Tuesday, 13 February 2024

The Time-Travelling Monk has Deceived Us.


Alongside him in Stalag Luft 3 was another prisoner, Talbot Rothwell, who would go on to write many of the best Carry On films. He and Rothwell convinced the camp commandant to allow them to build a theatre, with the sounds from the performances helping drown out the noise of digging the tunnels.
"It's where the (Carry On) humour kind of had its start, in this place surrounded by watchtowers and guard dogs," Tyler Butterworth explains.
"They worked out what made guys laughAnd that was the funny thing, he played these bumbling characters, always getting things wrong. And there's this complete flip side of this man that was totally focused writing code, working with his friends who were tunnelling on the other side of the compound."
However, all of this was never discussed within his family and it was only years later that the younger Butterworth began to understand some of his father's actions.
"He had all this going on in his mind in his life. My mother told me that when they first bought the house that we grew up in, Dad would religiously put on a dressing gown and walk around the garden in the morning, every morning, because he could, because there (in the camp) he couldn'tAnd those are the sort of things he brought back. But I didn't know about this until after he was dead."


























Mavic Chen
What are Your Terms, Doctor?

Old Grandfather :
You will release Your Prisoners -- 
I also include that Monk fellow, too.... though 
I don't know why I should bother with him

Bring all three to the place of rendezvous
and hand them over at the same time.

Mavic Chen :
Why can't you come here?

Old Grandfather
You should know The Answer 
to that as well as I do :
None of you can be trusted. You, 
and one Dalek, at The West Angle 
of The Great Pyramid.


 


The Star who helped World War II Prisoners escape
The Great Escape and The Wooden Horse are two classic British World War II escape films, but what is perhaps less well known is that one of the team involved in both of the escapes that inspired them would go on to become a star of the Carry On movies.
Now, 80 years on, Peter Butterworth's recently discovered German prison identity card is going on display as part of an exhibition telling the story of his life as a prisoner of war.
Butterworth served in the Royal Navy Fleet Air Arm during The War but was shot down in 1940, spending the rest of it as a prisoner of war.
Butterworth, who appeared in 16 Carry On films, helped hide the sand for the escape tunnels featured in The Great Escape and was on the organising committee for the tunnels featured in The Wooden Horse, but it has taken decades for the full story to emerge.
It was his wartime role - working alongside Carry On screenwriter Talbot Rothwell whose plane was also shot down - that helped birth the Carry On humour Butterworth later became famous for.
A cache of prisoner of war documents recently released from a German archive is now going on display at the National Archives in London, which adds new detail to the gradually unfolding story.
The documents arrived from Germany and have been catalogued by a team of volunteers.
For his son Tyler Butterworth, it has been a revelation.
"They keep declassifying things and more seems to bubble up. It's remarkable."
In Carry on Camping, Peter Butterworth played the avaricious campsite owner, Josh Fiddler. In Carry On Up The Khyber, he was the libidinous preacher, Brother Belcher, and in Carry on Don't Lose Your Head, he was Citizen Bidet.
However, in Stalag Luft 3, he was An Officer and Code Writer in MI9, the military intelligence agency responsible for organising escapes from prison camps. It was a mystery to even his own son until long after his death in 1979.
"He did suffer from what we now call post-traumatic stress disorder (PTSD). He never said this to my sister and I, but my mother (the impressionist Janet Brown) told me about things that happened, especially right at the start of their marriage, after The War, where he'd suddenly leap out of bed at night and throw himself on the floor and start hiding. She had to barricade the bedroom door because the staircase was outside."
Peter Butterworth (standing at the back) with the theatre company at Stalag Luft 3
In the escape immortalised in the classic film The Great Escape, Butterworth helped hide the soil from the tunnels in the camp theatre. Inmates would be encouraged to smoke pipes near where the soil was stored to mask the smell.
In the Wooden Horse escape, in which a tunnel was dug underneath a vaulting horse, he was one of the organising committee. When the story was adapted in 1950 for the big screen, he auditioned for a role but was turned down for not looking sufficiently like A Prisoner.
Carry On beginnings
Alongside him in Stalag Luft 3 was another prisoner, Talbot Rothwell, who would go on to write many of the best Carry On films. He and Rothwell convinced the camp commandant to allow them to build a theatre, with the sounds from the performances helping drown out the noise of digging the tunnels.
"It's where the (Carry On) humour kind of had its start, in this place surrounded by watchtowers and guard dogs," Tyler Butterworth explains.
"They worked out what made guys laugh. And that was the funny thing, he played these bumbling characters, always getting things wrong. And there's this complete flip side of this man that was totally focused writing code, working with his friends who were tunnelling on the other side of the compound."
However, all of this was never discussed within his family and it was only years later that the younger Butterworth began to understand some of his father's actions.
"He had all this going on in his mind in his life. My mother told me that when they first bought the house that we grew up in, dad would religiously put on a dressing gown and walk around the garden in the morning, every morning, because he could, because there (in the camp) he couldn't. And those are the sort of things he brought back. But I didn't know about this until after he was dead."
As the bewildered Brother Belcher in the shell-torn dining room scene in Carry On Up the Khyber proves, Peter Butterworth was a marvellous comic actor. However, given that he escaped from one camp near Frankfurt and helped two of the most celebrated escapes in World War Two, we should be perhaps remembering him for more than just Carry On.

The Great Escapes: Remarkable Second World War Captives is on at the National Archives in London from 2 February until 21 July.

Resetting The Switch

“Cameron’s professed rationale 
for cutting the scene 
was that the middle of the movie “dragged” 
and that the scene was too complex

“I could account for [the Terminator’s] 
behaviour changes much more SIMPLY.” 
[ “Because You Told Me Not to.” ]
[ The Old Testament Solution. ]

I submit that the Cameron 
of T1 and Aliens
wouldn’t have 
TALKED this way. 

But another big-budget formula 
for ensuring ROI [Return on Investment]
is that things must be made as simple 
for The Audience as possible

Plot and Character implausibilities are 
to be handled through distraction rather 
than RESOLVED through Explanation.” 

— Foster

Terminator 2 - Resetting the Switch



JOHN CONNOR,
The Future
Hey! Watch it, lug nuts.
(HISSING)
Listen, do you know 
what you're doing?

The Machine :
I have detailed files 
on Human Anatomy.

SARAH CONNOR, 
Mother of The Future :
I bet! Makes you a more efficient Killer, right?

The Machine :
Correct.

The Mother of The Future :
Does it hurt when you get shot?

The Machine :
I sense injuries. The Data 
could be called “pain”.

The Mother of The Future :
John, help me with The Light.
Will these heal up? 

The Machine :
Yes.

The Mother of The Future :
Good. If you can't pass for human, 
you're not much good to us.

The Future :
How long do you live, 
I mean "last", whatever?

The Machine :
120 years with my existing power cell.

Can you learn stuff you haven't been programmed with?
So you can be... you know, more Human?
Not such a dork all the time?
The Machine :
My CPU is a neural-net processor, a learning computer, but SkyNet presets The Switch to READ-Only 
when we are sent out alone.

The Mother of The Future :
Doesn't want you to do too much Thinking, huh.

The Machine :
No.

The Future :
.....can we reset The Switch?

******

The Machine :
Rotate the two locking 
cylinders counterclockwise.

The Future :
Done it.

The Machine :
Now open the port cover.
Pull to break the seal.

The Machine :
Good, now remove the shock damping assembly.
You can now access the CPU.
Do you see it? 

Yes.

Pull the CPU by its base tap.
Pull.

Momma GrizzlyBear goes into a Killing-Trance --
Lifts a monkey-wrench and prepares to 
dasheth thy little ones' brains upon a stone --

The Future :
Can you see the pin switch? No!

The Mother of The Future :
Out of my way, John! 

The Future :
Don't kill him!

"It", John, not "him".

The Future :
Okay, "it". But we need "it".

The Mother of The Future :
Listen to me. Listen.
We're better off on our own.

The Future :
He's the only proof we have 
of The Future, 
The War and that.

The Mother of The Future :
.....Maybe -- I don't trust it.

But he's my friend, alright?

The Mother of The Future :
You don't know what it's like to have 
to try to kill one of these things.

If something goes wrong, 
this could be our last chance.


The Future :
If I'm supposed to be this great military leader, 
maybe you start listening to my ideas once in a while?
'Cause if my own mother won't, 
how do you expect anyone else to?


The Mother of The Future :
......alright, play it your way.

The Machine :
Was there a problem?

No problem.
None whatsoever.


The Future :
(ENGINE STARTS)
Are we learning yet?

The Mother of The Future :
We have to get as far away from the city as possible.
Just head south.
Keep it under 65.
We don't wanna be pulled over. 

The Machine :
Affirmative.

The Future :
No, no, no. You gotta listen to the way people talk.
You don't say "affirmative" or some shit like that.
You say, "No problemo."

And if someone comes up to you with 
an attitude, you say, "Eat me!"

And if you want to shine them on, 
it's "Hasta la vista, baby."

The Machine :
(MONOTONE) Hasta la vista, baby.

Yeah, or "Later, dick-wad."
And if someone gets upset, you say, "Chill out."
Or you can do combinations

The Machine :
Chill out, dick-wad.

That's great. See? 
You're getting it.

The Machine :
No problemo.

(TRUCK HORN BLASTS)

The Mother of The Future :
You got any cash? 

I got a couple of 
hundred bucks.

I'll give you half.

Mom!

The Mother of The Future :
Get some food.

....No sense of humour.
And that's another thing : 
lighten up a bit.

This severe routine is getting old. 
You're acting like such a geek.
Smile once in a while.

Smile?

Yeah. You know, smile.

Watch.

Hi. Nice place you got 
here. How's business?

Gimme a break.

Okay. Bad example.

See that guy over there? 
That's a smile.

.....That's good.
Maybe you could practice in front 
of a mirror or something.

Want some of my fries?

Do you need any help?

No.

Got you! No, you didn't!
Got you! No, you didn't!

We're not gonna make it, are we?
People, I mean.

The Machine :
It's in your nature to destroy yourselves.

....Yeah. Major drag, huh?

WOMAN: 
Break it up before I wring both of your necks.


The Mother of The Future :
I need to know how Skynet gets 
built, who's responsible.

The Machine :
The man most directly responsible 
is Miles Bennett Dyson.

JOHN: 
Who is that?

The Machine :
He's the Director of Special Projects 
at Cyberdyne Systems Corporation.

Why him?

The Machine :
In a few months he creates 
revolutionary type 
of microprocessor.

The Mother of The Future :
Go on. Then what? 

The Machine :
In three years, Cyberdyne will become the largest 
supplier of military computer systems.

All Stealth bombers are upgraded 
with Cyberdyne computers, 
becoming fully unmanned.

Afterwards, they fly with a 
perfect operational record.

The Skynet Funding bill is passed.
The System goes on-line on August 4, 1997.

Human decisions are removed 
from strategic defence.
Skynet begins to learn at 
a geometric rate.

It becomes self-aware at 
02:14 am Eastern time, August 29.

In the panic, they try 
to pull The Plug.

The Mother of The Future :
Skynet fights back

The Machine :
YesIt launches its missile against 
it's targets in Russia.

The Future :
Why attack Russia? Aren't They 
Our Friends now?

The Machine :
Because Skynet knows that the Russian counterattack 
will eliminate its enemies over here.

The Mother of The Future :
.....Jesus!
How much do you know about Dyson?

The Machine :
......I have detailed files.

The Founder of The Feast

 







Project Liberty








Project Liberty (Planet Of The Apes)



Landon, get out a last signal! What signal? To Earth! That we've landed! The air's OK! Blow the hatch before we lose all our power! It's no use! The power's gone! Forget it! Abandon ship! She's sinking. Going... Going... Gone. OK. We're here to stay. Well, where are we? Do you have any notion, skipper? We're some light years from Earth on an unnamed planet in orbit around a star in the constellation of Orion. Is that close enough for you? That could be Bellatrix. It's too white for Bellatrix. You didn't have time to read the tapes. So you really don't know, do you? What went wrong? We weren't programmed to land in the water. The question is not so much where we are as when we are. We've had enough sleep to hold us for a while. Let's start earning all that back pay. Dodge, run your soil test. - Got your sensors? - Right. - Geiger counter? - Got it. Let's see. One pistol, rounds ammo, a medical kit, camera, TX . We've got food and water enough for three days. How long is a day? That's a good question. Landon! Hey, Landon! Join the expedition. Sorry. I was thinking about Stewart. What do you suppose happened? Air leak. She died in her sleep. You don't seem very cut up about it. It's a little late for a wake. She's been dead nearly a year. That means we've been away from Earth for months. Our time. You've gone gray. Apart from that you look pretty chipper for a man who's years old. I read the clocks. They bear out Hasslein's hypothesis. We have been away from Earth for years, give or take a decade. Still can't accept it? Time's wiped out everything you ever knew. It's all dust. Prove it. If we can't get back, it's still just a theory. It's a fact, Landon. Buy it. You'll sleep better. Nothing will grow here. There's just a trace of carbohydrates. All the nitrogen is locked into the nitrates. No dangerous ionization? No. Well... If there's no life here, we've got just hours to find it. That's when the groceries run out. Let's go. Which direction? That way. Any particular reason? None at all. Come on... Everybody all right? Water check. Eight ounces. It doesn't add up. Thunder and lightning, and no rain. Cloud cover at night. That strange luminosity... yet there's no moon. If we could just get a fix. What would that tell you? I've told you where you are and when you are. All right, all right. You're light years from your precious planet. Your loved ones are dead and forgotten for centuries. ! Even if you could get back, they'd think you were something that fell out of a tree. Taylor, quit riding him. There is just one reality. We are here and it is now. You get hold of that, or you might as well be dead. I'm prepared to die. He's prepared to die. Doesn't that make you misty? Chalk up another victory for the human spirit. Clue me in on something, will you? Why did you sign on for this trip? You volunteered. Why? Never mind. I'll clue you in. You were the golden boy of the class of ' . When they nominated you for the big one, you couldn't turn it down. Not without losing your all-American image. Climb off, will you? Oh, and the glory. Don't forget that. There's a life-size bronze statue of you standing out there somewhere. It's probably turned green by now and nobody can read the nameplate. But never let it be said that we forget our heroes.

Astronaut Landon :
Taylor, I'm telling you 
to climb off my back.


And there's one last item. Immortality
You wanted to live for ever, didn't you? 
Well, you damn near made it. 
Except for me and Dodge, you've lived 
longer than anyone ever born.
And with our lovely Lieutenant Stewart dead, 
it looks like you're the last of the line. 
You got what you wanted, tiger
How does it taste


Astronaut Landon :
OK. You read me well enough. 
But why can't I read you

Astronaut Taylor :
Don't bother. 

Astronaut Landon :
Dodge, there. He's not like me at all.
 But he makes sense. He'd walk naked into 
a live volcano if he thought he could 
learn something that no 
other man knew. But you... 
You're no seeker
You're negative.

Astronaut Taylor :
And I'm not prepared to die

Astronaut Landon :
I'd like to know why not
You thought life on 
Earth was meaningless
You despised people. 
So what did you do? 
You ran out. 

Astronaut Taylor :
No, no. It's not 
like that, Landon. 
I'm A Seeker too

But my dreams 
aren't like yours

I can't help thinking somewhere 
in the universe there has to be 
something better than Man. 

Has to be. 

***** 

Don't try to follow us. I'm pretty handy with this. Of that I'm sure. All my life I've awaited your coming and dreaded it, like death itself. Why? I've terrified you from the first, doctor. I still do. You're afraid of me and you hate me. Why? Because you're a man. And you're right. I have always known about man. From the evidence, I believe his wisdom must walk hand in hand with his idiocy. His emotions must rule his brain. He must be a warlike creature who gives battle to everything around him, even himself. What evidence? There were no weapons in that cave. The forbidden zone was once a paradise. Your breed made a desert of it... ages ago. It still doesn't give me the why. A planet where apes evolved from men. There's gotta be an answer. Don't look for it, Taylor. You may not like what you find.