“It is customary to list indigo as a color lying between blue and violet, but it has never seemed to me that indigo is worth the dignity of being considered a separate color.
To my eyes it seems merely
Deep Blue.”
— Asimov
Dr. Sojii Asha :
I was just contemplating
The Logic of Sacrifice.
Admiral JL Picard :
I don’t think I like the sound of that.....
Very few readers of the Golden Bough have pierced Sir Prof. Dr. Frazer's veil of euphemism and surmised the exact method used by Isis in restoring life to Osiris, although this is shown quite clearly in extant Egyptian frescoes.
Those who are acquainted with this simple technique of resurrecting the dead (which is at least partially successful in all cases and totally successful in most) will have no trouble in skrying the esoteric connotations of the Sacred Chao—or of the Taoist yin-yang or the astrological sign of cancer.
The method almost completely reverses that of the pentagrams, right or left, and it can even be said that in a certain sense it was not Osiris himself but his brother, Set, symbolically understood, who was the object of Isis's magical workings.
In every case, without exception, a magical or mystical symbol always refers to one of the very few* variations of the same, very special variety of human sacrifice: the "one eye opening" or the "one hand clapping"; and this sacrifice cannot be partial—it must culminate in death if it is to be efficacious.
The literal- mindedness of the Saures, in the novel, caused them to become a menace to life on earth; the reader should bear this in mind.
The sacrifice is not simple.
It is a species of cowardice, epidemic in Anglo-Saxon nations for more than three centuries, which causes most who seek success in this field to stop short before the death of the victim.
Anything less than death—that is, complete oblivion—simply will not work.**
(One will find more clarity on this crucial point in the poetry of John Donne than in most treatises alleging to explain the secrets of magick.)
* Fewer than seventy, according to a classical enumeration.
** The magician must always identify fully with the victim, and share every agonized contortion to the utmost. Any attitude of standing aside and watching, as in a theatrical performance, or any intellectualization during the moments when the sword is doing its brutal but necessary work, or any squeamishness or guilt or revulsion, creates the two-mindedness against which Hagbard so vehemently warns in Never Whistle While You're Pissing. In a sense, only the mind dies
The essential and original meaning, of course, is a program for a ritual, and the ritual is magick.
The four letters are simply the four beats in Wilhelm Reich's formula:
muscular tension
electrical charge
electrical discharge
muscular relaxation
In short, as Freud once noted, every sexual act involves, at a minimum, four parties.
The father and son provide a "fist" and a "nail";
the mother and daughter provide two "windows."
The case of the Chicago schizophrenic killer William Heirens, who experienced orgasm when climbing through windows, demonstrates that this symbolism does not have to be taught and is inherent in the human mind, although always subject to the distortion exemplified by the Saures.
Finally, the universal blessing given on page 218 is intimately involved with the YHVH formula:
I bless Ra, the fierce sun burning bright I bless Isis-Luna in the night
I bless the air, the Horus-Hawk
I bless the earth on which I walk
The fiery father, the watery mother, the airy son, and the earthy daughter are all there, just as they are in every alchemical formula.* But we say no more at this point, lest the reader begin seeking for a 5 = 4 equation to balance the 5 = 6.
We conclude with a final warning and clarification: Resort to mass sacrifice (as among the Aztecs, the Catholic Inquisition, and the Nazi death camps) is the device of those who are incapable of the true Rite of the Dying God.
* In this connection—and also, en passant, as an indication that Adolf Hitler's link with the Illuminati was not invented for this work of "fiction"—we suggest that the reader look into The Morning of the Magicians, by Pauwels and Bergier.
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