Tuesday, 3 January 2023

I Was Cured, All Right!

 



I danced in The Morning 
when The World was begun,
And I danced in The Moon 
and The Stars and The Sun,
And I came down from Heaven 
and I danced on The Earth:
At Bethlehem I had My Birth.

Dance, then, wherever you may be,
I am the Lord of The Dance, said He,
And I'll lead you all, wherever you may be,
And I'll lead you all in The Dance, said e.

I danced for The Scribes and The Pharisees,
But They would not dance, 
and They wouldn't follow me;
I danced for The Fishermen
for James and John;
They came with Me 
and The Dance went on:

Dance, then, wherever you may be,
I am the Lord of The Dance, said He,
And I'll lead you all, 
wherever you may be,
And I'll lead you all in The Dance, said he.

I danced on The Sabbath 
and I cured The Lame:
The 'Holy People'
said it was a shame.

They whipped and They stripped 
and they hung me on high,
And They left me there 
on A Cross to die :

Dance, then, wherever you may be,
I am the Lord of the dance, said he,
And I'll lead you all, wherever you may be,
And I'll lead you all in the dance, said He.

I danced on a Friday 
when The Sky turned black;
It's hard to dance with 
The Devil on your back --
They buried My Body 
and They thought I'd gone;
But I am The Dance, 
and I still go on :

Dance, then, wherever you may be,
I am The Lord of The Dance, said He,
And I'll lead you all, wherever you may be,
And I'll lead you all in The Dance, said He.

They cut Me down 
and I leapt up high;
I am The Life that'll 
never, never die.
I'll Live in You if 
You'll Live in Me :
I am The Lord of The Dance, said He.

Dance, then, wherever you may be,
I am The Lord of the dance, said He,
And I'll lead you all, 
wherever you may be,
And I'll lead you all in the dance, said he.






Nietzsche believed that the long tradition of “unfreedom” characterizing dogmatic Christianity—its insistence that everything be explained within the confines of a single, coherent metaphysical theory — was a necessary precondition for the emergence of the disciplined but free modern mind. As he stated in Beyond Good and Evil:

 

            "The long bondage of The Spirit … the persistent spiritual will to interpret everything that happened according to a Christian scheme, and in every occurrence to rediscover and justify the Christian God in every accident: — all this violence, arbitrariness, severity, dreadfulness, and unreasonableness, has proved itself the disciplinary means whereby the European spirit has attained its strength, its remorseless curiosity and subtle mobility; granted also that much irrecoverable strength and spirit had to be stifled, suffocated and spoiled in the process."

 

            For Nietzsche and Dostoevsky alike, Freedom — even the ability to act — requires constraint. For this reason, they both recognized the vital necessity of the dogma of the Church. The Individual must be constrained, moulded — even brought close to destruction — by a restrictive, coherent disciplinary structure, before he or she can act freely and competently. Dostoevsky, with his great generosity of spirit, granted to The Church, corrupt as it might be, a certain element of mercy, a certain pragmatism. He admitted that the spirit of Christ, the world-engendering Logos, had historically and might still find its resting place — even its sovereignty — within that dogmatic structure.

 

            If a Father disciplines His Son properly, he obviously interferes with his freedom, particularly in the here-and-now. He put limits on the voluntary expression of his son’s Being. forcing him to take his place as a socialized member of the world. Such a Father requires that all that childish potential be funneled down a singly pathway. In placing such limitations on his son, he might be considered a destructive force, acting as he does to replace the miraculous plurality of childhood with a single narrow actuality. But if The Father does not take such action, he merely lets his son remain Peter Pan, the eternal Boy, King of the Lost Boys, Ruler of the non-existent Neverland. That is not a morally acceptable alternative.

 

            The dogma of the Church was undermined by the spirit of truth strongly developed by the Church itself. That undermining culminated in the death of God. But the dogmatic structure of the Church was a necessary disciplinary structure. A long period of unfreedom—adherence to a singular interpretive structure—is necessary for the development of a free mind. Christian dogma provided that unfreedom. But the dogma is dead, at least to the modern Western mind. It perished along with God. What has emerged from behind its corpse, however—and this is an issue of central importance—is something even more dead; something that was never alive, even in the past: nihilism, as well as an equally dangerous susceptibility to new, totalizing, utopian ideas. It was in the aftermath of God’s death that the great collective horrors of Communism and Fascism sprang forth (as both Dostoevsky and Nietzsche predicted they would). Nietzsche, for his part, posited that individual human beings would have to invent their own values in the aftermath of God’s death. But this is the element of his thinking that appears weakest, psychologically: we cannot invent our own values, because we cannot merely impose what we believe on our souls. This was Carl Jung’s great discovery—made in no little part because of his intense study of the problems posed by Nietzsche.

 

            We rebel against our own totalitarianism, as much as that of others. I cannot merely order myself to action, and neither can you. “I will stop procrastinating,” I say, but I don’t. “I will eat properly,” I say, but I don’t. “I will end my drunken misbehavior,” I say, but I don’t. I cannot merely make myself over in the image constructed by my intellect (particularly if that intellect is possessed by an ideology). I have a nature, and so do you, and so do we all. We must discover that nature, and contend with it, before making peace with ourselves. What is it, that we most truly are? What is it that we could most truly become, knowing who we most truly are? We must get to the very bottom of things before such questions can be truly answered.

 

 Doubt, Past Mere Nihilism

 

 

            Three hundred years before Nietzsche, the great French philosopher RenĂ© Descartes set out on an intellectual mission to take his doubt seriously, to break things apart, to get to what was essential—to see if he could establish, or discover, a single proposition impervious to his skepticism. He was searching for the foundation stone on which proper Being could be established. Descartes found it, as far as he was concerned, in the “I” who thinks—the “I” who was aware—as expressed in his famous dictum, cogito ergo sum (I think, therefore I am). But that “I” had been conceptualized long before. Thousands of years ago, the aware “I” was the all-seeing eye of Horus, the great Egyptian son-and-sun-god, who renewed the state by attending to and then confronting its inevitable corruption. Before that, it was the creator-God Marduk of the Mesopotamians, whose eyes encircled his head and who spoke forth words of world-engendering magic. During the Christian epoch, the “I” transformed into the Logos, the Word that speaks order into Being at the beginning of time. It might be said that Descartes merely secularized the Logos, turning it, more explicitly, into “that which is aware and thinks.” That’s the modern self, simply put. But what exactly is that self?

 

            We can understand, to some degree, its horrors, if we wish to, but its goodness remains more difficult to define. The self is the great actor of evil who strode about the stage of Being as Nazi and Stalinist alike; who produced Auschwitz, Buchenwald, Dachau, and the multiplicity of the Soviet gulags. And all of that must be considered with dread seriousness. But what is its opposite? What is the good that is the necessary counterpart of that evil; that is made more corporeal and comprehensible by the very existence of that evil? And here we can state with conviction and clarity that even the rational intellect—that faculty so beloved of those who hold traditional wisdom in contempt—is at minimum something closely and necessarily akin to the archetypal dying and eternally resurrected god, the eternal savior of humanity, the Logos itself. The philosopher of science Karl Popper, certainly no mystic, regarded thinking itself as a logical extension of the Darwinian process. A creature that cannot think must solely embody its Being. It can merely act out its nature, concretely, in the here-and-now. If it cannot manifest in its behavior what the environment demands while doing so, it will simply die. But that is not true of human beings. We can produce abstracted representations of potential modes of Being. We can produce an idea in the theatre of the imagination. We can test it out against our other ideas, the ideas of others, or the world itself. If it falls short, we can let it go. We can, in Popper’s formulation, let our ideas die in our stead.147 Then the essential part, the creator of those ideas, can continue onward, now untrammeled, by comparison, with error. Faith in the part of us that continues across those deaths is a prerequisite to thinking itself.

 

            Now, an idea is not the same thing as a fact. A fact is something that is dead, in and of itself. It has no consciousness, no will to power, no motivation, no action. There are billions of dead facts. The internet is a graveyard of dead facts. But an idea that grips a person is alive. It wants to express itself, to live in the world. It is for this reason that the depth psychologists—Freud and Jung paramount among them—insisted that the human psyche was a battleground for ideas. An idea has an aim. It wants something. It posits a value structure. An idea believes that what it is aiming for is better than what it has now. It reduces the world to those things that aid or impede its realization, and it reduces everything else to irrelevance. An idea defines figure against ground. An idea is a personality, not a fact. When it manifests itself within a person, it has a strong proclivity to make of that person its avatar: to impel that person to act it out. Sometimes, that impulsion (possession is another word) can be so strong that the person will die, rather than allowing the idea to perish. This is, generally speaking, a bad decision, given that it is often the case that only the idea need die, and that the person with the idea can stop being its avatar, change his or her ways, and continue.

 

            To use the dramatic conceptualization of our ancestors: It is the most fundamental convictions that must die—must be sacrificed—when the relationship with God has been disrupted (when the presence of undue and often intolerable suffering, for example, indicates that something has to change). This is to say nothing other than that the future can be made better if the proper sacrifices take place in the present. No other animal has ever figured this out, and it took us untold hundreds of thousands of years to do it. It took further eons of observation and hero-worship, and then millennia of study, to distill that idea into a story. It then took additional vast stretches of time to assess that story, to incorporate it, so that we now can simply say, “If you are disciplined and privilege the future over the present you can change the structure of reality in your favour.”

 

            But how best to do that?

 

            In 1984, I started down the same road as Descartes. I did not know it was the same road at the time, and I am not claiming kinship with Descartes, who is rightly regarded as one of the greatest philosophers of all time. But I was truly plagued with doubt. I had outgrown the shallow Christianity of my youth by the time I could understand the fundamentals of Darwinian theory. After that, I could not distinguish the basic elements of Christian belief from wishful thinking. The socialism that soon afterward became so attractive to me as an alternative proved equally insubstantial; with time, I came to understand, through the great George Orwell, that much of such thinking found its motivation in hatred of the rich and successful, instead of true regard for the poor. Besides, the socialists were more intrinsically capitalist than the capitalists. They believed just as strongly in money. They just thought that if different people had the money, the problems plaguing humanity would vanish. This is simply untrue. There are many problems that money does not solve, and others that it makes worse. Rich people still divorce each other, and alienate themselves from their children, and suffer from existential angst, and develop cancer and dementia, and die alone and unloved. Recovering addicts cursed with money blow it all in a frenzy of snorting and drunkenness. And boredom weighs heavily on people who have nothing to do.

 

            I was simultaneously tormented by the fact of the Cold War. It obsessed me. It gave me nightmares. It drove me into the desert, into the long night of the human soul. I could not understand how it had come to pass that the world’s two great factions aimed mutual assured destruction at each other. Was one system just as arbitrary and corrupt as the other? Was it a mere matter of opinion? Were all value structures merely the clothing of power?

 

            Was everyone crazy?

 

            Just exactly what happened in the twentieth century, anyway? How was it that so many tens of millions had to die, sacrificed to the new dogmas and ideologies? How was it that we discovered something worse, much worse, than the aristocracy and corrupt religious beliefs that communism and fascism sought so rationally to supplant? No one had answered those questions, as far as I could tell. Like Descartes, I was plagued with doubt. I searched for one thing—anything—I could regard as indisputable. I wanted a rock upon which to build my house. It was doubt that led me to it.

 

            I once read of a particularly insidious practice at Auschwitz. A guard would force an inmate to carry a hundred-pound sack of wet salt from one side of the large compound to the other—and then to carry it back. Arbeit macht frei, said the sign over the camp entrance—“Work will set you free”—and the freedom was death. Carrying the salt was an act of pointless torment. It was a piece of malevolent art. It allowed me to realize with certainty that some actions are wrong.

 

            Aleksandr Solzhenitsyn wrote, definitively and profoundly, about the horrors of the twentieth century, the tens of millions who were stripped of employment, family, identity and life. In his Gulag Archipelago, in the second part of the second volume, he discussed the Nuremburg trials, which he considered the most significant event of the twentieth century. The conclusion of those trials? There are some actions that are so intrinsically terrible that they run counter to the proper nature of human Being. This is true essentially, cross-culturally—across time and place. These are evil actions. No excuses are available for engaging in them. To dehumanize a fellow being, to reduce him or her to the status of a parasite, to torture and to slaughter with no consideration of individual innocence or guilt, to make an art form of pain—that is wrong.

 

            What can I not doubt? The reality of suffering. It brooks no arguments. Nihilists cannot undermine it with skepticism. Totalitarians cannot banish it. Cynics cannot escape from its reality. Suffering is real, and the artful infliction of suffering on another, for its own sake, is wrong. That became the cornerstone of my belief. Searching through the lowest reaches of human thought and action, understanding my own capacity to act like a Nazi prison guard or a gulag archipelago trustee or a torturer of children in a dungeon, I grasped what it meant to “take the sins of the world onto oneself.” Each human being has an immense capacity for evil. Each human being understands, a priori, perhaps not what is good, but certainly what is not. And if there is something that is not good, then there is something that is good. If the worst sin is the torment of others, merely for the sake of the suffering produced—then the good is whatever is diametrically opposed to that. The good is whatever stops such things from happening.

 

 Meaning as the Higher Good

 

 

            It was from this that I drew my fundamental moral conclusions. Aim up. Pay attention. Fix what you can fix. Don’t be arrogant in your knowledge. Strive for humility, because totalitarian pride manifests itself in intolerance, oppression, torture and death. Become aware of your own insufficiency—your cowardice, malevolence, resentment and hatred. Consider the murderousness of your own spirit before you dare accuse others, and before you attempt to repair the fabric of the world. Maybe it’s not the world that’s at fault. Maybe it’s you. You’ve failed to make the mark. You’ve missed the target. You’ve fallen short of the glory of God. You’ve sinned. And all of that is your contribution to the insufficiency and evil of the world. And, above all, don’t lie. Don’t lie about anything, ever. Lying leads to Hell. It was the great and the small lies of the Nazi and Communist states that produced the deaths of millions of people.

 

            Consider then that the alleviation of unnecessary pain and suffering is a good. Make that an axiom: to the best of my ability I will act in a manner that leads to the alleviation of unnecessary pain and suffering. You have now placed at the pinnacle of your moral hierarchy a set of presuppositions and actions aimed at the betterment of Being. Why? Because we know the alternative. The alternative was the twentieth century. The alternative was so close to Hell that the difference is not worth discussing. And the opposite of Hell is Heaven. To place the alleviation of unnecessary pain and suffering at the pinnacle of your hierarchy of value is to work to bring about the Kingdom of God on Earth. That’s a state, and a state of mind, at the same time.

 

            Jung observed that the construction of such a moral hierarchy was inevitable—although it could remain poorly arranged and internally self-contradictory. For Jung, whatever was at the top of an individual’s moral hierarchy was, for all intents and purposes, that person’s ultimate value, that person’s god. It was what the person acted out. It was what the person believed most deeply. Something enacted is not a fact, or even a set of facts. Instead, it’s a personality—or, more precisely, a choice between two opposing personalities. It’s Sherlock Holmes or Moriarty. It’s Batman or the Joker. It’s Superman or Lex Luthor, Charles Francis Xavier or Magneto, and Thor or Loki. It’s Abel or Cain—and it’s Christ or Satan. If it’s working for the ennobling of Being, for the establishment of Paradise, then it’s Christ. If it’s working for the destruction of Being, for the generation and propagation of unnecessary suffering and pain, then it’s Satan. That’s the inescapable, archetypal reality.

 

            Expedience is the following of blind impulse. It’s short-term gain. It’s narrow, and selfish. It lies to get its way. It takes nothing into account. It’s immature and irresponsible. Meaning is its mature replacement. Meaning emerges when impulses are regulated, organized and unified. Meaning emerges from the interplay between the possibilities of the world and the value structure operating within that world. If the value structure is aimed at the betterment of Being, the meaning revealed will be life-sustaining. It will provide the antidote for chaos and suffering. It will make everything matter. It will make everything better.

 

            If you act properly, your actions allow you to be psychologically integrated now, and tomorrow, and into the future, while you benefit yourself, your family, and the broader world around you. Everything will stack up and align along a single axis. Everything will come together. This produces maximal meaning. This stacking up is a place in space and time whose existence we can detect with our ability to experience more than is simply revealed here and now by our senses, which are obviously limited to their information-gathering and representational capacity. Meaning trumps expedience. Meaning gratifies all impulses, now and forever. That’s why we can detect it.

 

            If you decide that you are not justified in your resentment of Being, despite its inequity and pain, you may come to notice things you could fix to reduce even by a bit some unnecessary pain and suffering. You may come to ask yourself, “What should I do today?” in a manner that means “How could I use my time to make things better, instead of worse?” Such tasks may announce themselves as the pile of undone paperwork that you could attend to, the room that you could make a bit more welcoming, or the meal that could be a bit more delicious and more gratefully delivered to your family.

 

            You may find that if you attend to these moral obligations, once you have placed “make the world better” at the top of your value hierarchy, you experience ever-deepening meaning. It’s not bliss. It’s not happiness. It is something more like atonement for the criminal fact of your fractured and damaged Being. It’s payment of the debt you owe for the insane and horrible miracle of your existence. It’s how you remember the Holocaust. It’s how you make amends for the pathology of history. It’s adoption of the responsibility for being a potential denizen of Hell. It is willingness to serve as an angel of Paradise.

 

            Expedience—that’s hiding all the skeletons in the closet. That’s covering the blood you just spilled with a carpet. That’s avoiding responsibility. It’s cowardly, and shallow, and wrong. It’s wrong because mere expedience, multiplied by many repetitions, produces the character of a demon. It’s wrong because expedience merely transfers the curse on your head to someone else, or to your future self, in a manner that will make your future, and the future generally, worse instead of better.

 

            There is no faith and no courage and no sacrifice in doing what is expedient. There is no careful observation that actions and presuppositions matter, or that the world is made of what matters. To have meaning in your life is better than to have what you want, because you may neither know what you want, nor what you truly need. Meaning is something that comes upon you, of its own accord. You can set up the preconditions, you can follow meaning, when it manifests itself, but you cannot simply produce it, as an act of will. Meaning signifies that you are in the right place, at the right time, properly balanced between order and chaos, where everything lines up as best it can at that moment.

 

            What is expedient works only for the moment. It’s immediate, impulsive and limited. What is meaningful, by contrast, is the organization of what would otherwise merely be expedient into a symphony of Being. Meaning is what is put forth more powerfully than mere words can express by Beethoven’s “Ode to Joy,” a triumphant bringing forth from the void of pattern after pattern upon beautiful pattern, every instrument playing its part, disciplined voices layered on top of that, spanning the entire breadth of human emotion from despair to exhilaration.

 

            Meaning is what manifests itself when the many levels of Being arrange themselves into a perfectly functioning harmony, from atomic microcosm to cell to organ to individual to society to nature to cosmos, so that action at each level beautifully and perfectly facilitates action at all, such that past, present and future are all at once redeemed and reconciled. Meaning is what emerges beautifully and profoundly like a newly formed rosebud opening itself out of nothingness into the light of sun and God. Meaning is the lotus striving upward through the dark lake depths through the ever-clearing water, blooming forth on the very surface, revealing within itself the Golden Buddha, himself perfectly integrated, such that the revelation of the Divine Will can make itself manifest in his every word and gesture.

 

            Meaning is when everything there is comes together in an ecstatic dance of single purpose—the glorification of a reality so that no matter how good it has suddenly become, it can get better and better and better more and more deeply forever into the future. Meaning happens when that dance has become so intense that all the horrors of the past, all the terrible struggle engaged in by all of life and all of humanity to that moment becomes a necessary and worthwhile part of the increasingly successful attempt to build something truly Mighty and Good.

 

            Meaning is the ultimate balance between, on the one hand, the chaos of transformation and possibility and on the other, the discipline of pristine order, whose purpose is to produce out of the attendant chaos a new order that will be even more immaculate, and capable of bringing forth a still more balanced and productive chaos and order. Meaning is the Way, the path of life more abundant, the place you live when you are guided by Love and speaking Truth and when nothing you want or could possibly want takes any precedence over precisely that.

 

            Do what is Meaningful, not what is Expedient.


Monday, 2 January 2023

A Hard Day's Night

 





Hey, pardon me for asking, but 
who's that little old man?

Paul :
What little old man?

That little old man.

Paul :
Oh, that one. That's My Grandfather.


Your Grandfather?

Paul :
Yeah.

That's not your grandfather.

Paul :
It is, you know.

George :
But I've seen Your Grandfather.
He lives in Your House.

Paul :
Oh, that's My Other Grandfather,
but he's My Grandfather as well.


How do you reckon that one out?


Paul :
Well, everyone's entitled
to Two, aren't they?
And This is My Other One.

We know that, but
What's he doing here?

Paul :
Well, My Mother thought the trip 
would do him Good.


How's that?

Paul :
He's nursing a broken heart.


Ah, poor old thing.
Hey, Mister, are you
nursing a broken heart?


He's a nice old man, isn't he?

Paul :
He's very clean.

John :
Hello, Grandfather.


Hello.

He can Talk then, can he?


Paul :
Of course he can Talk. 
He's a Human Being, isn't he?

RINGO :
Well, if he's Your Grandfather,
who knows? Ha ha ha.

John :
And we're looking after him, are we?



I look after myself.

Paul :
Yeah, that's what I'm afraid of.

George :
He's got you worried, then?

Paul :
Him, He's a Villain, a real mixer...
and he costs you a fortune
in Breach of Promise cases.

George :
Get on.

Paul :
No, straight up.

Shake :
Hiya.


Hello, Shake.


Hello, Shake.


You got on all right, then?

John :
No.


Oh? Well, we're here.
Norm'll be along in a minute with the tickets.
Hey, who's the little old man?


It's Paul's grandfather.

Oh, aye, but I thought...


No, that's his other one.


Oh, that's all right, then.


Clean, though, isn't he?


Oh, aye. He's very clean.

Norm :
Morning, lads.


Hi, Norm.


Thank God you've all got here.
Look, I've had a marvellous idea.
Just for once, let's all try to behave
like ordinary respectable citizens.
Let's not cause any trouble,
pull any strokes, or do anything 
I'm gonna be sorry for...
especially tomorrow in that
television theatre, because...
Are you listening to me, Lennon?

John :
You're a swine. Isn't he, George?

George :
Yeah, a swine.
Thanks. Hey.
Who's that little old man?
- Well, who is he?
- He belongs to Paul.
Oh, well. I'm going down
for a cup of coffee.
- Anyone coming?
- We'll follow you down.


I want me coffee.


You can come with Shake
and Me, if you like.

Paul :
Look after him -- I don't want to 
find you've lost him.

Don't be cheeky. 
I'll bind Him to Me with Promises.
Very clean, isn't he?
Come out, Grandad.

Make up your mind, will you?

The Passenger : 
Hello. Morning.

All right?

Whoa.

Do You Mind if we have it open?

The Passenger : 
Yes, I Do.

Well, There are Four of Us,
and We'd like it open, not if 
it's all the same to you, that is.

The Passenger : 
It isn't. I travel on This Train regularly,
Twice a Week, so I suppose
I have some Rights.

So Have We.


The Passenger : 
And We'll have that thing off 
as well. Thank you.


But...

The Passenger : 
An elementary knowledge
of the Railway Acts...
would tell you that I am
perfectly within My Rights.

Paul :
Yeah, but We want to hear it.
There's more of Us than You.
We're a Community,
a majority vote.
'Up The Workers!' and all that stuff.

Paul :
Then I suggest You take that damn thing
into The Corridor, or some 
other part of The Train, 
where you obviously belong.



Give us a kiss.

Paul :
Look, Mister, We paid for
Our Seats, too, you know.

The Passenger : 
I travel on This Train
regularly, twice a week.

John :
Knock it off, Paul. You can't win with his sort.
After all, it's His Train, isn't it, Mister?

The Passenger :
And don't take that tone
with Me, Young Man.
I fought The War for your sort.

John :
I bet you're sorry You Won.

The Passenger :
I shall call The Guard.


Ah, but what?
They don't take kindly to insults, you know.


Let's go have some coffee and
leave the kennel to Lassie.
Hey, mister, can we
have our ball back?
Look, mister. Mister. Can
we have our ball back?
- Hey.


Please, mister.


You want to watch it.


Well, it's not my fault.
You stick to that story, son.
I can't help it. I'm just taller than you are.


They always say that.

Well, I've got me eye on ya.


I'm sorry, Norm. I can't help being taller than you.
Well, don't rub it in. I've a good mind 
to thump you, Shake.


If you're gonna have a barney,
can I hold your coat?
- He started it.
- I did not. You did.
Well, what happened?
The old fella said that...
could he have these pictures,
and Norm said, "No."
And all I said was, "Well,
why not be big about it?"
- And?
- Your grandfather pointed out...
that Shake was always being
taller than me just to spite me.
I knew it. He started it.
- I should've known.
- You what?
You two have never had an
argument in your life...
and in two minutes flat,
he's got you at it.
He's a king mixer.
He hates group unity, so
he gets everyone at it.
Well, I suggest you just
give him the photos...
and have done with it.
Oh, all right, you old
devil. Here you are.
Hey, Pauly, would you ever
sign one of them for us?
Ah, come out, Shake.

John :
Hey, look at the talent.
- Let's give them a pull.
- Should I?


Aye, but don't rush.
None of your five bar gate jumps 
and over sort of stuff.

John :
What's that supposed to mean?

I don't know -- I thought it just 
sounded distinguished-like.

John :
George Harrison, the scouse of distinction.

Paul :
Excuse me, madame.
Excuse me, but these young men I'm sitting with...
wondered if two of us could come over and join you.
I'd ask you myself, only I'm shy.


I'm sorry, miss. You mustn't
fraternise with me prisoners.


Prisoners?


Convicts in transit. Typical old lags, 
the lot of them.
You what?
Get out, ladies. Get out while you can.
He's been gone a long time.


Who?
Paul's Grandfather.
Oh, I didn't notice.
Where'd he go?
- Down the...
- Oh, down the...
Yeah, down the...
Oh, well, give him a
couple of minutes, then.


Hey, have you seen Paul's Grandfather?


Of course. He's concealed about me person.
Now, he must've slipped off somewhere.


Have you lost him?


Now, don't exaggerate.

Paul :
You've lost him.

Look, put it this way,
Pauly... he's mislaid him.

Paul :
Honest, you can't trust you 
with anything, Norm.
If you've lost him, 
I'll cripple ya.

He can't have got far.
Let's look up the sharp end.


George :
What's the matter with you, then?

RINGO :
It's His Grandfather.
I can tell he doesn't like me. 
It's because I'm little.

George :
You've got an inferiority
complex, you have.

RINGO :
Yeah, I know. That's why 
I play the drums.
It's me active compensatory factor.


[ In one of the First Class compartments, a clearly Wealthy older women, dripping in furs and diamonds makes Come-to-Bed eyes at Ringo through the window glass — 
Ringo glances around behind himself, doing a ‘What? Who, ME..?!?’ mime ]

George :
Going in, then?

RINGO :
Nah, she'll only 
reject Me in The End,
and I'll be frustrated.

George :
You never know. 
You may be lucky this time.

RINGO :
No, I know the psychological pattern.
It plays havoc with me drum skins.

Excuse me. Have you seen that
little old man we were with?

We've broken out... the
blessed freedom of it all.
Have you got a nail file? 
These handcuffs are killing me.
I was framed. I'm innocent.
I don't want to go.
Sorry for disturbing you, girls.
I bet you can't guess
what I was in for.
Should we go in here?
No, it's probably a
honeymoon couple...
or a company director
or something.
Well, I don't care. I'm
gonna broaden my outlook.
Congratulate me,
boys. I'm engaged.
Oh, no, you're not. Not this time.
And to think me own grandson...
would've let them put me behind bars.
Don't dramatise. Let's face it, you're lucky to be here.
If they'd have had their own way,
you would have been dropped off already.


Well, you've got to admit
you upset a lot of people.
At least I can keep my eye on you,
while you're stuck in here.
Shove up.
- Odds or evens?
- Odds.

Don't worry, son.
We'll get you the best lawyer green stamps can buy.
Oh. It's a laugh a line with Lennon.
Anyway, it's your fault.
- Why me?
- Why not you?
God, it's depressing
in here, isn't it?
Funny. They usually reckon dogs
more than people in England.
You'd expect something
more palatial.
- Let's do something, then.
- Like what?
Ok.
Cor, there's the girls.
I'll deal them.
Aye aye, the Liverpool shuffle.
Two for you, two for
me, three for them.
Cheat.

♪ I ♪
♪ Should have known better
with a girl like you ♪
♪ That I would love
everything that you do ♪
♪ And I do ♪
♪ Hey, hey, hey ♪
♪ And I do ♪

Not-Brian Epstein :
That was great, lads.

Now, you've got about an hour,
but don't leave the theatre.

Where are you going, John?

She's going to show me
her stamp collection.

So's mine.

Not-Brian Epstein :
John, I'm talking to you --
This final run-through is
important, understand?
Important.

I want a cup of tea.


Shake?

I've got to adjust the decibels
on the inbalance, Norm.

Clever. George?

Not-Brian Epstein :
Ringo, look after him, will you?

RINGO :
Oh, hey, Norm.

Not-Brian Epstein :
Do I have to raise my voice?

RINGO :
All right. Come on, Grandad.
I'm a drummer, not a
wet-nurse, you know.



John McCartney
Paul's Grandfather :
Would you look at him...
Sitting there with his hooter,
scraping away at that book.

RINGO :
Well, what's the matter with that?


John McCartney
Paul's Grandfather :
Have you no natural
resources of your own?
Have they even robbed you of that?

RINGO :
You can learn from books.

John McCartney
Paul's Grandfather :
You can, can you?
Sheeps' Heads.
You could learn more by getting 
Out There and Living.

RINGO :
Out where?

John McCartney
Paul's Grandfather :
Any old where.
But not our little
Richard. Oh, no.

When you're not thumping
them pagan skins,
you're tormenting your
eyes with that rubbish.

RINGO :
Books are Good.


John McCartney
Paul's Grandfather :
Parading's Better.

RINGO :
Parading?

John McCartney
Paul's Grandfather :
Parading The Streets...
Trailing Your coat, 
Bowling along... Living.


RINGO :
Well, I am Living.

John McCartney
Paul's Grandfather :
You? Living?

When was the last time 
you gave a girl
a pink-edged daisy?

When did you last 
embarrass a Sheila...
with your cool 
appraising stare?

RINGO :
You're a bit old for that
sort of chat, aren't you?

John McCartney
Paul's Grandfather :
Well, at least I've got
a backlog of memories.
All you've got is that book.

RINGO :
Ah, stop picking on me. 
You're as bad as the rest of Them.

John McCartney
Paul's Grandfather :
Ah, so you are A Man, after all.

RINGO :
What's that mean?

John McCartney
Paul's Grandfather :
Do you think I haven't noticed?
Do you think I wasn't
aware of the drift?

You poor, unfortunate scruff.
They've driven you into books,
with their cruel, 
unnatural treatment,
exploiting your 
Good Nature.


RINGO :
I don't know.

John McCartney
Paul's Grandfather :
Ah, That Lot's never happier
unless They're jeering you.

And Where Would They Be,
without the steady support
of your drum beat?

That's What I'd 
Like to Know.

RINGO :
Yeah. That's right.

John McCartney
Paul's Grandfather :
And what's it all come 
to in The End?

RINGO :
Yeah. What's in it for Me?

John McCartney
Paul's Grandfather :
A bookYeah, a blooming book.
When you could be out there,
betraying a rich American widow;
or sipping palm wine in Tahiti
before you're Too Old, like Me.

RINGO :
Yeah, funny, really, because 
I never thought, but -- 
Being Middle-aged 
and Oldtakes up most 
of Your Time, doesn't it?

John McCartney
Paul's Grandfather :
You're only right --
Where are you going?

RINGO :
I'm going parading
before it's Too Late.





George :
Hey, Ringo, you know what
just happened to me?


RINGO :
No, I don't. You ought to stop 
looking so scornful.
It's twisting your face.

Tell him of The Story about...

Hello, here he is, the 
middle-aged boy wonder.
I thought you were looking
after The Old Man.

We've only got half an hour
to the final run-through.

He can't walk out on us now.


Can't he? He's done it, son.

Hey, you know What Happened?


We know.

Your Grandfather.
He's stirred him up.

Paul :
He hasn't.

George :
Yeah, he... he filled His Head 
with notions seemingly.

Paul :
The old mixer. Come on, 
we'll have to put him right.

Coming up, all dancers
onstage for rehearsal, please.

Split up and look for him.

We've become a limited company.

I'll look in here again.



RINGO






Ringo Starr on The Simpsons


Dear Marge

Thanks for the fab painting of Yours Truly! 
I hung it on me wall! 
You're quite An Artist!

In answer to Your Question, 
Yes, We DO have Hamburgers 
and Fries in England, 
but WE call French Fries, "chips"! 

Love, Ringo

PS. Forgive the lateness of my reply.