Wednesday, 2 June 2021

Can’t Be Like That All The Time

 
  

Carl Grimes,

The Sheriff’s Son :

Where are you going? 

 

 

Hershel Greene,

The Great Gardener :

I'm down here away from y'all

'cause you kids are supposed to stay away from me.

 

Carl Grimes,

The Sheriff’s Son :

I've been walking The Halls.

My Dad told me to look out for everyone.

 

Hershel Greene,

The Great Gardener :

Well, you should keep your distance.

 

Carl Grimes,

The Sheriff’s Son :

You're walking towards The Exit.

 

Hershel Greene,

The Great Gardener :

I need to go Out There.

 

Carl Grimes,

The Sheriff’s Son :

To the cell blocks?

 

 

Hershel Greene,

The Great Gardener :

To The Woods.

 

 

Carl Grimes,

The Sheriff’s Son :

So you're sneaking out.

 

Hershel Greene,

The Great Gardener : 

Don't need anyone worrying about me

and I damn sure don't want

someone telling me I can't go.

 

Carl Grimes,

The Sheriff’s Son :

I can't just let you go out into The Woods by yourself.

 

Hershel Greene,

The Great Gardener :

Let me?

 

 

Carl Grimes,

The Sheriff’s Son :

I can't stop you.

But I have to tell My Dad.

 

 

Hershel Greene,

The Great Gardener :

 Go ahead, then.

I'll be Out There by the time you find him.

 

Carl Grimes,

The Sheriff’s Son :

 Hershel — If you have to go,

then I have to come with you.

 

 

 

Hershel Greene,

The Great Gardener :

Carl.

 

Carl Grimes,

The Sheriff’s Son :

I Have To.

 

 

 

Lizzy:

Carol...?

Mica said you were here.

I don't feel good.

 

( coughs )

 

Carol,

The Great Mother :

 It's okay. Don't worry.

Hey, don't worry.

We're gonna get you better.

You just go In There and lie down.

 

 

Lizzy :

Will you tuck me in?

 

 

Carol,

The Great Mother :

You know My Friend Glenn?

He's the best tucker-in I know.

And he'll make sure that you feel toasty and warm, okay?

 

( coughing within )

 

Carol,

The Great Mother :

Okay. It's okay. It's okay.

It's all right. Go on.

 

 

 

Thanks for being in there.

I know you don't have to be.

It means a lot you being in there with Judith.

 

Beth Greene :

Things okay Out There?

 

Maggie Rhee( nee Greene),

Wife of Glenn :

Glenn has it. 

 

Beth Greene :

Maggie — We don't get to be upset.

 

We all got jobs to do

 

That's What Daddy Always Says

 

Daryl and Michonne will get the meds. 

You and Carol and Rick will help everyone till they get back. 

And I'll take care of Judith.

 

Just focus on What You Have to Do.

No matter what happens,

we'll deal with it. We have to.

 

 

 

 

Hershel Greene,

The Great Gardener : 

( referring to Carl’s First Gun  a silenced pistol. )

When did Your Dad give it back?

 

CARL GRIMES,

The Sheriff’s Son :

Yesterday.

After Everything Happened.

 

Hershel Greene,

The Great Gardener : 

You've grown a lot these last few months.

There's a responsibility about you.

I Think it's done you good to step back.

 

 

CARL GRIMES,

The Sheriff’s Son : 

Yeah. It was all right.

Can't be like that all the time.

 

 

Hershel Greene,

The Great Gardener : 

I would have been fine on my own. It's peaceful out here.

These last couple days, we might be safer outside those walls than in.

 

 

CARL GRIMES,

The Sheriff’s Son :

( Spotting Inbound Trouble a-comin’ their way )

No, we're not.

 

( growling )

( snarls )

 

Carl puts the walker down, clean.

 

CARL GRIMES,

The Sheriff’s Son :

Let's wrap this up.

 

Another lone walker is in heading in their direction — slowly — in the middle distance.

 

It has an animal trap clamped firmly around it’s right leg.

 

It’s the Lost and Suicidal Mud-faced Woman

His Father killed the day before,

but neglected to put-down.

 

( rattling )

 

Hershel Greene,

The Great Gardener :

Don't. You don't need to.

 

The Junior Sheriff lowers his pistol and lets her be.

 

 

Hershel Greene,

The Great Gardener :

It was so peaceful.

 

 

 

CARL GRIMES,

The Sheriff’s Son :

It was.

 

Can't be like that all the time.





 

Hershel Greene



This is 
The End of The World

We don't GET to be upset.

We all got jobs to do. 

Maggie :
(sobs ) 
WHY aren't you in quarantine? 

Hershel: 
I'm no good to anyone in there. 

Maggie :
Daddy, please

Hershel: 
Maggie, dear — there are people in there SUFFERING
I can bring their fever down 
and keep them stable. 

Maggie :
Daryl's getting the antibiotics. 

Hershel: 
Some of these people won't LAST 12 hours....!

Maggie :
I can't let you do this. 

Hershel: 
Maggie, Glenn's in there

What's going on? 


Hershel: 
Elderberries
My wife used to make tea with them. 
They're a natural ‘flu remedy. 
Caleb's too sick to help. I can.
 
There's so many times we haven't been able to do anything to change What Was Happening-- 
What Was Happening TO Us. 

We wished we could, 
but we couldn't

This time, I can. I know I can. 
So I have to

Rick :
Hershel, if you go in there, you're gonna get sick. 

Hershel: 
Wait, we don't KNOW that. 


What we •do• know is that these people's symptoms •need• to be controlled

Hershel, please. 
We can wait. 

Hershel: 
LISTEN, damn it! 

You step outside, 
you risk your life. 

You take a drink of water, 
you risk your life. 

And nowadays you breathe, 
and you risk your life. 

Every moment now you don't have A Choice — 
The only thing you CAN choose 
is what you're risking it FOR

Now, I can make these people feel BETTER and HANG ON a little bit longer. 

I can SAVE Lives. 
That's reason enough 
to risk mine.
And you know that.

Monday, 31 May 2021

SISTER MOON : I Want to Believe

 “Luther Lee Boggs, 
Clyde Bruckman, 
Gerald Schnauz.. 
I went through those cases 
and that work was 
extremely impressive.”

  


(Cameo) Vanessa Morley: 
When Fox Mulder and Dana Scully first walk back into the F.B.I. offices 
right before they walk into the bullpen, 
a female agent walks by that catches Mulder's attention 
and he watches her walk away. 

The woman is the actress who throughout The X Files (1993) 
played the young Samantha Mulder, 
and is the same Samantha 
in the photo Mulder has taped to the back of his home office door.




 “But I've learned to pretend over the past nine years - to pretend that my victories MATTERED, only to realize that NO-ONE was keeping score.”

— Fox Mulder, 2002,
Post-9/11.
  















GENERAL MARK A. SUVEG: 
This would look bad for the Marines 
if it didn't look worse for The FBI. 
What does Mulder intend to plea?

KERSH shrugs his shoulders and shakes his head. 
He doesn't know.

Right up until this very instant —
He did not CARE :
He HATES Fox Mulder, 
and everything that he represents.

But now.....

GENERAL MARK A. SUVEG: 
You wanted a chance to clear up 
this mess, Mr. Kersh, and 
I'm going to give it to you
Give it to the FBI.

KERSH: 
How?

GENERAL MARK A. SUVEG: 
A fair hearing for Your Agent 
by his own Agency. 

Mulder isn’t an FBI Agent anymore —
He’s been Out of The Bureau since shortly after he returned from The Dead.

The Military Doesn’t Care.
The Bush Administration Doesn’t Care.

Blame must be assigned.

And for that to happen, 
The FBI must get out of The Way, 
go along with The Lie and Keep Silent.

9/11.

Your Prosecutor, Your Judges. 
Held in my court.

KERSH: 
That can't be legal. 

KERSH:
Why Do This?


GENERAL MARK A. SUVEG: 
I want a verdict
A guilty verdict. 

This man Mulder has made 
a lot of Enemies. 

He's A Crusader. 
And a lot of people do 
not like The Crusade.

KERSH shakes his head, no.

KERSH
I can't do that.

GENERAL MARK A. SUVEG: 
Oh, you'll do it
Deputy Director. 

You and I both know there are forces 
inside The Government now that 
A Man would be foolish to disobey.

KERSH knows a threat when he hears one.



SCULLY :
You've always said that you 
Want to Believe. 
 
But Believe in WHAT, Mulder? 
 
If this is The Truth that you've been looking for, then 
What is left 
to Believe in?

MULDER: 
I Want to Believe That The Dead Are Not Lost to Us.
 
That They Speak to Us as Part of Something Greater Than Us
Greater Than Any Alien Force. 
 
And if You and I are powerless now, 
I Want to Believe 
That if We LISTEN 
to What is SPEAKING --
 
It can 
Give Us The Power 
to Save Ourselves.

SCULLY :
 Then,
We Believe in The Same Thing.

She reaches down  to the gifted Gold that hangs on a chain around her neck, the same Golden totem that has hung there, 
in plain sight for 9 whole seasons of Network Television without attracting ANY real notice or curious interest —  or not any from Mulder, at least — 
and she gently turns her Cross ever-so slightly, 45-degrees or so from the perpendicular —

It is an X. 
The Unknown and Unquantifiable, Endless-Nameless Mystery



“A lot of people like to 
characterise Grant, as — 
A Space Case.
 
And a NUTTER.
 

 But what a lot of people don’t realise, 
in large-part because They're not listening,
is that he is extremely 
practial and pragmantic.
 
When he talks about his alien abduction, 
when he talks about Magick, it's all about --
 
The Practical Method 
to make Something Happen.
 
In his completely insane and unreasonable way,
he is actually completely reasonable -- 
and pragmatic about these things."
 
-- Warren Ellis.
 



YOUNG GUARDIAN SAAL : 
Ha!
 
It’s good that you were kind to Them.
 
But you turned down Their Offer?
 
 HAL JORDAN,
THE Green Lantern,
Sir Harold of The Emerald Lamp,
Aladdin, a Widow’s Son, The Son of a Tailor,
The New Taylor :
“My Ring’s running on Grail Energy
and I have plans to hitch a ride on some passing comet,
see where The Road takes me.
 
Maybe catch up on some
Unfinished Business.
 
Guardian Saal —
Where Are We Going?
 
….and Why Do I Hear Voices?"
 
 YOUNG GUARDIAN SAAL : 
Only The Voices of Your Fellow Green Lanterns.
Those Who Were Inspired by You.
Those Who Wish to Honour You.
 
Those Who Dream of One Day Surpassing You!”



The Accolytes :
....um?




 

SCENE 5 
SOMERSET, WESTERN VIRGINIA 

5:02 A.M.

The FBI vehicles drive down a snow-laden track. 
Joe is dozing next to Mulder in the back. 
The vehicle goes over a bump and he wakes up.

FATHER JOE: 
Are we getting warm?

WHITNEY: 
You tell us.

Whitney is in the front passenger seat, Drummy is driving.

FATHER JOE: 
I don't know. 
I have a clue where we are.

MULDER: 
That's all right. 
Everybody works differently.

FATHER JOE: 
Who are you - The Good Cop?

MULDER: 
I'm the non-Cop.

He holds out Monica Bannan's FBI photo ID card.

FATHER JOE: 
I don't know this girl. 
This Agent Bannan of yours. 

I haven't a clue of the connection.

MULDER: 
There's always something, 
however small.

FATHER JOE: 
And who made you 
The Expert?

MULDER: 
I once investigated a series of cases involving unexplained phenomena for the FBI.

FATHER JOE: 
So you believe in these sort of things?

MULDER: 
Let's just say 
I want to Believe.

DRUMMY: 
And His Sister was abducted.
By E.T.

FATHER JOE
...Is that True...?

MULDER
It was a long time ago.

FATHER JOE
.....she's dead, isn't she?
Your Sister?

Mulder doesn't answer. 

He takes Monica Bannan's ID and looks at it. 
Whitney glances at him. 

Then Joe leans forward.

FATHER JOE: 
This is where she was taken - Your Agent. 
This is where she was attacked.

MULDER
I want him to see the crime scene.

They pull into a driveway and get out of the cars. 

Joe walks towards the garage 
then stops.

FATHER JOE
No, this isn't right
You've brought me to the wrong house.

Joe walks back down the drive.

MULDER: 
Pulled that right out of his ass.

Drummy walks after Father Joe who has now 
walked onto the road. 

He approaches the house opposite, 
where there is yellow crime scene tape 
around the garage. 

He goes into the garage and looks around. 
Whitney indicates to Drummy to follow him.

WHITNEY: 
There were news crews out here 
covering the scene, 
pictures of the neighborhood — 

He could've recognized it all from TV....

Mulder and Whitney go round the outside of the house.

MULDER: 
Yeah, but, why?

WHITNEY: 
Why?

MULDER: 
Why do it? Why go to such 
great lengths to create such an 
elaborate fiction.

WHITNEY: 
ExpiationForgiveness of His Sins. 
He's written dozens of letters 
to The Vatican pleading 
re-engagement with 
The Church.


MULDER
A rather odd way to impress 
The Holy See.

WHITNEY
The Voice of God Speaking 
through A Man - 

I think that's been 
A Winner a few times.

At the back of the house, 
Father Joe is walking towards The Woods, 
Drummy watching him.

MULDER: 
So you think he's Guilty too, huh?

WHITNEY: 
We HAVE to consider him 
A Suspect —

MULDER: 
But you found no connection 
to The Crime.

WHITNEY: 
Don't think My Guys have stopped looking, 
and they think they're going to find Monica.

MULDER: 
But you don't
or I wouldn't be here.

WHITNEY
Yeah, I'm not the most popular girl 
at the FBI right now for 
calling you in, 
Believe Me.

MULDER
I wasn't exactly Miss Popularity 
at the FBI myself.

WHITNEY
But you've dealt with 
psychics before

Luther Lee Boggs, 
Clyde Bruckman, 
Gerald Schnauz - 

I went through 
those cases and 
that work was 
extremely impressive.

MULDER
Yeah, well. 
I'm only half The Yeam.

WHITNEY
But it's YOUR insights 
I NEED.

They see Father Joe sink to his knees in The Snow. 
They rush over to him.

FATHER JOE: 
She ran away. 
She tried to escape. 

There were two men. 
Well, she couldn't

He pushed her down, 
it was here, 
it was right here, 
and then they put in the back.

WHITNEY: 
Where?!

FATHER JOE: 
In the car - no - it was a truck, 
a truck with something on it.

WHITNEY: 
We have to find her!

FATHER JOE: 
She's in pain
great, great pain.

WHITNEY: 
Tell me where!

FATHER JOE: 
I don't know
I can't see.

WHITNEY: 
We need to find her!

FATHER JOE: 
I can't see.

Drummy doesn't believe this.

DRUMMY: 
Because he's pulling it out of his ass.

If he were
he would be lying better — 
providing more positive and actionable information 
(even if it isn’t True),
and he would never be saying 
I Don’t Know.”

It isn’t bullshit, therefore.

If he were faking it, 
he would want to seem 
as useful and insight 
as possible — he isn’t.

This is largely unhelpful :
Except for the fact that 
she is in Great Pain.

But that does not help 
in finding her...

He walks off. 
Mulder and Whitney look down at Joe who is weeping. 
They blood spots on The Snow.

MULDER: 
Father Joe?

Father Joe lifts up his head. 
The blood is coming from his eyes.

At the hospital, Scully goes into the children's ward and up to Christian who is lying in bed.

SCULLY: 
Hi, Christian. 
You're looking very bright-eyed this morning.

CHRISTIAN
I was thinking.

SCULLY
Yeah? What were you thinking?

CHRISTIAN
How I'm going to get out of here.

SCULLY
Well, you know, 
I'm thinking exactly the same thing.

CHRISTIAN: 
Can I get out of here soon?

SCULLY: 
What's wrong? 
Has something scared you?

CHRISTIAN
The Way The Man 
is looking at me.

SCULLY
What man?

Christian indicates a man standing in the corridor.

SCULLY: 
Don't be afraid.

Scully walks down the corridor to The Man, Father Ybarra
who is looking through a folder.

SCULLY: 
I was just looking for those.

FATHER YBARRA: 
I wanted to go over them myself 
and the results of the 
new tests that you ordered.

SCULLY
That isn't really your purview, Father. 
It's his primary physician's.

FATHER YBARRA
It is in my purview, to make sure 
that all my physicians are making 
The Right Choices for their patients 
and for The Hospital.

SCULLY: 
Can I have the test results, please?

He hands them to her.

FATHER YBARRA: 
We are here to Heal The Sick
not prolong the ordeal 
of The Dying. 

There are other
better facilities for The Boy.

 




DRUMMY: 
Dana Scully? 

Dr. Scully, 
I'm looking for Fox Mulder.

SCULLY: 
Excuse me.

Scully walks over to him.

DRUMMY: 
Special Agent Drummy 
with the FBI.

SCULLY: 
I can guess who you're with.

DRUMMY: 
The FBI urgently needs to speak with Fox Mulder.

SCULLY: 
I don't work with Fox Mulder any longer. 
I don't work with the FBI.

DRUMMY: 
Well, if you could contact him, 
it might just Save The Life 
of an FBI Agent.

Later, Scully drives down a country road and turns into a lane blocked by a metal gate. 
She opens this and continues driving up the long track to a house. 
She enters the house, into a cluttered living room. 
She undoes her coat, then goes into another room which has press cuttings all over the walls. 
Mulder is sat at a desk with his back to her.

MULDER: 
What's up, Doc?

SCULLY: 
You've become awfully trusting Mulder, 
for a man wanted by the FBI.

MULDER
Eyes in the back of my head, Scully. 
"Auf einer Wellenlänge",
 as The Germans say. 

It's a precognitive state often confused with simple human intuition, 
in which the brain perceives 
The Deep Logic underlying transitory Human Existence, 
unaided by The Conscious Mind, 
materializing much as you did just now. 

Though if you'd actually materialized, 
you'd be rapidly de-materializing. 

But Who Believes 
that crap anymore?

Mulder has been cutting out another newspaper article. 

Then he stands and faces her, smiling.

He's dressed in casual clothes, and has a beard.

SCULLY: 
Well, they do at the FBI apparently. 

I had a visitor today, Mulder. 

The FBI want your help finding a missing agent.

Mulder pins the newspaper article, "Princeton closes ESP lab after 40 years of paranormal study" on the board next to his I Want To Believe poster.

MULDER: 
Well, I hope you told them go screw themselves.

SCULLY: 
They say all is forgiven. 
That they'll drop all charges against you if you come in 
and help them solve this case.

MULDER: 
The FBI will forgive me
They put me on trial on bogus charges 
and tried to discredit a decade of my work, 
they should be asking me for my forgiveness, Scully.

SCULLY: 
I think they are
Desperately.

MULDER:
How can I possibly help these people?

Mulder sits down.

SCULLY: 
Someone's come forward with some promising evidence.

A psychic, he claims.

MULDER
It's A Trick, Scully, 
to smoke me out.

SCULLY
Mulder, if the FBI wanted to get you,
I have no doubt that they could

I think they've just been happy 
to have you out of their hair.

MULDER
Oh good, because I am just as happy, 
having them out of mine.

SCULLY
A Young Agent's Life is at stake. 

Mulder, I know 
I don't have to say this, 
but it could have been you once, or me. 

You know, The Truth is, 
I worry about you, 
and the effects of long-term isolation.

Mulder chuckles.

MULDER: 
I'm fine, here — 
Happy as a clam.

Mulder eats a sunflower seed. 
Scully looks up at the ceiling which has many pencils embedded in it.

SCULLY
I'll Tell Them Your Answer.

She leaves the room. 

Mulder looks at the closed door 
on which there are many press cuttings, 
plus a photograph of young Samantha — 

Looking at him.

MULDER
Shit.

He opens the door.

MULDER: 
Okay, I'll go. 
Under one condition.

Scully sighs. 

A helicopter. 
Mulder holds open the door for Scully. 
After they are both seated inside, 
the helicopter takes off.






SCENE 23
TEXAS-NEW MEXICO BORDER
5:07 AM


The SUV driven by MULDER makes it was down the road. 
It pulls off to the side.

MULDER cuts the engine, leans toward SCULLY who is sleeping and gently kisses her cheek. He gets out of the car.)

MULDER unzips his pants and relieves himself, when ...

FROHIKE'S GHOST :
 
Hey, hot shot! 
You might have the common courtesy 
of doing Your Business there downwind.

MULDER: 
Oh, boy.

LANGLY
'S GHOST: 
Why don't you just finish draining 
the little lizard 
and then we'll talk?

BYER
'S GHOST: 
We're very worried about you.

FROHIKE
'S GHOST: 
It's craziness, man. Turn around.

LANGLEY
'S GHOST:
Just hang a big U-ie and never look back.

MULDER: 
can't.

BYER
'S GHOST: 
Why risk Perfect Happiness, Mulder? 
Why risk your lives?

MULDER: 
Because I need to 
Know The Truth.

BYER
'S GHOST: 
You already know The Truth.

MULDER thinks about that one for a moment. 
When he responds, its with complete honesty 
at what he's really doing there.

MULDER: 
need to know if I can change it.

LANGLY
'S GHOST: 
Change it?

FROHIKE
'S GHOST: 
For crying out loud --
All you're going to do is
 get yourself killed.

From behind him, 
SCULLY 
got out of the car to look 
for MULDER.

SCULLY: 
Mulder! What are you doing?

MULDER: 
I'll be right with you, Scully.

They both get back into the car.