Sunday, 3 March 2024

The Key and The Locks

Buffy & Dawn learn about 
The Origins of Glory & The Key


Xander peeks out the hole made by one arrow.

Shot of the outside. A bunch of knights are setting up, mostly hiding behind the abandoned truck and gas pumps with their bows and arrows. There are a few garbage barrels with fires lit in them.

XANDER: (OS) We got company.

More arrows sh**t through the windows. Xander turns back inside.

XANDER: And they brought A Crusade.

Cut to outside. The knights continue f*ring their arrows. The general rides up on horseback.

Cut to inside. Everyone's crouching down. Buffy runs toward the wall.

BUFFY: Willow!

We see Willow crouching beside the counter, with one hand stretched up to keep pressure on Giles's wound while her other hand is flipping the pages of a magic book. Tara huddles next to her whimpering and covering her head.

WILLOW: I'm working on it!

Buffy and Spike together shove a large coffee machine in front of the door and tip it over on its side.

Cut to outside. The general sits on his horse watching the action.

KNIGHTS: Go! Go! Go! Let's move! Come on, move it!

We see multiple knights attacking the boarded-up windows of the building with various w*apon, trying to break in.

Cut to inside. A knight's axe breaks through the wall right next to Dawn's head. She screams.

The knight continues hacking and then reaches an arm in. Dawn screams again.

DAWN: Buffy!

Buffy runs over to help, but a knight comes through the door beside the counter. He punches Buffy and she falls aside.

Xander and Anya hide behind something (looks like an old heater).

Spike lunges at the knight, punches him, then screams in pain and clutches his head. The knight lifts his w*apon to strike Spike but Buffy intervenes, kicks him and then punches him. He punches her back.

The boards on the windows rattle as more knights pound on them and the glass shatters. Spike covers his head as glass falls on him.

Buffy kicks the knight again and he stumbles back, turns and thrusts his w*apon at her but she blocks it, kicks him, then twists around and flips him over her shoulder. He falls unconscious on the floor.

Xander runs out from his hiding place and grabs the unconscious knight, begins dragging him away.

The other knights continue b*ating on the walls and windows, knocking out the glass with their w*apon.

KNIGHT: It's clear! (?)

Dawn stands up cautiously from behind the counter and is confronted by the bleeding Giles. She looks at his wound in dismay.

The general enters. Buffy turns to look at him. He points his sword.

GREGOR: The key.

Dawn looks frightened.

Buffy picks up the knight's w*apon from the ground and throws it at Gregor, hitting him in the hand, making him drop his sword. He lunges at Buffy and she hits him, making him reel aside into a pillar. He hits it face-first and falls down unconscious.

WILLOW: Enemies, fly and fall.

We see Willow sitting on the floor beside the counter, with her legs crossed holding the book. Her eyes are all black again as they were in "Tough Love."

WILLOW: Circling arms, raise a wall.

She raises her arms and a circle of light emits from them, expanding outward.

Cut to outside. The sphere comes through the walls and all the knights are forced backward, flying through the air. They land several feet away from the building as the bubble holds.

Dante hits the barrier with his sword. It shimmers but he can't get through.

DANTE: (angry growl) They have the general. Clerics!

Two elderly men in long black robes come forward. They walk up to the barrier and hold up their hands to it. One begins to chant while the other turns back to Dante.

CLERIC: Energy barrier. A most powerful one.

DANTE: Can it be breached?

CLERIC: The witch's magic pales to the might of our god. The infidels' wall ... shall tumble before us.

Cut to inside. Willow and Tara get to their feet as Buffy comes to check Giles's wound.

BUFFY: Will? How long will it hold?

WILLOW: (uncertain) Half a day maybe.

Buffy and Dawn watch as Willow goes to the window and peeks out.

sh*t of the view through the window. We can see the two clerics chanting while the knights wait behind them.

WILLOW: Or till Heckle and Jeckle punch a hole through it.

Buffy and Dawn look nervous.

Spike walks forward, looking down at the ground.

SPIKE: So. What's the story with these role-playing rejects?

sh*t of Gregor lying unconscious on the floor.

BUFFY: (OS) Let's find out.

Cut to Gregor tied to a pillar in a rear room of the building. Buffy stands in front of him with her arms folded.

sh*t of Dawn by the door watching.

sh*t of Spike off to the side.

SPIKE: You sure Scarface here can habla the English?

BUFFY: He understands me. (to Gregor) Don't you?

GREGOR: You were warned we would return, Slayer.

BUFFY: Took you long enough. What are you supposed to be, some kind of chief?

GREGOR: (sneers) General.

BUFFY: General. (takes a step forward) In charge of what, getting captured?

GREGOR: You do not frighten me, child. (looks at Dawn) The instrument of chaos must be destroyed.

Buffy steps forward to him and puts her hands firmly on either side of his face.

BUFFY: (angrily) Look at her that way again, and she will be the last thing you ever see.

She lets go and steps back.

GREGOR: As I've been told, you protect the key of the beast.

sh*t of Xander watching.

BUFFY: It's not that simple.

GREGOR: Yes. The key has been transformed, given ... breath, life. Yet, this makes no difference. The key is the link. The link must be severed. (sh*t of Dawn looking scared) Such is the will of god.

BUFFY: (upset) She doesn't remember anything about being this key you're all looking for. The only thing that she remembers is growing up with a mother, and a sister that love her. What kind of god would demand her life for something that she has no control over?

sh*t of Gregor looking unmoved.

BUFFY: We are not your enemy. (sh*t of Spike watching) Tell your men to stand down.

GREGOR: (looks at Dawn) No.

BUFFY: It is not her fault! She's human now! (sh*t of Dawn)

GREGOR: The key is too dangerous ... to be allowed to exist. No matter what form it has been pressed into.

BUFFY: I will not let anyone tell me-

Buffy breaks off as we hear a wailing from the next room and Willow saying "Shh, shh." Xander turns to look through the door.

Buffy, Dawn, Spike, and Xander go into the other room where Anya is watching helplessly as Willow tries to calm Tara.

WILLOW: Shh, shh, shh.

BUFFY: What happened?

ANYA: I-I don't know, she just went nuts.

Tara whimpers frantically and struggles to get free from Willow who is holding her still. Tara finally breaks free.

TARA: Time! Time, time!

She runs over to the boarded-up windows and claws at them. Willow runs after her and tries to pull her away. Tara breaks free and runs to another part of the wall, whimpering in agitation. The others watch helplessly.

Willow grabs Tara around the torso, pinning her arms to her sides as Tara continues whimpering.

WILLOW: Tara! (to Buffy) We have to do something! (sh*t of Dawn and Spike watching with concern) She, she can't stay this way. Buffy!

TARA: Time... time... time...

Cut to the hospital psych ward. All the patients are muttering "Time, time" as well, and struggling against their bonds. One of them is the man who accosted Dawn on the street in "The Real Me."

PATIENTS: Time. Time.

The nurse comes in.

NURSE: No, it's not time for your meds, just lie back-

The guy from "The Real Me" rips free of his restraints and the nurse rushes over to try to force him back into bed.

NURSE: (yelling over her shoulder) Doctor! Doctor McCarthy!

Another patient hits her over the head and she falls down unconscious. The other patients begin to break free and get up out of bed. They all walk off toward the door, muttering "Time" over and over again.

Cut to outside the gas station. Orlando is among the knights in the encampment. He walks forward, staring at the building.

ORLANDO: It's time. It's time.

DANTE: No, no, shh. There's nothing to fear, my brother.

Orlando looks unhappy. Behind Dante we can see the clerics still standing by the barrier chanting.

DANTE: The beast may have taken your mind, but I swear to you, she will never know the taste of your heart.

Dante pulls Orlando sharply toward him. Orlando groans and grabs Dante's shoulders but then slumps to the ground. Dante looks sadly down at him. We see a bloody dagger in his hand.

DANTE: Clerics! (The clerics turn) I want the witch's barrier down. NOW!

The clerics exchange a look, return to their chanting.

Cut to: closeup of Buffy's face.

BUFFY: I'm sorry.

We see she's standing beside Giles, holding his hand with both of hers. Giles is conscious.

GILES: For what?

BUFFY: We should have stayed. If we had, none of this would have happened.

GILES: Don't. (painfully) What you did ... w-was necessary ... what I've always admired.

BUFFY: (small smile) Running away?

GILES: Being able to place ... your heart ... above all else.

He breathes shakily while Buffy watches with concern.

GILES: I'm so proud of you. You've come so far. You're everything a Watcher ... everything I could have hoped for.

Buffy has tears in her eyes. She sniffles.

Giles makes a pained face, closes his eyes. Buffy looks anxiously at their entwined hands, then at Giles's stomach. He continues breathing shallowly, seems to have fallen asleep. Buffy gently removes his hand from hers.

In the background we see Willow standing over a sleeping or resting Tara, stroking her hair.

Buffy turns away from Giles with a resolute expression.

BUFFY: Willow.

Willow looks up at her.

BUFFY: Open a door.

Willow looks uncertainly from Buffy to the wall and back.

Cut to outside. A hole appears in the barrier as Buffy comes out of the building followed by Xander. Dante and a few other knights come forward. They stop at the edge of the barrier and Dante holds up a hand to stop the knights.

DANTE: Speak.

BUFFY
One of my friends was hurt when you attacked us.

DANTE
And ten of my men are dead. Honourable men. 
(draws his sword) Shall we balance the scale?

BUFFY
Will you let someone come and help him or not?

DANTE
Give quarter to an agent of The Beast? 
What madness would move me to such action?

BUFFY
I'm done asking.

Buffy starts forward but Xander intervenes, stopping her, 
as the knights were preparing for Buffy's attack.

XANDER
Whoa, whoa, hey! Uh ... This is War, isn't it? 
And if there's one thing I've learned from Sergeant Rock, 
it is in War ... There are rules.

Dante looks stern.

XANDER
Or at least there should be, if you're as 
honourable as you think you are. 
(Buffy looks to see if Dante is convinced
Plus, we do have your General Forehead-guy.

Dante considers this.

Cut to: 
Willow, Spike, and Buffy standing beside a pay phone in the building. The phone is dark.

WILLOW
Discharge and bring life.

The pay phone sizzles and suddenly lights up. Buffy picks up the receiver, turns and nods to Willow, who looks relieved. Buffy begins to dial.

SPIKE: (to Willow) Handier than a Swiss Kn*fe. Look, the door to my crypt's got this nasty squeak, maybe you could...

Willow rolls her eyes, turns and walks away. Pan to Buffy on the phone.

BUFFY: Hey, uh, i-it's Buffy. I need to ask you a really big favor.

Cut to: exterior sh*t, night. A car drives up to the gas station where the army of knights stands around watching. Ben is at the wheel. He stops the car and looks fearfully out the window at the knights, who all hold w*apon and glare at him. Ben takes a deep breath, picks up his black bag from the seat, and gets out of the car.

Cut to inside. Ben stands next to Giles tending to his wound, wearing surgical gloves. Buffy stands beside him with the others in the background.

BEN: You, uh, forgot to mention the costume party outside.

BUFFY: Sorry. (sh*t of Willow sitting over a sleeping Tara) I-I didn't know who else to call.

BEN: No, it's okay. I mean, yeah, not ... how I pictured seeing you again, but, uh ... I'll take what I can get.

sh*t of Spike looking annoyed, rolling his eyes.

BUFFY: Thank you ... for coming.

BEN: My pleasure.

Ben looks past Buffy. sh*t of Dawn standing a few feet away, with Xander in the background.

Ben continues looking at Dawn.

Blackout.

--------------------------------------------------------------------------------

Act IV

--------------------------------------------------------------------------------

Open on Giles's face, asleep or unconscious. Ben's hands enter the sh*t and put the discarded surgical gloves down next to Giles. Pan down to Giles's stomach. The bloody sweater is pulled up revealing a bandage wrapped around his abdomen.

Cut to a longer sh*t as Ben pulls a blanket up over Giles's stomach and packs away his stethoscope while Buffy stands watching.

BEN: All right, I think I got him stabilized, but there's a lot of damage. We need to get him out of here.

BUFFY: Well, I think the guys with the pointy swords kinda have other ideas.

BEN: Don't they always.

sh*t of Spike in the background making a disgusted face, mimicking Ben silently, then turning away.

BUFFY: Look, I know this must seem extra "Outer Limits" to you.

BEN: This? Naah. I've seen things you wouldn't believe.

sh*t of Dawn watching with Xander in the background.

BEN: (OS) You know, emergency room, full moon on a Saturday night.

Xander goes into the other room and pulls the door shut behind him.

Cut back to Buffy and Ben.

BUFFY: Look, if this gets too weird, just tell me. I'll understand.

BEN: Don't worry about me. I won't leave until I've worn out my welcome.

He smiles. Buffy smiles back, then looks with concern at Giles.

sh*t of Giles breathing shallowly and unevenly. Pan down to his blanket-covered stomach.

sh*t of Giles's hand lying beside his body. Buffy's hand enters the sh*t and takes hold of Giles's.

Cut to Spike's bloody, bandaged hands as he tries to light a cigarette. He fumbles with the lighter.

We see that we're in the back room. It's dark. Xander stands watching the tied-up general as the sound of Spike trying to light his lighter continues.

SPIKE: (whispering) Ow.

Spike shakes his hand in pain and annoyance.

Xander walks over. Spike gives him a wary look. Xander takes the lighter. Spike sighs.

SPIKE: Thanks.

Xander flicks the lighter on and holds it up to Spike's cigarette, lighting it. Then Xander closes the lighter, puts it in his pocket as Spike takes a drag.

XANDER: You know, those things'll k*ll you.

Spike gives him a look.

XANDER: Oh. Right.

They stand side by side, leaning against the wall, as Spike smokes.

XANDER: I mention today how much I don't like you?

SPIKE: (nods) You mighta let it slip in ... (looks at Xander) once or twice.

Xander smiles slightly, looks down at Spike's hands.

XANDER: How're your feelers?

SPIKE: (sighs, looks around) Nothing compared to the little bits we're gonna get chopped into when the Renaissance Faire kicks the door in. (points to the door; they both look over at it) And here we bloody sit.

XANDER: It's not like we got much of a choice.

SPIKE: (gestures impatiently) Could make a break for it! Use General Armor-All as a shield (sh*t of the general) get to the doc's car, and-

XANDER: Great plan. And while all the hacking and slashing's going on, what are you gonna be doing, huh? Throwing migraines at 'em?

SPIKE: Look, we stay here, we all die! At least this way, some of us might get-

BUFFY: (OS) No.

The guys turn to see Buffy standing in the doorway.

BUFFY: We're all gonna make it. I'm not losing anyone.

Spike sighs and shakes his head but says nothing.

BUFFY: Check the supplies. See if anyone's hungry.

Xander looks at Spike, then they both walk out. Focus on Buffy as they walk past her. She stares at the floor looking pensive.

Gregor chuckles and Buffy closes her eyes briefly, then looks angrily at him.

GREGOR: Dissention in the ranks. Seldom a harbinger of glad tidings.

Buffy scowls, walks over to him and backhands him across the face.

BUFFY: Shut up.

Gregor turns his head and spits blood. Buffy turns her back to him.

GREGOR: Poor frightened girl. (she turns back) You've no idea what you've gotten yourself into.

BUFFY: (crosses arms over her chest) Why don't you tell me?

GREGOR: Would it make a difference?

Pause.

GREGOR: What do you know of the beast?

BUFFY: Strong. Fast. Hellgod.

GREGOR: From a dimension of unspeakable torment.

BUFFY: A demon dimension. I know. She ruled with two other hellgods, right?

GREGOR: Along with the beast they were a triumvirate of suffering and despair. Ruling with equal vengeance. But the beast's power grew beyond even what they could conceive. As did her lust for pain and misery. They looked upon her, what she had become ... and trembled.

BUFFY: (nervously) A god afraid?

GREGOR: Such was her power. They feared she would attempt to seize their dimension for herself, and decided to strike first. A great battle erupted. In the end, they stood victorious over the beast ... barely. She was cast out. Banished to this lower plane of existence, forced to live and eventually die trapped within the body of a mortal ... a newborn male, created as her prison. That is the beast's ... only weakness.

BUFFY: k*ll the man ... and the god dies.

GREGOR: Unfortunately, the identity of the human vessel has never been discovered.

BUFFY: (puzzled) I don't understand. Now, I've seen Glory. Not a whole lot going on in the hairy chest department.

GREGOR: You have seen a glimpse of the true beast. Her power was too great to be completely contained. She's found a way to escape her mortal prison ... for brief periods, before her energies are exhausted and she's forced back ... into her living cell of meat and bone.

DAWN: (OS) What about me?

Buffy turns to see Dawn standing in the doorway.

DAWN: What about the key?

BUFFY: Dawn.

DAWN: I want to know.

GREGOR: The key ... is almost as old as the beast itself. Where it came from, how it was created ... the deepest of mysteries. All that is certain is that its power is absolute. Countless generations of my people have sacrificed their lives in search of it, to destroy it before its wrath could be unleashed.

DAWN: But the monks found it first.

GREGOR: Yes, and hid it with their magicks.

BUFFY: Why didn't they just destroy it? If the key is as dangerous as-

GREGOR: Because they were fools. They thought they could harness its power for the forces of light. They failed, and paid with their blood.

DAWN: What do I do? What was I created for?

GREGOR: You were created ... to open the gates that separate dimensions. The beast will use your power ... to return home and seize control of the hell she was banished from.

Buffy laughs. The general looks at her in surprise.

BUFFY: That's it? That's Glory's master plan ... to go home?

GREGOR: You misunderstand. Once the key is activated, it won't just open the gates to the beast's dimension. It's going to open all the gates. The walls separating realities will crumble. (sh*t of Buffy no longer smiling. sh*t of Dawn) Dimensions will bleed into each other. Order will be overthrown and the universe will tumble into chaos ... all dark ... forever.

Buffy looks dismayed.

GREGOR: (staring at Dawn) That ... is what you were created for.

Dawn stares at him, then looks down.

Cut to: Buffy emerging from the back room into another room.

BUFFY: Dawn.

We see Dawn sitting on a table nearby. She has her back to Buffy.

DAWN: (not turning) You think it's true ... what he said?

Buffy walks forward with a sigh, sits next to Dawn. They look at each other.

BUFFY: I don't know.

DAWN: Destroyer of the universe. (pause) I guess cutting school doesn't seem so bad now, huh?

BUFFY: It's not you. You know that.

DAWN: But it's in me ... isn't it? It's inside me.

They look at each other for a moment, then Dawn looks away.

DAWN: What are we gonna do?

Buffy frowns slightly, then puts her arms around Dawn's shoulders and pulls Dawn close, resting Dawn's head on her cheek.

BUFFY: I won't let anything happen to you. I promise.

They sit there quietly. Buffy sighs.

Saturday, 2 March 2024

Sorry About This, Archie.....




Strax being the best Doctor Who character for eight minutes straight




[Glasgow]

STRAX : 
Sontar-ha! Sontar-ha!
(Strax and a big man go flying through a window.)

ARCHIE
Come here while I kill ye, ya filthy wee midden.

STRAX:
 Prepare to die in agony for the glory 
of The Sontaran Empire!

MESSENGER BOY: 
Excuse me. Mister Strax?

STRAX
What is it, girl? Can't you see I'm trying to crush the brains 
of this stinking primitive? Sorry about this.

ARCHIE
No problem.

MESSENGER BOY
It's a telegram
sir. Very urgent.

(Strax reads it — rolls his eyes.)

STRAX
Conference call. Sorry, Archie. I'm going to 
have to ask you to render me unconscious.

ARCHIE
Fine.

(Archie raises his large mallet.)

STRAX
Better use this.

(Strax's even larger shovel.)

STRAX
It might take a while.



Walter Morrison
Born 20 March 1924, died 6 February 6 2004

The milieu in which the anti-nuclear Scottish Committee of 100 flourished no longer exists, its activists having long since adopted other agendas. However, its brief flowering will always be associated with the dynamic figure of Walter Morrison, who seemingly at birth had signed up for life as a private extraordinaire in the Awkward Squad.

Morrison, who has died in his eightieth year, fought courageously against the wrongs in society, proudly wore the badges of non-violence and libertarian socialism, and spoke his mind fearlessly no matter where he was or in whose company.

Angered by the Clydebank blitz in 1940, the 16-year-old Morrison lied about his age and joined the army. He wanted to fight fascism, but in less than a week, he found little difference between this enemy and the bullying attitudes and practices within The British Army. From then on Morrison’s war was fought on two fronts. Considered a difficult case, he was shunted from the Royal Scots Guards to the Black Watch, then on to the Parachute Regiment. During a visit by King George VI, The King politely asked him how he was being treated, to which the good soldier Morrison replied: ‘Terrible.’ He was sent to India on the first available troop ship.

Morrison’s pacifism grew from his army experiences in India. During the Gandhi demonstrations in 1942, the troops were briefed that they would be facing women and children protestors. The 18-year-old asked what they would be expected to do if they refused to halt. ‘Open fire,’ was the curt answer. Walter promptly stood up and said he would be the first to open fire : he would personally shoot any soldier who turned their gun on a woman or a child, and he would then shoot the officer who gave the order. His feet scarcely touched the ground on the way to the glasshouse.

Morrison was placed in solitary confinement and singled out for sadistic treatment. He told his superiors that unless the NCO responsible backed off, he would kill the next man who entered his cell. Morrison won the case but was wracked with guilt over the moral quandary that he would have had to kill the first person — friend or enemy — who entered his cell. It was that incident which started him on his lifelong commitment to non-violence.

Although charged on a number of occasions with incitement to mutiny, he never faced a full court-martial; his sentences were always confinement to barracks, 30-days loss of pay or downgradement. He ended his army career and returned to Glasgow in 1946, without a war pension. (Walter’s army experiences are told in Peter Grafton’s book, ‘You, you and you — The people out of step with WWII) Pluto, 1981.)

The arrival of the US Polaris submarine fleet in the Holy Loch in 1960 turned Glasgow into ground zero for any Soviet pre-emptive nuclear missile strike. Morrison was involved from the start in the campaign to stop US Polaris missiles being based in the Holy Loch. He became a leading light of the Scottish Committee of 100 and was in the thick of all the demonstrations from the day the submarines arrived. A man of deeds as well as words, Morrison was drawn to the more libertarian and action-oriented Scottish Committee of 100, rather than the passive, celebrity-and-politician-dominated CND. The personal example Morrison set to others, coupled with his fame as a rebel, gave him considerable status among the young militants on the committee. My memories are of him standing single-handedly in Glasgow streets and at demonstrations around Scotland, surrounded by menacing and hostile opponents while arguing his case against the bomb. His tenacity and fortitude in going out in all weathers to demonstrate in the most hostile locations, often alone, was truly inspiring.

Protest was a family affair around the Morrison household. Walter's wife, Agnes Lygate, whom he married in 1953, and neighbour in Govan, Eleanor Hinds, wife of writer Archie Hinds, both early feminists, were founders of Women Against the Bomb and Youth against the Bomb. Betty Campbell, his later partner was, his constant support in the Corkerhill Community Council to which Morrison dedicated his life from 1976 to 2002.

On one occasion Morrison was setting up his tent on the foreshore of the Holy Loch, near Ardnadam pier which serviced the Polaris submarines and their support ships — it being illegal to camp on the land — when he was called over by someone waving to him from a large American car by the roadside. In the rear of the car were three men who addressed him by name, two from the Ministry of Defence’s ‘Psychological Warfare Group’ in Dundee and the third an American of uncertain military or security provenance. They proceeded to warn Walter and his friends that they were out to get the so-called Scots Against War, a group who at the time were involved in publishing official secrets plus carrying out sabotage and other forms of direct action against military installations throughout Scotland. One of the MoD men pointed to the dark waters of the loch and told Walter that he was involved in a dangerous business and that it would be so easy for people like him to disappear, never to be found. Walter was a hard man, but this personal threat was something quite new and alarming to him.

A week after I was arrested in Spain in 1964, having been caught playing a part in a plot to assassinate the country’s dictator, General Franco, Morrison hitched-hiked from Glasgow to London to hold a fast and a picket the Spanish embassy — having first telephoned Scotland Yard to ask permission. No sooner had he settled down on the pavement when a police van drew up and four policemen jumped out, bundled him into the van and drove to an unidentified London police station. Instead of being charged and taken to the police cells, he was escorted to what seemed like a large gym hall where three men sat at a table, one in police uniform and the other two in civvies. Morrison was then aggressively questioned about his relationship with me, about the Committee of 100 and again about the Scots Against War group, who had recently set fire to Ardnadam pier in the Holy Loch. Walter was an old hand at being arrested and locked up, but the sinister and surreal events of that night shook him up so badly that he resigned for a time from the Scottish Committee of 100.

After the Committee of 100 petered out a few years later, Morrison and Betty Campbell became pivotal figures in the Corkerhill Community Council, campaigning for improved housing, safer roads, play parks and improved people integration. Walter and his team brought international recognition to Corkerhill, a tiny housing scheme on the south side of Glasgow with just 1,300 tenants. When it received a World Health Organisation award, the only community in the UK to qualify. When the award-winning community centre was closed after a long-running dispute with Glasgow City Council, Walter refused to bow out quietly, defiantly holding a flag-lowering ceremony as a final protest. On the last day, a large crowd turned out to see the flag of the WHO solemnly lowered over the centre. When the M77 carved through the south side of Glasgow, it was Corkerhill, led by Walter Morrison, who led the way organising resistance and winning major concessions.

Corkerhill was also the very first community in Glasgow to house the Vietnamese Boat People.

In 1998 when Morrison was at Buckingham Palace being awarded an MBE for his services to the Corkerhill community, the Queen’s corgis had been running around the room unchecked and generally intimidating everyone. He said to HM: ‘You know, Ma’am, if those dugs ran around like that in Corkerhill where I come from, I’d shoot the lot of them.’ With a twinkle in his eye, of course.

He is survived by his partner Betty Campbell, his daughter Leigh and his son Grant.

Walter Morrison MBE, community activist, born March 20, 1924; died February 6, 2004.

By Stuart Christie

From www.christiebooks.com

The Sontaran Nationals Party (SNP)


"They're not so much 
a political party as A Vibeand 
The Parties are very afraid of this vibe, 
with The Election coming up --

What always happens 
when A Party 
looses office eventually, -
- as political parties always do -
- is that they start losing votes to The Centre
you know, because The Centre goes 
the other way, The Centre is in The Middle,
people can go either way  -- and they always say, 
"Oh, well we've lost The Centre, 
but at least we'll always 
have The Maniacs."

And now They're going, like, "Oh,no!
We're gonna lose The Maniacs..!!"

"What will we even be 
without The Maniacs..?!"

Strax in Glasgow

George Galloway (born 16 August 1954) is a British politician, broadcaster, and writer who has served as Member of Parliament (MP) for Rochdale since the 2024 by-election. He has been the leader of the Workers Party of Britain since he founded it in 2019. Between 1987 and 2010, and between 2012 and 2015, Galloway served as MP for four constituencies, first for the Labour Party and later for the Respect Party, the latter of which he joined in 2004 and led from 2013 until its dissolution in 2016.

Galloway was born in Dundee, Scotland. After becoming the youngest ever chair of the Scottish Labour Party in 1981, he was general secretary of the London-based charity War on Want from 1983 until his election as MP for Glasgow Hillhead at the 1987 general election. 

In 2003, he was expelled from the Labour Party due to his prominent opposition to the Iraq War.[3] In 2004, Galloway became a member of the Respect Party, and then the party's leader by late 2013. He was elected as MP for Bethnal Green and Bow at the 2005 general election. After losing in neighbouring Poplar and Limehouse in 2010, he returned to the House of Commons after being elected at the 2012 Bradford West by-election; he lost this seat at the 2015 general election. After unsuccessfully standing as an independent candidate in two seats in the 2017 and 2019 general elections, Galloway founded the Workers Party of Britain; he stood for the Workers Party at the 2021 Batley and Spen by-election, finishing in third place, and won the 2024 Rochdale by-election with 39.7 per cent of the vote.

Galloway testified to the United States Senate in 2005 over alleged illicit payments from the United Nations' Oil-for-Food Programme against Ba'athist Iraq. Among other international issues, Galloway has voiced his anti-Zionism and supports the Palestinians in the Israeli–Palestinian conflict, and was also involved in the Viva Palestina aid convoys to the Gaza Strip. He opposes India's role in the Kashmir conflict with Pakistan, and has voiced support for the insurgency in Indian-administered Kashmir.[4][5] He voiced support for Jeremy Corbyn in the 2015 Labour Party leadership election and during Corbyn's leadership of the party. In the 2016 European Union (EU) membership referendum, he advocated a "Leave" vote, campaigning with the cross-party, pro-Brexit organisation Grassroots Out, while before the 2019 European Parliament election he announced, "for one-time only", he would support Nigel Farage's Brexit Party. He opposes Scottish independence and founded All for Unity, a party that campaigned on support for British unionism in the 2021 Scottish Parliament election, where it captured 0.9 per cent of the vote. He has defined himself as socially conservative.[6] Galloway blamed the 2022 Russian invasion of Ukraine on the West.

Galloway hosted the TalkRadio show The Mother of All Talk Shows between 2006 and 2010 and between 2016 and 2019 until his dismissal. He then broadcast on Russia Today (RT) from 2013 to 2022. Galloway's talk show moved to social media platforms.


Glasgow Hillhead was a parliamentary constituency represented in the House of Commons of the Parliament of the United Kingdom from 1918 until 1997. It elected one Member of Parliament (MP) using the first-past-the-post voting system.

Boundaries
1918–1950: "That portion of the city which is bounded by a line commencing at a point in the municipal boundary at its intersection with the centre line of the River Kelvin, thence southeastward, southward and southwestward along the centre line of the River Kelvin to the centre line of the North British Railway (Stobcross Branch), thence north-westward along the centre of the said North British Railway to its intersection with the municipal boundary, thence northeastward along the municipal boundary to the point of commencement".

1950–1955: The Kelvinside and Partick (West) wards of the county of the city of Glasgow, and part of the Partick (East) ward.[1]

1955–1974: The Kelvinside and Partick West wards of the county of the city of Glasgow, and part of the Whiteinch ward.[2]

1974–1983: The Glasgow wards of Kelvinside, Partick West, and Whiteinch.

1983–1997: The City of Glasgow District electoral divisions of Kelvindale/Kelvinside, Partick/Anderston, and Scotstoun/Broomhill.

History
Along with Glasgow Cathcart, Hillhead was one of two safe Conservative Party seats in Glasgow for several decades. However, Labour reduced the Conservatives' majorities in both constituencies in the 1970s; Labour even won Cathcart in 1979 (making it the only seat the Conservative Party lost in its electoral victory that year), while Hillhead remained Conservative with a narrow majority. In the subsequent by-election of 1982, the Conservatives lost their last seat in Glasgow not to Labour, but to the year-old SDP, with the former Labour cabinet minister Roy Jenkins becoming the new MP for the constituency. Jenkins retained the seat for the SDP in the 1983 general election, but lost the seat to George Galloway of the Labour Party in 1987.

Corkerhill is a neighbourhood of Glasgow, Scotland, southwest of the city centre. The area was originally a farm and a few houses built for workers of the Glasgow and South Western Railway at the Corkerhill Depot.[2] The engine sheds and sidings are still present, although Corkerhill signal box to the rear of the houses now facing Mosspark shops was demolished in the late 1970s.

Corkerhill railway station opened on 1 July 1885 as a staff halt for railway workers, and to the public in 1923. It is on the Paisley Canal Line.[2]

In the 1920s, building in the area expanded as far as Mosspark and later Cardonald, making Corkerhill part of the Glasgow conurbation. In the 1950s, Glasgow Corporation built Hardridge Road, consisting of terraced and tenement dwellings.

Later in the 1960s, shops were built to address the shortage in the area, the nearest then being in Cardonald and Pollok. The Cart public house also opened, the only one in the area. Corkerhill spiralled into decline in the mid to late 1980s until many of the tenements were vandalised and empty and most of the shops were unrented. In 2004, demolition of the tenements began, being replaced with privately owned suburban style housing.

The area is bordered by the railway lines, the M77 motorway, Pollok Country Park and Nethercraigs Sports Complex, ten minutes from Glasgow Central on the train and close to two junctions of the motorway.

Nethercraigs

Nethercraigs in 2005, a short time after it opened
Nethercraigs lies adjacent to the Corkerhill residential area and is largely occupied by the Nethercraigs Sports Complex,[3] which was formerly the home ground to Glasgow Gaelic football side, Tir Conaill Harps and was later used by the Glasgow Caledonain GAA as their home ground and training pitch.

The sports complex, built at a cost of £3.7 million with help from the late local resident Walter Morrison, was opened in 2005 by Sir Alex Ferguson.[4] It has a 3G astro pitch for 11-a-side football or three 7-a-side pitches, a separate 5-a-side pitch, two hockey pitches, gym, dance studio, running track, grass rugby pitch, three grass 11-a-side football pitches and a skate park. There are also areas for various athletic sports such as shot put and high jump. The 11-a-side, 5-a-side, hockey and rugby pitches are floodlit, as is the running track.



Webbing



I've... got to Dance.....!

Let's WEEEEEEEEAAAAAVE!!!!

-- Brian Can't


Connor & The Kurgan Fight Across A Rooftop | Highlander




"......and You have absolutely
NO Knowledge whatsoever 
of Your Potential ....!!"



4 entries found.

web (n.)
Old English webb "woven fabric, woven work, tapestry," from Proto-Germanic *wabjam "fabric, web" (source also of Old Saxon webbi, Old Norse vefr, Dutch webbe, Old High German weppi, German gewebe "web"), from PIE *(h)uebh- "to weave" (see weave (v.)).

Meaning "spider's web" is first recorded early 13c. Applied to the membranes between the toes of ducks and other aquatic birds from 1570s. Internet sense is from 1992, shortened from World Wide Web (1990). Web browser, web page both also attested 1990.

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webbed (adj.)
1660s, from web.

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Venetian (n.)
early 15c., "native or resident of Venice," from Medieval Latin Venetianus, from Venetia (see Venice). Also probably in part from Old French Venicien. As a kind of dress cloth, from 1710. As an adjective from 1550s. Venetian blinds, made of thin light slats suspended on strips of webbing, so called by 1791 (see blinds).

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shirr (v.)
"to gather (cloth) by means of parallel threads," 1860 (implied in shirring), a back-formation from shirred (1847), related to shirr (n.) "elastic webbing" (1858); the whole group is of unknown origin.

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James







The WORST Insults Thrown At James In Derry Girls! | Channel 4


The Zeppo :
Essayist Emily (last name not given) 
of the site InsectReflection.com 
compares Jack O'Toole and Xander and 
their respective views of masculinity:

Even undead, he's still more schoolyard bully than horrific monster, but that makes him a more direct danger to Xander, as he can impose emasculation directly onto him. 

This emasculation is coded homo-erotically, in an Ancient-Greece sense. 
O'Toole threatens to "take" Xander, grabs him from behind, 
holds up a penetrative object and asks him where he "wants it". 

Xander's immediate insistence that he and Jack were "rasslin', 
but not in a gay way" stems from his intertwined fear 
of emasculation and homosexuality. ... 

This whole episode is an exercise in 
"be careful what you wish for", in which Xander achieves 
successful masculinity, and has a terrible time because of it.

Theresa Basile compares him with the brave hobbit 
Sam in The Lord of the Rings and writes, 
"He’s a would-be 'man's man' – 
obsessed with being manly – 
whose only close friends are women. 

He's both a perpetrator and victim of 
sexual assault and/or violation of consent. 
He's both attracted to and 
intimidated by strong women. 
He jokes about objectifying women 
and viewing sex as some sort of game
but in more intimate moments, seems 
to value romance and real connection. 

He's a willing participant 
in The Patriarchy and also 
a victim of it."

Cultural references
InsectReflection.com notes that the earlier episode 
"'Helpless' directly compared Buffy to Superman – 
a comparison that has been made before since 
'Never Kill a Boy on the First Date' – and 
'The Zeppo' follows up on that by comparing Xander 
to Jimmy Olsen,' Superman's sidekick. 
He has accepted Buffy's role as Hero, but is struggling 
to find his own role within the same genre structure."

Continuity
Buffy's crinkly, crimped hair signals that the episode 
contains characters who are different than usual, 
a little "off" or under a spell. 

See, for example, "Something Blue," "This Year's Girl," 
"Who Are You?," "Superstar," and 
"Where the Wild Things Are."

Reception and influence
Vox ranked it at #34 of the 144 Buffy episodes, writing that "this episode, which sees him sidelined by his friends as they try to stop yet another impending apocalypse, is truly Xander-centric: Isolated from the gang, he falls in with a bad (read: dead) crowd, has a, uh, romantic encounter with Faith, and eventually averts an apocalypse of his own. ... But the episode reminds us that he charges into battle beside his friends time and again not because he’s gifted, or tasked by some higher power, but because he chooses to. Which is, in some ways, even more noble."

Noel Murray of The A.V. Club wrote that "The Zeppo" had become a favorite episode of his, saying, "What I loved about 'The Zeppo' is how Xander's feelings of abandonment pervade the structure of the episode, which is filled with moments that are (intentionally) dramatically unsatisfying." 

In Entertainment Weekly's list of the 25 best Whedonverse episodes—including episodes from Buffy, as well as Angel, Firefly and Dollhouse—"The Zeppo" placed at No. 23. TV Squad's Keith McDuffee listed "The Zeppo" as the fifth best episode of the series. The episode was nominated for an Emmy Award for Outstanding Makeup in a Series.

Theresa Basile calls it an overrated episode, saying, 
"This is the boy who brought Buffy 
back to life in 'Prophecy Girl,' 
helped her save Willow/Cordelia/Giles/Jenny 
in 'When She Was Bad,' 
constantly patrolled with her throughout season two, 
pulled Cordelia out of a fire, and rescued Giles 
in 'Becoming Part 2,' all without the aid 
of supernatural powers – 
and all of a sudden, he’s a useless drain 
on the Scooby gang
 whom they need to protect? 

They sacrifice character for the sake of a fairly weak parody that 
doesn’t actually become funny until the final act."
On the other hand, she liked "the zombie frat boys who 
enjoy Walker, Texas Ranger, because that is some 
inspired silliness right there."

InsectReflection.com notes, "This episode is quietly a turning point for Xander's character. More than that, it’s quietly one of the best and most unique episodes in the series. ... This is, in fact, an episode of Xander the Zombie Fighter, inside which occurs an episode of Buffy the Vampire Slayer."

The episode has proved influential on later television writers. In his "Production Notes: Doodles in the Margins of Time", Doctor Who executive producer Russell T Davies said that he was inspired by "The Zeppo", along with the Star Trek: The Next Generation episode "Lower Decks", when writing the 2006 "Doctor-lite" episode "Love & Monsters", which started an annual tradition for an episode with little involvement of the lead cast. Joss Whedon himself cites it as influential to his later series Agents of S.H.I.E.L.D.