The Church of Mulder

Mulder and Scully are walking along a corridor in the police station

SCULLY: 

Mulder you're not seeing the whole picture here.

MULDER: 

Which is?

SCULLY: 

Which is that all likelihood, Ruby is dead.

MULDER: 

Is that your conclusion 

or the conclusion of the Sioux City Sheriff's Department?

SCULLY: 

They're searching the national park and a rescue dive team is coming in from Des Moines to drag the lake.

Mulder stops and turns to face Scully

MULDER: 

They're wasting their time.

SCULLY: 

Do you really think Tessa Seers is telling the truth?

MULDER: 

Why not, what if Ruby never did show up that night?

SCULLY: 

She lied to us in the library, 

she lied to us about her pregnancy, 

what makes you think she wouldn't lie to us 

about killing Ruby?

MULDER: 

Because something was out there in those woods.

SCULLY: 

We have a suspect in custody, we have a confession to one murder, 

and we have a statement which speaks to the intent to commit another. 

It's over Mulder. 

It's time to go home and turn this over to local law enforcement.

MULDER: 

I can't do that.

Mulder walks off. 

Mulder leaves the station and Scully follows him

SCULLY: 

Mulder where are you going?

MULDER: 

To talk to the boy.

SCULLY: 

Darlene won't even let you in the door.

MULDER: 

Well, I've gotta see him.

SCULLY: 

They don't wanna have anything to do with you...us. 

Scully stops and call after Mulder

Mulder, stop. 

Stop running after 

Your Sister. 

Mulder stops, and then turns around 

to face Scully again

This won't bring her back.

MULDER: 

Come with me or don't come with me 

but until they find a body, 

I'm not giving up on that girl.

Mulder walks off again 

and Scully stands where she is for a moment 

and then follows Mulder

SCENE 13 

DARLENE MORRIS' HOUSE

Mulder knocks on the front door

MULDER: 

Hello? 

Mulder notices the door is unlocked, enters the house. 

Scully is right behind him

Mrs. Morris?

SCULLY: 

Kevin? 

Mulder notices something on the floor and turns off the TV. 

On the floor are sheets of paper with binary sequences on them, they are placed in a square shape. 

Scully hears the kettle boiling and goes into the kitchen and takes it off the stove. 

She walks back into the living room and looks at the papers

Mulder. 

Mulder is sitting down staring at the papers

What does it mean?

MULDER: 

I don't know.

SCULLY: 

I'm gonna check upstairs. 

Scully goes upstairs and glances over the bannister, as she does she notices something about the papers

Oh my god.

MULDER: 

What is it?

SCULLY: 

Just come up here. 

Mulder goes up the stairs

Look, 

Mulder looks at the papers 

and sees that the binary sequences make a face

it's her, it's Ruby.

SCENE 14 

LAKE OKOBOGEE. NATIONAL PARK

(It is night time and Mulder and Scully are driving to Lake Okobogee)

SCULLY: This is a longshot Mulder, they could be anywhere.

MULDER: You know when I was a kid, I had this ritual. I closed my eyes before I walked into my room, cause I thought that one day when I opened them my sister would be there. Just lying in bed, like nothing ever happened. You know I'm still walking into that room, everyday of my life. (Mulder notices something up ahead) Scully. (Scully looks to see what it is, it's Darlene's camper van. They pull up behind it and get out of the car. They run to the van) DARLENE!

(Mulder opens the door but there is no one inside)

SCULLY: Look, there's a trail ahead.

(Mulder and Scully follow the trail, after a moment they hear Darlene's cries as if she has fallen. Mulder and Scully run into the forest and find Darlene crawling along the trail)

MULDER: Are you ok?

DARLENE MORRIS: It's here, I saw it.

MULDER: Where's Kevin?

DARLENE MORRIS: I couldn't keep up with him.

SCULLY: Go ahead.

(Mulder runs off while Scully stays with Darlene. Mulder runs into a clearing and sees Kevin in the distance, a bright orange light appears in front of Kevin)

MULDER: KEVIN!

(Mulder stands watching Kevin as he walks towards the light, and then runs after him. Kevin stops as the light grows bigger, Mulder is still running to catch him. The light grows into multiple, smaller 

lights, and we see that the lights belong to motorbikes. As Kevin realises they are bikes, he covers his eyes and Mulder picks him up and jumps to the ground with him. The bikes drive passed Mulder and Kevin on all sides. When all the bikes are passed, Mulder sits up and lifts Kevin off the ground)

You ok?

KEVIN MORRIS: She's back.

MULDER: Kevin I'm sorry but, I don't...

KEVIN MORRIS: She's here I know it.

MULDER: Kevin I don't think she is. I know how much you want it to be her, I did too.

SCULLY: MULDER!

(Hearing Scully's screams, Mulder gets up and runs with Kevin back to Scully)

MULDER: SCULLY!

(As Mulder and Kevin find Scully and Darlene, they see another girl lying on her back)

KEVIN MORRIS: RUBY!

SCULLY: She's unconcious but she's still alive.

MULDER: I'll get help.

(Mulder runs off)

SCENE 15 

SIOUX CITY HOSPITAL

Mulder and Scully are walking down a corridor, 

Scully has Ruby's chart

SCULLY: 

Nurse says she been awake for almost an hour.

MULDER: 

Any ideas what caused the coma?

SCULLY: 

Eerrr, there's no sign of head trauma, 

no narcotic traces or electrolyte abnormalities, 

but her white blood cell count was skyhigh.

MULDER: 

By any chance was there attendant reduction in the lymphocyte population or a release of gluco-cordacoids?

Mulder and Scully stops outside Ruby's room while Scully checks the chart

SCULLY: 

Errmmm, actually both, 

how did you know that?

MULDER: 

They're symptoms of prolonged weightlessness. 

Shuttle astronauts have reported similar imbalances.

Mulder looks through the window of the door and Scully knocks on it. Kevin opens the door. 

We see Ruby lying in bed, awake

SCULLY: 

Hi. 

Mulder and Scully enter the room

Hi Ruby.

RUBY MORRIS: 

Who are you?

SCULLY:

 Ooh, we're with the FBI, 

I'm Special Agent Dana Scully and this is Fox Mulder.

RUBY MORRIS: 

My mom said you might be coming by.

SCULLY: 

How are you feeling?

RUBY MORRIS: 

Fine I guess.

MULDER: 

Where were you Ruby? 

Can you tell us?

KEVIN MORRIS: 

It's ok Ruby, he knows.

RUBY MORRIS: 

Ah, I'm not supposed to tell. 

They told me not to say.

MULDER: 

Who told you? 

Ruby is afraid to say anything 

Ruby, who told you?

DARLENE MORRIS: 

Sweetheart, you don't have to say anything.

Darlene is standing in the doorway

SCULLY: 

You're right, we should wait until Ruby gets a little stronger.

DARLENE MORRIS: 

Can we speak outside for a moment. (Mulder and Scully join Darlene outside Ruby's room) I think that it's best that we put all of this, behind us. I mean, hasn't Ruby been through enough already?

MULDER: 

I know how dis-oriented she must seem right now, but in a couple of weeks, maybe even a few days, we could..

DARLENE MORRIS: 

I don't want her talking to you, or anyone.

MULDER: 

She should be encouraged to tell her story, not to keep it inside, it's important that you let her.

DARLENE MORRIS: 

Important to who? 

I have my daughter back, I don't want anymore trouble. 

Besides she can hardly remember anything.

MULDER: 

But she will remember one day, one way or another, 

even if it's only in dreams. 

And when she does, she's gonna wanna talk about it, 

she's gonna need to talk about it.

DARLENE MORRIS: 

Like I did? 

Listen to me, 

all of my life I have been ridiculed, 

for speaking my mind.

MULDER: 

But it was The Truth Darlene.

DARLENE MORRIS: 

The Truth has caused me nothing but heartache, 

I don't want the same thing for her.

MULDER: 

It doesn't have to be that way for Ruby.

DARLENE MORRIS: 

As far as I'm concerned, she spent the last month on the back of a Harley Davidson.

MULDER: 

Is that what you're gonna tell Kevin?

DARLENE MORRIS: 

I'm sorry.

Darlene walks back into Ruby's room, 

Kevin is standing at the door. 

Mulder goes to follow Darlene in 

but Scully puts her hand on Mulder's shoulder to stop him. 

Darlene brings Kevin inside and closes the door. 

Mulder storms up the corridor

SCENE 16 

A tape is taken out of a tape recorder and turned over and put back in and play pressed. 

Scully is alone in a room, 

voices are heard from the tape recorder

DR. HEITZ WERBER: 

But your eyes are open?

Scully is going through the X-File on Mulder's sister

MULDER: 

Yeah, they're open but it's like, 

nothing's happening.

DR. HEITZ WERBER: 

Try turning your head.

MULDER: 

I can't.

DR. HEITZ WERBER: 

Why not?

MULDER: 

I don't know. 

I can't move, so I don't...

We see a close-up of the tape being played, on it it says: 

F. Mulder hypnotic regression tape session 

Number 2B: June 16

I just lie there in bed.

DR. HEITZ WERBER: 

Can you see your sister?

MULDER: 

No, but I can hear her.

DR. HEITZ WERBER: 

What is she saying?

Scully lifts up a picture and looks at it

MULDER: 

She's calling out my name, over and over again. 

We see the picture is one of Mulder 

and his sister when they were kids. 

We see it is Mulder who is now holding the picture

She's crying out for help but I can't help her. 

I can't move. 

We see that Mulder is sitting inside a church

DR. HEITZ WERBER: 

Are you scared?

Mulder starts crying

MULDER: 

I know I should be but I'm not.

DR. HEITZ WERBER: 

Do you know why?

MULDER: 

Because of The Voice.

DR. HEITZ WERBER: 

The voice?

MULDER: 

The Voice in My Head.

Mulder keeps down on his knees and begins to pray

DR. HEITZ WERBER: 

What's it telling you?

The camera zooms away from Mulder as he prays

MULDER: 

Not to be afraid. 

It's telling me 

no harm will come to her, 

and that 

one day she'll return.

DR. HEITZ WERBER: 

Do you believe the voice?

The scene fades to black

MULDER: 

I Want to Believe.

[THE END] 

There is Absolutely Nothing Funny About a Badly Beaten-Up Woman with a Black Eye. Obviously.

MULDER: 

Betty Templeton. 

My name is Fox Mulder. 

I'm with the FBI. 

Can you come with me?

BETTY TEMPLETON: 

I'm watching The Fight.

MULDER: (firmly)

Don't make me have to remove you, ma'am.

BETTY TEMPLETON sighs, 

then sees someone behind MULDER. 

MULDER turns around as 

LULU PFEIFFER enters the arena. 

She is wearing the same thing as BETTY TEMPLETON, 

except she has a blue shirt instead of pink.

LULU PFEIFFER: 

I can't believe this. 

What are you doing here?

BETTY TEMPLETON: 

What are you doing here? 

I'm Bert's good luck.

LULU PFEIFFER: 

He's mine.

BETTY TEMPLETON: 

Over my dead body.

The two women begin advancing on each other. 

MULDER looks at them for a moment, 

then puts BETTY TEMPLETON over his shoulder 

and begins carrying her out of the arena. 

She protests.

BETTY TEMPLETON: 

Stop it! Stop it! 

You're going down, lady! 

I'm going to kick your butt from here to Tuesday! 

Stick a fork in you, you're done!

As they pass the ring, she grabs the corner post 

and calls up to BERT ZUPANIC who is still fighting.

BETTY TEMPLETON: 

Hi, baby.

BERT ZUPANIC: 

(surprised) Betty.

MULDER is trying to pull her off the corner post.

BETTY TEMPLETON: 

Bert, keep it up! I love you, baby!

LULU PFEIFFER also has run up to the corner post, 

holding up another Koko's shopping bag.

LULU PFEIFFER: 

Bert. I got the money.

BERT ZUPANIC: 

Lulu?

LULU PFEIFFER: 

Kick his butt, Bert.

SAPERSTEIN takes the bag of money from LULU PFEIFFER. The CROWD begins punching each other.

BERT ZUPANIC: 

Lulu.

MULDER pulls BETTY TEMPLETON free of the post and carries her further away. 

She stretches her arms back to him.

BETTY TEMPLETON: Bert!

The fighting in the ring escalates, as does the fighting in the crowd. MULDER pauses and sets BETTY TEMPLETON down as he sees SCULLY enter with the BERT ZUPANIC-look-a-like, handcuffed, escorted by the PRISON GUARD. BETTY TEMPLETON stares at the look-a-like. LULU PFEIFFER comes up behind her, also staring.)

BETTY TEMPLETON: 

Oh, my.

LULU PFEIFFER: 

Oh, my God.

All around them, the fighting stops, including the one in the ring. SCULLY smiles smugly at MULDER.

BERT ZUPANIC: 

(confused) What?

BERT ZUPANIC and his look-a-like see each other. 

Hate at first sight.

BERT ZUPANIC: 

(growling) 

Why...

BERT ZUPANIC leaves the ring to go attack the look-a-like who pushes aside the GUARD to get at BERT ZUPANIC. MULDER and SCULLY look at each other and realize that, truly, the static is about to hit the fan. The fighting breaks out between everyone. BERT ZUPANIC pushes MULDER aside to get to the look-a-like. Mayhem ensues.

[Fade to black]

SCENE 16

(MULDER's office. SCULLY is running the slide projector. We don't see either of them yet.)

SCULLY: 50 million anonymous donations have been made to sperm banks across the U.S. Most have produced healthy offspring for single mothers or fertility-challenged couples while some of them have not.

(Two mug shot slides, one of BERT ZUPANIC and one of the look-a-like, both holding up prison numbers, both with bruised faces.)

SCULLY: Bert Zupanic and his non-fraternal biological sibling both small-time bank robbers, part-time pro wrestlers, both with too many idiosyncratic behaviorisms to list stood a 27-million-to-one chance of ever meeting but they did.

(Two slides of the two men fighting each other in the auditorium.)

SAPERSTEIN: (voice) Damn, those are some odds.

(Two mug shot slides of very bruised BETTY TEMPLETON and LULU PFEIFFER and three slides of them fighting, hairpulling, etc. Who took these pictures?)

SCULLY: Betty Templeton and Lulu Pfeiffer products of different mothers but the same father-

(Slide of ANGRY BOB.)

SCULLY: 

... an angry drifter now doing time for counterfeiting-- 

chanced to meet 12 years ago, 

but couldn't seem to avoid each other's compulsively identical mannerisms, 

mannerisms attributable to 

their perpetually angry father.

SAPERSTEIN: 

Mm. What does it all mean?

SCULLY: 

I've been thinking hard about that, Mr. Saperstein. 

I would like to say it has something to do with balance in the universe, 

the attraction of opposites 

and the repulsion of equivalents, 

or that over time, 

nature produces only so many originals 

that when two original copies meet 

that the result is 

often unpredictable.

We see MULDER, from the neck down walking toward a chair near SCULLY. 

His hand is in a brace. 

Her face is badly battered and bruised.

SCULLY: 

And if four should meet, the result is... 

Well, suffice to say it's better just to avoid these encounters altogether 

and at all costs. 

I think Agent Mulder would agree with me.

She looks over at her partner. 

MULDER's face is worse than hers, and his jaw is wired shut. 

He makes the only sound he can.

MULDER:

Mm-hmm. 

Mmmm.

SCULLY smiles at him briefly. They are in pain.

[THE END]

But Even That Extraordinary Physical Feat is Surely NOT The Point of Interest.

"Help us."

Van Helsing : 

So it struck you as strange, of course.

HARKER :

Well, clearly, there was someone

trapped in The Castle.

Van Helsing :

No. No. The writing. 

"Help us."

HARKER :

It was upside-down.

Van Helsing :

Well, yes, of course, 

because whoever wrote it 

was obliged to hang that way.

But even that extraordinary physical feat 

is surely not the point of interest.

HARKER :

Then what is?

Van Helsing :

What is remarkable, Mr Harker,

what is convenient, is that 

The Words were in English.

HARKER :

Oh...

I didn't think of that.

Van Helsing :

Of course not.

You are an English...man -- 

A combination of presumptions beyond compare.

Proceed.

HARKER :

Well, I knew I had the day to myself,

so I determined to find the room above mine

and see if anyone required my assistance.

Astronaut TAYLOR :

That completes my final report until we touch down.

We're on full automatic, in the hands of the computers.

l've tucked my crew in for the long sleep, 

and l'll be joining them soon.

In less than an hour we'll finish

our sixth month out of Cape Kennedy.

Six months in deep space.

By our time, that is.

According to Dr Hasslein's theory of time in a vehicle traveling nearly the speed of light, the Earth has aged nearly 700 years since we left it, while we've aged hardly at all.

It may be so. 

This much is probably True :

The men who sent us on this journey are long since dead and gone.

You who are reading me now are a different breed.

I hope a better one.

I leave the 20th century with no regrets. 

But one more thing...

If anybody's listening, that is.

Nothing scientific.

It’s purely personal.

Seen from out here, everything seems different.

Time bends. 

Space is, boundless.

It squashes a Man's Ego —

I feel lonely.

That's about it.

Tell me, though... 

Does Man, that marvel of the universe, that glorious paradox who has sent me to the stars, still make war against his brother, keep his neighbor's children starving?

 

Are you all right?

Stewart?

Stewart?

Astronaut TAYLOR :

We're in the soup. She's sinking.

Dodge, read The Atmosphere.

Landon, get out a last signal.

Astronaut LANDON :

What signal?

To Earth. That we've landed.

The air's OK. 

Blow the hatch before we lose all our power.

It’s no use. The power's gone.

Astronaut TAYLOR :

Forget it. Abandon ship.

Astronaut LANDON :

She's sinking.

Going...

Going...

Gone.

Astronaut TAYLOR :

OK. We're here to stay.

Astronaut LANDON :

Well, where are we? 

Do you have any notion, skipper?

Astronaut TAYLOR :

We're 320 light years from Earth on an unnamed planet in orbit around a star in the constellation of Orion.

Is that close enough for you?

Astronaut DODGE :

That could be Bellatrix.

Astronaut LANDON :

It’s too white for Bellatrix.

Astronaut DODGE :

You didn't have time to read the tapes. 

So you really don't know, do you?

Astronaut LANDON :

What went wrong? 

We weren't programmed to land in the water.

Astronaut TAYLOR :

The Question is not so much 

where we are as when we are.

We've had enough sleep for a while.

Let's start earning all that back pay.

Dodge, run your soil test.

Got your sensors?

Astronaut DODGE :

Right.

Astronaut TAYLOR :

Geiger counter?

Astronaut DODGE :

Got it.

Astronaut TAYLOR :

Let's see... One pistol, 20 rounds

ammo, a medical kit, camera, TX9.

We've got Food and Water enough 

for three days.

Astronaut LANDON :

How long is a day?

Astronaut TAYLOR :

That's a good question.

Landon... Hey, Landon.

Join the expedition.

Astronaut LANDON :

Sorry. I was thinking about Stewart.

What do you suppose happened?

Astronaut TAYLOR :

Air leak. She died in her sleep.

Astronaut LANDON :

You don't seem very cut up about it.

Astronaut TAYLOR :

It's a little late for a wake.

She's been dead nearly a year.

Astronaut LANDON :

That means we've been away

from Earth for 18 months.

Astronaut TAYLOR :

Our time.

You've gone gray.

Apart from that you look pretty

chipper for a man who's 2,031 years old —

I read the clocks :

They bear out Hasslein's hypothesis.

We have been away from Earth for

2,000 years, give or take a decade.

Still can't accept it? 

Time's wiped out everything you ever knew.

It's all dust.

Astronaut LANDON :

Prove it.

If we can't get back, it's still just a theory.

Astronaut TAYLOR :

It's a fact, Landon. Buy it. 

You'll sleep better.

Astronaut DODGE :

Nothing will grow here. 

There's just a trace of carbohydrates.

All the nitrogen is locked into the nitrates.

Astronaut TAYLOR :

No dangerous ionization?

Astronaut DODGE :

No.

Astronaut TAYLOR :

Well...

If there's no Life here, we've got just 72 hours to find it.

That's when the groceries run out. 

Let's go. 

Astronaut DODGE :

Which direction?

Astronaut TAYLOR :

That way.

Astronaut DODGE :

Any particular reason?

Astronaut TAYLOR :

None at all.

Come on...

Everybody all right?

Water check.

Eight ounces.

Astronaut LANDON :

It doesn't add up. 

Thunder and lightning,and no rain. Cloud cover at night.

Astronaut DODGE :

That strange luminosity, yet no moon.

If we could just get a fix.

Astronaut TAYLOR :

What would that tell you? 

I've told you Where You Are and When You Are.

Astronaut LANDON :

All right, all right.

Astronaut TAYLOR :

You're 300 light years

from your precious planet.

Your loved ones are dead and

forgotten for 20 centuries.

20. Even if you could get back, they'd think you were something that fell out of a tree.

Astronaut DODGE :

Taylor, quit riding him.

Astronaut TAYLOR :

There is just one reality.

We are here and it is now.

You get hold of that, 

or you might as well be dead.

Astronaut DODGE :

I'm prepared to die.

He's prepared to die —

Doesn't that make you misty? Chalk up another victory for the human spirit.

Clue me in on something, will you?

Why did you sign on for this trip?

You volunteered. Why?

Never mind. I'll clue you in. You were

the golden boy of the class of '72.

When they nominated you,

you couldn't turn it down.

Not without losing your all-American image.

Astronaut LANDON :

Climb off, will you?

Astronaut TAYLOR :

And the glory. Don't forget that.

There's a life-size bronze statue

of you standing out there somewhere.

Probably turned green by now 

and nobody can read the nameplate.

But never let it be said we forget our heroes.

Astronaut LANDON :

Taylor, climb off my back.

And there's one last item. Immortality.

You wanted to live for ever, didn't you?

Well, you damn near made it. Except for me and

Dodge, you've lived longer than anyone ever born.

And with our lovely Lieutenant Stewart dead,

it looks like you're the last of the line.

You got what you wanted, Tiger. 

How does it taste?

Astronaut LANDON :

OK. You read me well enough.

But why can't I read you?

Astronaut TAYLOR :

Don't bother.

Astronaut LANDON :

Dodge, there. He's not like me at all. 

But he makes sense.

He'd walk naked into a live volcano if he thought

he could learn something that no other man knew.

But you... You're no seeker. 

You're negative.

Astronaut TAYLOR :

And I’m not prepared to die.

Astronaut LANDON :

I'd like to know why not.

You thought life on Earth was meaningless. 

You despised people.

So what did you do? You ran out.

Astronaut TAYLOR :

No. It's not like that, Landon.

I'm A Seeker too. But My Dreams aren't like yours :

I can't help thinking somewhere there has to be something better than Man. Has to be.

Astronaut DODGE :

Taylor, over here.

Life.

Where there's one, there's another. 

And another and another.

Astronaut TAYLOR :

Let's find 'em.

Astronaut DODGE :

Skipper.

Look.

Scarecrows?

Astronaut TAYLOR :

Let's see.

To hell with the scarecrows.

Whoo-hoo.

Hey. Yay. Yay.

Ah.

Ah-hoo.

Whoo. Whoo.

Ah.

Taylor.

Look at this.

Taylor, look.

They didn't leave much, did they?

Well, at least they haven't tried to bite us.

Astronaut TAYLOR :

Blessed are the vegetarians.

Astronaut DODGE :

They look more or less human,

but I think they're mute.

Astronaut LANDON :

We got off at the wrong stop.

Astronaut TAYLOR :

You're supposed to be the optimist,

Landon. Look on the bright side.

If this is the best they've got around here,

in six months we'll be running this planet.

Smile.

Which one was wearing the strange clothes?

This one.

Will he live?

I don't know.

This beast has lost a lot of blood.

- There's no probe here. Find one.

- Yes, sir.

This place is dirty, Doctor.

Doctor, these animals are dirty.

They stink. They carry diseases. Why aren't

they cleaned up before they're brought here?

- You don't sound happy in your work.

- l'm little more than a vet in this laboratory.

You promised to speak to Dr Zaius about me.

I did. You know how he looks

down his nose at chimpanzees.

But the quota system's been abolished. 

You made it. Why can't I?

What do you mean "made it"? 

I'm an animal psychologist, that's all. 

We have no authority.

You do all right getting

space and equipment.

That's because Dr Zaius realizes our work has value.

The foundations of scientific brain

surgery are being laid right here 

in studies of cerebral functions of these animals.

They're still dirty, doctor. 

And their bite is septic. 

There. Look at that.

Hold his jaw.

Good morning, Dr Zira.

Morning, Julius. 

How's our patient?

No change. The minute you open

the door, he goes into his act.

Well.

And what do we want this morning?

Do we want something? Come on. Speak.

Come on, speak.

Do we want some sugar, Old-Timer?

You could get hurt doing that, doctor.

Don't be silly. 

He's perfectly tame.

They all are, ‘til they take a chunk out of you.

Well, Bright Eyes. Our throat feeling better?

Still hurts, doesn't it?

See? He keeps pretending he can talk.

That Bright Eyes is remarkable.

He keeps trying to form words.

You know what they say —

Human see, human do.

Data and Geordi Discuss Human Instinct and Intuition

Data and Geordi talk about human instinct... and pants (Star Trek "The d...