Gaze

“One might simplify this by saying : 

Men act and Women appear. 

Men Look at Women. 

Women watch themselves 

Being Looked-at. 

This determines not only 

most relations between 

Men and Women but also 

the relation of Women 

to themselves. 

The Surveyor of Woman 

in herself is Male : 

The Surveyed Female. 

Thus she turns herself into An Object — 

and most particularly An Object 

of Vision : A Sight.”

— John Berger, 

Ways of Seeing

Dagger of The Mind is mentioned as 

taking place some time after 

a Christmas Party in the science labs, 

the previous year. 

This is one of the few times a religious 

holiday is mentioned in the Star Trek future, 

and Christmas in particular was 

not mentioned again until 

Star Trek : Generations. 

Similarly, Charlie X references Thanksgiving, 

and Catspaw references Halloween.

“The Fair occupies Space, and there’s no shortage of Space in downstate IL. The Fairgrounds take up 300+ acres on the east side of Springfield, a depressed capital of 109,000 where you can’t spit without hitting some sort of Lincoln-site plaque. 

The Fair spreads itself out, and visually so. The Main Gate’s on a rise, and through the two sagged halves of cut ribbon you get a great specular vantage on the whole thing — virgin and sun-glittered, even the tents looking fresh-painted. It seems garish and innocent and endless and aggressively Special. Kids are having like little like epileptic fits all around us, frenzied with a need to somehow take in everything at once. 

I suspect that part of the self-conscious-community thing here has to do with Space. Rural Midwesterners live surrounded by unpopulated land, marooned in a space whose emptiness starts to become both physical and spiritual. It is not just people you get lonely for. You’re alienated from the very space around you, in a way, because out here the land’s less an environment than a commodity. The land’s basically a factory. You live in the same factory you work in. You spend an enormous amount of time with the land, but you’re still alienated from it in some way. It’s probably hard to feel any sort of Romantic spiritual connection to Nature when you have to make Your Living from it. (Is this line of thinking somehow Marxist? Not when so many IL farmers still own their own land, I guess. This is a whole different kind of alienation.) 

But so I theorize to Native Companion (who worked detassling summer corn with me in high school) that the Illinois State Fair’s animating thesis involves some kind of structured interval of communion with both neighbor and space — the sheer fact of the land is to be celebrated here, its yields ogled and stock groomed and paraded, everything on decorative display. That what’s Special here is the offer of a vacation from alienation, a chance for a moment to love what real life out here can’t let you love. 

Native Companion, rummaging for her lighter, is about as interested in this stuff as she was about the child-as-empiricist-God-delusion horseshit back in the car, she apprises me. 

08/13/ 1040h. 

The livestock venues are at full occupancy animal-wise, but we seem to be the only Fairgoers who’ve come right over from the Opening Ceremony to tour them. You can now tell which barns are for which animals with your eyes closed. 

The horses are in their own individual stalls, with half-height doors and owners and grooms on stools by the doors, a lot of them dozing. The horses stand in hay. Billy Ray Cyrus plays loudly on some stableboy’s boom box. The horses have tight hides and apple-sized eyes that are set on the sides of their heads, like fish. I’ve rarely been this close to fine livestock. The horses’ faces are long and somehow suggestive of coffins. The racers are lanky, velvet over bone. The draft and show horses are mammoth and spotlessly groomed and more or less odourless — the acrid smell in here is just the horses’ pee. All their muscles are beautiful; the hides enhance them. Their tails whip around in sophisticated double-jointed ways, keeping the flies from mounting any kind of coordinated attack. (There really is such a thing as a horsefly.) The horses all make farty noises when they sigh, heads hanging over the short doors. They’re not for petting, though. When you come close they flatten their ears and show big teeth. The grooms laugh to themselves as we jump back. These are special competitive horses, intricately bred, w/ high-strung artistic temperaments. I wish I’d brought carrots : animals can be bought, emotionally. Stall after stall of horses. Standard horse-type colors. They eat the same hay they stand in. Occasional feedbags look like gas masks. A sudden clattering spray-sound like somebody hosing down siding turns out to be a glossy chocolate stallion, peeing. He’s at the back of his stall getting combed, and the door’s wide open, and we watch him pee. The stream’s an inch in diameter and throws up dust and hay and little chips of wood from the floor. We hunker down and have a look upward, and I suddenly for the first time understand a certain expression describing certain human males, an expression I’d heard but never truly understood till just now, prone and gazing upward in some blend of horror and awe. 

You can hear the cows all the way from the Horse Complex. The cow stalls are all doorless and open to view. I don’t guess a cow presents much of an escape risk. The cows in here are white-spotted dun or black, or else white with big continents of dun or black. They have no lips and their tongues are wide. Their eyes roll and they have huge nostrils. I’d always thought of swine as the really nostrily barnyard animal, but cows have some serious nostrils going on, gaping and wet and pink or black. One cow has a sort of mohawk. Cow manure smells wonderful — warm and herbal and blameless — but cows themselves stink in a special sort of rich biotic way, rather like a wet boot. Some of the owners are scrubbing down their entries for the upcoming Beef Show over at the Coliseum (I have a detailed Media Guide, courtesy of Wal-Mart). 

These cows stand immobilized in webs of canvas straps inside a steel frame while ag-professionals scrub them down with a hose-and-brush thing that also oozes soap. The cows do not like this one bit. One cow we watch getting scrubbed for a while—whose face seems eerily reminiscent of former British P.M. Winston Churchill’s face—trembles and shudders in its straps and makes the whole frame rock and clank, lowing, its eyes rolled almost to the whites. Native Companion and I cringe and make soft appalled noises. This cow’s lowing starts all the other cows lowing, or maybe they just see what they’re in for. The cow’s legs keep half-buckling, and the owner kicks at them (the legs). The owner’s face is intent but expressionless. White mucus hangs from the cow’s snout. Other ominous dripping and gushings from elsewhere. It almost tips the steel frame over at one point, and the owner punches the cow in the ribs. 

Swine have fur! I never thought of pigs as having fur. I’ve actually never been very close to a pig before, for olfactory reasons. Growing up over near Urbana, the hot days when the wind blew from the U. of I. Swine Barns just southwest of our neighborhood were very grim days indeed. The U. of I. Swine Barns were actually what made my father finally knuckle under and let us get central AC. Swine smell, Native Companion reports her own father saying, “like Death his very own self is takin’ a shit.” The swine in here at the State Fair Swine Barn are show hogs, a breed called Poland China, their thin fur a kind of white crewcut over pink skin. A lot of the swine are down on their sides, stuporous and throbbing in the Barn’s heat. The awake ones grunt. They stand and lie on very clean large-curd sawdust in low-fenced pens. A couple of barrows are eating both the sawdust and their own excrement. Again, we’re the only tourists here. It also occurs to me that I didn’t see a single farmer or ag-professional at the Opening Ceremony. It’s like there are two different Fairs, different populations. 

A bullhorn on a wall announces that the Junior Pygmy Goat judging is under way over at the Goat Barn. 

Pigs are in fact fat, and a lot of these swine are frankly huge—say ⅓ the size of a Volkswagen. Every once in a while you hear about farmers getting mauled or killed by swine. No teeth in view here, though the swine’s hoofs look maul-capable—they’re cloven and pink and kind of obscene. I’m not sure whether they’re called hoofs or feet on swine. Rural Midwesterners learn by like second grade that there’s no such word as “hooves.” 

Some of the swine have large standing fans going in front of their pens, and twelve big ceiling-fans roar, but it’s still stifling in here. The smell is both vomity and excremental, like some hideous digestive disorder on a grand scale. Maybe a cholera ward would come close. The owners and swineherds all have on rubber boots nothing like L. L. Bean East-Coast boots. Some of the standing swine commune through the bars of their pens, snouts almost touching. 

The sleeping swine thrash in dreams, their hind legs working. Unless they’re in distress, swine grunt at a low constant pitch. It’s a pleasant sound. But now one butterscotch-colored swine is screaming. Distressed swine scream. The sound is both human and inhuman enough to make your hair stand. You can hear this one distressed swine all the way across the Barn. The professional swinemen ignore the pig, but we fuss on over, Native Companion making concerned baby-talk sounds until I shush her. The pig’s sides are heaving; it’s sitting up like a dog with its front legs quivering, screaming horribly. This pig’s keeper is nowhere in sight. A small sign on its pen says it’s a Hampshire Swine. It’s having respiratory trouble, clearly : I’m guessing it inhaled either sawdust or excrement. Or else maybe it’s just had it with the smell in here. Its front legs now buckle so it’s on its side spasming. Whenever it can get enough breath together it screams. It’s unendurable, but none of the ag-professionals comes vaulting over the pens to administer aid or anything. Native Companion and I are literally wringing our hands in sympathy. We both make plangent little noises at the pig. 

Native Companion tells me to go get somebody instead of standing there with my thumb up my butt. I feel enormous stress — nauseous smells, impotent sympathy, plus we’re behind schedule : we are currently missing the Jr. Pygmy Goats, Philatelic Judging at the Expo Building, a 4-H Dog Show at something called Club Mickey D’s, the Semifinals of the Midwest Arm-Wrestling Championships at the Lincoln Stage, a Ladies Camping Seminar, and the opening rounds of the Speed Casting Tournament over at the mysterious Conservation World. 

A swineherd kicks her Poland China sow awake so she can add more sawdust to its pen; Native Companion utters a pained sound. There are clearly exactly two Animal Rights advocates in this Swine Barn. We both can observe a kind of sullen, callous expertise in the demeanor of the ag-pros in here. A prime example of spiritual-alienation-from-land-as-factory, I posit. Except why take all the trouble to breed and train and care for a special animal and bring it all the way to the IL State Fair if you don’t care anything about it? 

Then it occurs to me that I had bacon yesterday and am even now looking forward to my first corn dog of the Fair. I’m standing here wringing my hands over a distressed swine and then I’m going to go pound down a corn dog. This is connected to my reluctance to charge over to a swine-pro and demand emergency resuscitative care for this agonized Hampshire. I can sort of picture the look the farmer would give me. Not that it’s profound, but I’m struck, amid the pig’s screams and wheezes, by the fact that these agricultural pros do not see their stock as pets or friends. They are just in the agribusiness of weight and meat. They are unconnected even at the Fair, this self-consciously Special occasion of connection. And why not, maybe? — even at The Fair, their products continue to drool and smell and ingest their own excrement and scream, and the work just goes on and on. I can imagine what the ag-pros must think of us, cooing at the swine : We Fairgoers don’t have to deal with the business of breeding and feeding our meat; our meat simply materialises at the corn-dog stand, allowing us to separate our healthy appetites from fur and screams and rolling eyes. 

We tourists get to indulge our tender Animal Rights feelings with our tummies full of bacon. I don’t know how keen these sullen farmers’ sense of irony is, but mine’s been honed East-Coast keen, and I feel like a bit of a schmuck in the Swine Barn. 

08/13/ 1150h. 

Since Native Companion was lured here for the day by the promise of free access to sphincter-loosening high-velocity rides, we make a quick descent into Happy Hollow. 

Most of the rides aren’t even twirling hellishly yet. Guys with ratchet wrenches are still cranking away at the Ring of Fire. The giant Gondola Ferris Wheel is only half-assembled, and its seat-draped lower half resembles a hideous molary grin. It’s over 100° in the sun, easy. The Happy Hollow Carnival area’s a kind of rectangular basin that extends east-west from near the Main Gate out to the steep pathless hillside just below Livestock. The Midway is made of dirt and flanked by carnival-game booths and ticket booths and rides. There’s a merry-go-round and a couple of sane-paced kids’ rides, but most of the rides down here look like genuine Near-Death Experiences. 

On this first morning the Hollow seems to be open only technically, and the ticket booths are unmanned, though heartbreaking little streams of AC’d air are blowing out through money-slots in the booths’ glass. Attendance is sparse, and I notice none of the ag-pros or farm people are anywhere in sight down here. What there are are carnies. A lot of them slouch and slump in awnings’ shade. Every one of them seems to chain-smoke. 

The Tilt-a-Whirl operator’s got his boots up on his control panel reading a motorcycle-and-naked-lady magazine while two guys attach enormous rubber hoses to the ride’s guts. We sidle over for a chat. The Operator’s 24 and from Bee Branch Arkansas, and has an earring and a huge tattoo of a motorcycle w/ naked lady on his triceps. He’s way more interested in chatting with Native Companion than with me. He’s been at this gig five years, touring with this one here same company here. Couldn’t rightly say if he liked it or not, the gig : like as compared to what? Broke in the trade on the Toss-a-Quarter-Onto-the-Plates game and got, like, transferred over to the Tilt-a-Whirl in ’91. He smokes Marlboro 100’s but wears a cap that says WINSTON. He wants to know if Native Companion’d like to take a quick walk back across the Hollow and see something way out of the usual range of what she’s used to. 

All around us are booths for various carny-type games. All the carny-game barkers have headset microphones; some are saying “Testing” and reciting their pitches’ lines in tentative warm-up ways. A lot of the pitches seem frankly sexual: “You got to get it up to get it in”; “Take it out and lay’er down, only a dollar”; “Make it stand up. Two dollars five chances. Make it stand up.” 

In the booths, rows of stuffed animals hang by their feet like game put out to cure. One barker’s testing his mike by saying “Testes” instead of “Testing.” It smells like machine grease and hair tonic down here, and there’s already a spoiled, garbagey smell. 

My Media Guide says 1993’s Happy Hollow is contracted to “… one of the largest owners of amusement attractions in the country,” one Blomsness and Thebault All-Star Amusement Enterprises of Crystal Lake IL, up near Chicago. But the carnies themselves all seem to be from the middle South — Tennessee, Arkansas, Oklahoma. They are visibly unimpressed by the Press Credentials clipped to my shirt. They tend to look at Native Companion like She’s Food, which she ignores. There’s very little of that childhood sense of all the games and rides being Special and For-Me, I have to say. I promptly lose $4.00 trying to “get it up and in” by tossing miniature basketballs into angled straw baskets in such a way that they don’t bounce back out. The game’s barker can toss the balls behind his back and get them to stay in, but he’s right up next to the baskets. My shots carom out from eight feet away—the straw baskets look soft, but their bottoms make a suspicious steely sound when the balls hit. It’s so hot that we move in quick staggered vectors between areas of shade. I decline to take my shirt off because there’d be no way to display my Credentials. We zigzag gradually westward across the Hollow. I am keen to hit the Junior Beef Show which starts at 1300h. Then there are, of course, the Dessert Competition tents. One of the fully assembled rides near the Hollow’s west end is something called The Zipper. It’s riderless but in furious motion, a kind of Ferris Wheel on amphetamines. Individual caged cars are hinged to spin on their own axes as they go around in a tight vertical ellipse. The machine looks less like a zipper than the head of a chain saw. Its off-white paint is chipped, and it sounds like a shimmying V-12, and in general it’s something I’d run a mile in tight shoes to avoid riding. 

But Native Companion starts clapping and hopping around excitedly as we approach The Zipper. (This is a person who bungee jumps, to give you an idea.) And the operator at the controls sees her, waves back, and shouts down to Git on over and git some if she’s a mind to. 

He claims they want to test The Zipper somehow. He’s up on a kind of steel platform, elbowing a colleague next to him in a way I don’t much like. We have no tickets, I point out, and none of the cash-for-ticket booths are manned. By now we’re somehow at the base of the stairway up to the platform and control panel. 

The Operator says without looking at me that the matter of tickets this early on Opening Day “Ain’t no sweat off my balls.” The Operator’s colleague conducts Native Companion up the waffled-steel steps and straps her into a cage, upping a thumb at The Operator, who gives a sort of Rebel Yell and pulls a lever. Native C.’s cage begins to ascend. Pathetic little fingers appear in the cage’s mesh. 

The Zipper Operator is ageless and burnt-brown and has a mustache waxed to wicked points like steers’ horns, rolling a Drum cigarette with one hand as he nudges levers upward and the ellipse speeds up and the individual cages start to spin independently on their hinges. Native Companion is a blur of colours inside her cage, but The Operator and His Colleague (whose jeans have worked down his hips to the point where the top of his butt-crack is clearly visible) watch studiously as her spinning cage and the clanking empty cages circle the ellipse approx. once a second. I have a particular longstanding fear of things that spin independently inside a larger spin. I can barely even watch this. The Zipper is the colour of unbrushed teeth, with big scabs of rust. The Operator and colleague sit on a little steel bench before a panel full of black-knobbed levers. 

Do testicles themselves sweat? They’re supposed to be very temperature-sensitive. 

The colleague spits Skoal into a can he holds and tells The Operator to “Well then take her to Eight then you pussy.” The Zipper begins to whine and the thing to spin so fast that a detached car would surely be hurled into orbit. The Colleague has a small American flag folded into a bandanna around his head. The empty cages shudder and clank as they whirl, spinning independently. One long scream, wobbled by Doppler, is coming from Native C.’s cage, which is going around and around on its hinges while a shape inside tumbles like stuff in a dryer. My particular neurological makeup (extremely sensitive : carsick, airsick, heightsick; my sister likes to say I’m “lifesick”) makes even just watching this an act of enormous personal courage. The scream goes on and on; it’s nothing like a swine’s. Then The Operator stops the ride abruptly with Native C.’s car at the top, so she’s hanging upside down inside the cage. I call up Is she OK, but the response is just high-pitched noises. I see the two carnies gazing upward very intently, shading their eyes. The operator’s stroking his mustache contemplatively. The cage’s inversion has made Native Companion’s dress fall up. They’re ogling her nethers, obviously. As they laugh, the sound literally sounds like “Tee hee hee hee.” A less sensitive neurological specimen probably would have stepped in at this point and stopped the whole grotesque exercise. 

My own makeup leans more toward disassociation when under stress. A mother in shorts is trying to get a stroller up the steps of the Funhouse. A kid in a Jurassic Park T-shirt is licking an enormous flat lollipop with a hypnotic spiral on it. A sign at a gas station we passed on Sangamon Avenue was hand-lettered and said “BLU-BLOCK SUNGLASSES — Like Seen On TV.” A Shell station off I-55 near Elkhart sold cans of snuff out of a vending machine. 15% of the female Fairgoers here have their hair in curlers. 25% are clinically fat. Midwestern fat people have no compunction about wearing shorts or halter-tops. A radio reporter had held his recorder’s mike up too close to a speaker during Governor E.’s opening remarks, causing hellacious feedback. 

Now The Operator’s joggling the choke-lever so The Zipper stutters back and forth, forward and backward, making N.C.’s top car spin around and around on its hinges. His Colleague’s T-shirt has a stoned Ninja Turtle on it, toking on a joint. There’s a distended A# scream from the whirling cage, as if Native C.’s getting slow-roasted. I summon saliva to step in and really say something stern, but at this point they start bringing her down. The Operator is deft at his panel; the car’s descent is almost fluffy. His hands on the levers are a kind of parody of tender care. The descent takes forever — ominous silence from Native Companion’s car. The two carnies are laughing and slapping their knee. I clear my throat twice. There’s a trundly sound as Native Companion’s car gets locked down at the platform. Jiggles of movement in the cage, and the door’s latch slowly turns. I expect whatever husk of a human being emerges from the car to be hunched and sheet-white, dribbling fluids. Instead she sort of bounds out: “That was fucking great. Joo see that? Son bitch spun that car sixteen times, joo see it?” 

This woman is native Midwestern, from My Hometown. My prom date a dozen years ago. Now married, with three children, teaches water-aerobics to the obese and infirm. Her color is high. Her dress looks like the world’s worst case of static cling. She’s still got her chewing gum in, for God’s sake. 

She turns to the carnies: “You sons bitches that was fucking great. Assholes.” The Colleague is half-draped over The Operator; they’re roaring with laughter. 

Native Companion has her hands on her hips sternly, but she’s grinning. Am I the only one who was in touch with the manifestly overt sexual-harassment element in this whole episode? 

She takes the steel stairs down three at a time and starts up the hillside toward the food booths. There is no sanctioned path up the incredibly steep hill on the Hollow’s western side. Behind us The Operator calls out : “They don’t call me King of The Zipper for nuthin’, sweet thang.” 

She snorts and calls back over her shoulder “Oh you and whose fucking platoon?” and there’s more laughter behind us. 

I’m having a hard time keeping up on the slope. “Did you hear that?” I ask her. 

“Jesus I thought I bought it for sure at the end that was so great. Fucking cornholers. But’d you see that one spin up top at the end, though?”

“Did you hear that Zipper King comment?” I say. She has her hand around my elbow and is helping me up the hillside’s slick grass. “Did you sense something kind of sexual-harassmentish going on through that whole little sick exercise?” 

“Oh for fuck’s sake Slug it was FUN” (Ignore the nickname.) “Son of a bitch spun that car eighteen times.” 

“They were looking up your dress. You couldn’t see them, maybe. They hung you upside down at a great height and made your dress fall up and ogled you. They shaded their eyes and made comments to each other. I saw the whole thing.” 

“Oh for fuck’s sake.” 

I slip a little bit and she catches my arm. 

“So this doesn’t bother you? As a Midwesterner, you’re unbothered? Or did you just not have an accurate sense of what was going on back there?” 

“So if I noticed or I didn’t, why does it have to be my deal? What, because there’s assholes in The World I don’t get to ride on The Zipper? I don’t get to ever spin? Maybe I shouldn’t ever go to the pool or ever get all girled up, just out of fear of assholes?” Her color is still high. 

“So I’m curious, then, about what it would have taken back there, say, to have gotten you to lodge some sort of complaint with the Fair’s management.” 

“You’re so fucking innocent, Slug,” she says. (The nickname’s a long story; ignore it.) “Assholes are just assholes. What’s getting hot and bothered going to do about it except keep me from getting to have fun?” She has her hand on my elbow this whole time — the hillside’s a bitch. 

“This is potentially key,” I’m saying. “This may be just the sort of regional politico-sexual contrast the swanky East-Coast magazine is keen for. The core value informing a kind of willed politico-sexual stoicism on your part is your prototypically Midwestern appreciation of fun —” 

“Buy me some pork skins, you dipshit.” 

“— whereas on the East Coast, politico-sexual indignation IS the fun. In New York, a woman who’d been hung upside down and ogled would go get a whole lot of other women together and there’d be this frenzy of politico-sexual indignation. They’d confront the ogler. File an injunction. Management’d find itself litigating expensively — violation of a woman’s right to nonharassed fun. I’m telling you. Personal and political fun merge somewhere just east of Cleveland, for women.” 

Native Companion kills a mosquito without looking at it. “And they all take Prozac and stick their finger down their throat too out there. They might ought to try just climbing on and spinning and ignoring assholes and saying Fuck ‘em. That’s pretty much all you can do with assholes.” 

“This could be integral.”