Nazi Mice of the Third Reich

"Urwand said: "Collaboration: it's not my word or invention. I got it from materials from both sides. It's the word that's regularly used to describe their relationship." He said the German head of MGM spoke to the German press of the "satisfying collaboration on both sides".

"It's collaboration in the sense that Hollywood movie executives and Nazi officials are actually collaborating and the Nazis are having the final say," said Urwand. "They didn't want to lose their business. They didn't want to have to go home and come back under different conditions. They also felt Hitler might win the war and they wanted to work with the Nazis to preserve their business."

About his research, Urwand said: "I wouldn't want what I write to be generalisable about Jews, but specific Jews in the movie business made decisions to work with Nazi leaders." 

Urwand has uncovered evidence that as late as January 1938 the German office of 20th-Century Fox was requesting Hitler's views about American movies. The letter was signed "Heil Hitler".

Three studios – MGM, Paramount and 20th-Century Fox – did not pull out of Germany until mid-1940. But even after Hollywood started making anti-Nazi films, Urwand says, it continued to erase reference to the Jews because studio chiefs (with the support of Jewish groups) wanted to "avoid special pleading on their behalf".

The author dates Nazi meddling back to the premiere of All Quiet On the Western Front in 1930 when, encouraged by Joseph Goebbels, they set off stink bombs and let white mice loose in the theatre. Carl Laemmle, the Jewish German-American head of Universal, agreed to cuts."