Sunday, 6 April 2025

The Lower 48





LAW 1 NEVER OUTSHINE THE MASTER

Always make those above you feel comfortably superior. In your desire to please or impress them, do not go too far in displaying your talents or you might accomplish the opposite — inspire fear and insecurity. Make your masters appear more brilliant than they are and you will attain the heights of power


LAW 2 NEVER PUT TOO MUCH TRUST IN FRIENDS, LEARN HOW TO USE ENEMIES

Be wary of friends—they will betray you more quickly, for they are easily aroused to envy. They also become spoiled and tyrannical. But hire a former enemy and he will be more loyal than a friend, because he has more to prove. In fact, you have more to fear from friends than from enemies. If you have no enemies, find a way to make them.


LAW 3 CONCEAL YOUR INTENTIONS

Keep people off-balance and in the dark by never revealing the purpose behind your actions. If they have no clue what you are up to, they cannot prepare a defense. Guide them far enough down the wrong path, envelop them in enough smoke, and by the time they realize your intentions, it will be too late. 


LAW 4 ALWAYS SAY LESS THAN NECESSARY 

When you are trying to impress people with words, the more you say, the more common you appear, and the less in control. Even if you are saying something banal, it will seem original if you make it vague, open-ended, and sphinxlike. Powerful people impress and intimidate by saying less. The more you say, the more likely you are to say something foolish. 


LAW 5 SO MUCH DEPENDS ON REPUTATION—GUARD IT WITH YOUR LIFE 

Reputation is the cornerstone of power. Through reputation alone you can intimidate and win; once it slips, however, you are vulnerable, and will be attacked on all sides. Make your reputation unassailable. Always be alert to potential attacks and thwart them before they happen. Meanwhile, learn to destroy your enemies by opening holes in their own reputations. Then stand aside and let public opinion hang them. 


LAW 6 COURT ATTENTION AT ALL COST 

Everything is judged by its appearance; what is unseen counts for nothing. Never let yourself get lost in the crowd, then, or buried in oblivion. Stand out. Be conspicuous, at all cost. Make yourself a magnet of attention by appearing larger, more colorful, more mysterious than the bland and timid masses. 


LAW 7 GET OTHERS TO DO THE WORK FOR YOU, BUT ALWAYS TAKE THE CREDIT 

Use the wisdom, knowledge, and legwork of other people to further your own cause. Not only will such assistance save you valuable time and energy, it will give you a godlike aura of efficiency and speed. In the end your helpers will be forgotten and you will be remembered. Never do yourself what others can do for you. 


LAW 8 MAKE OTHER PEOPLE COME TO YOU—USE BAIT IF NECESSARY 

When you force the other person to act, you are the one in control. It is always better to make your opponent come to you, abandoning his own plans in the process. Lure him with fabulous gains—then attack. You hold the cards. 


LAW 9 WIN THROUGH YOUR ACTIONS, NEVER THROUGH ARGUMENT 

Any momentary triumph you think you have gained through argument is really a Pyrrhic victory: The resentment and ill will you stir up is stronger and lasts longer than any momentary change of opinion. It is much more powerful to get others to agree with you through your actions, without saying a word. Demonstrate, do not explicate. 


LAW 10 INFECTION: AVOID THE UNHAPPY AND UNLUCKY 

You can die from someone else’s misery — emotional states are as infectious as diseases. You may feel you are helping the drowning man but you are only precipitating your own disaster. The unfortunate sometimes draw misfortune on themselves; they will also draw it on you. Associate with the happy and fortunate instead. 


LAW 11 LEARN TO KEEP PEOPLE DEPENDENT ON YOU 

To maintain your independence you must always be needed and wanted. The more you are relied on, the more freedom you have. Make people depend on you for their happiness and prosperity and you have nothing to fear. Never teach them enough so that they can do without you. 


LAW 12 USE SELECTIVE HONESTY AND GENEROSITY TO DISARM YOUR VICTIM 

One sincere and honest move will cover over dozens of dishonest ones. Open-hearted gestures of honesty and generosity bring down the guard of even the most suspicious people. Once your selective honesty opens a hole in their armor, you can deceive and manipulate them at will. A timely gift—a Trojan horse—will serve the same purpose. 


LAW 13 WHEN ASKING FOR HELP, APPEAL TO PEOPLE’S SELF-INTEREST, NEVER TO THEIR MERCY OR GRATITUDE 

If you need to turn to an ally for help, do not bother to remind him of your past assistance and good deeds. He will find a way to ignore you. Instead, uncover something in your request, or in your alliance with him, that will benefit him, and emphasise it out of all proportion. He will respond enthusiastically when he sees something to be gained for himself. 


LAW 14 POSE AS A FRIEND, WORK AS A SPY 

Knowing about your rival is critical. Use spies to gather valuable information that will keep you a step ahead. Better still: Play the spy yourself. In polite social encounters, learn to probe. Ask indirect questions to get people to reveal their weaknesses and intentions. There is no occasion that is not an opportunity for artful spying. 


LAW 15 CRUSH YOUR ENEMY TOTALLY 

All great leaders since Moses have known that a feared enemy must be crushed completely. (Sometimes they have learned this the hard way.) If one ember is left alight, no matter how dimly it smolders, a fire will eventually break out. More is lost through stopping halfway than through total annihilation: The enemy will recover, and will seek revenge. Crush him, not only in body but in spirit. 


LAW 16 USE ABSENCE TO INCREASE RESPECT AND HONOR 

Too much circulation makes the price go down: The more you are seen and heard from, the more common you appear. If you are already established in a group, temporary withdrawal from it will make you more talked about, even more admired. You must learn when to leave. Create value through scarcity. 


LAW 17 KEEP OTHERS IN SUSPENDED TERROR: CULTIVATE AN AIR OF UNPREDICTABILITY 

Humans are creatures of habit with an insatiable need to see familiarity in other people’s actions. Your predictability gives them a sense of control. Turn the tables: Be deliberately unpredictable. Behaviour that seems to have no consistency or purpose will keep them off-balance, and they will wear themselves out trying to explain your moves. Taken to an extreme, this strategy can intimidate and terrorize. 


LAW 18 DO NOT BUILD FORTRESSES TO PROTECT YOURSELF—ISOLATION IS DANGEROUS 

The world is dangerous and enemies are everywhere — everyone has to protect themselves. A fortress seems the safest. But isolation exposes you to more dangers than it protects you from — it cuts you off from valuable information, it makes you conspicuous and an easy target. Better to circulate among people, find allies, mingle. You are shielded from your enemies by the crowd. 


LAW 19 KNOW WHO YOU’RE DEALING WITH—DO NOT OFFEND THE WRONG PERSON 

There are many different kinds of people in the world, and you can never assume that everyone will react to your strategies in the same way. Deceive or outmaneuver some people and they will spend the rest of their lives seeking revenge. They are wolves in lambs’ clothing. Choose your victims and opponents carefully, then—never offend or deceive the wrong person. 


LAW 20 DO NOT COMMIT TO ANYONE 

It is the fool who always rushes to take sides. Do not commit to any side or cause but yourself. By maintaining your independence, you become the master of others—playing people against one another, making them pursue you. 


LAW 21 PLAY A SUCKER TO CATCH A SUCKER — SEEM DUMBER THAN YOUR MARK 

No one likes feeling stupider than the next person. The trick, then, is to make your victims feel smart—and not just smart, but smarter than you are. Once convinced of this, they will never suspect that you may have ulterior motives. 


LAW 22 USE THE SURRENDER TACTIC: TRANSFORM WEAKNESS INTO POWER

When you are weaker, never fight for honor’s sake; choose surrender instead. Surrender gives you time to recover, time to torment and irritate your conqueror, time to wait for his power to wane. Do not give him the satisfaction of fighting and defeating you—surrender first. By turning the other cheek you infuriate and unsettle him. Make surrender a tool of power. 


LAW 23 CONCENTRATE YOUR FORCES 

Conserve your forces and energies by keeping them concentrated at their strongest point. You gain more by finding a rich mine and mining it deeper, than by flitting from one shallow mine to another—intensity defeats extensity every time. When looking for sources of power to elevate you, find the one key patron, the fat cow who will give you milk for a long time to come. 


LAW 24 PLAY THE PERFECT COURTIER 

The perfect courtier thrives in a world where everything revolves around power and political dexterity. He has mastered the art of indirection; he flatters, yields to superiors, and asserts power over others in the most oblique and graceful manner. Learn and apply the laws of courtiership and there will be no limit to how far you can rise in the court. 


LAW 25 RE-CREATE YOURSELF 

Do not accept the roles that society foists on you. Re-create yourself by forging a new identity, one that commands attention and never bores the audience. Be the master of your own image rather than letting others define it for you. Incorporate dramatic devices into your public gestures and actions—your power will be enhanced and your character will seem larger than life. 


LAW 26 KEEP YOUR HANDS CLEAN 

You must seem a paragon of civility and efficiency: Your hands are never soiled by mistakes and nasty deeds. Maintain such a spotless appearance by using others as scapegoats and cat’s-paws to disguise your involvement. 


LAW 27 PLAY ON PEOPLE’S NEED TO BELIEVE TO CREATE A CULTLIKE FOLLOWING 

People have an overwhelming desire to believe in something. Become the focal point of such desire by offering them a cause, a new faith to follow. Keep your words vague but full of promise; emphasize enthusiasm over rationality and clear thinking. Give your new disciples rituals to perform, ask them to make sacrifices on your behalf. In the absence of organized religion and grand causes, your new belief system will bring you untold power. 


LAW 28 ENTER ACTION WITH BOLDNESS 

If you are unsure of a course of action, do not attempt it. Your doubts and hesitations will infect your execution. Timidity is dangerous: Better to enter with boldness. Any mistakes you commit through audacity are easily corrected with more audacity. Everyone admires the bold; no one honors the timid.


LAW 29 PLAN ALL THE WAY TO THE END 

The ending is everything. Plan all the way to it, taking into account all the possible consequences, obstacles, and twists of fortune that might reverse your hard work and give the glory to others. By planning to the end you will not be overwhelmed by circumstances and you will know when to stop. Gently guide fortune and help determine the future by thinking far ahead. 


LAW 30 MAKE YOUR ACCOMPLISHMENTS SEEM EFFORTLESS 

Your actions must seem natural and executed with ease. All the toil and practice that go into them, and also all the clever tricks, must be concealed. When you act, act effortlessly, as if you could do much more. Avoid the temptation of revealing how hard you work—it only raises questions. Teach no one your tricks or they will be used against you. 


LAW 31 CONTROL THE OPTIONS: GET OTHERS TO PLAY WITH THE CARDS YOU DEAL 

The best deceptions are the ones that seem to give the other person a choice: Your victims feel they are in control, but are actually your puppets. Give people options that come out in your favor whichever one they choose. Force them to make choices between the lesser of two evils, both of which serve your purpose. Put them on the horns of a dilemma: They are gored wherever they turn. 


LAW 32 PLAY TO PEOPLE’S FANTASIES 

The truth is often avoided because it is ugly and unpleasant. Never appeal to truth and reality unless you are prepared for the anger that comes from disenchantment. Life is so harsh and distressing that people who can manufacture romance or conjure up fantasy are like oases in the desert: Everyone flocks to them. There is great power in tapping into the fantasies of the masses. 


LAW 33 DISCOVER EACH MAN’S THUMBSCREW 

Everyone has a weakness, a gap in the castle wall. That weakness is usually an insecurity, an uncontrollable emotion or need; it can also be a small secret pleasure. Either way, once found, it is a thumbscrew you can turn to your advantage. 


LAW 34 BE ROYAL IN YOUR OWN FASHION: ACT LIKE A KING TO BE TREATED LIKE ONE 

The way you carry yourself will often determine how you are treated: In the long run, appearing vulgar or common will make people disrespect you. For a king respects himself and inspires the same sentiment in others. By acting regally and confident of your powers, you make yourself seem destined to wear a crown. 


LAW 35 MASTER THE ART OF TIMING 

Never seem to be in a hurry—hurrying betrays a lack of control over yourself, and over time. Always seem patient, as if you know that everything will come to you eventually. Become a detective of the right moment; sniff out the spirit of the times, the trends that will carry you to power. Learn to stand back when the time is not yet ripe, and to strike fiercely when it has reached fruition. 


LAW 36 DISDAIN THINGS YOU CANNOT HAVE: IGNORING THEM IS THE BEST REVENGE 

By acknowledging a petty problem you give it existence and credibility. The more attention you pay an enemy, the stronger you make him; and a small mistake is often made worse and more visible when you try to fix it. It is sometimes best to leave things alone. If there is something you want but cannot have, show contempt for it. The less interest you reveal, the more superior you seem. 


LAW 37 CREATE COMPELLING SPECTACLES 

Striking imagery and grand symbolic gestures create the aura of power — everyone responds to them. Stage spectacles for those around you, then, full of arresting visuals and radiant symbols that heighten your presence. Dazzled by appearances, no one will notice what you are really doing. LAW 


38 THINK AS YOU LIKE BUT BEHAVE LIKE OTHERS 

If you make a show of going against the times, flaunting your unconventional ideas and unorthodox ways, people will think that you only want attention and that you look down upon them. They will find a way to punish you for making them feel inferior. It is far safer to blend in and nurture the common touch. Share your originality only with tolerant friends and those who are sure to appreciate your uniqueness. 


LAW 39 STIR UP WATERS TO CATCH FISH 

Anger and emotion are strategically counterproductive. You must always stay calm and objective. But if you can make your enemies angry while staying calm yourself, you gain a decided advantage. Put your enemies off-balance: Find the chink in their vanity through which you can rattle them and you hold the strings. 


LAW 40 DESPISE THE FREE LUNCH 

What is offered for free is dangerous—it usually involves either a trick or a hidden obligation. What has worth is worth paying for. By paying your own way you stay clear of gratitude, guilt, and deceit. It is also often wise to pay the full price — there is no cutting corners with excellence. Be lavish with your money and keep it circulating, for generosity is a sign and a magnet for power. 


LAW 41 AVOID STEPPING INTO A GREAT MAN’S SHOES 

What happens first always appears better and more original than what comes after. If you succeed a great man or have a famous parent, you will have to accomplish double their achievements to outshine them. Do not get lost in their shadow, or stuck in a past not of your own making: Establish your own name and identity by changing course. Slay the overbearing father, disparage his legacy, and gain power by shining in your own way. 


LAW 42 STRIKE THE SHEPHERD AND THE SHEEP WILL SCATTER 

Trouble can often be traced to a single strong individual—the stirrer, the arrogant underling, the poisoner of goodwill. If you allow such people room to operate, others will succumb to their influence. Do not wait for the troubles they cause to multiply, do not try to negotiate with them—they are irredeemable. Neutralize their influence by isolating or banishing them. Strike at the source of the trouble and the sheep will scatter. 


LAW 43 WORK ON THE HEARTS AND MINDS OF OTHERS 

Coercion creates a reaction that will eventually work against you. You must seduce others into wanting to move in your direction. A person you have seduced becomes your loyal pawn. And the way to seduce others is to operate on their individual psychologies and weaknesses. Soften up the resistant by working on their emotions, playing on what they hold dear and what they fear. Ignore the hearts and minds of others and they will grow to hate you. 


LAW 44 DISARM AND INFURIATE WITH THE MIRROR EFFECT 

The mirror reflects reality, but it is also the perfect tool for deception : When you mirror your enemies, doing exactly as they do, they cannot figure out your strategy. The Mirror Effect mocks and humiliates them, making them overreact. By holding up a mirror to their psyches, you seduce them with the illusion that you share their values; by holding up a mirror to their actions, you teach them a lesson. Few can resist the power of the Mirror Effect. 


LAW 45 PREACH THE NEED FOR CHANGE, BUT NEVER REFORM TOO MUCH AT ONCE 

Everyone understands the need for change in the abstract, but on the day-to-day level people are creatures of habit. Too much innovation is traumatic, and will lead to revolt. If you are new to a position of power, or an outsider trying to build a power base, make a show of respecting the old way of doing things. If change is necessary, make it feel like a gentle improvement on the past. 


LAW 46 NEVER APPEAR TOO PERFECT 

Appearing better than others is always dangerous, but most dangerous of all is to appear to have no faults or weaknesses. Envy creates silent enemies. It is smart to occasionally display defects, and admit to harmless vices, in order to deflect envy and appear more human and approachable. Only gods and the dead can seem perfect with impunity. 


LAW 47 DO NOT GO PAST THE MARK YOU AIMED FOR; IN VICTORY, LEARN WHEN TO STOP 

The moment of victory is often the moment of greatest peril. In the heat of victory, arrogance and overconfidence can push you past the goal you had aimed for, and by going too far, you make more enemies than you defeat. Do not allow success to go to your head. There is no substitute for strategy and careful planning. Set a goal, and when you reach it, stop. 


LAW 48 ASSUME FORMLESSNESS 

By taking a shape, by having a visible plan, you open yourself to attack. Instead of taking a form for your enemy to grasp, keep yourself adaptable and on the move. Accept the fact that nothing is certain and no law is fixed. The best way to protect yourself is to be as fluid and formless as water; never bet on stability or lasting order. Everything changes.

Your Two Selves





All I know is, I got pruned 

and I woke up Here, and now 

I'm surrounded by Variants 

of my Self, plus, an alligator

which I'm heartbroken to report, 

I didn't even find 

all that strange!



your
Old English eower, possessive pronominal adjective, genitive of ge "ye" (see ye), from Proto-Germanic base of you. Cognate with Old Saxon iuwar, Old Frisian iuwer, Old Norse yðvarr, Old High German iuwer, German euer, Gothic izwar "your." Used in Titles of Honour by mid-14c.

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ye (pron.)
Old English ge, nominative plural of 2nd person pronoun þu (see thou); cognate with Old Frisian ji, Old Saxon gi, Middle Dutch ghi, Dutch gij. Cognate with Lithuanian jūs, Sanskrit yuyam, Avestan yuzem, Greek hymeis.

Altered, by influence of we, from an earlier form that was similar to Gothic jus "you (plural)" (see you). The -r- in Old Norse er, German ihr probably is likewise from influence of their respective 1st person plural pronouns (Old Norse ver, German wir).

you (pron.)
Old English eow, dative and accusative plural of þu (see thou), objective case of ge, "ye" (see ye), from Proto-Germanic *juz-, *iwwiz (source also of Old Norse yor, Old Saxon iu, Old Frisian iuwe, Middle Dutch, Dutch u, Old High German iu, iuwih, German euch), from PIE *yu, second person (plural) pronoun.

Pronunciation of you and the nominative form ye gradually merged from 14c.; the distinction between them passed out of general usage by 1600. Widespread use of French in England after 12c. gave English you the same association as French vous, and it began to drive out singular nominative thou, originally as a sign of respect (similar to the "royal we") when addressing superiors, then equals and strangers, and ultimately (by c. 1575) becoming the general form of address. Through 13c. English also retained a dual pronoun ink "you two; your two selves; each other."

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yours
absolutive form of your, c. 1300, on model of his, ours, etc. Yours truly "myself" is from 1833, from the common subscription of letters. It is difficult to say what will succeed, and still more to pronounce what will not. I am at this moment in that uncertainty (on our own scor
white-collar
The white collar men are your clerks; they are your bookkeepers, your cashiers, your office men....
german
Your cousin-german (also first cousin) is the son or daughter of an uncle or aunt; your children and your first cousins are...second cousins to one another; to you, your first cousin's children are first cousins once removed....
epididymis
I doe not slight your act in the discovery, But your imposture, sir, and beastly practise Was before whisper'd to me...by your Doctor To save his Epididamies Related: Epididymal....
phylactery
The custom of wearing it is based on a literal reading of scripture: Therefore shall ye lay up these my words in your heart...and in your soul, and bind them for a sign upon your hand, that they may be as frontlets between your eyes....
bet
It has been used since mid-19c. in various American English slang assertions (bet your life, 1848; bet your boots, 1856;...
twitterpated
For example: You're walking along, minding your own business....Your head's in a whirl. And then you feel light as a feather, and before you know it, you're walking on air....You're knocked for a loop, and you completely lose your head! Thumper: Gosh, that's awful....
Arab
"one of the native people of Arabia and surrounding regions," late 14c. (Arabes, a plural form), from Old French Arabi, from Latin Arabs (accusative Arabem), from Greek Araps (genitive Arabos), from Arabic 'arab, indigenous name of the people, perhaps literally "inhabitant of the
incarceration
"fact of being imprisoned," 1530s, from Medieval Latin incarcerationem (nominative incarceratio), noun of action from past-participle stem of incarcerare "to imprison," from in- "in" (from PIE root *en "in") + carcer "prison, an enclosed space," from Proto-Italic *kar-kr(o)-, whi
intimate
1630s, "closely acquainted, very familiar," also "inmost, intrinsic," from Late Latin intimatus, past participle of intimare "make known, announce, impress," from Latin intimus "inmost, innermost, deepest" (adj.), also used figuratively, of affections, feelings, and as a noun, "c
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The Ardent Blasphemers






THE ARDENT BLASPHEMERS by Ray Bradbury 


CONSIDER AMERICA, first of all the new breed of nations. Consider America, a nation, because of its newness, ardent in its blasphemy. Set in motion by the centrifuge of the great wheel of the Industrial Revolution, this people flung themselves across sea prairies to stand on New England rim-rock and fling themselves yet on across land prairies. Shocking other ages, they blasphemed down the meadows and over hills as ancient as the memory of Jerusalem. Consider America, her fire-dragon locomotives huffing out vast devil bursts of fluming spark, setting the lion-grass afire as they went. Come to a forest, cut it down. Come to a mountain, quarry it to pebbles. Skip the pebbles across God’s lakes. Build new mountains, finally, upright, and ornamented with man’s prideful encrustations. Then run men up and down elevator shafts to a heaven no longer believed in from a hell much better ignored. Consider the authors who lived in and with these men and wrote to channel this blasphemy, express it in symbols about which such men could enthuse like devil children. With a new nation being dreamt to life, set to rights with fabulous new toys, the uneasy dreamers cast about and came up with two most ardent blasphemers: Herman Melville. Jules Verne. “American” authors, both. Melville, the New Englander, and Verne, the Frenchman, you say, Americans both? “American” yes in their newness and their attack upon the universe and this world rolling through that universe. Another nation could have been “American” first. The seeds of man’s mechanical reaction to Nature were cast forth first in England and France. But the flowering of what other ages might have considered an insidious tree was in this raw nation under God which would soon ask Him to move over, jump aside, step down. We might not even ask His pardon while we scourged the mineral gut, packed once-holy echoes in electronic boxes to deal them forth commercially, split atoms as handily as peas, and dared God to answer back in equal thunders. I say, another nation could have done this. But the accidents of time and circumstance dubbed us unholy first. Others follow us in our sacrilege: the Japanese and his insect-clicking camera, the Frenchman flung about by our L.P. jive, the Italian hopping Rome’s hills on angry adaptations of our motorbikes. The sacrilege was inevitable. Once set the wheel invented by some fine fool of a first blasphemer in motion just beyond old Egypt and it rolls up in the late 80’s of our time such dust clouds as would dim the bright visage of any spoiled God. Wheels within wheels within wheels rolled forth upon our land and, later, way in the middle of our outraged God’s air. And being firstest with the mostest, we not only did but read, and having read did more. And Jules Verne was our text and testament, followed close by packs of “evil” boys like Tom Swift and his Flying Machine plus his A.C.-D.C. I.B.M. Power-Circuited Grandmother. I Sing the Body Electric! cried Whitman. And Americans wound tight their robot devices and set them free to gnaw ugliness across the territories which now, very late, we must clean up after. But let us go back to our literary beginnings. Why, in introducing you to this book by Jules Verne, do I summon forth the lunar name of Herman Melville? What relation do I see between a Frenchman benevolent as a good uncle in his eccentricities, and strange cousin Herman who some thought best kept in America’s attic? From the viewpoint of Gothic times peering ahead at the tidal wave of the future, let me set up these two men. God, after all, was in His heaven a long while, and things went well for Him, if not His children, upon earth. Those born-but-to-die inhabited His churches and if they questioned, questions were best kept mum in one’s mouth or like gum behind the ear. But send these God-doting children free from Europe, strew and scrabble them across a whole continental surprise, hand them commotions and contraptions of steam and whiffling iron and they pant up frenzies of revenge against God for having maltreated them down the eons. Out of questions suddenly posed and needs suddenly found most needful, as the steam blew off and the proud dust settled we found: Mad Captain Ahab. Mad Captain Nemo. Moby Dick, the great White Whale. Nautilus, the whale-seeming submarine, first of its hidden and terrific sort, soaring through sea-meadows amongst sinner sharks and true leviathans. Look how these two “evil” men implement their “blasphemy.” “Call me Ishmael.” So Melville strikes forth on his search for Moby Dick. In his first chapter we find: “. . . Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.” Why does Ishmael go to sea? “. . . Chief among these motives was the overwhelming idea of the great whale himself. Such a portentous and mysterious monster roused all my curiosity. Then the wild and distant seas where he rolled his island bulk; the undeliverable, nameless perils of the whale; these, with all the attending marvels of a thousand Patagonian sights and sounds, helped to sway me to my wish . . . by reason of these things, then, the whaling voyage was welcome; the great flood-gates of the wonder-world swung open, and in the wild conceits that swayed me to my purpose, two and two there floated into my inmost soul, endless processions of the whale, and, mid most of them all, one grand hooded phantom, like a snow hill in the air.” In 20,000 Leagues Under the Sea, Jules Verne starts thus: “The year 1866 was marked by a strange event, an unexplainable occurrence which is undoubtedly still fresh in everyone’s memory. . . . Several ships had recently met at sea ‘an enormous thing,’ a long slender object which was sometimes phosphorescent and which was infinitely larger and faster than a whale.” Verne continues: “The facts concerning this apparition . . . agreed closely with one another as to the structure of the object or creature in question, the incredible speed of its movements, the surprising power of its locomotion and the strange life with which it seemed endowed. If it was a member of the whale family, it was larger than any so far classified by scientists. . . . But it did exist—there was no denying this fact any longer—and considering the natural inclination of the human brain toward objects of wonder, one can understand the excitement produced throughout the world by this supernatural apparition.” So two books begin. Both set somewhat the same tone, both strike chords that might recur within the framework of the book to follow. Yet swiftly we perceive rank differences. We soon know that while Uncle Jules is mostly gently mad, cousin Herman is beyond the pale. We set sail with Ishmael who, unknowing, is in the clutches of wild Ahab, seeking some universal truth shaped to a monster all frightful white named Moby Dick. We set sail almost simultaneously with Professor Aronnax and Ned Land and Conseil on the Abraham Lincoln in search of this other mystery which “in every big city . . . became the fashion: it was sung about in cafés, derided in newspapers and discussed on the stage. Scandal sheets had a marvelous opportunity to print all kinds of wild stories. Even ordinary newspapers—always short of copy—printed articles about every huge, imaginary monster one could think of, from the white whale, the terrible ‘Moby Dick’ of the far north, to the legendary Norse kraken. . . .” So we suspect that Uncle Jules has touched minds somewhere down the line with Cousin Herman. But without any real exchange or superblending of madness. Mr. Verne will go his own way with his “educated” vengeance, leaving Melville with his Shakespearean terrors and laments. We do not meet Moby Dick face to face, we only have Ahab’s leg torn off in retrospect, until very late in Melville. But Verne, in Chapter 6 of 20,000 Leagues, hoves his “monster” to view and swallows our Jonahs whole and entire. Thus ending the tale as Melville might end it? No, thus starting to show us the vast differences between the odd American-type French writer and the truly driven New England author-sailor soon to be despairing customs inspector. Let us compare some few quotes from each writer. Here are some from Moby Dick: “His three boats stove around him, and oars and men both whirling in the eddies; one captain, seizing the line-knife from his broken prow, had dashed at the Whale. . . . That Captain was Ahab. . . . And then it was, that suddenly sweeping his sickle-shaped lower jaw beneath him, Moby Dick had reaped away Ahab’s leg, as a mower a blade of grass in the field. No turbaned Turk, no hired Venetian or Malay, could have smote him with more seeming malice . . . ever since that almost fatal encounter, Ahab had cherished a wild vindictiveness against the whale, all the more fell for that in his frantic morbidness he at last came to identify with him, not only all his bodily woes, but all his intellectual and spiritual exasperations. The White Whale swam before him as the monomaniac incarnation of all those malicious agencies which some deep men feel eating in them, till they are left living on with half a heart and half a lung. . . . All that most maddens and torments; all that stirs up the lees of things; all truth with malice in it; all that cracks the sinews and cakes the brain; all the subtle demonisms of life and thought; all evil, to crazy Ahab, were visibily personified, and made practically assailable in Moby Dick. He piled upon the whale’s white hump the sum of all the general rage and hate felt by his whole race from Adam down; and then, as if his chest had been a mortar, he burst his hot heart’s shell upon it.” Also, Ahab, speaking to Starbuck: “Hark ye yet again,—the little lower layer. All visible objects, man, are but as pasteboard masks. But in each event—in the living act, the undoubted deed—there, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall? To me, the white whale is that wall, shoved near to me. Sometimes I think there’s naught beyond. But ’tis enough. He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. That inscrutable thing is chiefly what I hate; and be the white whale agent, or be the white whale principal, I will wreak that hate upon him. Talk not to me of blasphemy, man: I’d strike the sun if it insulted me.” Compare the above with these quotes from Verne’s somewhat more differently “touched” Nemo : “Professor . . . I’m not what you would call a civilized man! I’ve broken with all of society for reasons which I alone can appreciate. I therefore don’t obey its rules, and I advise you never to refer to them again in front of me!” Aronnax asks Nemo: “You love the sea, don’t you, Captain?” “Yes, I love it! The sea is everything. It covers seven-tenths of the globe. Its breath is pure and healthy. It is an immense desert where a man is never alone, for he can feel life quivering all about him. The sea is only a receptacle for all the prodigious, supernatural things that exist inside it; it is only movement and love; it is the living infinite, as one of your poets has said. And in fact, Professor, it contains the three kingdoms of nature—mineral, vegetable, and animal. This last is well represented by the four groups of zoophytes, by the three classes of articulata, by the five classes of mollusks, by three classes of vertebrates, mammals and reptiles, and those innumerable legions of fish, that infinite order of animals which includes more than thirteen thousand species, only one-tenth of which live in fresh water. The sea is a vast reservoir of nature. The world, so to speak, began with the sea, and who knows but that it will also end in the sea! There lies supreme tranquillity. The sea does not belong to tyrants. On its surface, they can still exercise their iniquitous rights, fighting, destroying one another and indulging in their other earthly horrors. But thirty feet below its surface their power ceases, their influence dies out and their domination disappears! Ah, Monsieur, one must live—live within the ocean! Only there can one be independent! Only there do I have no masters! There I am free!” How different from Melville’s: “When beholding the tranquil beauty and brilliancy of the ocean’s skin, one forgets the tiger heart that pants beneath it; and would not willingly remember that this velvet paw but conceals a remorseless fang.” And, in a tranquil, golden moment, Starbuck muses: “Loveliness unfathomable, as ever lover saw in his young bride’s eye. Tell me not of thy teeth-tiered sharks, and thy kidnapping cannibal ways. Let faith oust fact; let fancy oust memory; I look deep down and do believe.” But Ahab will have none of it. He rejects what Nemo gladly accepts. The sea, with all its terror fleshed in beauty, is preferred by Nemo. Here ignorant hunters hunt from hunger. Above, intelligent men, sated at feasts, hunt from needs best not thought on save in nightmares of sadism and wanton destruction. To kill with the teeth is one thing. To kill with the hand, connected to the heart and thinking brain, is quite another. “Strike through the mask!” cries Ahab. Better than that, Nemo might reply in an imaginary rebuttal, I will build behind the mask, I will inhabit the white whale. After a shocked silence, Nemo might continue something like this: I will create me a symbol of the deep, a manifestation of God’s huge wonders, submersible, long-ranging, capably destructive, submissive to my commands, and I will course ocean seas in same, to spread a more personal and therefore more constructive terror in the world. I will not run after Moby Dick. I will rear him whole and entire and live in his belly and be the Mystery, myself. So, in sum, Nemo skins together and rivets tight the very symbol most feared and whispered of by Ahab’s mind and Ahab’s crew. Casting aside any doubts, precluding any inhibitions, Nemo intrudes to the monster’s marrow, disinhabits mysticism, evicts terrors like so much trash, and proceeds to police the universe beneath, setting it to rights, harvesting its strange crops, be they animal, vegetable, or mineral-gold from sunken fool’s ships to be distributed to the world’s needy. In this we find then that Verne is less blasphemous than Melville. He does not so much try to find and kill God in His lounging room as set His miraculous kitchen to percolating in synchronous, perceivable, and therefore serenity-inducing rhythms. Given choices, Melville’s Ahab would blow up the Clock Tower. Verne’s Nemo would collect the exploded parts, put the whole back better than new and ask the world’s citizens to tell their lives by it, be on time for one another from now on. Verne accepts the natural world and would ask all men to accept its secret ways and join in making themselves over nearer to the hidden heart of this secret so as to utilize it, channel it, reconstruct it where necessary, to give man extra years and vitality. Melville cannot accept and with Ahab rages at the blind maunderings of a God he cannot comprehend. Ah, well, says Verne, let us work, let us think, then let us work again until we sweat. We shall win through, or die trying. No, says Melville, we cannot win. And vainly thrusts the harpoon to deflate the God-symboled Whale. Verne cares less about killing the symbol, more of rendering the Leviathan out for oil to light the flickerful lamps of a thinking world. Thinking maddens Ahab. Thinking only half-maddens Nemo; more often enlivens and solves problems for him and others who inhabit Verne’s literary worlds. Ahab is mad at the God-universe. Nemo, more practically, is mad at man himself for not using his gift of brains. Ahab, being irrationally disturbed at the Invisible, can do little. Nemo, being distressed at God’s children, has at least somewhere to start, material to work with, evil and good men to choose among, dirt to be swept out of corners and from under rugs. Ahab, in trying to search everywhere, finds nothing. Nemo, content with good beginnings, looks no further than the next man, and scans his face to guess his dream, and if the dream be bad, there is always the ocean depth to live in, gathering yet richer harvests whereby to relieve the oppressed. So in the long journey through Moby Dick we follow Ahab, knighted by the whale who did so by tearing him asunder, and wearing his terrible crown of now self-inflicted thorns, self-appointing himself to a tragic end. We wonder what Nemo would have thought of all this? Glancing in from the kitchen where he might be busy serving forth foods to button up men’s souls and sluice their veins with revivifying wonder, Nemo might well debate who that demented sea-king was, unnecessarily throwing and dragging himself about the throne room. We could well imagine Nemo hurrying in to offer a bracing hot drink, or finally slapping Ahab once across the face, seizing his shoulders to shake him, at last, and tell him to behave. Faced with similar cataclysms we know Ahab would go down with his ship, shaking his fists at Fate. While Nemo would vanish beneath the sea still bailing out water with his cupped hands. Ahab’s ship pursues an unpursuable God, crying out against His characteristically ill behavior. Nemo’s ship pursues men to remind them of their wickedness, to improve it, or be sunk. Ahab’s ship moves most of the time in nightmare. Nemo’s moves in kaleidoscopic wonders, in rainbow beauties of life thrown forth in multitudinous displays. Only man is nightmare, and Nemo has a better dream to give him as anodyne. Moby Dick rams Ahab’s Pequod because that ship is the engine of blasphemy, directed at the Mystery. Nemo’s Nautilus rams naval ships because they blaspheme against the better and best spirit of humankind. In the long history of the world, God’s motto was writ on man’s brow this way: Yours not to reason why, Yours to be born and die. So Melville’s Whale resents inquiry. But Verne’s Nautilus is the machine of curiosity, erasing the above motto, prolonging a searchful blasphemy into construction and jigsawing the grand puzzle into a whole. Ahab orders God to reform Himself in a better image. Nemo asks mankind to reform in cleaner, higher-spirited, well-mannered ranks. Both men, being reformers, inevitably destroy for their purposes. Ahab takes all with him to the sea-bottom in his Shakespearean frenzy. Nemo, less mad, like many reformers nevertheless winds up killing men to make them behave. Death instructs people well in peace, and by the time he is done, Nemo has killed just as surely as if his aims had been bad. The sea closes over both men. But Ahab dead is doomed just as he was doomed alive. While hope lives on after Nemo, when, either through remorse or inadvertency, he puts his ship down into the Maelstrom. We are unsure of his death. On the last page of his book, Verne offers us this thought: “If [the Nautilus has survived] and if Captain Nemo still inhabits the ocean—the country of his adoption—then may the hatred be appeased in his savage heart! May the contemplation of so many wonders extinguish in him the spirit of revenge! May the judge disappear and the scientist continue his peaceful exploration of the seas! However strange his destiny may be, it is also sublime!” And in that sublimity lies hope for Nemo and his American nephews, the boys who have grown to manhood and machinery since. For Ahab the hope would be meaningless. If by some miracle Melville’s madman should open his cold eyes at the sea-bottom, the contemplation of Verne’s rainbow wonders would but drive him deeper into his own abyss. Melville’s maelstrom, sucking down through the gorge of Ahab’s soul, could swallow Verne’s toy Nautilus whole. But swallow it it never will. For what we have examined here are two ways of looking at the world. Ages alternate with doses of despair and tonics of survival. Some ages balance between. We are given choices. Some ages do not choose, and thus lose ground in the great vote-taking of time and the deliverance of power either into or out of their hands. One hundred years ago, this Yea-sayer and this Nay-sayer, literarily anyway, offered us the choice of the nodded or the shaken head. Separated by thousands of sea-miles, yet cheek-by-jowl, these authors represented two halves of the newly emergent American attitude toward the world, and debated whether to live under nature’s thunderbolts and rainstorms; accept, tolerate, as all had done before. One decided to give God as good as he got, and stormed heaven as if it were hell. The other favored pacing God, running at His elbow, recharging man’s batteries, using His juice, so as to later circumvent Him with newer, brighter machineries of sacrilege. These devices saved men’s lives when God said die, they reared sick men tall whilst God said fall down dead, lie cold. And now that we are well into this age of electronics and have begun to worry about how to let some new kind of God-concept back in through even so much as a side-door, we shall witness the pendulum swing, quite often, between Ahab and Nemo. On successive days we may feel both tempted to utter destruction or utter mechanical creativity or combinations and variations on both. If I assay right, we in America are just emerging from a period inclining toward the Melvillean. We are tempted to hurl our sick heart into God’s face. But I think instead we should listen to the good and reassuring beat of the circuiting mechanical pump in our hospitals, where man’s salt blood bypasses his failing heart to be aerated and returned to his waiting and hopeful body. The medical machines of our time, throbbing, would have seemed music to Verne. They calm the ravening intellect that would run too fast to change the world, perhaps by disaster. The world will change, at any rate, through outright fury, neglect, or through the mild but dedicated blasphemy of such as Nemo. Ahab might explode a hydrogen bomb to shake the foundations of God. But in the fright-flash of illumination, at some distance, we would see Nemo re-perusing notes made in mathematical symbols to use such energy to send men to the stars rather than scatter them in green milk-glass and radioactive chaff along the shore. These then are the captains of our American soul. We could choose between them, if we wished, as tomorrow’s light comes in the window. Decide that God has joined the universe with warped and spokeless wheels and so take Melville and invite the Abyss. Decide that man’s architecture is in sore need of retrials and testings, and so put in with Mr. Verne. The latter might be our greatest temptation, for we have always resembled Nemo rather more than Ahab. We have always been the American Boy Mechanic, his cellar full of home-made helicopters, his attic chocked with canvas batwings, an unfinished rowboat in the basement, a bicycle-built-for-two-hovercraft in the yard. America was ingenuity. It still is and could be. Spit, string, and tinfoil once our girded armor and the grand dream our goal, we have too often now folded our money into our pockets and strolled off while Doom bided its time and whetted its whistle around the corner. So surprisingly enough, the book you hold in your hands is more than timely, as are all of Verne’s books. Remarkable not so much for what he predicted, and he predicted much—gave bones to boys on which to skin their dreams—but because of its attitude. American in the best sense, that we can somehow make-do somewhere, anywhere, if we collect our spit, save our string, and ball our tinfoil. Melville wrote to Hawthorne of Moby Dick: “I have written an evil book.” Similarly, seen from other days and ways, Verne might have written some literary friend that yesterday’s evil can be hammered into today’s good, yesterday’s provocation to morality can be rechanneled toward survival in tomorrow. The logic that informs Ahab’s madness but destroys him. The logic that informs Nemo can well build us homes on far planets circling more safely placed suns. Like Nemo we may well find we need not destroy the horrific whale of reality, we may lurk inside it with machineries, plotting our destinies and going our terror-fraught ways toward an hour when we can lie under those stranger suns and bask easy and breathe light and know peace. We will probably not choose between these writers, but carry both with us into the future. We will have need of one to question blind Matter and the other to cross-examine blind Man. Thus fused, we shall face the future with fortitude and stamina. But before we move up in seas of space, the time is now to move sidewise and along and down through seas of water. Here then is Verne’s 20,000 Leagues Under that Sea, his “American” book, his book “moderne,” his particular sublime and mad captain, and his strange metal fish. Portholes tight! Periscope down! Prepare to submerge. RAY BRADBURY

Saturday, 5 April 2025