    [Neil takes his coat, puts it in the hall closet]

NEIL: Come in. This is my house, where I live.

    [They walk into the living room. Rick is at the kitchen table among a stack of books. Damage is sitting quietly in the corner]

These are my friends. This is Rick. [Rick stands] He's studying sociology.

RICK: Oh, hello! [runs over] Pleased to meet you! Sorry, so many essays to write! [laughs, snorts] I'm surprised my arms aren't falling off! Perhaps they are, look out, bonk! [flails his arms wildly] You'll have to watch out for me because I'm a bit nutty. Aren't I, everybody?! A bit nutty?

    [sticks out his tongue and blows a raspberry]

MIKE: [walking to Neil's parents] Hello.

NEIL: This is Mike. He's studying, uh....er...

MIKE: Well, I'm in what you'd call the School of Life, Mrs. Pye.

    [He pinches her bum and she screams]

NEIL'S MUM: Oh, dear me. What a ghastly smell.

NEIL: Yeah, er, that's Vyvyan, Mummy. He's going to be a doctor.

VYVYAN: [runs over] How do you do? [puts his face in hers]

NEIL'S MUM: How fascinating. I think I'm going to be sick. [turns away]

NEIL'S DAD: And is this fellow another one of your colleagues?

NEIL: No, that's the most violent and highly dangerous....

DAMAGE: [laughs] That's Neil's little joke, sir. Brian, Brian Damage. Currently working on my PhD in astrophysics, actually. But recently I did work on a degree in art history. But it was no use for a job.

NEIL'S DAD: What kind of job had you in mind?

DAMAGE: Maybe some kind of a bank job, you know.

NEIL'S DAD: Nice safe job?

DAMAGE: Yeah, possibly, possibly.

NEIL'S MUM: Did you make your bed?

NEIL: No, no, I bought it.

NEIL'S MUM: Exactly. [Wipes Neil's face with a hanky]

NEIL'S DAD: Now, your mother and I are very disappointed by all this, Neil.

NEIL'S MUM: You have brought shame on your family, Neil. I daren't show my face at Lady Fanshaw's bridge evenings, now that you've taken up with these television people. I mean, what kind of monsters are you?! I mean, The Young Ones. Well, it all sounds very good, doesn't it? But just look around you. There's trash!

    [smashes a chair to splinters]

I mean, even, even Triangle has better furniture than you do!

MIKE: I think you'll find that was specially designed to fall apart like that, Mrs. Pye. Rick was going to get hit over the head with it in the next scene.

NEIL: [embarassed] I thought you'd be, you know, glad I was doing something worthwhile.

NEIL'S DAD: Worthwhile?! I mean, it's a bloody outrage! It's a waste of a licensing fee. Pardon my French, but why can't you be in one of those decent situation comedies that your mother likes? What's the thing called?

VYVYAN: Grange Hill!

NEIL'S DAD: That's the one!

    [Two schoolboys in school uniforms come running wildly through the halls of their school]

SCHOOLBOY #1: So that's settled then! We organize a protest against school uniforms!

SCHOOLBOY #2: Great! We can use the banners left over from the last protest we organized, so that racism wouldn't be an issue in this school.

SCHOOLBOY #1: Good! Then that's what we'll do. I'll get Mucker, Trucker, Ducker, and Sucker. You get Spaz!

SCHOOLBOY #2: But I am Spaz!

SCHOOLBOY #1: Oh. Well, I'd better get Spaz as well then. But we've got to hurry. [They start running, but bump into a stern-looking man in a 3-piece suit]

SCHOOLBOY #2: Sorry, Mr. Liberal. We were in a hurry.

MR. LIBERAL: Hang on, you pair of young scruffy tearaways. Don't you realize the way you act is influencing millions of children to talk Cockney and be insubordinate?!

SCHOOLBOY #1: Come on, sir. Don't be silly! We're the only kidds in Britain who never say fu....

    [Back to the house]

NEIL'S MUM: You must be talking nonsense! I don't watch that ghastly program!

NEIL'S DAD: I'm sorry, my dear. It was my mistake. I meant The Good Life.

NEIL'S MUM: Oh, yes. That's the one.

    [The cartoon and theme music for The Good Life appear, but Vyvyan tears it down.]

VYVYAN: NO!! No! We're not watching the bloody Good Life!! Bloody bloody bloody!! I hate it!! It's so bloody nice! Felicity 'Treacle' Kendall and Richard 'Sugar-Flavored-Snot' Briars!! What do they do now?! Chocolate bloody Button ads, that's what!! They're just a couple of reactionary stereotypes, confirming the myth that everyone in Britain is a lovable, middle-class eccentric - and I - HATE - THEM!!

    [collapses on the couch, exhuasted]

MIKE: That was a highly articulate outburst, Vyvyan. I only hope they're not watching.

RICK: Well, you can just shut up, Vyvyan. You can just about bloomin' well shut up! Cause if you've got anything horrid to say about Felicity Kendall, you can just about bloomin' well say it to me first!! All right?!

VYVYAN: Rick, I just did.

RICK: Oh! Oh!! You did, did you?! Well, I've got a good mind to give you a ruddy good punch on the bottom for what you just said! You're talking about the woman I love!

NEIL: Yeah, and me! I love her too.

NEIL'S DAD: yes, well, I agree with the spotty twerps on that one. Felicity Kendall is sweetly pretty, and just what a real girlie should be. Why, speaking as a feminist myself, I can safely say this: that Felicity Kendall is a wonderful woman, and I want to protect her.

VYVYAN: [sarcastic] Well, it's the first time I've ever heard it called that!

NEIL'S MUM: Neil! Say something!

NEIL: [quietly, knowing what Vyvyan can do to him] 

Shut up, Vyvyan, that's my dad you're talking to.

VYVYAN: Did you see that episode where the pig was going to have a baby? Now, that was quite a promising idea. But it was all done so bloody nicely! We didn't see anything! Even the policeman was nice.

    [A policeman comes in (different than the earlier one), smashing a lamp with his nightstick]

POLICEMAN: All right! Why shouldn't the police be portrayed as nice occasionally?!

    [threatens Neil's Dad with his stick]

You trendy students are always giving us a bad name!

VYVYAN: Oh, do you mean like 'Big Jobbies'?

POLICEMAN: All right, now you've really asked for it!

    [Picks up a chair, smashes Rick over the head. But it doesn't collapse like it should and he is knocked out.]

Now, let me assure you that I would not have done that to you if you had been Felicity Kendall. [pause] God, are you all right?

MIKE: No. It was that silly cow. [points to Neil's Mom] She smashed the special balsa wood chair earlier on.

NEIL'S MUM: Well, none of this would have happened if you'd been doing a nice program like The Good Life.

    [The Good Life music leads into the next scene. The boys are in the back yard, planting a garden.]

MIKE: And that's where we'll put a row of cabbages.

VYVYAN: Okey-dokey, Mikey. We've got some of that!

    [takes out a board with cabbages stuck to it, sets it down]

MIKE: And that's where we'll put the row of caulies.

VYVYAN: Ah-hah! Just wait one moment, Michael.

    [takes out a board with small dogs attached, sings dramatically, laughs]

MIKE: Very funny, Vyvyan.

VYVYAN: Well, you might've laughed, Michael. It took me ages to raid the pet shop and nail 'em all to a plank.

RICK: [walking out from the house] A-ha! The timeless wonder of the English countryside.

    [goes to Neil, who is hoeing]

Good grief, Christine, it'd be pretty bloody super to have a snog in a place like this! What do you think, Neil?

NEIL: I don't feel like it, actually, Rick. I've got a lot of work to do!

RICK: Not with you, you sick pervy. I meant with a pretty bloody super girlie who's on for an amazing bit of rumpo. and how's your father...

NEIL: [picks up a large bag of seed packets] OK, I've plowed this bit, right. And now I'm going to sow it. [throws packets of seed down] This self-sufficiency thing really is amazing. We sow the seed, right. Nature grows the seed, and then, we eat the seed. And then, after that, we sow the seed, nature grows the seed, and then, we eat the seed. And then, after that again, we sow the seed, nature grows the seed....

RICK: Oh, shut up, Neil! Shut up! Shut up. It's pathetic. I mean, what about radical magazines? What about Kicker boots?! Can we grow them? No, we can't, can we?! They beauty of your plan, Neil, seems to rest on everyone being really into seeds.

NEIL: No no no, Rick. You don't understand the timeless wonder of the whole thing. We. Sow the seed! Nature grows the seed. We eat the seed. And then....

    [Rick clobbers Neil with a shovel. Neil collapses, unmoving.]

RICK: All right. Now, shut up. [pause] Come on, get up Neil, there's a lot of work to be done. Neil? Neil?! [bends over, feels the body] Oh, God! Oh, God, I've killed a hippie! I've killed a hippie, and now I'll have to pay. Oh, God. Vyvyan's bound to tell on me, and I'll get sent to prison and raped in the shower by Mr. Big who's in with the warders. Oh! Burn the corpse! Burn the corpse.

    [tries to light Neil, but he won't catch fire]

Burn! Burn! Oh, trust Neil to be all soggy! Burn!

    [Two men come up and watch Rick, who quickly stands]

MAN #1: Hello.

MAN #2: Hello.

RICK: Hello!

MAN #1: My name's Mick. This is Tess.

TESS: All right, are ya?

RICK: Tess?

MICK: We would've brought Harry, but we don't know anyone called Harry.

RICK: Um, excuse me. [laughs nervously] You're not policemen, are you?

TESS: No, we're not policemen.

    [They leave, but return a second later]

MICK: Oh, yeah! I'm sorry. Look, we've come about the muck.

RICK: Muck?

MICK: Look, you know, manure.

RICK: Yes?

MICK: We've been told to drop a load in your garden.

RICK: Well, listen, absolutely nobody, I don't care who they are, is doing a two-ton pooh outside of my front door.

TESS: Just thought you might need it to cover up that dead hippie you just murdered, that's all.

RICK: Yes! Yes, bury him! Bury him. But it's not a hippie. It's just a garden gnome, that I accidentally cracked.

    [A garden gnome is standing aside, watching]

GNOME: What a load of old crap! It's not a gnome! It's a hippie he's just killed. He's just killed a hippie, everybody!!

    [Rick kicks it and it shatters][Good Life music again]

    [Some time later, Rick is packing down the manure around Neil's body, not doing a very good job, since one of Neil's legs is sticking out. Mike and Vyvyan come out, carrying a row of cans on a board.]

MIKE: So, this is the row of mixed veg. Oh, nicely nicely, we progress. The grow-anything fertilizer has arrived. [Sets the board down]

VYVYAN: Brilliant. We are now completely self-sufficient in fertilizer. Speaking of which, where's Neil?

MIKE: Yeah! Where is he? I specifically told him that if we don't sow the seed, nature can't grow the seed, and we can't eat the seed. Eh?

RICK: Ah, er, he's [pause] emigrated. [filled with remorse] And he said to say that you'll never see him again.

VYVYAN: Well, he's left one of his shoes behind.

    [takes Neil's shoe off, exposing his bare foot]

He's left one of his feet behind as well!

MIKE: Bloody idiot.

RICK: [laughs] Yes, I noticed he was hopping when he left.

MIKE: Hang on a minute. Did you say..? [the sky turns dark]

RICK: Oh, no. Night time.

MIKE: Good grief. Oh, well. Boing. [jumps up, motions to the others]

RICK & VYVYAN: [together, jumping] Boing!

MIKE: Time for bed, everyone.

    [Mike leads them inside, to the sound of The Good Life music]

    [Later on, Neil sits up out of the manure pile]

NEIL: Lucky Rick only stunned me, eh?

    [On his right, another Neil sits up]

Oh, wow!

    [checks to make sure he's OK]

Hello?

NEIL #2: Hello?

NEIL: Anybody watching that must've thought it was a negative reality inversion.

    [A man and woman are making out in the shadows]

WOMAN: Cor, that looked just like a negative reality inversion, didn't it?

MAN: Yes, it did, a bit.

    [They turn their attention back to each other]

NEIL: I was right! [another Neil sits up] Hello?

NEIL #2: Hello?

NEIL #3: Hello.

NEIL: Oh, wow. [notices the grow-anything fertilizer] Rick planted me. I was the seed. Rick sowed me. Nature grew me. Yeah!

    [Rick is lying in bed, tossing and turning, clutching a handkerchief. His conscience calls to him.]

CONSCIENCE: Rick. Rick! This is the voice of your conscience speaking.

RICK: Shut up. Shut up!

CONSCIENCE: Don't tell me to shut up, you spotty little bastard. I'm your conscience. You killed Neil, didn't you?

RICK: No! No! It wasn't me. It was, uh, Vyvyan and Mike, and I'm going to tell on them as well!

CONSCIENCE: They didn't bloody well do it. It was you!

RICK: Oh, God! Whose side are you on?

CONSCIENCE: Not bloody yours, matey!

RICK: Then get out of my head, poo-hole!

CONSCIENCE: Try and make me, farty breath!

VYVYAN: Rick, will you tell your conscience to keep its voice down?! I'm trying to get some sleep!

    [Rick is dreaming of a court scene. Vyvyan and Mike are wearing powdered wigs. Vyvyan is the prosecuting attorney, Mike the judge, with Rick off as the accused on one side.]

VYVYAN: Oh, come on, Judge Mike! He's obviously a complete bastard. Let's hang him!

RICK: But I'm the People's Poet! The spokesperson of a generation! Kids everywhere look to me for inspiration!

    [A group of girls is watching the proceedings from the balcony]

GIRL: Oh, People's Poet. Don't die! We'll kill ourselves if you do!But first, we're going to take off all our clothes!

    [The girls scream and start to strip]

CONSCIENCE: Stop having a wet dream, you little pervy! [wakes Rick up] You're supposed to be racked with remorse!

RICK: I am! I am.

    [Gets up, goes downstairs. Kicks a stuffed panda bear sitting in the corner of the stairway.]

Oh, Neil! Neil! Orange peel! If only I could see you again.

NEIL #2: [sticks his head through the living room window] Hello, Rick.

    [Rick screams]

NEIL #3: [sticks his head through the kitchen window] Hello, Rick.[Rick screams louder]

NEIL: [walking through the front door, puts his hand on Rick's shoulder] Hello, Rick.

    [Rick goes nuts]

RICK: Help! Michael! Vyvyan! Neil's come back from the grave as zombies!

    [Mike and Vyvyan run downstairs. The Young Ones set opens up to reveal a well-decorated show stage. Standing on a platform are Neil's parents and Damage. They are blowing kisses to the audience and waving.]


VYVYAN: [sarcastic] Well, it's the first time I've ever heard it called that!

NEIL'S MUM: Neil! Say something!

NEIL: [quietly, knowing what Vyvyan can do to him] Shut up, Vyvyan, that's my dad you're talking to.

VYVYAN: Did you see that episode where the pig was going to have a baby? Now, that was quite a promising idea. But it was all done so bloody nicely! We didn't see anything! Even the policeman was nice.


[A policeman comes in (different than the earlier one), smashing a lamp with his nightstick]
POLICEMAN: All right! Why shouldn't the police be portrayed as nice occasionally?!

[threatens Neil's Dad with his stick]
You trendy students are always giving us a bad name!
VYVYAN: Oh, do you mean like 'Big Jobbies'?

POLICEMAN: All right, now you've really asked for it!


[Picks up a chair, smashes Rick over the head. But it doesn't collapse like it should and he is knocked out.]
Now, let me assure you that I would not have done that to you if you had been Felicity Kendall. [pause] God, are you all right?
MIKE: No. It was that silly cow. [points to Neil's Mom] She smashed the special balsa wood chair earlier on.

NEIL'S MUM: Well, none of this would have happened if you'd been doing a nice program like The Good Life.


[The Good Life music leads into the next scene. The boys are in the back yard, planting a garden.]
MIKE: And that's where we'll put a row of cabbages.
VYVYAN: Okey-dokey, Mikey. We've got some of that!


[takes out a board with cabbages stuck to it, sets it down]
MIKE: And that's where we'll put the row of caulies.
VYVYAN: Ah-hah! Just wait one moment, Michael.


[takes out a board with small dogs attached, sings dramatically, laughs]
MIKE: Very funny, Vyvyan.
VYVYAN: Well, you might've laughed, Michael. It took me ages to raid the pet shop and nail 'em all to a plank.

RICK: [walking out from the house] A-ha! The timeless wonder of the English countryside.


[goes to Neil, who is hoeing]
Good grief, Christine, it'd be pretty bloody super to have a snog in a place like this! What do you think, Neil?

NEIL: I don't feel like it, actually, Rick. I've got a lot of work to do!

RICK: Not with you, you sick pervy. I meant with a pretty bloody super girlie who's on for an amazing bit of rumpo. and how's your father...

NEIL: [picks up a large bag of seed packets] OK, I've plowed this bit, right. And now I'm going to sow it. [throws packets of seed down] This self-sufficiency thing really is amazing. We sow the seed, right. Nature grows the seed, and then, we eat the seed. And then, after that, we sow the seed, nature grows the seed, and then, we eat the seed. And then, after that again, we sow the seed, nature grows the seed....

RICK: Oh, shut up, Neil! Shut up! Shut up. It's pathetic. I mean, what about radical magazines? What about Kicker boots?! Can we grow them? No, we can't, can we?! They beauty of your plan, Neil, seems to rest on everyone being really into seeds.

NEIL: No no no, Rick. You don't understand the timeless wonder of the whole thing. We. Sow the seed! Nature grows the seed. We eat the seed. And then....


[Rick clobbers Neil with a shovel. Neil collapses, unmoving.]
RICK: All right. Now, shut up. [pause] Come on, get up Neil, there's a lot of work to be done. Neil? Neil?! [bends over, feels the body] Oh, God! Oh, God, I've killed a hippie! I've killed a hippie, and now I'll have to pay. Oh, God. Vyvyan's bound to tell on me, and I'll get sent to prison and raped in the shower by Mr. Big who's in with the warders. Oh! Burn the corpse! Burn the corpse.

[tries to light Neil, but he won't catch fire]
Burn! Burn! Oh, trust Neil to be all soggy! Burn!


[Two men come up and watch Rick, who quickly stands]
MAN #1: Hello.
MAN #2: Hello.

RICK: Hello!

MAN #1: My name's Mick. This is Tess.

TESS: All right, are ya?

RICK: Tess?

MICK: We would've brought Harry, but we don't know anyone called Harry.

RICK: Um, excuse me. [laughs nervously] You're not policemen, are you?

TESS: No, we're not policemen.


[They leave, but return a second later]
MICK: Oh, yeah! I'm sorry. Look, we've come about the muck.
RICK: Muck?

MICK: Look, you know, manure.

RICK: Yes?

MICK: We've been told to drop a load in your garden.

RICK: Well, listen, absolutely nobody, I don't care who they are, is doing a two-ton pooh outside of my front door.

TESS: Just thought you might need it to cover up that dead hippie you just murdered, that's all.

RICK: Yes! Yes, bury him! Bury him. But it's not a hippie. It's just a garden gnome, that I accidentally cracked.


[A garden gnome is standing aside, watching]
GNOME: What a load of old crap! It's not a gnome! It's a hippie he's just killed. He's just killed a hippie, everybody!!

[Rick kicks it and it shatters][Good Life music again]
[Some time later, Rick is packing down the manure around Neil's body, not doing a very good job, since one of Neil's legs is sticking out. Mike and Vyvyan come out, carrying a row of cans on a board.]
MIKE: So, this is the row of mixed veg. Oh, nicely nicely, we progress. The grow-anything fertilizer has arrived. [Sets the board down]
VYVYAN: Brilliant. We are now completely self-sufficient in fertilizer. Speaking of which, where's Neil?

MIKE: Yeah! Where is he? I specifically told him that if we don't sow the seed, nature can't grow the seed, and we can't eat the seed. Eh?

RICK: Ah, er, he's [pause] emigrated. [filled with remorse] And he said to say that you'll never see him again.

VYVYAN: Well, he's left one of his shoes behind.


[takes Neil's shoe off, exposing his bare foot]
He's left one of his feet behind as well!
MIKE: Bloody idiot.

RICK: [laughs] Yes, I noticed he was hopping when he left.

MIKE: Hang on a minute. Did you say..? [the sky turns dark]

RICK: Oh, no. Night time.

MIKE: Good grief. Oh, well. Boing. [jumps up, motions to the others]

RICK & VYVYAN: [together, jumping] Boing!

MIKE: Time for bed, everyone.


[Mike leads them inside, to the sound of The Good Life music]
[Later on, Neil sits up out of the manure pile]
NEIL: Lucky Rick only stunned me, eh?

[On his right, another Neil sits up]
Oh, wow!

[checks to make sure he's OK]
Hello?
NEIL #2: Hello?

NEIL: Anybody watching that must've thought it was a negative reality inversion.


[A man and woman are making out in the shadows]
WOMAN: Cor, that looked just like a negative reality inversion, didn't it?
MAN: Yes, it did, a bit.


[They turn their attention back to each other]
NEIL: I was right! [another Neil sits up] Hello?
NEIL #2: Hello?

NEIL #3: Hello.

NEIL: Oh, wow. [notices the grow-anything fertilizer] Rick planted me. I was the seed. Rick sowed me. Nature grew me. Yeah!


[Rick is lying in bed, tossing and turning, clutching a handkerchief. His conscience calls to him.]
CONSCIENCE: Rick. Rick! This is the voice of your conscience speaking.
RICK: Shut up. Shut up!

CONSCIENCE: Don't tell me to shut up, you spotty little bastard. I'm your conscience. You killed Neil, didn't you?

RICK: No! No! It wasn't me. It was, uh, Vyvyan and Mike, and I'm going to tell on them as well!

CONSCIENCE: They didn't bloody well do it. It was you!

RICK: Oh, God! Whose side are you on?

CONSCIENCE: Not bloody yours, matey!

RICK: Then get out of my head, poo-hole!

CONSCIENCE: Try and make me, farty breath!

VYVYAN: Rick, will you tell your conscience to keep its voice down?! I'm trying to get some sleep!


[Rick is dreaming of a court scene. Vyvyan and Mike are wearing powdered wigs. Vyvyan is the prosecuting attorney, Mike the judge, with Rick off as the accused on one side.]
VYVYAN: Oh, come on, Judge Mike! He's obviously a complete bastard. Let's hang him!
RICK: But I'm the People's Poet! The spokesperson of a generation! Kids everywhere look to me for inspiration!


[A group of girls is watching the proceedings from the balcony]
GIRL: Oh, People's Poet. Don't die! We'll kill ourselves if you do!But first, we're going to take off all our clothes!

[The girls scream and start to strip]
CONSCIENCE: Stop having a wet dream, you little pervy! [wakes Rick up] You're supposed to be racked with remorse!
RICK: I am! I am.


[Gets up, goes downstairs. Kicks a stuffed panda bear sitting in the corner of the stairway.]
Oh, Neil! Neil! Orange peel! If only I could see you again.
NEIL #2: [sticks his head through the living room window] Hello, Rick.


[Rick screams]
NEIL #3: [sticks his head through the kitchen window] Hello, Rick.[Rick screams louder]
NEIL: [walking through the front door, puts his hand on Rick's shoulder] Hello, Rick.


[Rick goes nuts]
RICK: Help! Michael! Vyvyan! Neil's come back from the grave as zombies!

[Mike and Vyvyan run downstairs. The Young Ones set opens up to reveal a well-decorated show stage. Standing on a platform are Neil's parents and Damage. They are blowing kisses to the audience and waving.]

Convicted


....Those of Us who had been up All-night,
were in No Mood for Coffee and Donuts --
We wanted strong Drink; We were,
after all, the absolute Cream of 
The American Sporting-Press.




MARLON BRANDO as JOR-EL in SUPERMAN: 
THE MOVIE forgets the name of his son.



....The Virtuous spirit 
has no need for Thanks or 
Approval, only the certain Conviction
that What has been Done is right -- 
Develop such Conviction in 
Yourself, El-al... Ralph, or
whatever Your Name is --
....cut! cut! cut! --
 
...We'll just pick 
it up.....


proof





Carl Sagan Responds To Christian 
Grad Student Question About God

"I refuse to prove that I exist,"
Sayeth He
"For proof denies Faith
and without Faith,
I am nothing --"

-- What would Happen..?

Killing God : The Assassination of Julius Caesar

Killing God: The Assassination of Julius Caesar | History Hit | Odyssey



15 March - 'The Ides of March'. It is arguably the most well known date in ancient history. On that day in 44 BC the Roman statesman Julius Caesar was assassinated by a group of senatorial conspirators in the heart of Rome. But why was this political giant of ancient Rome assassinated?

Odyssey is your journey into the world of Ancient History; from the dawn of Mesopotamia to the fall of Rome. We'll be bringing you only the best documentaries that journey into the mysteries and ruins of worlds long lost.

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Everest in Easy Stages

Why Did Men Stop Being Ambitious?
Because They totally 
All just STABBED CEASAR.

So, in the... in The Arab-world
broadly-speaking, The Arab-world 
produces about as much as Spain --

Okay, well why...?

Well, part of The Reason 
is The Men don't Work --

Why Did Men Stop Being Ambitious?



i saw hypothetically an increased war on male play and interest preferences that made itself manifest I would say with the hyper feminization of the school system And then as well the there there was the communicated insistence that male ambition was toxic that competitive games were bad and that you know to the degree that the patriarchy is a corrupt institution that any sign of that demand for victory let's say a competitive m victory on the male front was actually a sign of psychopathology So I think part of the reason that the boys have been demoralized or h no are are failing to participate is because they've been demoralized and that that's provided them also with an excuse to be irresponsible Look na said you're best punished for your virtues So the conclusion is is if you're going to be punished for being ambitious and goal directed then that's going to be very effective as a punishment but it also gives you every reason to you know to bow out and to be irresponsible So I don't know what you think about that in in combination with the things that you're seeing on the you know the more specifically technological front Yeah Well so the boy's story is different from the girl story and it's a story of checking out of the real world and I draw from this in part on Richard Reeves who's a wonderful book of boys and men He points out that you know boys and men used to dominate the economy and society in many ways Um but beginning in the 70s we get the transition away from physical work and long shoremen and strength and to a service economy Um and we get uh as uh and girls are rising which is great Um but as girls are rising boys are not rising too In some ways they're falling And uh by 1980 I think it is most half of college students were female Now it's 60% are female Um so boys have been kind of checking out of school checking out of the workplace The electronic world the online world's gotten better and better more and more attractive for boys They're spending more time on video games So it is a story of male achievement male motives being kind of hijacked or turned towards trivial pointless pursuits that don't add up to anything Um and so I would agree with you um about the discouragement of of male ego ambition desire to be great uh the subversion of that into just wanting to do you know higher up on a on a video game leaderboard I suppose But you know I'd love to ask you Yeah you know because I've been I I've only really I I only really began turning to the boy story about three three years three or four years ago when I began working on the book You've been talking to young men for a long time now What do what do you see when you look at the Moles among young men I mean part of what you just said about but but just what's your diagnosis about um about what's what's happening to young men Is it depression anxiety Is it hopelessness What what do you see happening

Well a huge part of it fractured demoralization Like one of the things I've really noticed this it's quite the stunning and horrifying thing to see You know I think the biggest impact what I've said on young men has been my drawing of a relationship between meaning adventure and responsibility It's like well and you know you touch on this in your book like one of the things you point out so let let me take a bit of a sideways route here When the big five theorists were laying out the uh semantic webs associated with negative emotion neuroticism --

McCrae um in particular with uh with the Neo Big-Five noticed that self-consciousness and neuroticism were so tightly associated semantically that they were indistinguishable So here's the rule This is the rule and you allude to this If you think about yourself you are going to be anxious and miserable Those are the same thing And you know that when you're possessed by a bout of self-consciousness it's not pleasant Okay So then you might say well what do you do about that And one answer would be well don't focus on yourself But you can't not focus on yourself You have to focus on something else Okay So what do you focus on if you're male Well you focus on responsible service to the future and others Well why Well because that gives you what you described as that slow dopamine kick It's like that's where and that's not happiness It's meaning Those are very different things Happiness is that like hedonistic kick that can be hijacked by the AI machines meaning is s more s less intense but more sustaining Okay So where do you find that And that's simple You find that in the adoption of maximal responsibility That that's burden That's challenge That's play if you do it right That's also the sacrifice that civilization is founded on And one of the things that we might note Jonathan is that the default man is useless 

Right 

So so for example....
I'm going to get myself in Trouble 
here, but I don't really care  --

So, in the... in The Arab-world, 
broadly-speaking, The Arab-world 
produces about as much as Spain --

Okay, well why...?

Well, part of the reason 
is The Men don't Work --
 Now that's not surprising;

What's surprising is,
that any man ever work
because Work is difficult 
and it requires sacrifice -- 

And so The Question is, and 
this is the anthropological question, 
the question of Initiation --

How do you socialise and civilise men because the default is going to be trivial hedonism Of course it is because it's easier Of course it's going to be the default The default's always what's simpler and more fragmented 

Well you tell them a story of heroic responsibility and you draw even more importantly you draw a connection between responsibility and adventure you know and so it's so interesting because so many men have reflected this back to me and I literally mean thousands because I've I've said you know what you do is you look for the maximum burden and you note that in service to that you find meaning And so you can do that with truth You can do it with responsibility And the young men will come up to me and they do this daily I would say and say you know 5 years ago I decided I was going to start taking responsibility for myself and tell the truth And like everything's changed in consequence everything And so what what we're do we're doing this bigotry of soft expectations with men And one of the things I got right right off at the beginning was see the mas the male attitude towards younger men isn't the feminine ethos of acceptance So the you could imagine the dynamic in a family is that --
this is a stereotype, but --

I'm going to go with it anyways; 
The Mother says to The Child
"You're lovely the way you are.
And The Father says "You I kind of like you, 
but you could be a lot more." 
And those are good -- Those are really good together, 
you know, because when The Child goes out from the mother he's encouraged let's say by the masculine go out And then when he's exhausted or she's exhausted for that matter she can come back to the mother and be accepted And that's the standard pattern of you know security seeking and then exploration Now what I've been doing with young men is saying to them you could be a lot more than you are And that's it's an insult in a way because means you're not good enough now But it it prioritizes the optimized future self And that's actually hugely advantageous you know And so I think what we're doing that's wrong with young men well and I think we're doing it to young women too in a more subtle manner is not asking not requiring or even demanding nearly enough So they default to trivial hedonism Obviously [Music]

Tonight We Take Care of All Family Business





The Producer :
Forget about the fucking tweet

The Anchor :
Look, I get that it's stupid, but it has an effect
And we haven't been getting the bounces lately. 
And there's injustice. Living with that much injustice 
from the person who was supposed to represent-- 
He's the one who tells you what The World 
is going to think of you. And if he tells you 
you're bad -- That, forever…..

The Producer :
Not forever. 
That's my point.

30 seconds. 

The Producer :
30 seconds. If you're thinking on the off chance 
he might die tonight, you can win the last 
frame by sticking it to him-- 

The Anchor :
-- I'm not

The Producer :
Then why are you 
talking about justice

The Anchor :
— I don't know what to say

The Producer :
It's voice mail. "Dadit's 
Will. I just heard--

The Anchor :
…I'll call him in the next break. 

The Producer :
What was the third tweet
The first was you blew her 
off and she's a waitress and 
you didn't respond to that

And the second was the lost battle 
and you didn't respond to that
What was the third

The Anchor :
"You just lost 
A Viewer.

The Producer :
(nods in Disbelief)
 ……she knows what 
she's doing.



*********

We live in a dangerous
time for Freedom.

A time when it takes guts to speak 
out for conservative values.

I'll grant you that it takes guts
to speak out about anything.

But does it take something extra...

It's about five minutes away, and then 
we'll have to cut it down from 4:07.

Okay. Just 20 to 25 
seconds will be cool.

If we can't get it right on time, we can 
always slide it to Ten o’clock.

I want it for us.

We may be squeezed.

Then we're squeezed.


Alright. We'll have it.



...or Mr. Buchanan.
But Rush Limbaugh has the most 
popular show on the radio
and Pat Buchanan won
The New Hampshire primary.

What does someone who wants to speak 
up about conservative values have 
to fear in terms of consequences?

Will, I'm not even sure why 
we're talking about this.

It's because you said it's 
a Dangerous time for 
Freedom —

A time when it takes
guts to speak out
for conservative values, and 
then I took it from there.

Pat Buchanan was fired
from MSNBC.

Do you know why?

I can take a guess.

Well, since you're on Television,
I'd prefer you didn't.

It was absolutely because 
of The Book.

I guess you couldn't
help yourself.

You and I know there's a chapter 
that's misunderstood.

Tess, I'll be back in a second.

Give him a warning at 30 out.


Copy.

People widely misunderstood 
a chapter in Pat's book.

 The chapter --

"The End of White America."


Jesse?


Yeah.

I'm Mac -- Mackenzie McHale
The Producer.

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
That's such a News name.

(1940s Perry White-voice)
"Well, you got moxie, kid.
Kill The Lead that was there before
and get me a ham sandwich."

(blank look)

So, let me ask you
a couple of things.

You're The Head of 
The Rutgers Gay-
Straight Alliance?

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
Yes.

The Producer :
Did you know Tyler?

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
No.

The Producer :
Will's gonna ask you about the 
reaction to all this on campus.

You don't have to feel like
you're speaking for everyone,
just your own experience —

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
Obviously I thought 
what Dharun Ravi did
was reprehensible.

He invaded Tyler's privacy
in the worst possible way
and then made it available
for everyone to see.

Do you think Dharun Ravi
is homophobic?

The Producer :
I have no idea. I know 
he's an asshole.

You take the most intimate
moment of someone's Life and 
use it for Entertainment?

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
Right.

The Producer :
.....Right.

A Woman who works for The Post
is mad at Will for a perceived snub
and she's been tweeting about it and 
that's why someone here was looking 
at the #NewsNight Hashtag :

"Watch #Newsnight 8:00 P.M.
My TV debut.
Gonna make some waves.
#Parentspleasedonthateme."

This was you, right?

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
Yeah. Just spreading The Word.

The Producer :
What kind of waves, Jesse?
….are you planning on coming 
out on The Show..?

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
— to my parents.

The Producer :
I'm sorry, you can't.

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
Why?

The Producer :
You just said you can't take 
the most intimate moment
of someone's life and use 
it for Entertainment.

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
But I'm volunteering to Do that.
I signed a release.

The Producer :
You can't do it.

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
If I hadn't told you, you 
wouldn't have known.

The Producer :
If you hadn't tweeted about it
and you hadn't told me,
I wouldn't have known,
but you did and I do.

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
What's wrong with it?
As long as I'm okay with it.

The Producer :
It's just not that kind of Show.

We'll be back after this.

Jesse, Head of The Rutgers 
Gay-Straight Alliance :
What kind of show?

The Producer :
The kind where that 
would happen.

We just went to commercial
and I'll be right back.
We have to talk 
about this, okay?


Jesse, Head of The Rutgers 
Gay-Straight Alliance :
You can't just pretend
I didn't say anything?


The Producer :
No.


The Producer :
She knew what she was doing
when she said you must have
thought she was A Waitress.


People are tweeting?

The Producer :
Mostly women.

Mostly bad stuff?

The Producer :
And Pepper Burke sent 
out another tweet.

During The Show?
I wish they'd wait until after.
Or at least a commercial.

The Producer :
What's going on here?

She tweeted again.

The Producer :
Yeah. And Miles Deaken pulled
my pigtails in kindergarten.

Could I...

The Producer :
What was the second tweet?

"Another battle lost in 
the war on women."

And also on that metaphor.
Did you call his phone?


Yeah, there was no answer.

The Producer :
You left A Message?

I called The Hospital.

The Producer :
You left A Message for him?

Yeah.

The Producer :
Good. It's gonna mean a lot to him —
….You didn't, did you?

No.

The Producer :
Come on, Do it, now.

It's not that simple.

The Producer :
Yes, it is.


After The Show.

The Producer :
I'm saying in addition
you should call now,
his phone, and leave 
A Message.

Start to turn this around.

I think I'm making 
A Mistake not having Neal 
write something 
to this woman.

"It was a pleasure meeting you at lunch.
I'm sorry you felt snubbed."

The Producer :
Yeah, but maybe it 
should be longer.

What else do you want to say?

“I had to hurry back 
to The Office.”

The Producer :
What else?

I don't think any woman with 
a coffee cup is A Waitress.

I don't think women are only 
suited to be waitresses.

The Producer :
Are you sure you want to be
that insulting to Waitresses?



You're right.


The Producer :
Will.



Yeah?

*********


Mackenzie:
JesseI'm sorry, I've got 
to bump the segment.


Why? 

Mackenzie:
We screwed up.
We aired a badly edited tape 
of George Zimmerman talking 
to the 911 operator and I need the 
space so we can air the full tape 
at the end of the show.

Is this because I said 
I was coming out?

Mackenzie:
No. 

Because I was gonna 
come out on the air?

Mackenzie:
No. I just told you the reason.

I don't believe you.

Mackenzie:
I guess I'm gonna have to live with that.

People are gonna know about this.

Mackenzie:
140-character public shaming is absolutely in order,
but make sure you blame it on Will and not me 'cause 
Will's The Famous One and you'll want traction.

Why are you acting like such a bitch?

Mackenzie:
(shuts The Door
I was gonna lose the segment anyway and 
it was 'cause you were gonna come out.

Jesse :
If it makes you uncomfortable, then 
maybe you should come to our meetings.

Mackenzie:
You want to come out 
on TV, I don't care.
But you can't do it here. 
He's not Maury Povich.

Tyler was robbed of his right to come 
out to the world on his own terms.
Dharun made that decision for him.

I'm doing what Tyler never 
had the chance to do.
I'm taking The Power back.

Mackenzie:
Jesse, you're full of shit.
You want to 
be a D-lister 
and that's it.

You want to get onstage and you want to call him ‘Tyler
even though you told me you didn't know him
so you can bathe in his reflected tragedy.
Fuck you, Jesse.

That kid killed himself because his privacy was stolen.

Mackenzie:
And you think you're honouring him by tweeting about 
coming out in front of a million and a half strangers?

I'll put up color bars before I'll put 
you in front of our cameras.

…..I thought it was one way to 
tell my parents the news and 
not be there when I did.

Mackenzie:
Well, good luck with that.

Thanks.

Mackenzie:
I saw a video online
It gets better.

How would you know?

Mackenzie:
….I guess I wouldn't.
Take it easy.

I've known a few of these guys.
I know this one very well.

Having a relationship 
with An Audience is cool.I get it. 
As long as it doesn't turn serious.

As long as it's hooking up and Home 
before sunrise, then everything's 
fine 'cause... They don't feel 
about you the way 
you want them to.

You were gonna get killed
I did you a favour.





Rose



Peter Capaldi Remembers Rose | Doctor Who | BBC




Meeting on The Common



The Weird TARDIS of Wimbledon Common - Doctor Who

Doctor Who in An Exciting 
Adventure with The Daleks --
Chapter One : 
Meeting on The Common.

She's The Second Susan.

She's Anne Chaplet's Cousin; But,
Don't You Think She Looks almost
EXACTLY Like Susan Foreman...?

Burning Man




Burning Man : 
I had estates. Do you remember 
My Father's land back Home? 
Pastures of red grass, stretching far 
across the slopes of Mount Perdition. 
We used to run across those fields all day, 
calling up at the sky. Look at us now.

Perfect-10 : 
All that eloquence. But how 
many people have you killed?

Burning Man : 
I am so hungry.

Perfect-10 : 
Your resurrection went 
wrong. That energy. 
Your body's ripped open. 
Now you're killing yourself.

Burning Man : 
That human Christmas out there. They eat so much. 
All that roasting meat, cakes and red wine. 
Hot, fat, blood, food. Pots, plates of meat, and flesh, 
and grease, and juice, and baking, burnt, 
sticky hot skin. Hot. It's so hot.

Perfect-10 : 
Stop it.

Burning Man : 
Sliced. Sliced. Sliced.

Perfect-10 : 
Stop it.

Burning Man : 
It's mine. It's mine. It's mine 
to eat and eat and eat.

Perfect-10 : 
Stop it. What if I ask you for help? 
There's more at work tonight than you and me.

Burning Man : 
Oh yeah?

Perfect-10 : 
I've been told something is returning.

Burning Man : 
And here I am.

Perfect-10 : 
No, something more.

Burning Man : 
But it hurts.

Perfect-10 : 
I was told the end of time.

Burning Man : 
It hurts. Doctor, the noise. The noise in my head, 
Doctor. One, two, three, four. One, two, three, four. 
Stronger than ever before. Can't you hear it?

Perfect-10 : 
I'm sorry.

Burning Man : 
Listen, listen, listen, listen. 
Every minute, every second, 
every beat of my hearts, there it is, 
calling to me. Please listen.

(We can hear the four beats of the start 
of the Doctor Who theme being played out 
by an iron bar on an oil drum somewhere.)

Perfect-10 : 
I can't hear it.

Burning Man : 
Listen.

(The Master mind-melds with the Doctor. 
The Doctor hears the beats and pulls away.)

Burning Man : 
What?

Perfect-10 : 
….But —

Burning Man : 
What!

Perfect-10 : 
I heard it. But there's no noise. 
There never has been. It's just your insanity. 
What is it? What's inside your head?

Burning Man : 
It's real. It's real. It's real!

(The Master flies off and 
The Doctor runs after him.)

[Derelict site]

Burning Man : 
All these years, you thought I was mad. 
King of The Wasteland. 
But something is calling me, Doctor. 
What is it? What is it? What is it?