Gary, King of The Humans :
Gary, King of The Humans :
Dr. Sam Beckett :
If I'm Don Quixote,
then Al is my Sancho.
There isn't anything he wouldn't do for me.
Al, The Bartender :
Or you for him.
Dr. Sam Beckett :
Or me for him.
Dr. Sam Beckett :
That's Not True though.
There was a time once when he wanted me to do something for him, and I didn't.
Al, The Bartender :
Could you have done it?
Dr. Sam Beckett :
I could have tried.
Al, The Bartender :
Why didn't you try?
Dr. Sam Beckett :
I wasn't there to save his marriage... to Beth.
I was there to save an undercover cop from being killed.
I know you can't see me, Beth.
But don't give up on me... 'cause I'm alive out there.
And someday, I'm gonna come back home to you.
Al, The Bartender :
So Beth thought Al was dead,
and married someone else, because --
Dr. Sam Beckett :
'Cause I always play by the rules.
Don Quixote :
I don't want to do more.
I want to go home.
Al, The Bartender :
Then why haven't you?
Don Quixote :
Because I don't control My Future.
You do!
Al, The Bartender :
Sam, you will only do this as long as you want to.
Don Quixote :
Are you saying I can leap home anytime I want?
Al, The Bartender :
Technically, yes.
Don Quixote :
What's the catch?
Al, The Bartender :
The catch...
is that you have to accept that
You Control Your Own Destiny.
We're getting a lock.
Al, The Observer :
Thank God!
Sam! Quick!
Come on outside! Outside.
Don Quixote :
Al!
Al, The Observer :
Come on. Outside, Sam.
Whew.
Come here. Hey!
Ah, it's so good to see you.
Don Quixote :
I can't believe you finally got here.
Al, The Observer :
I never thought I was gonna find you.
Don Quixote :
You're here.
Al, The Observer :
I'm here.
But where is here?
Don Quixote :
Al's Place.
Al, The Observer :
...?
....I always wanted my own bar.
Don Quixote :
Yeah. This is more than a bar, Al.
Al, The Observer :
Uh-huh.
Don Quixote :
This is where it all started.
Al, The Observer :
Eh, what started?
Don Quixote :
Quantum Leap.
Al, The Observer :
Ah, but, no-- but this isn't--
This isn't New Mexico.
Don Quixote :
No. No, no.
Not The Project.
You remember the first time I leaped,
and we all felt that someone
or something grabbed me?
Al, The Observer :
Yeah?
Don Quixote :
He's the Someone or Something that grabbed me.
Al, The Observer :
...who, the bartender..?
Don Quixote :
Yeah.
That bartender's been leaping me around.
He wants me to believe that I'm the one leaping me,
but I-I, uh--
I think it's him.
Al, one of the miners in there is Moe Stein.
Captain Galaxy.
Remember Captain Galaxy?
Only here his-his name's Ziggy.
And Frank and Jimmy LaMotta
are in there, only here their names
are Tonchi and Pete.
And there's a guy named Gooshie
in there with a long beard.
Al, The Observer :
Sam.
Don Quixote :
But he doesn't look anything like our Gooshie, right?
Al, The Observer :
Sam?
Don Quixote :
But he's got the same bad breath.
Al, The Observer :
Sam, uh, I think we'd better get you out of here.
Don Quixote :
No, Al. Please. Please.
Everything I'm telling you is The Truth.
Al, The Observer :
Uh, yeah. Uh, you haven't been
leaped around by God or Fate or Time,
but, no, you've been leaped by a bartender.
Al, The Observer :
He's not just a bartender.
That's what I'm trying to tell you, Al.
I think he is God...
or Time or-or Fate...
or maybe even something
that we've never even thought of.
Al, The Observer :
Gooshie..!!
Don Quixote :
Al?
When I leap, do I turn all blue
and tingle with electrical energy?
Al, The Observer :
?....I don't know.
When you leap, I go back into the imaging chamber.
Don Quixote :
I bet I do. I bet I turn all blue
and tingle with electrical energy,
the same way that he did when he leaped.
Only nobody leaped back in,
but that's probably because he was dead.
Al, The Observer :
Oh, that's it. I'm outta here.
Don Quixote :
Al!
All those stories of Dead Souls...
coming back to warn The Living?
What if they're all leapers like Stawpah?
Al, The Observer :
Stawpah?
Don Quixote :
Yeah. Stawpah, this guy who was here,
and he leaped. He--
Stawpah is "Steve" in Russian.
Al, The Observer :
I know what it means --
I've got an uncle named Stawpah.
Don Quixote :
Does he have, um--
uh, rheumatoid arthritis, Al?
Al, The Observer :
Yeah. It's got--
It's got him all twisted up like a pretzel.
(Sam starts laughing)
Al, The Observer :
It's not funny.
Don Quixote :
Ah, but it is.
Al, The Observer :
Why?
Don Quixote :
I don't know, Al.
It just is.
Al, The Observer :
Uh, just take it easy.
I'm gonna go back and figure this out with Ziggy.
But...
I'm gonna get you out of this.
Whatever it takes, I'll--
I'll get you out of this.
Don Quixote :
Al's uncle.....
Al, The Bartender :
I've always found coincidence amusing.
Don Quixote :
Uh-huh.
The name “Amfortas” is the name of The Fisher King in Richard Wagner’s opera Parsifal, which itself is derived from “Anfortas,” the name of the character of the Fisher King in the Middle High German medieval Grail romance Parzival, by Wolfram von Eschenbach.
Dr. Amfortas, like his literary and operatic namesakes, is a type of The Wounded King or Maimed King, a role traditionally occupied by the character of the Fisher King in medieval romances related to the Holy Grail legend, whose literary and mythological roles are discussed in detail by Jessie Weston in her 1920 examination of The Grail tradition, From Ritual to Romance.
HE SAT IN A SPACE BETWEEN FEAR AND LONGING, portable tape recorder clutched in one hand as he listened to cassettes of the music they had shared. Was it day or night outside? He didn't know. The world was veiled beyond his living room, and the light from the lamps seemed dim. He couldn't remember how long he'd been sitting there. Was it hours or only minutes? Reality danced in and out of his focus in a silent, baffling harlequinade. He'd doubled the steroid dosage, he remembered; the pain had eased to an ominous throbbing, a price that his brain had exacted for its ruin, for the drug ate away at its vital connections. He stared at a sofa and watched as it shrank to half its size. When he saw it smile he closed his eyes and gave himself totally to the music, a haunting song from a show they had seen:
Touch me. It's so easy to leave me
All alone with the memory
Of my days in the sun
The song swept through his soul and filled it. He wanted it louder and he fumbled for the volume control on the recorder when he heard a cassette fall softly to the floor. When he groped to pick it up two more of the cassettes slipped off his lap. He opened his eyes and saw the man. He was staring at his double.
The figure sat crouched in midair as though seated, mimicking Amfortas' posture precisely. Dressed in the same denim jeans and blue sweater, it was staring back with equal astonishment.
Amfortas leaned back; it leaned back. Amfortas put a hand to his face; it did the same. Amfortas said, "Hello"; it said, "Hello." Amfortas felt his heart begin to beat faster. "The Double" was an often-reported hallucination in serious disorders of the temporal lobe, but looking into those eyes and at that face was eerily disquieting, almost frightening. Amfortas shut his eyes and began to breathe deeply, and slowly his heart rate began to slow down. Would The Double be there when he opened his eyes again? he wondered. He looked. It was there. Now Amfortas grew fascinated. No neurologist had ever seen "The Double." The reports of its behavior were vague and contradictory. A clinical interest overcame him. He picked up his feet and held them out. The double did the same. He put his feet down. The Double followed. Then Amfortas started crossing and uncrossing his feet with a timing that he tried to make random and unplanned, but the double matched the movements simultaneously without flaw or variation.
Amfortas paused and thought for a moment. Then he held up the tape recorder in his hand. As the double imitated the action, its hand was empty, curled around the air. Amfortas wondered why the delusion stopped short of including the tape recorder. The Double wore clothing, after all. He could not think of an explanation.
Amfortas looked down at the double's shoes. Like his own, they were blue-and-white-striped Nikes. He looked at his feet and pigeoned them inward, making sure he could not see if the double was matching him. Would it mimic if he were not observing its action as it happened? He shifted his gaze to the double's feet. They were already pigeoned in. Amfortas was wondering what to try next when he noticed that the tip of The Double's left shoelace had something like an ink mark or a scuff on it. When he checked his own shoe he saw that his shoelace tip was the same. He thought that was odd. He didn't think he had known of such a marking until now. How had he seen it on the double? Perhaps his unconscious had known, he decided.
Amfortas lifted his gaze to the double's. It was haggard and burning. Amfortas leaned closer; he thought he saw lamplight reflected in the eyes. How could this be? the neurologist wondered. Again he experienced a sense of disquiet. The double was staring at him intently. Amfortas heard voices coming from the street, students shouting back and forth; then they faded to silence and he thought he could hear the beating of his heart when suddenly the double grasped at its temple and gasped in pain, and Amfortas was unable to distinguish the action of the double from his own as the searing pincers clutched at his brain. He stood up unsteadily and the tape recorder and cassettes tumbled down to the floor. Amfortas lurched blindly toward the stairs, knocking over an end table and a lamp. Moaning, he stumbled up to his bedroom, opened the medical bag on the bed and groped for the hypodermic and the drug. The pain was unbearable. He flopped on the edge of the bed and with shaking hands filled up the syringe. He could barely see. He stabbed the syringe through the fabric of his trousers and pressed twelve milligrams of steroid into his thigh. He'd done it so rapidly that the drug hit his muscle like a hammer; but soon he felt an easing of the pain in his head, and a calm and a clarity of thought. He exhaled a long and fluttering breath and allowed the disposable syringe to slip from his fingers to the floor. It rolled on the wood and then stopped at a wall.
When Amfortas looked up, he was staring at the double. It was sitting in midair calmly meeting his gaze. Amfortas saw a smile on its lips, his own. "I'd lost track of you," they said in perfect unison. Now Amfortas began to feel giddy. "Can you sing?" they said; then together they hummed a piece of the Adagio from Rachmaninoff s Symphony in C. When they broke it off, they chuckled in amusement. "What very good company you are," they said. Amfortas shifted his glance to the nightstand and the green and white ceramic of the duck. He picked it up and held it with tenderness while his eyes brushed over it, remembering. "I bought this for Ann while we were still dating," they said. "At Mama Leone's in New York. The food was awful but the duck was a hit. Ann cherished this crazy little thing." He looked up at the double. They smiled fondly. "She said it was romantic," said Amfortas and the double. "Like those flowers in Bora Bora. She said she had a painting of that in her heart.''
Amfortas frowned and the double frowned back. The doubling of his voice had abruptly begun to annoy the neurologist. He felt an odd sensation of floating, of becoming disconnected from his surroundings. Something smelled horrible. "Go away," he said to the double. It persisted, simultaneously mimicking his words. Amfortas stood up and walked unsteadily to the stairs. He could see the double at his side, a mirror image of his movements.
The next instant, Amfortas found himself sitting in the living room chair. He didn't know how he'd gotten there. He was holding the duck in his lap. His mind seemed clear again and tranquil, though he felt himself suffering in some way at a distant remove from his perceptions. He could hear a dull pounding in his head but could not feel it. He looked at the double with distaste. It was facing him, sitting in the air and scowling. Amfortas closed his eyes to escape from the vision.
"Do you mind if I smoke?"
For a moment the voice didn't register; then Amfortas opened his eyes and stared. The double was sitting on the sofa, one leg comfortably stretched on its cushions. It lit a cigarette and exhaled smoke. "God knows, I've been trying to give it up," it said. "Oh, well, I've at least cut down."
Amfortas was stunned.
"Have I upset you?" asked the double. It frowned as if in sympathy. "Awfully sorry." It shrugged its shoulders. "Strictly speaking, I shouldn't be relaxing like this, but for heaven's sakes, I'm tired. That's all. I need a break. And in this case, what's the harm? Do you know what I mean?" It was staring at Amfortas with an air of expectancy, but the neurologist was still speechless. "I understand," it said at last. "It takes a bit of getting used to, I suppose. I've never learned how to make a subtle entrance. I suppose I could have tried it an inch at a time.'' It gave a shrug of surrender, and then said, "Hindsight. Anyway, I'm here, and I do apologize. All these years I've been aware of you, of course, but you've never known about me. Too bad. There are times when I've wanted to shake you, so to speak; to set you straight. Well, I suppose I can't do that, even now. Stupid rules. But at least we can have a chat." It suddenly looked solicitous. "Feeling better? No. I see the cat still has your tongue. Never mind, I'll keep talking until you're used to me." A cigarette ash fell on its sweater. It looked down and brushed it away, and murmured, "Careless."
Amfortas started giggling.
"It's alive," said the double. "How nice." It stared as Amfortas continued to laugh. "Only nice to a point," said the double sternly. "Do you want me to mimic you again?"
Amfortas shook his head, still chuckling. Then he noticed that the table and lamp he'd knocked over were back in place. He stared, looking puzzled.
"Yes, I picked them up," said the double. "I'm real."
Amfortas returned his gaze to the double. "You're in my mind," he said.
"Four words. Well done. We're progressing. I'm referring to the form," said the double, "not the content."
"You're a hallucination."
"And the lamp and the table as well?"
"I went into a fugue coming down the steps. I picked them up and then forgot it."
The double breathed out smoke with a sigh. "Earth souls," it murmured, shaking its head. "Would it help to convince you if I were to touch you? If you could feel me?"
"Perhaps," said Amfortas.
"Well, it can't be done," said the double. "That's out."
"That's because I'm hallucinating."
"If you say that again I will vomit. Listen, who do you think that it is you're talking to?"
"Myself."
"Well, that's partially correct. Congratulations. Yes. I'm your other soul," said the double. "Say 'Pleased to meet you,' or something, would you? Manners. Oh, that puts me in mind of a story. About introductions and whatnot. It's lovely." The double sat up for a moment, smiling. "This was told to me by Noel Coward's double, and Coward himself says it's true, that it happened. It seems he was standing in a royal reception line. He was right beside the Queen and to the other side of him stood Nicol Williamson. Well, along came a man named Chuck Connors. An American actor. You know? Of course. Well, he thrust out his hand to shake Noel's and said, 'Mister Coward, I'm Chuck Connors!' And Noel said immediately in a soothing, reassuring tone, 'Why, my dear boy, of course you are.' Is that lovely?" The double leaned back against the sofa."What a wit, that Coward. Too bad he's moved on past the border. Good for him, of course. Bad for us." The double looked meaningfully at Amfortas. "Good conversationalists are so rare," it said. "Do you get my drift or do you not?'' It flicked the cigarette stub to the floor. "Don't worry. It's not going to burn," it said.
Amfortas felt a mixture of doubt and excitement. There was something of reality about the double, a flavor of life that was not his own. "Why don't you prove that I'm not hallucinating," he said.
The double looked puzzled. "Prove it?"
"Yes."
"How?"
"Tell me something I don't know."
"I can't stay here forever," said the double.
"Some fact I don't know that I can check."
"Did you know that little story about Noel Coward?"
"I made it up. It isn't a fact."
"You are utterly insatiable," said the double. "Do you think you had the wit to make that up?"
"My unconscious does," said Amfortas.
"Once again you are close to the truth," said the double. "Your unconscious is your other soul. But not exactly in the way you suppose."
"Please explain that."
"Prevenient," said the double.
"What?"
"That's a fact you don't know. It just came to me. 'Prevenient.' That's a word. I heard it from Noel. There. Are you satisfied?"
"I know the Latin roots of the word."
"This is absolutely maddening if not insufferable," said the double. "I give up. You're hallucinating. And I suppose now you're going to tell me that you didn't commit those murders. Speaking of facts you don't know, old boy."
Amfortas froze. The double peered over at him slyly. "Not denying it, I see."
The neurologist's tongue was thick in his mouth. "What murders?" he asked.
"You know. The priests. That boy."
"No." Amfortas shook his head.
"Oh, don't be stubborn. Yes, I know, you weren't consciously aware of it. Still." The double shrugged. "You knew. You knew."
"I had nothing to do with those murders."
The double looked angry and suspicious. It sat up. "Oh, I suppose now you're going to blame me. Well, I haven't got a body, so that lets me out. Besides that, we don't meddle. Do you understand? It was you and your anger that committed those murders. Yes, your anger over God taking Ann from you. Face it. That's the reason you're allowing yourself to die. It's your guilt. Incidentally, that's a stupid idea. It's the coward's way out. It's premature."
Amfortas looked down at the ceramic. He was squeezing it, shaking his head. "I want to be with Ann," he said.
"She isn't there."
Amfortas looked up.
"I see I have your attention," said the double. It leaned back against the sofa. "Yes, you're dying, you think, because you want to join Ann. Well, I'm not going to argue that now. You're too stubborn. But it's pointless. Ann's moved on to another wing. With all that blood on your soul, I rather doubt that you'll ever catch up. Awfully sorry to be telling you this, but I'm not here to feed you lies. I can't afford it. I've got trouble enough as it is."
"Where is Ann?" The neurologist's heart was beating faster, the pain growing closer to his field of awareness.
"Ann is being treated,'' said the double. "Like the rest of us." It abruptly looked sly. "Do you know where I come from now?"
Amfortas turned his head and stared numbly at the tape recorder in the corner, and then back at the double.
"Amazing. A landmark in the history of learning. Yes, you've heard my voice before on your tapes. I'm from there. Would you like to know all about it?"
Amfortas was mesmerized. He nodded.
"I'm afraid I can't tell you," said the double. "Sorry. There are rules and regulations. Let's just say that it's a place of transition. As for Ann, as I told you before, she's gone on. That's just as well. You were bound to find out about her and Temple."
The neurologist held his breath and stared. The pounding in his head was growing louder, the pain more present and insistent. "What do you mean?" he said, his voice breaking.
The double shrugged and looked away. "Would you like to hear a nice definition of jealousy? It's the feeling that you get when someone you absolutely detest is having a wonderful time without you. There could be some truth in that. Think it over.''
"You aren't real," said Amfortas huskily. His vision was blurring. The double's body was undulating on the sofa.
"Christ, I'm out of cigarettes."
"You're not real." The light was growing dim.
The double was a voice amid shimmering movement. "Oh, I'm not? Well, by God, I'm going to break another rule. No, really. My patience has come to its limit. There's a nurse who joined your staff today. Her name is Cecily Woods. You couldn't possibly know that. She's on duty this minute. Go ahead, pick up the telephone and see whether or not I'm right. You want a fact you didn't know? That's it. Go ahead. Call Neurology and ask for Nurse Woods."
"You're not real."
"Call her now."
"You're not real!" Amfortas was shouting. He stood up from the chair, the ceramic in his hand, his body trembling, the pain pushing upward, tearing and crushing and making him cry out, "God! Oh, my God!" He moved blindly toward the sofa, stumbling, sobbing, and as the room began to whirl he tripped and fell forward, smashing his head against the corner of the coffee table with a force that opened up a red wound. He thudded to the floor and the green and white ceramic gripped in his hand smashed to pieces with a splintering sound of loss. In moments the blood seeping out from his temple was lapping at the shards and staining the fingers still tightly clutching a piece of the inscription. It said, adorable. The blood soon covered it over. Amfortas whispered, "Ann."