The Fire Rises

“But my dear!” repeated madame, nodding firmly; “but my dear! You are faint of heart to-night, my dear!”

“Well, then,” said Defarge, as if a thought were wrung out of his breast, “it is a long time.”

“It is a long time,” repeated his wife; “and when is it not a long time? Vengeance and retribution require a long time; it is the rule.”

“It does not take a long time to strike a man with Lightning,” said Defarge.

“How long,” demanded madame, composedly, “does it take to make and store the lightning? Tell me.”

Defarge raised his head thoughtfully, as if there were something in that too.

“It does not take a long time,” said madame, “for an earthquake to swallow a town. Eh well! Tell me how long it takes to prepare the earthquake?”

“A long time, I suppose,” said Defarge.

“But when it is ready, it takes place, and grinds to pieces everything before it. In the meantime, it is always preparing, though it is not seen or heard. That is your consolation. Keep it.”

She tied a knot with flashing eyes, as if it throttled a foe.

“I tell thee,” said madame, extending her right hand, for emphasis, “that although it is a long time on the road, it is on the road and coming. I tell thee it never retreats, and never stops. I tell thee it is always advancing. Look around and consider the lives of all the world that we know, consider the faces of all the world that we know, consider the rage and discontent to which the Jacquerie addresses itself with more and more of certainty every hour. Can such things last? Bah! I mock you.”

“My brave wife,” returned Defarge, standing before her with his head a little bent, and his hands clasped at his back, like a docile and attentive pupil before his catechist, “I do not question all this. But it has lasted a long time, and it is possible—you know well, my wife, it is possible—that it may not come, during our lives.”

“Eh well! How then?” demanded madame, tying another knot, as if there were another enemy strangled.

“Well!” said Defarge, with a half complaining and half apologetic shrug. “We shall not see the triumph.”

“We shall have helped it,” returned madame, with her extended hand in strong action. “Nothing that we do, is done in vain. I believe, with all my soul, that we shall see the triumph. But even if not, even if I knew certainly not, show me the neck of an aristocrat and tyrant, and still I would—”

Then madame, with her teeth set, tied a very terrible knot indeed.

“Hold!” cried Defarge, reddening a little as if he felt charged with cowardice; “I too, my dear, will stop at nothing.”

“Yes! But it is your weakness that you sometimes need to see your victim and your opportunity, to sustain you. Sustain yourself without that. When the time comes, let loose a tiger and a devil; but wait for the time with the tiger and the devil chained—not shown—yet always ready.”

Madame enforced the conclusion of this piece of advice by striking her little counter with her chain of money as if she knocked its brains out, and then gathering the heavy handkerchief under her arm in a serene manner, and observing that it was time to go to bed.

XXIII. Fire Rises

There was a change on the village where the fountain fell, and where the mender of roads went forth daily to hammer out of the stones on the highway such morsels of bread as might serve for patches to hold his poor ignorant soul and his poor reduced body together. The prison on the crag was not so dominant as of yore; there were soldiers to guard it, but not many; there were officers to guard the soldiers, but not one of them knew what his men would do—beyond this: that it would probably not be what he was ordered.

Far and wide lay a ruined country, yielding nothing but desolation. Every green leaf, every blade of grass and blade of grain, was as shrivelled and poor as the miserable people. Everything was bowed down, dejected, oppressed, and broken. Habitations, fences, domesticated animals, men, women, children, and the soil that bore them—all worn out.

Monseigneur (often a most worthy individual gentleman) was a national blessing, gave a chivalrous tone to things, was a polite example of luxurious and shining life, and a great deal more to equal purpose; nevertheless, Monseigneur as a class had, somehow or other, brought things to this. Strange that Creation, designed expressly for Monseigneur, should be so soon wrung dry and squeezed out! There must be something short-sighted in the eternal arrangements, surely! Thus it was, however; and the last drop of blood having been extracted from the flints, and the last screw of the rack having been turned so often that its purchase crumbled, and it now turned and turned with nothing to bite, Monseigneur began to run away from a phenomenon so low and unaccountable.

But, this was not the change on the village, and on many a village like it. For scores of years gone by, Monseigneur had squeezed it and wrung it, and had seldom graced it with his presence except for the pleasures of the chase—now, found in hunting the people; now, found in hunting the beasts, for whose preservation Monseigneur made edifying spaces of barbarous and barren wilderness. No. The change consisted in the appearance of strange faces of low caste, rather than in the disappearance of the high caste, chiselled, and otherwise beautified and beautifying features of Monseigneur.

For, in these times, as the mender of roads worked, solitary, in the dust, not often troubling himself to reflect that dust he was and to dust he must return, being for the most part too much occupied in thinking how little he had for supper and how much more he would eat if he had it—in these times, as he raised his eyes from his lonely labour, and viewed the prospect, he would see some rough figure approaching on foot, the like of which was once a rarity in those parts, but was now a frequent presence. As it advanced, the mender of roads would discern without surprise, that it was a shaggy-haired man, of almost barbarian aspect, tall, in wooden shoes that were clumsy even to the eyes of a mender of roads, grim, rough, swart, steeped in the mud and dust of many highways, dank with the marshy moisture of many low grounds, sprinkled with the thorns and leaves and moss of many byways through woods.

Such a man came upon him, like a ghost, at noon in the July weather, as he sat on his heap of stones under a bank, taking such shelter as he could get from a shower of hail.

The man looked at him, looked at the village in the hollow, at the mill, and at the prison on the crag. When he had identified these objects in what benighted mind he had, he said, in a dialect that was just intelligible:

“How goes it, Jacques?”

“All well, Jacques.”

“Touch then!”

They joined hands, and the man sat down on the heap of stones.

“No dinner?”

“Nothing but supper now,” said the mender of roads, with a hungry face.

“It is the fashion,” growled the man. “I meet no dinner anywhere.”

He took out a blackened pipe, filled it, lighted it with flint and steel, pulled at it until it was in a bright glow: then, suddenly held it from him and dropped something into it from between his finger and thumb, that blazed and went out in a puff of smoke.

“Touch then.” It was the turn of the mender of roads to say it this time, after observing these operations. They again joined hands.

“To-night?” said the mender of roads.

“To-night,” said the man, putting the pipe in his mouth.

“Where?”

“Here.”

He and the mender of roads sat on the heap of stones looking silently at one another, with the hail driving in between them like a pigmy charge of bayonets, until the sky began to clear over the village.

“Show me!” said the traveller then, moving to the brow of the hill.

“See!” returned the mender of roads, with extended finger. “You go down here, and straight through the street, and past the fountain—”

“To the Devil with all that!” interrupted the other, rolling his eye over the landscape. “I go through no streets and past no fountains. Well?”

“Well! About two leagues beyond the summit of that hill above the village.”

“Good. When do you cease to work?”

“At sunset.”

“Will you wake me, before departing? I have walked two nights without resting. Let me finish my pipe, and I shall sleep like a child. Will you wake me?”

“Surely.”

The wayfarer smoked his pipe out, put it in his breast, slipped off his great wooden shoes, and lay down on his back on the heap of stones. He was fast asleep directly.

As the road-mender plied his dusty labour, and the hail-clouds, rolling away, revealed bright bars and streaks of sky which were responded to by silver gleams upon the landscape, the little man (who wore a red cap now, in place of his blue one) seemed fascinated by the figure on the heap of stones. His eyes were so often turned towards it, that he used his tools mechanically, and, one would have said, to very poor account. The bronze face, the shaggy black hair and beard, the coarse woollen red cap, the rough medley dress of home-spun stuff and hairy skins of beasts, the powerful frame attenuated by spare living, and the sullen and desperate compression of the lips in sleep, inspired the mender of roads with awe. The traveller had travelled far, and his feet were footsore, and his ankles chafed and bleeding; his great shoes, stuffed with leaves and grass, had been heavy to drag over the many long leagues, and his clothes were chafed into holes, as he himself was into sores. Stooping down beside him, the road-mender tried to get a peep at secret weapons in his breast or where not; but, in vain, for he slept with his arms crossed upon him, and set as resolutely as his lips. Fortified towns with their stockades, guard-houses, gates, trenches, and drawbridges, seemed to the mender of roads, to be so much air as against this figure. And when he lifted his eyes from it to the horizon and looked around, he saw in his small fancy similar figures, stopped by no obstacle, tending to centres all over France.

The man slept on, indifferent to showers of hail and intervals of brightness, to sunshine on his face and shadow, to the paltering lumps of dull ice on his body and the diamonds into which the sun changed them, until the sun was low in the west, and the sky was glowing. Then, the mender of roads having got his tools together and all things ready to go down into the village, roused him.

“Good!” said the sleeper, rising on his elbow. “Two leagues beyond the summit of the hill?”

“About.”

“About. Good!”

The mender of roads went home, with the dust going on before him according to the set of the wind, and was soon at the fountain, squeezing himself in among the lean kine brought there to drink, and appearing even to whisper to them in his whispering to all the village. When the village had taken its poor supper, it did not creep to bed, as it usually did, but came out of doors again, and remained there. A curious contagion of whispering was upon it, and also, when it gathered together at the fountain in the dark, another curious contagion of looking expectantly at the sky in one direction only. Monsieur Gabelle, chief functionary of the place, became uneasy; went out on his house-top alone, and looked in that direction too; glanced down from behind his chimneys at the darkening faces by the fountain below, and sent word to the sacristan who kept the keys of the church, that there might be need to ring the tocsin by-and-bye.

The night deepened. The trees environing the old chateau, keeping its solitary state apart, moved in a rising wind, as though they threatened the pile of building massive and dark in the gloom. Up the two terrace flights of steps the rain ran wildly, and beat at the great door, like a swift messenger rousing those within; uneasy rushes of wind went through the hall, among the old spears and knives, and passed lamenting up the stairs, and shook the curtains of the bed where the last Marquis had slept. East, West, North, and South, through the woods, four heavy-treading, unkempt figures crushed the high grass and cracked the branches, striding on cautiously to come together in the courtyard. Four lights broke out there, and moved away in different directions, and all was black again.

But, not for long. Presently, the chateau began to make itself strangely visible by some light of its own, as though it were growing luminous. Then, a flickering streak played behind the architecture of the front, picking out transparent places, and showing where balustrades, arches, and windows were. Then it soared higher, and grew broader and brighter. Soon, from a score of the great windows, flames burst forth, and the stone faces awakened, stared out of fire.

A faint murmur arose about the house from the few people who were left there, and there was a saddling of a horse and riding away. There was spurring and splashing through the darkness, and bridle was drawn in the space by the village fountain, and the horse in a foam stood at Monsieur Gabelle's door. “Help, Gabelle! Help, every one!” The tocsin rang impatiently, but other help (if that were any) there was none. The mender of roads, and two hundred and fifty particular friends, stood with folded arms at the fountain, looking at the pillar of fire in the sky. “It must be forty feet high,” said they, grimly; and never moved.

The rider from the chateau, and the horse in a foam, clattered away through the village, and galloped up the stony steep, to the prison on the crag. At the gate, a group of officers were looking at the fire; removed from them, a group of soldiers. “Help, gentlemen—officers! The chateau is on fire; valuable objects may be saved from the flames by timely aid! Help, help!” The officers looked towards the soldiers who looked at the fire; gave no orders; and answered, with shrugs and biting of lips, “It must burn.”

As the rider rattled down the hill again and through the street, the village was illuminating. The mender of roads, and the two hundred and fifty particular friends, inspired as one man and woman by the idea of lighting up, had darted into their houses, and were putting candles in every dull little pane of glass. The general scarcity of everything, occasioned candles to be borrowed in a rather peremptory manner of Monsieur Gabelle; and in a moment of reluctance and hesitation on that functionary's part, the mender of roads, once so submissive to authority, had remarked that carriages were good to make bonfires with, and that post-horses would roast.

The chateau was left to itself to flame and burn. In the roaring and raging of the conflagration, a red-hot wind, driving straight from the infernal regions, seemed to be blowing the edifice away. With the rising and falling of the blaze, the stone faces showed as if they were in torment. When great masses of stone and timber fell, the face with the two dints in the nose became obscured: anon struggled out of the smoke again, as if it were the face of the cruel Marquis, burning at the stake and contending with the fire.

The chateau burned; the nearest trees, laid hold of by the fire, scorched and shrivelled; trees at a distance, fired by the four fierce figures, begirt the blazing edifice with a new forest of smoke. Molten lead and iron boiled in the marble basin of the fountain; the water ran dry; the extinguisher tops of the towers vanished like ice before the heat, and trickled down into four rugged wells of flame. Great rents and splits branched out in the solid walls, like crystallisation; stupefied birds wheeled about and dropped into the furnace; four fierce figures trudged away, East, West, North, and South, along the night-enshrouded roads, guided by the beacon they had lighted, towards their next destination. The illuminated village had seized hold of the tocsin, and, abolishing the lawful ringer, rang for joy.

Not only that; but the village, light-headed with famine, fire, and bell-ringing, and bethinking itself that Monsieur Gabelle had to do with the collection of rent and taxes—though it was but a small instalment of taxes, and no rent at all, that Gabelle had got in those latter days—became impatient for an interview with him, and, surrounding his house, summoned him to come forth for personal conference. Whereupon, Monsieur Gabelle did heavily bar his door, and retire to hold counsel with himself. The result of that conference was, that Gabelle again withdrew himself to his housetop behind his stack of chimneys; this time resolved, if his door were broken in (he was a small Southern man of retaliative temperament), to pitch himself head foremost over the parapet, and crush a man or two below.

Probably, Monsieur Gabelle passed a long night up there, with the distant chateau for fire and candle, and the beating at his door, combined with the joy-ringing, for music; not to mention his having an ill-omened lamp slung across the road before his posting-house gate, which the village showed a lively inclination to displace in his favour. A trying suspense, to be passing a whole summer night on the brink of the black ocean, ready to take that plunge into it upon which Monsieur Gabelle had resolved! But, the friendly dawn appearing at last, and the rush-candles of the village guttering out, the people happily dispersed, and Monsieur Gabelle came down bringing his life with him for that while.

Within a hundred miles, and in the light of other fires, there were other functionaries less fortunate, that night and other nights, whom the rising sun found hanging across once-peaceful streets, where they had been born and bred; also, there were other villagers and townspeople less fortunate than the mender of roads and his fellows, upon whom the functionaries and soldiery turned with success, and whom they strung up in their turn. But, the fierce figures were steadily wending East, West, North, and South, be that as it would; and whosoever hung, fire burned. The altitude of the gallows that would turn to water and quench it, no functionary, by any stretch of mathematics, was able to calculate successfully.

Telegraphed

“The people immediately behind Madame Defarge, explaining the cause of her satisfaction to those behind them, and those again explaining to others, and those to others, the neighbouring streets resounded with the clapping of hands.”

XXII. The Sea Still Rises

Haggard Saint Antoine had had only one exultant week, in which to soften his modicum of hard and bitter bread to such extent as he could, with the relish of fraternal embraces and congratulations, when Madame Defarge sat at her counter, as usual, presiding over the customers. Madame Defarge wore no rose in her head, for the great brotherhood of Spies had become, even in one short week, extremely chary of trusting themselves to the saint's mercies. The lamps across his streets had a portentously elastic swing with them.

Madame Defarge, with her arms folded, sat in the morning light and heat, contemplating the wine-shop and the street. In both, there were several knots of loungers, squalid and miserable, but now with a manifest sense of power enthroned on their distress. The raggedest nightcap, awry on the wretchedest head, had this crooked significance in it: “I know how hard it has grown for me, the wearer of this, to support life in myself; but do you know how easy it has grown for me, the wearer of this, to destroy life in you?” Every lean bare arm, that had been without work before, had this work always ready for it now, that it could strike. The fingers of the knitting women were vicious, with the experience that they could tear. There was a change in the appearance of Saint Antoine; the image had been hammering into this for hundreds of years, and the last finishing blows had told mightily on the expression.

Madame Defarge sat observing it, with such suppressed approval as was to be desired in the leader of the Saint Antoine women. One of her sisterhood knitted beside her. The short, rather plump wife of a starved grocer, and the mother of two children withal, this lieutenant had already earned the complimentary name of The Vengeance.

“Hark!” said The Vengeance. “Listen, then! Who comes?”

As if a train of powder laid from the outermost bound of Saint Antoine Quarter to the wine-shop door, had been suddenly fired, a fast-spreading murmur came rushing along.

“It is Defarge,” said madame. “Silence, patriots!”

Defarge came in breathless, pulled off a red cap he wore, and looked around him! “Listen, everywhere!” said madame again. “Listen to him!” Defarge stood, panting, against a background of eager eyes and open mouths, formed outside the door; all those within the wine-shop had sprung to their feet.

“Say then, my husband. What is it?”

“News from the other world!”

“How, then?” cried madame, contemptuously. “The other world?”

“Does everybody here recall old Foulon, who told the famished people that they might eat grass, and who died, and went to Hell?”

“Everybody!” from all throats.

“The news is of him. He is among us!”

“Among us!” from the universal throat again. “And dead?”

“Not dead! He feared us so much—and with reason—that he caused himself to be represented as dead, and had a grand mock-funeral. But they have found him alive, hiding in the country, and have brought him in. I have seen him but now, on his way to the Hotel de Ville, a prisoner. I have said that he had reason to fear us. Say all! Had he reason?”

Wretched old sinner of more than threescore years and ten, if he had never known it yet, he would have known it in his heart of hearts if he could have heard the answering cry.

A moment of profound silence followed. Defarge and his wife looked steadfastly at one another. The Vengeance stooped, and the jar of a drum was heard as she moved it at her feet behind the counter.

“Patriots!” said Defarge, in a determined voice, “are we ready?”

Instantly Madame Defarge's knife was in her girdle; the drum was beating in the streets, as if it and a drummer had flown together by magic; and The Vengeance, uttering terrific shrieks, and flinging her arms about her head like all the forty Furies at once, was tearing from house to house, rousing the women.

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Original

The men were terrible, in the bloody-minded anger with which they looked from windows, caught up what arms they had, and came pouring down into the streets; but, the women were a sight to chill the boldest. From such household occupations as their bare poverty yielded, from their children, from their aged and their sick crouching on the bare ground famished and naked, they ran out with streaming hair, urging one another, and themselves, to madness with the wildest cries and actions. Villain Foulon taken, my sister! Old Foulon taken, my mother! Miscreant Foulon taken, my daughter! Then, a score of others ran into the midst of these, beating their breasts, tearing their hair, and screaming, Foulon alive! Foulon who told the starving people they might eat grass! Foulon who told my old father that he might eat grass, when I had no bread to give him! Foulon who told my baby it might suck grass, when these breasts were dry with want! O mother of God, this Foulon! O Heaven our suffering! Hear me, my dead baby and my withered father: I swear on my knees, on these stones, to avenge you on Foulon! Husbands, and brothers, and young men, Give us the blood of Foulon, Give us the head of Foulon, Give us the heart of Foulon, Give us the body and soul of Foulon, Rend Foulon to pieces, and dig him into the ground, that grass may grow from him! With these cries, numbers of the women, lashed into blind frenzy, whirled about, striking and tearing at their own friends until they dropped into a passionate swoon, and were only saved by the men belonging to them from being trampled under foot.

Nevertheless, not a moment was lost; not a moment! This Foulon was at the Hotel de Ville, and might be loosed. Never, if Saint Antoine knew his own sufferings, insults, and wrongs! Armed men and women flocked out of the Quarter so fast, and drew even these last dregs after them with such a force of suction, that within a quarter of an hour there was not a human creature in Saint Antoine's bosom but a few old crones and the wailing children.

No. They were all by that time choking the Hall of Examination where this old man, ugly and wicked, was, and overflowing into the adjacent open space and streets. The Defarges, husband and wife, The Vengeance, and Jacques Three, were in the first press, and at no great distance from him in the Hall.

“See!” cried madame, pointing with her knife. “See the old villain bound with ropes. That was well done to tie a bunch of grass upon his back. Ha, ha! That was well done. Let him eat it now!” Madame put her knife under her arm, and clapped her hands as at a play.

The people immediately behind Madame Defarge, explaining the cause of her satisfaction to those behind them, and those again explaining to others, and those to others, the neighbouring streets resounded with the clapping of hands. Similarly, during two or three hours of drawl, and the winnowing of many bushels of words, Madame Defarge's frequent expressions of impatience were taken up, with marvellous quickness, at a distance: the more readily, because certain men who had by some wonderful exercise of agility climbed up the external architecture to look in from the windows, knew Madame Defarge well, and acted as a telegraph between her and the crowd outside the building.

At length the sun rose so high that it struck a kindly ray as of hope or protection, directly down upon the old prisoner's head. The favour was too much to bear; in an instant the barrier of dust and chaff that had stood surprisingly long, went to the winds, and Saint Antoine had got him!

It was known directly, to the furthest confines of the crowd. Defarge had but sprung over a railing and a table, and folded the miserable wretch in a deadly embrace—Madame Defarge had but followed and turned her hand in one of the ropes with which he was tied—The Vengeance and Jacques Three were not yet up with them, and the men at the windows had not yet swooped into the Hall, like birds of prey from their high perches—when the cry seemed to go up, all over the city, “Bring him out! Bring him to the lamp!”

Down, and up, and head foremost on the steps of the building; now, on his knees; now, on his feet; now, on his back; dragged, and struck at, and stifled by the bunches of grass and straw that were thrust into his face by hundreds of hands; torn, bruised, panting, bleeding, yet always entreating and beseeching for mercy; now full of vehement agony of action, with a small clear space about him as the people drew one another back that they might see; now, a log of dead wood drawn through a forest of legs; he was hauled to the nearest street corner where one of the fatal lamps swung, and there Madame Defarge let him go—as a cat might have done to a mouse—and silently and composedly looked at him while they made ready, and while he besought her: the women passionately screeching at him all the time, and the men sternly calling out to have him killed with grass in his mouth. Once, he went aloft, and the rope broke, and they caught him shrieking; twice, he went aloft, and the rope broke, and they caught him shrieking; then, the rope was merciful, and held him, and his head was soon upon a pike, with grass enough in the mouth for all Saint Antoine to dance at the sight of.

Nor was this the end of the day's bad work, for Saint Antoine so shouted and danced his angry blood up, that it boiled again, on hearing when the day closed in that the son-in-law of the despatched, another of the people's enemies and insulters, was coming into Paris under a guard five hundred strong, in cavalry alone. Saint Antoine wrote his crimes on flaring sheets of paper, seized him—would have torn him out of the breast of an army to bear Foulon company—set his head and heart on pikes, and carried the three spoils of the day, in Wolf-procession through the streets.

Not before dark night did the men and women come back to the children, wailing and breadless. Then, the miserable bakers' shops were beset by long files of them, patiently waiting to buy bad bread; and while they waited with stomachs faint and empty, they beguiled the time by embracing one another on the triumphs of the day, and achieving them again in gossip. Gradually, these strings of ragged people shortened and frayed away; and then poor lights began to shine in high windows, and slender fires were made in the streets, at which neighbours cooked in common, afterwards supping at their doors.

Scanty and insufficient suppers those, and innocent of meat, as of most other sauce to wretched bread. Yet, human fellowship infused some nourishment into the flinty viands, and struck some sparks of cheerfulness out of them. Fathers and mothers who had had their full share in the worst of the day, played gently with their meagre children; and lovers, with such a world around them and before them, loved and hoped.

It was almost morning, when Defarge's wine-shop parted with its last knot of customers, and Monsieur Defarge said to madame his wife, in husky tones, while fastening the door:

“At last it is come, my dear!”

“Eh well!” returned madame. “Almost.”

Saint Antoine slept, the Defarges slept: even The Vengeance slept with her starved grocer, and the drum was at rest. The drum's was the only voice in Saint Antoine that blood and hurry had not changed. The Vengeance, as custodian of the drum, could have wakened him up and had the same speech out of him as before the Bastille fell, or old Foulon was seized; not so with the hoarse tones of the men and women in Saint Antoine's bosom.

The Prisoners

In the howling universe of passion and contention that seemed to encompass this grim old officer conspicuous in his grey coat and red decoration, there was but one quite steady figure, and that was a woman's. 

“See, there is my husband!” she cried, pointing him out. “See Defarge!” 

She stood immovable close to the grim old officer, and remained immovable close to him; remained immovable close to him through the streets, as Defarge and the rest bore him along; remained immovable close to him when he was got near his destination, and began to be struck at from behind; remained immovable close to him when the long-gathering rain of stabs and blows fell heavy; was so close to him when he dropped dead under it, that, suddenly animated, she put her foot upon his neck, and with her cruel knife—long ready—hewed off his head.

A wonderful corner for echoes, it has been remarked, that corner where the Doctor lived. Ever busily winding the golden thread which bound her husband, and her father, and herself, and her old directress and companion, in a life of quiet bliss, Lucie sat in the still house in the tranquilly resounding corner, listening to the echoing footsteps of years.

At first, there were times, though she was a perfectly happy young wife, when her work would slowly fall from her hands, and her eyes would be dimmed. For, there was something coming in the echoes, something light, afar off, and scarcely audible yet, that stirred her heart too much. Fluttering hopes and doubts—hopes, of a love as yet unknown to her: doubts, of her remaining upon earth, to enjoy that new delight—divided her breast. Among the echoes then, there would arise the sound of footsteps at her own early grave; and thoughts of the husband who would be left so desolate, and who would mourn for her so much, swelled to her eyes, and broke like waves.

That time passed, and her little Lucie lay on her bosom. Then, among the advancing echoes, there was the tread of her tiny feet and the sound of her prattling words. Let greater echoes resound as they would, the young mother at the cradle side could always hear those coming. They came, and the shady house was sunny with a child's laugh, and the Divine friend of children, to whom in her trouble she had confided hers, seemed to take her child in his arms, as He took the child of old, and made it a sacred joy to her.

Ever busily winding the golden thread that bound them all together, weaving the service of her happy influence through the tissue of all their lives, and making it predominate nowhere, Lucie heard in the echoes of years none but friendly and soothing sounds. Her husband's step was strong and prosperous among them; her father's firm and equal. Lo, Miss Pross, in harness of string, awakening the echoes, as an unruly charger, whip-corrected, snorting and pawing the earth under the plane-tree in the garden!

Even when there were sounds of sorrow among the rest, they were not harsh nor cruel. Even when golden hair, like her own, lay in a halo on a pillow round the worn face of a little boy, and he said, with a radiant smile, “Dear papa and mamma, I am very sorry to leave you both, and to leave my pretty sister; but I am called, and I must go!” those were not tears all of agony that wetted his young mother's cheek, as the spirit departed from her embrace that had been entrusted to it. Suffer them and forbid them not. They see my Father's face. O Father, blessed words!

Thus, the rustling of an Angel's wings got blended with the other echoes, and they were not wholly of earth, but had in them that breath of Heaven. Sighs of the winds that blew over a little garden-tomb were mingled with them also, and both were audible to Lucie, in a hushed murmur—like the breathing of a summer sea asleep upon a sandy shore—as the little Lucie, comically studious at the task of the morning, or dressing a doll at her mother's footstool, chattered in the tongues of the Two Cities that were blended in her life.

The Echoes rarely answered to the actual tread of Sydney Carton. Some half-dozen times a year, at most, he claimed his privilege of coming in uninvited, and would sit among them through the evening, as he had once done often. He never came there heated with wine. And one other thing regarding him was whispered in the echoes, which has been whispered by all true echoes for ages and ages.

No man ever really loved a woman, lost her, and knew her with a blameless though an unchanged mind, when she was a wife and a mother, but her children had a strange sympathy with him—an instinctive delicacy of pity for him. What fine hidden sensibilities are touched in such a case, no echoes tell; but it is so, and it was so here. Carton was the first stranger to whom little Lucie held out her chubby arms, and he kept his place with her as she grew. The little boy had spoken of him, almost at the last. “Poor Carton! Kiss him for me!”

Mr. Stryver shouldered his way through the law, like some great engine forcing itself through turbid water, and dragged his useful friend in his wake, like a boat towed astern. As the boat so favoured is usually in a rough plight, and mostly under water, so, Sydney had a swamped life of it. But, easy and strong custom, unhappily so much easier and stronger in him than any stimulating sense of desert or disgrace, made it the life he was to lead; and he no more thought of emerging from his state of lion's jackal, than any real jackal may be supposed to think of rising to be a lion. Stryver was rich; had married a florid widow with property and three boys, who had nothing particularly shining about them but the straight hair of their dumpling heads.

These three young gentlemen, Mr. Stryver, exuding patronage of the most offensive quality from every pore, had walked before him like three sheep to the quiet corner in Soho, and had offered as pupils to Lucie's husband: delicately saying “Halloa! here are three lumps of bread-and-cheese towards your matrimonial picnic, Darnay!” The polite rejection of the three lumps of bread-and-cheese had quite bloated Mr. Stryver with indignation, which he afterwards turned to account in the training of the young gentlemen, by directing them to beware of the pride of Beggars, like that tutor-fellow. He was also in the habit of declaiming to Mrs. Stryver, over his full-bodied wine, on the arts Mrs. Darnay had once put in practice to “catch” him, and on the diamond-cut-diamond arts in himself, madam, which had rendered him “not to be caught.” Some of his King's Bench familiars, who were occasionally parties to the full-bodied wine and the lie, excused him for the latter by saying that he had told it so often, that he believed it himself—which is surely such an incorrigible aggravation of an originally bad offence, as to justify any such offender's being carried off to some suitably retired spot, and there hanged out of the way.

These were among the echoes to which Lucie, sometimes pensive, sometimes amused and laughing, listened in the echoing corner, until her little daughter was six years old. How near to her heart the echoes of her child's tread came, and those of her own dear father's, always active and self-possessed, and those of her dear husband's, need not be told. Nor, how the lightest echo of their united home, directed by herself with such a wise and elegant thrift that it was more abundant than any waste, was music to her. Nor, how there were echoes all about her, sweet in her ears, of the many times her father had told her that he found her more devoted to him married (if that could be) than single, and of the many times her husband had said to her that no cares and duties seemed to divide her love for him or her help to him, and asked her “What is the magic secret, my darling, of your being everything to all of us, as if there were only one of us, yet never seeming to be hurried, or to have too much to do?”

But, there were other echoes, from a distance, that rumbled menacingly in the corner all through this space of time. And it was now, about little Lucie's sixth birthday, that they began to have an awful sound, as of a great storm in France with a dreadful sea rising.

On a night in mid-July, one thousand seven hundred and eighty-nine, Mr. Lorry came in late, from Tellson's, and sat himself down by Lucie and her husband in the dark window. It was a hot, wild night, and they were all three reminded of the old Sunday night when they had looked at the lightning from the same place.

“I began to think,” said Mr. Lorry, pushing his brown wig back, “that I should have to pass the night at Tellson's. We have been so full of business all day, that we have not known what to do first, or which way to turn. There is such an uneasiness in Paris, that we have actually a run of confidence upon us! Our customers over there, seem not to be able to confide their property to us fast enough. There is positively a mania among some of them for sending it to England.”

“That has a bad look,” said Darnay—

“A bad look, you say, my dear Darnay? Yes, but we don't know what reason there is in it. People are so unreasonable! Some of us at Tellson's are getting old, and we really can't be troubled out of the ordinary course without due occasion.”

“Still,” said Darnay, “you know how gloomy and threatening the sky is.”

“I know that, to be sure,” assented Mr. Lorry, trying to persuade himself that his sweet temper was soured, and that he grumbled, “but I am determined to be peevish after my long day's botheration. Where is Manette?”

“Here he is,” said the Doctor, entering the dark room at the moment.

“I am quite glad you are at home; for these hurries and forebodings by which I have been surrounded all day long, have made me nervous without reason. You are not going out, I hope?”

“No; I am going to play backgammon with you, if you like,” said the Doctor.

“I don't think I do like, if I may speak my mind. I am not fit to be pitted against you to-night. Is the teaboard still there, Lucie? I can't see.”

“Of course, it has been kept for you.”

“Thank ye, my dear. The precious child is safe in bed?”

“And sleeping soundly.”

“That's right; all safe and well! I don't know why anything should be otherwise than safe and well here, thank God; but I have been so put out all day, and I am not as young as I was! My tea, my dear! Thank ye. Now, come and take your place in the circle, and let us sit quiet, and hear the echoes about which you have your theory.”

“Not a theory; it was a fancy.”

“A fancy, then, my wise pet,” said Mr. Lorry, patting her hand. “They are very numerous and very loud, though, are they not? Only hear them!”

Headlong, mad, and dangerous footsteps to force their way into anybody's life, footsteps not easily made clean again if once stained red, the footsteps raging in Saint Antoine afar off, as the little circle sat in the dark London window.

Saint Antoine had been, that morning, a vast dusky mass of scarecrows heaving to and fro, with frequent gleams of light above the billowy heads, where steel blades and bayonets shone in the sun. A tremendous roar arose from the throat of Saint Antoine, and a forest of naked arms struggled in the air like shrivelled branches of trees in a winter wind: all the fingers convulsively clutching at every weapon or semblance of a weapon that was thrown up from the depths below, no matter how far off.

Who gave them out, whence they last came, where they began, through what agency they crookedly quivered and jerked, scores at a time, over the heads of the crowd, like a kind of lightning, no eye in the throng could have told; but, muskets were being distributed—so were cartridges, powder, and ball, bars of iron and wood, knives, axes, pikes, every weapon that distracted ingenuity could discover or devise. People who could lay hold of nothing else, set themselves with bleeding hands to force stones and bricks out of their places in walls. Every pulse and heart in Saint Antoine was on high-fever strain and at high-fever heat. Every living creature there held life as of no account, and was demented with a passionate readiness to sacrifice it.

As a whirlpool of boiling waters has a centre point, so, all this raging circled round Defarge's wine-shop, and every human drop in the caldron had a tendency to be sucked towards the vortex where Defarge himself, already begrimed with gunpowder and sweat, issued orders, issued arms, thrust this man back, dragged this man forward, disarmed one to arm another, laboured and strove in the thickest of the uproar.

“Keep near to me, Jacques Three,” cried Defarge; “and do you, Jacques One and Two, separate and put yourselves at the head of as many of these patriots as you can. Where is my wife?”

“Eh, well! Here you see me!” said madame, composed as ever, but not knitting to-day. Madame's resolute right hand was occupied with an axe, in place of the usual softer implements, and in her girdle were a pistol and a cruel knife.

“Where do you go, my wife?”

“I go,” said madame, “with you at present. You shall see me at the head of women, by-and-bye.”

“Come, then!” cried Defarge, in a resounding voice. “Patriots and friends, we are ready! The Bastille!”

With a roar that sounded as if all the breath in France had been shaped into the detested word, the living sea rose, wave on wave, depth on depth, and overflowed the city to that point. Alarm-bells ringing, drums beating, the sea raging and thundering on its new beach, the attack began.

Deep ditches, double drawbridge, massive stone walls, eight great towers, cannon, muskets, fire and smoke. Through the fire and through the smoke—in the fire and in the smoke, for the sea cast him up against a cannon, and on the instant he became a cannonier—Defarge of the wine-shop worked like a manful soldier, Two fierce hours.

Deep ditch, single drawbridge, massive stone walls, eight great towers, cannon, muskets, fire and smoke. One drawbridge down! “Work, comrades all, work! Work, Jacques One, Jacques Two, Jacques One Thousand, Jacques Two Thousand, Jacques Five-and-Twenty Thousand; in the name of all the Angels or the Devils—which you prefer—work!” Thus Defarge of the wine-shop, still at his gun, which had long grown hot.

“To me, women!” cried madame his wife. “What! We can kill as well as the men when the place is taken!” And to her, with a shrill thirsty cry, trooping women variously armed, but all armed alike in hunger and revenge.

Cannon, muskets, fire and smoke; but, still the deep ditch, the single drawbridge, the massive stone walls, and the eight great towers. Slight displacements of the raging sea, made by the falling wounded. Flashing weapons, blazing torches, smoking waggonloads of wet straw, hard work at neighbouring barricades in all directions, shrieks, volleys, execrations, bravery without stint, boom smash and rattle, and the furious sounding of the living sea; but, still the deep ditch, and the single drawbridge, and the massive stone walls, and the eight great towers, and still Defarge of the wine-shop at his gun, grown doubly hot by the service of Four fierce hours.

A white flag from within the fortress, and a parley—this dimly perceptible through the raging storm, nothing audible in it—suddenly the sea rose immeasurably wider and higher, and swept Defarge of the wine-shop over the lowered drawbridge, past the massive stone outer walls, in among the eight great towers surrendered!

So resistless was the force of the ocean bearing him on, that even to draw his breath or turn his head was as impracticable as if he had been struggling in the surf at the South Sea, until he was landed in the outer courtyard of the Bastille. There, against an angle of a wall, he made a struggle to look about him. Jacques Three was nearly at his side; Madame Defarge, still heading some of her women, was visible in the inner distance, and her knife was in her hand. Everywhere was tumult, exultation, deafening and maniacal bewilderment, astounding noise, yet furious dumb-show.

“The Prisoners!”

“The Records!”

“The secret cells!”

“The instruments of torture!”

“The Prisoners!”

Of all these cries, and ten thousand incoherences, “The Prisoners!” was the cry most taken up by the sea that rushed in, as if there were an eternity of people, as well as of time and space. When the foremost billows rolled past, bearing the prison officers with them, and threatening them all with instant death if any secret nook remained undisclosed, Defarge laid his strong hand on the breast of one of these men—a man with a grey head, who had a lighted torch in his hand—separated him from the rest, and got him between himself and the wall.

“Show me the North Tower!” said Defarge. “Quick!”

“I will faithfully,” replied the man, “if you will come with me. But there is no one there.”

“What is the meaning of One Hundred and Five, North Tower?” asked Defarge. “Quick!”

“The meaning, monsieur?”

“Does it mean a captive, or a place of captivity? Or do you mean that I shall strike you dead?”

“Kill him!” croaked Jacques Three, who had come close up.

“Monsieur, it is a cell.”

“Show it me!”

“Pass this way, then.”

Jacques Three, with his usual craving on him, and evidently disappointed by the dialogue taking a turn that did not seem to promise bloodshed, held by Defarge's arm as he held by the turnkey's. Their three heads had been close together during this brief discourse, and it had been as much as they could do to hear one another, even then: so tremendous was the noise of the living ocean, in its irruption into the Fortress, and its inundation of the courts and passages and staircases. All around outside, too, it beat the walls with a deep, hoarse roar, from which, occasionally, some partial shouts of tumult broke and leaped into the air like spray.

Through gloomy vaults where the light of day had never shone, past hideous doors of dark dens and cages, down cavernous flights of steps, and again up steep rugged ascents of stone and brick, more like dry waterfalls than staircases, Defarge, the turnkey, and Jacques Three, linked hand and arm, went with all the speed they could make. Here and there, especially at first, the inundation started on them and swept by; but when they had done descending, and were winding and climbing up a tower, they were alone. Hemmed in here by the massive thickness of walls and arches, the storm within the fortress and without was only audible to them in a dull, subdued way, as if the noise out of which they had come had almost destroyed their sense of hearing.

The turnkey stopped at a low door, put a key in a clashing lock, swung the door slowly open, and said, as they all bent their heads and passed in:

“One hundred and five, North Tower!”

There was a small, heavily-grated, unglazed window high in the wall, with a stone screen before it, so that the sky could be only seen by stooping low and looking up. There was a small chimney, heavily barred across, a few feet within. There was a heap of old feathery wood-ashes on the hearth. There was a stool, and table, and a straw bed. There were the four blackened walls, and a rusted iron ring in one of them.

“Pass that torch slowly along these walls, that I may see them,” said Defarge to the turnkey.

The man obeyed, and Defarge followed the light closely with his eyes.

“Stop!—Look here, Jacques!”

“A. M.!” croaked Jacques Three, as he read greedily.

“Alexandre Manette,” said Defarge in his ear, following the letters with his swart forefinger, deeply engrained with gunpowder. “And here he wrote 'a poor physician.' And it was he, without doubt, who scratched a calendar on this stone. What is that in your hand? A crowbar? Give it me!”

He had still the linstock of his gun in his own hand. He made a sudden exchange of the two instruments, and turning on the worm-eaten stool and table, beat them to pieces in a few blows.

“Hold the light higher!” he said, wrathfully, to the turnkey. “Look among those fragments with care, Jacques. And see! Here is my knife,” throwing it to him; “rip open that bed, and search the straw. Hold the light higher, you!”

With a menacing look at the turnkey he crawled upon the hearth, and, peering up the chimney, struck and prised at its sides with the crowbar, and worked at the iron grating across it. In a few minutes, some mortar and dust came dropping down, which he averted his face to avoid; and in it, and in the old wood-ashes, and in a crevice in the chimney into which his weapon had slipped or wrought itself, he groped with a cautious touch.

“Nothing in the wood, and nothing in the straw, Jacques?”

“Nothing.”

“Let us collect them together, in the middle of the cell. So! Light them, you!”

The turnkey fired the little pile, which blazed high and hot. Stooping again to come out at the low-arched door, they left it burning, and retraced their way to the courtyard; seeming to recover their sense of hearing as they came down, until they were in the raging flood once more.

They found it surging and tossing, in quest of Defarge himself. Saint Antoine was clamorous to have its wine-shop keeper foremost in the guard upon the governor who had defended the Bastille and shot the people. Otherwise, the governor would not be marched to the Hotel de Ville for judgment. Otherwise, the governor would escape, and the people's blood (suddenly of some value, after many years of worthlessness) be unavenged.

In the howling universe of passion and contention that seemed to encompass this grim old officer conspicuous in his grey coat and red decoration, there was but one quite steady figure, and that was a woman's. “See, there is my husband!” she cried, pointing him out. “See Defarge!” She stood immovable close to the grim old officer, and remained immovable close to him; remained immovable close to him through the streets, as Defarge and the rest bore him along; remained immovable close to him when he was got near his destination, and began to be struck at from behind; remained immovable close to him when the long-gathering rain of stabs and blows fell heavy; was so close to him when he dropped dead under it, that, suddenly animated, she put her foot upon his neck, and with her cruel knife—long ready—hewed off his head.

The hour was come, when Saint Antoine was to execute his horrible idea of hoisting up men for lamps to show what he could be and do. Saint Antoine's blood was up, and the blood of tyranny and domination by the iron hand was down—down on the steps of the Hotel de Ville where the governor's body lay—down on the sole of the shoe of Madame Defarge where she had trodden on the body to steady it for mutilation. “Lower the lamp yonder!” cried Saint Antoine, after glaring round for a new means of death; “here is one of his soldiers to be left on guard!” The swinging sentinel was posted, and the sea rushed on.

The sea of black and threatening waters, and of destructive upheaving of wave against wave, whose depths were yet unfathomed and whose forces were yet unknown. The remorseless sea of turbulently swaying shapes, voices of vengeance, and faces hardened in the furnaces of suffering until the touch of pity could make no mark on them.

But, in the ocean of faces where every fierce and furious expression was in vivid life, there were two groups of faces—each seven in number—so fixedly contrasting with the rest, that never did sea roll which bore more memorable wrecks with it. Seven faces of prisoners, suddenly released by the storm that had burst their tomb, were carried high overhead: all scared, all lost, all wondering and amazed, as if the Last Day were come, and those who rejoiced around them were lost spirits. Other seven faces there were, carried higher, seven dead faces, whose drooping eyelids and half-seen eyes awaited the Last Day. Impassive faces, yet with a suspended—not an abolished—expression on them; faces, rather, in a fearful pause, as having yet to raise the dropped lids of the eyes, and bear witness with the bloodless lips, “Thou Didst It!”

Seven prisoners released, seven gory heads on pikes, the keys of the accursed fortress of the eight strong towers, some discovered letters and other memorials of prisoners of old time, long dead of broken hearts,—such, and such—like, the loudly echoing footsteps of Saint Antoine escort through the Paris streets in mid-July, one thousand seven hundred and eighty-nine. Now, Heaven defeat the fancy of Lucie Darnay, and keep these feet far out of her life! For, they are headlong, mad, and dangerous; and in the years so long after the breaking of the cask at Defarge's wine-shop door, they are not easily purified when once stained red.

Stoic Mannerisms

KIRK: 

If my ancestors were forced out of The Cities into 

The Deserts, The Hills....

SPOCK: 

Yes. I see, Captain. 

They would've learned to wear skins, adopted Stoic Mannerisms, learned The Bow and The Lance. 

KIRK: 

Living like the Indians, and finally even looking like the American Indian. American. 

Yangs? Yanks? 

Spock, Yankees! 

SPOCK:

 Kohms? Communists? 

The parallel is almost too close, Captain. 

It would mean they fought the war your Earth avoided, and in this case, The Asiatics won and took over this planet. 

KIRK: 

But if it were True, all these generations of Yanks fighting to regain their land. 

MCCOY: 

You're a romantic, Jim.

Niobe is a Gnower

Transcript from "Enter The Matrix" video game, Niobe and the Oracle conversation:

ORACLE: 
Niobe..... 

NIOBE: 
Do I know you? 

ORACLE: 
You know me, though you just may not recognize me. 

NIOBE: 
Are you telling me that you are the Oracle? 

ORACLE: 
I know this may not be easy for any of you, change never is. 
I wish the face you remember was the face I was still wearing, but that face is gone. 

NIOBE: 
If you are the Oracle, tell me if I believe you are. 

ORACLE: 
You don't right now, but you will. 

NIOBE: 
Are you going to tell me something to make me believe you? 

ORACLE: 
Come on Niobe, you know I can't do that. 

N: 
Why not? 

O: 
Because I cannot make you do anything. 

N: 
At least you sound the same. 

O: 
As I said, you may not recognize the face, but who and what I am underneath remains the same. 

N: 
Can I ask what happened? 

O: 
The Merovingian warned me, that If I made a certain choice it would cost me. 
He is, among other things, A Man of His Word. 

N: 
What was The Choice? 

O: 
The same one you yourself will have to make: 
The Choice to Help Neo or Not. 

N: 
Then Neo is still alive? 

O: 
Yes, he touched the source and seperated his mind from his body. 
Now he lies trapped in a place between Your World and Ours. 

N: 
Can we free him? 

O: 
Trinity can, but she will have to fight her way through Hell to do it. 

N: 
Can I Help? 

O: 
That's why I called you. 
I cannot tell you what is going to happen. 
All I can do is hope that if given the chance, you will find 
The Courage to Do What You Can. 

N: 
You once told me you knew everything you needed to. 

O: 
I do. I knew everything from 
The Beginning of This Path to The End. 

N: 
I don't understand. 

O: 
Even I can't see beyond The End. 

N: 
The End? 
Are you trying to tell me The World is going to end? 

O: 
Yes. If we cannot save it, it will end. 

N: 
You mean Neo. 

O: 

I mean “We”. 

The path of The One is made by The Many. 

I have a role to play just as you have yours.

"What scholars will call basic Gnosticism includes some basic themes that they hold in common.

First, The World itself which is material is Evil. Salvation, therefore, from The World, must be escaped from this physical world into something else. Gross materiality is not only temporary in some texts but even bad, it's evil. Salvation, therefore, must be the knowledge of how you, that is the real you, your brain--not your brain, your mind or your soul, or your spirit, not your body, that real you is this thing in this material body but salvation will be if it can learn how to escape the body and escape materiality. 

Salvation will come by knowledge and that knowledge is a secret, not everybody knows it, so only a few people know it. 

The content of this knowledge is related to human origins and destination. 

So sometimes you get these elaborate myths developed in some of these texts. Let's say that the supreme, supreme, supreme, Supreme God is in fact has no name, is not a particular thing, it's this thought, it's just thinking, it's just abstract thinking. 

That thinking thinks, "Well what does a thinking thing think?" 

The thinking thinks thoughts. Those thoughts start becoming emanations out of the thinking, and then those emanations think and emanate, and those become Lesser Beings still. 

The different divine beings, there are lots of divine beings in the existing universe, and by thinking and being they emanate inferior forms of being after themselves. Eventually what happened is those inferior forms of being get less good and less like the most ultimate being.

One of them, according to one myth, Sophia which means Wisdom, it's a female name but it also means "wisdom." Sophia decides she wants to emanate, and she supposed to do that with a male consort because by this these beings have male and female versions of themselves, she's supposed to only emanate or procreate by doing so with her male consort. 

She decides she wants to be like the supreme god and be able to emanate on her own, so she puts out a being on her own. In other words, she sort of gives birth without needing a man, just to be on principle. Well, of course when you do that you end up with a monster. 

The being that came out of Sophia ended up being a clumsy, maybe evil god, all of these are divine beings, that god decided at some point he wanted to create things and so he didn't really do it very well, so he made our earth, he made the world as we know it.

He made little human beings like you just out of dirt and clay, and that's why -- we were all creation, not of the supreme God who would do nothing imperfect, but of some stumbling or evil, at least clumsy god, who made us. 

That explains why things go wrong. 

Why is it that my arthritis acts up all the time? 

Couldn't God have made a human body that didn't have arthritis? 

Well, that's because the supreme God didn't make this body, the evil clumsy god made the body. 

This happened -- and so The World that we created, when you read in Genesis, it says God created the world, that's not the highest God, that's some clumsy god down further on the hierarchy of divine beings in the universe. 

That god created what we are. 

Now what happened was at some point, either Sophia or some other beings, they got sorry for all us claylike mud people and somehow a little spark of the divine itself either fell down, or got cut up or put in our bodies, or God placed in our bodies, or blew it into our bodies, but at least some human beings, not all human beings, in fact human beings are in different categories. 

There's the really low human beings like undergraduates, then there are beings who are a little bit higher like graduate students, and then you have the supreme beings, Gnostics, like professors.

The True Gnostics, it's not really like undergraduates and graduates, because some of you could be Gnostics. 

You would be the ones who really have a real spark in you, a spark of the divine. 

That spark of the divine wants to escape the mud body that it's trapped in, but you probably don't even know that you're really a spark trapped in a mud body until somebody comes along and tells you, and that's the job of the redeemer. 

That's what Jesus did: Jesus was a redeemer from the supreme God who comes in to find those people who have a spark of the divine in them, to blow on that spark, to get it going, and to get you to remember where you came from. 

You're not a mud body after all. The Real You came from Godself, God's very self, the Supreme God. 

The True Message of Christianity, according to these guys, is to learn who you are, where you came from, to see if you're going to escape the body and get back to your true origin, that is, you will become one with God again. 

This was expressed in a poem by Theodotus, it went like this:

Who we were, 

What we have become, 

Where we were, 

Whither we were thrown, 

Whither we are hastening, 

From What we are redeemed, 

What birth is, 

What rebirth is.

You answer the riddle, the poem riddle. "Who we were?" If you're a Gnostic who were you? Answer?

Student: Divine being.

Professor Dale Martin: Divine being, thank you. See, it's not hard. I'm not asking questions--I'm just trying--you will remember this better if you answer. What have you become? Mud, entrapped in a dead body, trapped in materiality. Where were you? Heaven, with the divine Father, with God?

Professor Dale Martin: "Whither we were thrown," where have you been thrown?

Student: Into The Earth.

Professor Dale Martin: Into the earth, into the world, into materiality. Where are you hastening, where are you going in a hurry--in such a hurry?

Student: Back to The Divine.

Professor Dale Martin: Back to The Divine God. 

What are you redeemed from?

Student: [Inaudible]

Professor Dale Martin: You're redeemed from Jesus?

Student: [Inaudible]

Professor Dale Martin: The material world. 

You're redeemed from being embodied. 

"What is birth?" 

In this system what is birth?

Student: [Inaudible]

Professor Dale Martin: Damnation, death. 

When you're born, your spark is entrapped in your body, that's not a good thing. 

You shouldn't be celebrating your birthday for crying out loud, that's like celebrating when you were thrown in prison. 

"What is rebirth?"

Student: [Inaudible]

Professor Dale Martin: Death or learning your true self, learning that the true self won't die at all, so this learning is your rebirth. So the little poem is a riddle that contains these doctrines within itself. Here's a true self, the spark of life is trapped in an alien body with all its sensual passions. 

Sex, therefore, sensual desire, erotic desire is a bad thing; it's an evil thing because that--you're just trying to trap more sparks into more mud bodies. 

You're just creating more sparks trapped in mud bodies when you have sex. 

Evil powers exist--all the different gods that were emanated, a bunch of those are evil, and they fly around the sky in the heavens and they try to keep the true self asleep or drunk in order to keep the evil world together. 

In other words, they don't want you to learn and they don't want your spark to be able to fly through. 

But really wise guys like me, we have the secrets and I can give you words, clues, secrets that if you know those things you can use these secrets to unlock the gates that lead back to God.

This is kind of a common storyline or myth, there's the Hymn of the Pearl, that I mentioned before, which basically tells this--that 

A King of The East sends a royal prince, by way of the region of Mycenae, to Egypt in order to get a precious pearl, which is being guarded by a fierce dragon, it's like a videogame. 

The Prince is poisoned, or actually drugged would be a better accurate translation, and made intoxicated by the Egyptians. 

But he, The Prince, is awakened by a message from The King. 

He, the prince, takes the pearl by defeating the dragon with the name of his father and returns to the east where he puts on a robe of knowledge, gnosis, and ascends to the king's palace, entering the realm of peace and living happily forever after. 

It's a nice little fable about a Prince who goes to a foreign land, finds the thing of value, defeats the evil purposes and goes back. 

So some people, therefore, have read the Gospel of Thomas as being precisely this kind of--that some of the sayings of the Gospel of Thomas makes sense if you presuppose these mythological structures and ideas.

Again, some scholars would say, “Well you're just putting together as a modern scholar a bunch of disparate kind of text and ideas, and putting them in a system.”

Well, yes, that's where I disagree with some people because I want to say I believe that there's enough commonalities between enough documents that we can say that there were people who had these kinds of common ideas, and this basic structure that I've called the Gnostic structure, the Gnostic myth, certainly influenced ancient writings of some sort and there was some kinds of Christianity that were heavily influenced by this.

For example, look at--back to Thomas for our last closing minutes and let's read some of these sayings that sound puzzling to us, and if we assume this myth maybe we'll read them differently. 

Look at 21:

Mary said to Jesus, "What do your disciples resemble? 

He said, "What they resemble is children living in a plot of land that is not theirs. 

When the owners of the land come they will say, 'Surrender our land to us.' 

They, for their part stripped naked in their presence, in order to give it back to them, and they give them back their land."

It could be an allegory. 

Who are the owners of the land? 

The evil powers that rule the earth. 

Who are the children, who are the real disciples of Jesus? 

Those people who know enough to say, “When The Earth is demanded of you, when your body is demanded of you by these evil powers, give it up, just give it up, it's not valuable anyway. “

Look at 24:

His disciples said, "Show us the place where you are, for we must seek it." 

He said to them, "Whoever has ears should listen! 

There is a light existing within a person of light, that it enlightens the whole world. 

If it does not enlighten, that person is darkness."

Remember how I said some people are just dark people, they're just mud people, but some people have a light in them, and what it means to become a true Gnostic is to learn that you are one who has that light.

Look at 37:

His disciples said, "When will you be shown forth to us, and when shall we behold you?" 

Jesus said, "When you strip naked without being ashamed and take your garments and put them under your feet like little children and tread upon them. 

Then you will see the child of the living and you will not be afraid."

What's the Gnostic interpretation of that?

Student: [Inaudible]

Professor Dale Martin: Stripping the material world off yourself. When you strip your soul, your spark of the body, when you realize that it's not The Real You and you come to know The Real You  that's what's going to happen. 

Look at 56:

Jesus said, "Whoever has become acquainted with the world has found a corpse, and the world is not worthy of the one who has found the corpse."

The world is just a dead body, so several of these sayings, if you go back through the Gospel of Thomas with some of this background information I've given you of these ancient myths and ideas, some of these sayings seem to fit that myth and fit that notion.

There are other things though about what I've just told you that you don't find in the Gospel of Thomas, and those are the things emphasized by people who say the Gospel of Thomas shouldn't called Gnostic. For example, there's no mention in here of an evil god that creates the world, like you find in some of these Nag Hammadi texts. You have the Father, you have apparently the good guy, you have Jesus, but tthere's no emphasis on creation here as being a bad thing. Some people said that's one of the fundamental things about the Gnostic myths and it's not in the Gospel of Thomas, therefore the Gospel of Thomas is not Gnostic. There are also simply no string of myths and evil gods' names which you often find in the texts of Nag Hammadi. Some scholars would say the Gospel of Thomas may have some things in common with Platonism of the time, maybe something in common with certain Gnostics, but that it itself is not. If you take the Gospel of Thomas as representing those ideas, then Jesus comes across--the Christology of the Gospel of Thomas becomes something different from the Christology of the other texts, or least Matthew, Mark and Luke.

As we'll see, the Gospel of John looks a lot more like this than the Synoptic Gospels did. 

Jesus becomes this redeemer figure, this Gnostic redeemer figure who comes into the world of materiality in order to find those who have sparks of life, to blow on their sparks of live, to transmit hidden knowledge to them, so they can get back. If you'll stay with me the rest of the semester, maybe I can give you those secrets and you can escape your mud bodies too. "