Saturday, 12 September 2020

Game : The Sport of Kings


LORD: 
Welcome, Fool. 
You have come of your own Free Will to the appointed place. 
The Game is over. 

POLICEMAN :
Game? What Game? 

LORD :
The Game of The Hunted leading The Hunter. 

You came here to find Rowan Morrison, but it is WE who have found YOU and brought You Here and controlled your every thought and action since You arrived. 


“They both had a particular way of yelling. The Northern troops made a sort of hurrah — it was called by one soldier ‘the deep, generous, manly shout of the Northern soldier.’ 
The Confederates of course had what was called 
The Rebel Yell.

We don’t really know what that sounded like. One Northerner described it by describing the peculiar corkscrew sensation that goes up your backbone when you hear it. 
And he said,
If you claimed you’ve heard it and weren’t scared, that means you’ve never heard it.’

It was basically, I think, a sort of fox-hunt yip mixed up with a banshee squall, and it was used on the attack. 

An old Confederate veteran after the war was asked at a UDC meeting somewhere in Tennessee to give the Rebel Yell. 
The Ladies had never heard it. 

And he said, 
‘It can’t be done, except at a run, 
and I couldn’t do it anyhow with a mouthful of false teeth 
and a stomach full of food!'”




Dr. Zaius :

Have you forgotten your Scripture? 

The Thirteenth Scroll?

(quoting from memory)

'And Proteus brought the upright beast

into The Garden, and chained him to a tree,

and the children made sport of him.'


CORNELIUS

(impatiently)

No sir, I haven't forgotten.


ZAIUS

Well? For a time the ancients kept humans as household pets.

Until The Lawgiver proved that man could not be tamed. 

Keep digging Cornelius. 

You'll find evidence of The Master of This House: an ape.










326EXT. ARCHEOLOGICAL CAMP - ESTABLISHING SHOT - DAY


Sand bars and two narrow beaches are in evidence here. The camp itself

consists of several lean-tos against the cliff wall. Above the camp,

reached by ladders connected to scaffolding, is the mouth of a cave.

Zira is cleaning up the breakfast things; Zaius and Lucius are sorting

out equipment.


A-326CLOSER ANGLE - TAYLOR AND ZIRA


A small bowl of water rests on the ground in front of Taylor He has

nearly finished shaving himself with a sharp hunting knife. Nova

watches, a look of fascinated approval on her face. Taylor rinses off

his knife, starts to dry it. Nova reaches out, gently strokes his

smooth -- if nicked -- chin.


TAYLOR

(smiling)

You like it?


Lucius and Cornelius come up, Zira with them.


LUCIUS

(disapprovingly)

Why did you do that? Scrape off your

hair?


TAYLOR

In my world -- before I left it -

only youngsters of your age wore un-

scraped hair.


CORNELIUS

(to Taylor, quizzically)

It makes you look somehow ... less

intelligent.


Taylor grins wryly at Cornelius, picks up his rifle.


TAYLOR

When are you going to show me what's

in the cave?


CORNELIUS

Right now, if you like.


They cross the beach to the ladders, when suddenly they hear the sound

of horses. They look o.s.


B-326WHAT THEY SEE:


Dr. Zaius and five armed and mounted apes have come around the corner

of the beach and ride toward them through the rocks.


C-326MEDIUM - THE GROUP


Taylor scrambles up onto the lower scaffold. Lucius runs to a lean-to,

scoops up his rifle.


CORNELIUS

Lucius -- don't fire at them.


The party rides up.


ZAIUS

You're all under arrest!

(to Lucius)

You seditious scoundrel. Drop that

rifle.


327-OUT

348


349FLASH SHOT - LUCIUS


He wavers, lowering his piece.


350WIDER ANGLE - TO INCLUDE BOTH GROUPS


Zaius' gorillas ride forward a few paces, but halt again as Taylor

shouts:


TAYLOR

Stop right there.


ZAIUS

Don't be a fool. You're outnumbered

and outgunned.


Taylor aims at Zaius and calls out:


TAYLOR

If there's any shooting, Dr. Zaius,

you'll be the first to die. Depend

on it.


CORNELIUS

(protesting)

Taylor, you're not in command here.

Put down that gun.


TAYLOR

Shut up.


Silence.Zaius knows Taylor isn't bluffing.


ZAIUS

Very well.

(to his followers)

Lower your weapons.


They obey. Taylor calls again:


TAYLOR

(pointing)

Tell them to move around the point.

Out of range.


Zaius turns and whispers to his apes. They rein about and ride away

through the rocks. Zaius dismounts and approaches the fugitives alone.

He is unarmed.


351CLOSER ANGLE - THE GROUP


As Zaius draws nearer) Lucius lowers his rifle. But Taylor keeps his at

the ready.


CORNELIUS

(uncertainly)

How did you know we'd come here?


ZAIUS

It wasn't difficult. Only an apostate

or a lunatic would flee to the Forbidden

Zone.

(a glance at Taylor)

I see you brought along the female of

your species.

(Taylor nods)

I didn't realize a man could be monogamous.


TAYLOR

On this planet -- it's easy.


Zaius laughs derisively, then turns to the apes.


ZAIUS

(evenly)

I ask you to reconsider the rash course

you've taken. If you're convicted of heresy,

the most you'll get is two years. But if

you persist in pointing guns in my direction,

you'll hang for high treason.


CORNELIUS

(respectfully)

We've never meant to be treasonable, sir.

(pointing off)

But up there, in the face of that Cliff,

is a vast cave -- and in that cave a

fabulous treasure of fossils and artifacts.


ZAIUS

I've seen some of your fossils and artifacts.

They're worthless.


TAYLOR

(derisively)

And that's your Minister of Science. Honor-

bound to expand the frontiers of knowledge.


ZIRA

(worried)

Taylor, please --


TAYLOR

Except that he's also the Chief Defender

of the Faith.


ZAIUS

(loftily)

There is no contradiction between faith

and science. True science.


TAYLOR

(suddenly angered)

All right, let's see if you're willing

to put that statement to a test.


CORNELIUS

Taylor, I'd rather you -


TAYLOR

No. You saved me from this fanatic. Maybe

I can pay you back.


ZAIUS

(calmly)

What is your proposal?


TAYLOR

When were the Sacred Scrolls written?


ZAIUS

Twelve hundred years ago.


TAYLOR

Very well. If Zira and Cornelius can prove

that those scrolls don't tell the whole

truth of your history; if they can show you

definite evidence of another culture from an

unrecorded past -- will you exonerate them?


ZAIUS

Of course.


TAYLOR

Okay.Up to the cave.


He gestures toward the path leading to it. Zaius, Zira, and Cornelius

start upward. Lucius starts to follow them.


TAYLOR

Sorry, Lucius. You'll have to stay here

and guard the horses.


LUCIUS

Always giving orders. Just like every

other adult.


TAYLOR

Relax. You'll see it all later.


He pats the barrel of Lucius' gun, in the manner of a stern but

benevolent non-com, then starts up the trail with Nova at his heels.

Lucius, unused to taking commands from an animal, scowls after him,

then shrugs, adjusting to the Idea.


352-

355OUT


356 EXT. WESTERN WALL OF GORGE - LONG SHOT - ANGLING UP

AFTERNOON


The sun hovers over the lofty rim of the lake like a great red balloon.

The wall of the gorge, in shadow, is a darker hue.


357EXT. EASTERN WALL OF GORGE - LONG SHOT - ANGLING UP


The crenelated east wall, looking like a red cathedral, is aglow with

sunlight. So is the mouth of the cave as the three apes, Taylor and

Nova pass through it and o.s.


358INT. CAVERN - BOOM SHOT - DAY


Nature has formed a vaulted room here. It need not be enormous, but

should be as weird and fantastic as production capabilities permit.

There is an ape-made excavation in the floor of the cave, some ten feet

square and eight feet deep. Some small objects lie on the rim of the

excavation. Zaius, Cornelius, Zira, Taylor and Nova enter from the

outside.


(AUTHOR'S NOTE: The effect should be an eyeful. I wish to create an

illusion of sunlight penetrating this cave, flooding it with direct,

refracted illumination, transforming it into a kaleidoscopic cavern.)


ZAIUS

Present your evidence, Cornelius.


Cornelius clambers down into the pit, followed by Zira. Taylor bends

down, examines some of the artifacts lined along the edge of the

excavation. Nova sits beside him.


CORNELIUS

(pointing)

It was at this level I discovered traces

of an early ape creature -- stage of

primitive barbarism, really -- dating back

roughly thirteen hundred years. It was here

I found cutting tools and arrowheads of

quartz and the fossilized bones of

carnivorous gorillas.


CAMERA (ON BOOM) MOVES IN SLOWLY as Cornelius continues:


CORNELIUS

But the artifacts lying at your feet

were found here, at this level. And

that's the paradox. The more ancient

culture is the more advanced. Admittedly,

many of these objects are unidentified,

but clearly they were fashioned by beings

with a knowledge of metallurgy.


CAMERA KEEPS MOVING IN on the group in and around the excavation as

Cornelius continues:


CORNELIUS

Indeed, the very fact that these tools

are unknown to us could suggest a culture

in certain ways almost equal to our own.

Some of the evidence is uncontestable ...


ZAIUS

(interrupting)

Don't speak to me in absolutes. The

evidence is contestable.


CORNELIUS

I apologize.


ZAIUS

To begin with, your methods of dating

the past are crude, to say the least. There

are geologists on my staff who would laugh at

your speculations.


TAYLOR

Perhaps that's why they're on your staff.


Zaius flicks a hostile glance at Taylor, then looks down at the

artifacts. He nudges them with his foot.


ZAIUS

Secondly, if these 'tools' as you call

them, are unidentified, why are they

introduced as 'evidence' of anything?


ZIRA

(promptly)

But there's the doll, sir.


ZAIUS

What?


CORNELIUS

(pointing)

Right there. The human doll.


Zaius deigns to stoop and pick it up.


359CLOSE ON DOLL - IN ZAIUS' HAND


It is only a porcelain fragment, but the head is intact, and it is

unmistakably the form of a human child.


ZAIUS

What does this prove? My grand-

daughter plays with human dolls.


360FULL SHOT - THE EXCAVATION - INCLUDING TAYLOR


Exasperated, Zira turns to the man for confirmation.


ZIRA

Taylor! Tell him.


TAYLOR

He has a point. On my planet children

often play with ape dolls.


Zaius idly tosses the doll to the ground near Nova. She picks it up,

studies it.


361GROUP SHOT - THE THREE APES


Cornelius tries again.


CORNELIUS

A doll alone proves nothing. True. But

the doll was found beside the jawbone

of a man -- and no trace of simian fossils

has turned up in this deposit.


ZAIUS

Your conclusion is premature. Have you

forgotten your Scripture? The Thirteenth

Scroll?

(quoting from memory)

'And Proteus brought the upright beast

into the garden, and chained him to a tree,

and the children made sport of him.'


CORNELIUS

(impatiently)

No sir, I haven't forgotten.


ZAIUS

Well? For a time the ancients kept humans

as household pets.Until the Lawgiver

proved that man could not be tamed. Keep

digging Cornelius. You'll find evidence of

the master of this house: an ape.


A-361ANOTHER ANGLE - TO INCLUDE TAYLOR AND NOVA


As Zira again appeals to the man.


ZIRA

Are you going to let that pass without

an answer?


Taylor, who has been toying with objects in the dirt, looks up.


TAYLOR

Yes. I have to agree. From all you've

found so far, his position's as good as

yours.


CORNELIUS

(annoyed)

What are you doing there?


TAYLOR

Reconstructing a life. Care to have a

look?


Cornelius and Zira cross the pit and Zaius walks around the rim of the

excavation.


B-361MED. CLOSE SHOT - FAVORING TAYLOR AND NOVA


As the apes come close. A number of artifacts have been arranged in

front of Taylor.


TAYLOR

(to Cornelius)

These were found near the human doll,

right?

(Cornelius nods)

Well, whoever owned them was in pretty

bad shape.


He picks up the twisted fragment of a pair of spectacles.


TAYLOR

Defective eyesight..


As Taylor continues his monologue, he picks up the other objects one by

one.


TAYLOR

He wore false teeth.

(pause)

He suffered from a hernia and used

this truss to hold up his insides ...

(pause)

And toward the end, these little rings

of stainless steel enclosed a prefab-

ricated valve in his failing heart.


Taylor pauses. Zaius picks up two of the steel rings, studies them.


TAYLOR

I don't say he was a man like an Earthman,

but I'd call him a close relative, for

he was plagued by most of man's ills.

(to Zaius pointedly)

Yet, fragile as he was, he came before you

-- and was superior to you.


ZAIUS

(a calm smile)

That's lunacy. I can give an alternate

description for everyone of those objects

that's equally as inventive as yours. But

it would be conjecture, not proof.


362WIDER ANGLE - TO INCLUDE TAYLOR AND NOVA


She is poking her finger inside the decapitated head of the doll. From

it comes a distorted SOUND.


DOLL'S HEAD

Mamma! Mamma! Mamma!.


The apes stare at the doll in astonishment. Taylor snatches the doll

from Nova, brandishes it at the astonished Zaius.


TAYLOR

Dr. Zaius! Would an ape make a human

doll that talks?


Zaius looks at him, speechless. At that moment the CRACK of a distant

rifle shot reverberates through the cavern. All present freeze,

listening.


ZIRA

Lucius....


363-

364OUT


365FULL SHOT - THE CAVERN - REVERSE ANGLE


Taylor alone is armed. Raising his rifle, he glowers at Zaius.


TAYLOR

You louse!


Cornelius is already crossing the pit. He climbs out arid races toward

the mouth of the cave. Taylor runs after him. Zira and Nova hurry after

Taylor.


366MED. SHOT - ZAIUS


Expressionless, he looks down at the doll, then moves toward the mouth

of the cave.


367EXT. TRAIL FROM CAVE TO CAMP - ANGLING UP


Cornelius emerges from mouth of the cave and runs down the trail toward

CAMERA. He halts in f.g., looking down at:


368THE CAMP SITE - AS SEEN FROM THE TRAIL


Two of Zaius' gorillas have disarmed Lucius and are clubbing him with

their rifle butts. Two other mounted apes are driving the scientists'

horses back beyond the trees.


369EXT. THE TRAIL - AS SEEN FROM THE BEACH


Cornelius, Taylor, Nova and Zira (in that order) can be seen high

above, descending the trail. CAMERA PULLS BACK TO DISCLOSE A GORILLA

SNIPER in immediate f.g., crouching behind a boulder near the water. He

sights his rifle at the man on the trail. Taylor is still too distant

to make a sure target, and so the sniper waits.


370CLOSER ANGLE - TAYLOR ON THE TRAIL


This portion of the trail has no cover or concealment. Unaware of the

sniper, Taylor looks down at the camp as he makes his descent.


371LONG SHOT - TAYLOR - AS SEEN IN THE SNIPER'S SIGHTS


The gorilla fires.


372CLOSE SHOT - TAYLOR


The bullet ricochets off the rock wall a foot above his head. Taylor

scans the terrain bewlow, looking for the sniper. Nova comes to his

side, pointing at:


373THE SNIPER - FROM THEIR P.O.V.


His head is visible behind the boulder as he reloads his piece.


374FLASH SHOT


He aims and fires.


375FLASH SHOT - THE SNIPER


Taylor has missed him, but the sniper ducks behind the boulder.


376THE TRAIL - PANNING WITH TAYLOR AND NOVA


Taylor takes her hand and they race back up the trail to where Zira is

standing. Outcroppings of rock offer some cover here. Taylor pushes

Nova down behind a rock and signals for Zira to follow suit.


377CLOSE GROUP SHOT - TAYLOR, NOVA AND ZIRA


The sniper's SECOND SHOT rings out. Instead of returning the fire,

Taylor looks up the rail at:


378ZAIUS - FRO14 TAYLOR'S P.O.V.


He is standing impassively on the trail a short distance below the

mouth of the cave.


379FLASH SHOT - TAYLOR


Bent low, he comes charging up the trail toward Zaius. The sniper's

THIRD SHOT splatters rock fragments around him.


380REVERSE ANGLE - THE TRAIL - ANGLING UP


Zaius starts to retreat to the cave, but stumbles and falls on some

loose shale. No sooner has Zaius regained his feet than Taylor

overtakes him. Seizing the ape around the neck with his left arm.

Taylor drives the muzzle of his pistol into Zaius' kidney. He spins

Zaius around, using him as a shield.


381CLOSE TWO SHOT - ZAIUS AND TAYLOR


Taylor releases the pressure on Zaius' throat but keeps the gun pointed

at his back.


TAYLOR

Tell him to pull back!


ZAIUS

(a hoarse cry)

Cease fire! Withdraw!


His command echoes from the west wall of the canyon.


382LONG SHOT - THE FLOOR OF THE GORGE - FROM THEIR P.O.V.


The sniper emerges from behind a boulder near the shore, and walks off

along the beach.


383BACK TO TAYLOR AND ZAIUS


Taylor lift's the muzzle of his rifle and presses it against the back

of Zaius' head.


TAYLOR

I ought to kill you right now.

(nudging him)

Let's go.


They move off down the trail.



Back To The Future: The Musical | Arriving at 88mph in London 2021

Donald Trump Calls Into WWOR/UPN 9 News on 9/11



Donald Trump said that from his office he witnessed a jetliner crashing into the World Trade Center on the morning of September 11, 2001. 

He spoke to WWOR/UPN 9 News via phone to describe what he saw.

George Lucas' Advice

LISTEN TO YA DAMN ANCESTORS


Friday, 11 September 2020

8:46 - Dave Chappelle


From Dave: "Normally I wouldn't show you something so unrefined, I hope you understand." 

 This is not a Special but rather an impromptu purging of feelings and thoughts delivered by Dave during his show in Ohio on June 6, 2020. 

 Dave is not interested in monetizing any content related to George Floyd’s death. 
Instead, he encourages you to join him in support of the Equal Justice Initiative and the protection of human rights. For more information on the EJI or to make a donation please go to https://support.eji.org/chappelle

Thursday, 10 September 2020

Still Unforgiven : The Four Whores of The Apocalypse




She was a comely young woman and not without prospects. 

Therefore it was heartbreaking to her mother that she would enter into marriage with William Munny, a known thief and murderer, a man of notoriously vicious and intemperate disposition. 

When she died, it was not at his hands as her mother might have suspected, but of smallpox. 

That was 1878.



SKINNY
Alice, shut up! 
Little Bill, a whipping ain't going to settle this.
This here is a lawful contract between me and Delilah Fitzgerald, the cut whore. 
I brought her clear from Boston, I paid her expenses and all, and I've got a contract here that represents an investment of Capital.

LITTLE BILL
Property.

SKINNY
Damaged Property. Like if I was to hamstring one of their cow ponies.

LITTLE BILL
So you figure nobody will want to fuck her now, right?

SKINNY
Hell no, least ways they won't pay to do it. 
Maybe she can clean up the place or something, but nobody's going to pay good money for a cut up whore.



In April 1888, Joseph Gorman continues, Queen Victoria and the British Prime Minister Lord Salisbury discovered Albert Victor's secret. 

Gorman accuses Salisbury of ordering a raid on the apartment because he was afraid that public knowledge of a potential Catholic heir to the throne would result in a revolution. 

Gorman claims that Albert Victor was placed in the custody of his family, while Annie was placed in the custody of Sir William Gull, who certified her insane; she spent the next 30 years drifting in and out of institutions before dying in 1920.


Meanwhile, Gorman alleges, Kelly was looking after the daughter, Alice, both during and after the raid. Gorman asserts that at first Kelly was content to hide the child, but then she, along with her friends Mary Ann Nichols, Annie Chapman and Elizabeth Stride, decided to blackmail the government. Gorman accuses Salisbury of conspiring with his fellow freemasons, including senior policemen in the London Metropolitan Police, to stop the scandal by staging the murders of the women. Gorman says Salisbury assigned the task to Gull, who lured the four women into a carriage individually where Gull murdered them with the assistance of coachman John Netley and Sir Robert Anderson, Assistant Commissioner of Scotland Yard. Gorman claims a fifth victim, Catherine Eddowes, was killed accidentally in a case of mistaken identity because she used the alias Mary Ann Kelly and was confused with Mary Jane Kelly. Gorman alleges that Netley tried to kill the young Alice twice but after the second unsuccessful attempt several witnesses chased Netley, who threw himself into the Thames and drowned. Gorman completes the story by saying that Alice lived well into old age, later becoming Walter Sickert's mistress, and that Alice and Walter Sickert are his parents



“I think the answer to why Obama doesn’t pardon [Former Heavyweight Champion of The World Jack] Johnson lies in the furor over sex trafficking which began with Bush and then Obama’s State Department. 

What does this have to do with Jack Johnson?

He is the black pimp, now called Gorilla Pimp in the anti-trafficking scenario. He was an enticer and certainly whatever his motives he can’t be a hero.”

Mary Frances Berry,
Professor of History, 
University of Pennsylvania, Former Chair of the U.S. Commission on Civil Rights. 
(She left the commission years before its vote on Johnson.)


ROSE: 
Can you imagine yourself writing a screenplay? 
Have you tried?

DFW: 
No, I haven't tried. I've talked a couple times -- 
My Best Friend writes mysteries and he and I have talked about doing a screenplay.

I think -- I think I would have a very difficult time writing something that's a product that other people would mess with. 
And the amount of money that's at stake in movies and the amount of -- the dispersal of responsibility for the thing -- I mean, the director, the actors, the producer -- in order to do -- writing is very difficult for me and it takes a lot of time and energy. 

And once I've done it, it's my thing. 
I can't imagine putting in the time and energy to do a good screenplay -- 
I mean, something like what David Webb Peoples can do. 
He's a screenwriter I think is really, really superb.

ROSE: 
What's he written?

DFW: 
He's written "Blade Runner" and he wrote "Unforgiven," the Clint Eastwood Western which --

ROSE: 
Did you like it?

DFW: 
I thought -- "Unforgiven"?

ROSE: 
Yeah.

David Foster Wallace : 
I thought "Unforgiven" is the first really smart Western since, I don't know, early Peckinpah.

Charlie Rose : 
I do, too. I loved it.

Foster : 
What's interesting is I don't know a single female who likes the film. 
It's very odd. I talk to all these people --

Charlie Rose :  
It's interesting you say that.

Foster :
-- about "Unforgiven" --

Charlie Rose :  
It's interesting you say that because --

Foster :
-- and females think, "Western? It stinks." 
And if you can get them to watch it, it's not a Western at all. 
I mean, it's a moral drama. 
It's -- you know, it's Henry James, basically. But it's very odd.

ROSE: 
My girlfriend and I -- Amanda hates the film and it's the one film that I just have a wider difference with her than any other film that we've seen together.

DFW: 
Yeah. If I were going to try to do something, I'd want to do something like that. 

But that was also an enormous success story -- luck story. 
David Webb Peoples -- reclusive, weird screenwriter -- I don't know much about him. 

This script had been shopped around for years and finally Clint Eastwood bought it 
and Clint Eastwood's got enough juice to go, 
"Okay, I'll star in it so they'll make it." 
This was a weird Western. This is very cerebral for a Western and I think the only way that it could have got made was if a, you know, star director, you know, was willing to do it. 
And the thing about it is, I think for every script like that that gets made, there've got to be, you know, hundreds of these really intelligent, cool scripts --

ROSE: 
Absolutely, that there's not somebody that comes along who has the power to get it made.

DFW: 
Right. Or else it gets worked on by the rewrite guys, you know, 
and John Gregory Dunne's got that whole book, "Monster" --

ROSE: 
"Monster," yeah.

DFW: 
-- about, you know, their working on the Jessica Savitch story, which became, you know, what was it --

ROSE: "
Up Close and" something --

DFW: 
-- "Up Close and Personal," which was --

ROSE: 
Michele Pfeiffer.

DFW: 
-- a film so bad it doesn't even have charm. 
You know, some things are so bad that they're enjoyable. 
This was worse than that.

ROSE: 
I know. It was. It was.