Sunday, 1 November 2020

GRAVE



For here am I, sitting in my tin can
Far above The World
Planet Earth is blue
And there's nothing I can do


“ The Child of a Sephardic Jewish Family Living in Algeria, Jacques Derrida was Very Young When He Had The Experience of Being BURIED ALIVE,Locked in a Coffin-Like Cedar-Chest by His Sister 

He Later Managed to Escape Alive, but Was Traumatised by The Belief That He Had Died, and Been Brought Back From The Dead —From This Grew His Identification w. The Isis/Osiris Myth, but This Also Carried with it an Obsession w. CASTRATION”




Oh, great cosmic protector of grafters and dissemblers, save me. Save me! A voice from The Grave....!!


No — a grave voice. 




Man :
Han! 
 
Friend :
Luke! 
 
Man :
Are you all right? 
 
Friend :
Fine. Together again, huh? 
 
Man :
Wouldn't miss it. 
 
Friend :
How are we doing? 
 
Man :
Same as always. 
 
Friend :
That bad, huh?





“The chemicals I keep thinking about.... are SEDATIVES.

I can TASTE them.

I’m RESTRAINED somewhere.

Unconscious.

I need you to get me OUT.

I’ll FIND The Men Who Killed You.

Need a JOLT to get you moving?”







THIRD DEGREE RITUAL - THE RAISING

(The Lodge being open in the Third Degree the Deacons lay down the S...t, which should be open and not folded during any part of the ceremony. The Tyler, having properly prepared the Candidate, not forgetting the badge of Second Degree, gives Second Degree knocks on door).

Inner Guard (standing in front of his chair at North of Senior Warden takes Step and gives Sign .of Third Degree, which he holds until instructed by Junior  Warden.).- Brother Junior Warden, there is a report.

Junior Warden (stands, no knocks with Step and Sign  which he holds until instructed by Worshipful Master.) – Worshipful Master there is a report.

Worshipful Master- Brother Junior Warden, inquire who wants admission.

Junior Warden (cuts Sign not forgetting to recover, resumes seat).- Brother Inner Guard, see who wants admission.

Inner Guard (cuts Sign, not forgetting to recover, goes to door, opens it but keeps hold of handle. The colloquy between Inner Guard and Tyler should be audible in Lodge).- Whom have you there?

Tyler.- Brother ___________, who has been regularly initiated into Free­masonry, passed to the Degree of a Fellowcraft and has made such further progress as he hopes will entitle him to be raised to the sublime Degree of a Master Mason, for which ceremony he is properly prepared.

Inner Guard (sees that Candidate is properly prepared)' How does he hope to obtain the privileges of the Third Degree?

Tyler.- By the help of God, the united aid of the square and compasses and the benefit of a Password  Word.

Inner Guard-Is he in possession of the password?

Tyler.- Will you prove him? (Inner Guard extends his right hand and the Candidate, instructed by Tyler if necessary, gives him the Pass Grip and Pass Word leading from Second to Third Degree).

Inner Guard - Halt, while I report to the Worshipful Master (closes and fastens door, returns to position in front of his chair at North of Senior Warden  with Step and Sign which he holds until instructed by Worshipful Master). Worshipful Master Brother __________, who has been regularly initiated into Free­masonry, passed to the Degree of a Fellowcraft and has made such further progress as he hopes will entitle him to be raised to the sublime Degree of . a Master Mason, for which ceremony he is properly prepared

Worshipful Master - How does he hope to obtain the privileges of the Third Degree?

Inner Guard -  By the help of God, the united aid of the square and compasses and the benefit of a Password Word.

Worshipful Master - We acknowledge the power­ful aid by which he seeks admission; do you, Brother Inner Guard vouch that he is in possession of the password

Inner Guard  - I do, Worshipful Master

Worshipful Master-Then let him be admitted in due form. (Inner Guard cuts Sign not forgetting to recover). Brother Deacons.

(It is at this point that all candle lights except that of the Worshipful Master are extinguished Inner Guards and both Deacons proceed to door of Lodge, Junior  Deacon  en route places kneeling stool.  Senior Deacon  places himself in position at door so that he can take Candidate by right hand on admission to the Lodge. Inner Guard opens door. Inner Guard has in his hand the compasses widely extended,' he presents one point simultaneously to each breast and then raises them above his head to show that he has done so. Senior  Deacon takes Candidate by right hand and leads him to kneeling stool, Junior Deacon takes up position on left of Candidate Position is about 18 inches distant from kneeling stool).

Senior Deacon - Advance as a Fellowcraft, first an Entered  Apprentice. (Candidate takes Step and gives Sign of First Degree, cuts Sign, takes another Step and gives Sign of Second Degree and cuts it).

Worshipful Master - Let the Candidate kneel while the blessing of Heaven is invoked on what we are about to do.

(Worshipful Master knocks once, followed by Senior Warden and Junior Warden All stand with Sign of Reverence. No Step. Candidate, instructed by Senior Deacon, kneels on kneeling  stool with Sign  of Reverence Deacons take wand in left hand and show Sign of Reverence with right hand. Deacons cross wands over head of Candidate).

Worshipful Master - Almighty and Eternal God, Architect and Ruler of the Universe, at Whose creative fiat all things first were made, we, the frail creatures of Thy providence, humbly implore Thee to pour down on this convocation assembled in Thy Holy Name the continual dew of Thy blessing. Especially, we beseech Thee, to impart Thy grace to this Thy servant, who offers himself a Candidate to partake with us the mysterious Secrets of a Master Mason Endue him with such fortitude that in the hour of trial he fail not, but that, passing safely under Thy protection through the valley of the shadow of death, he may finally rise from the tomb of transgression, to shine as the stars for ever and ever.

Immediate Past Master (only)..-So mote it be. (All drop Sign of Reverence, Deacons lower wands to right hand).

Worshipful Master - Let the Candidate rise. (Worshipful Master and Brethren resume seats. The Candidate rises. The Junior  Deacon removes kneeling stool to his left and leaves it. Inner Guard replaces it before Senior Warden's pedestal as soon as perambulation commences. Senior Deacon takes Candidate by right hand and begins perambulation of Lodge. Junior  Deacon follows close behind Candidate and keeps this position throughout all perambulations. Senior Deacon takes care when Lodge is squared during the perambulations to leave room behind for Junior Deacon and not to blanket him or shut him out at the squaring.' Halt is made in front of Worshipful Master's pedestal).

Senior Deacon - Salute the Worshipful Master as a Mason.

(Senior Deacon relinquishes Candidate's right hand and instructs him, if necessary, to remain facing South and take Step and show Sign of First Degree. Candidate is then led to East of Junior Warden's pedestal and lines up as in former Degrees, Junior Deacon behind Candidate).

Senior Deacon - Advance to. the Junior Warden as such, showing the Sign and communicat­ing the Token and Word (Candidate, instructed by Senior Deacon if necessary, takes Step and shows Sign of First Degree, then cuts it).  

Junior Warden – Have you anything to communicate?

Candidate (Prompted aloud by Senior Deacon).-  I have.

(Junior Warden rises and takes Step and extends his right hand Candidate, instructed by Senior Deacon, gives grip of First Degree. Senior Deacon adjusts grip from above. Junior Warden does not give grip until he has received it from Candidate).

Junior Warden - What is this?

Candidate (Prompted aloud by Senior Deacon).­ The grip or token of an Entered Apprentice Freemason.

Junior Warden - What does it demand?

Candidate (Prompted aloud by Senior Deacon).­ A word

Junior Warden-Give me that ,.freely and at length.

Candidate. (prompted aloud by Senior Deacon).­ BOAZ

Junior Warden- Pass BOAZ (Junior Warden restores right hand of Candidate to Senior Deacon and resumes his seat. Candidate is then led to front of Senior Warden's pedestal and halted).

Senior Deacon - Salute the Senior Warden as a Mason. (Candidate instructed by Senior Deacon if necessary, looking North takes Step and shows Sign of First Degree and then cuts it. Candidate is then led to North of Senior Warden's pedestal. Here the Senior Deacon wheels backward as described in former Degrees while Junior Deacon passes be­hind both Senior Deacon and Candidate to take up position behind latter when both Candidate and Senior Deacon face East. After a momentary halt perambulation of Lodge is again com­menced, Junior Deacon following close behind Candidate as before. Lodge is 'squared' with same precautions as above. Candidate is halted in front of Worshipful Master's pedestal.).

Senior Deacon - Salute the Worshipful Master as a Fellowcraft (Candidate, facing South instructed by Senior Deacon if necessary, takes Step and gives Sign of Second Degree. Candidate is then led to front of Junior Warden's pedestal and halted). Salute the Junior Warden as a Fellowcraft (Candidate, facing West, proceeds as at Worshipful Master's pedestal. Candidate is then led to South of Senior Warden's pedestal, Candidate and Senior Deacon lining up as in former Degrees, Junior Deacon behind Candidate). Advance to the Senior Warden as such, showing the sign and communicating the token and of that Degree. (Candidate, instructed by Senior Deacon if necessary, takes Step and shows Sign of Second Degree, then cuts it).

Senior Warden - Have you anything to com­municate?

Candidate (Prompted aloud by Senior Deacon).­ I have.

Senior Warden (rises, takes Step and extends his right hand. Candidate gives grip of Second Degree, Senior Deacon adjusting as before. Senior Warden does not give grip until he receives it from Candidate). - What is this?

Candidate (Prompted aloud by Senior Deacon).­ The grip or token of a Fellowcraft Freemason.

Senior Warden - What does it demand?

Candidate (Prompted aloud by Senior Deacon). A word

Senior Warden - Give me that freely and at length.

Candidate (Prompted aloud by Senior Deacon).- JACHIN

Senior WardenPass JACHIN.

(Senior Warden restores right hand of Candidate to Senior Deacon and sits. Candidate is led by Senior Deacon to North of Senior Warden by same movement as in first perambulation. The Junior Deacon, passing behind Candidate and Senior Deacon as before, goes to left of Candidate, and all three, Senior Deacon, Candidate, and Junior Deacon, stand in line facing East.).

Worshipful Master (knocks once followed by Senior Warden and Junior Warden).- The Brethren will take notice that Bro.         , who has been regularly initiated into Freemasonry and passed to the Degree of a Fellowcraft is about to pass in view before them, to show that he is the Candidate properly pre­pared to be raised to the sublime Degree of a Master Mason (Candidate is led round the Lodge a third time, Junior Deacon following close behind him as before and the Lodge being 'squared' with same precautions. Candidate is halted in front of Worshipful Master's pedestal.). '

Senior Deacon - Salute the Worshipful Master as a Fellowcraft (done as in previous perambulation. Candidate then led to front of Junior Warden's pedestal.) Salute the Junior Warden as a Fellowcraft  (done as at Worshipful Master's pedestal. Candidate then led to South of Senior Warden's pedestal. and position taken as before). Advance to the Senior Warden as such, showing the sign and communicating the pass grip and password you received from the Worshipful Master previously to leaving the Lodge. (Candidate, instructed if necessary by Senior Deacon, takes Step and shows Sign of Second Degree, cuts Sign.).     .

Senior Warden - Have you anything to com­municate?

Candidate (Prompted aloud by Senior Deacon).- I have.

(Senior Warden rises and extends right hand Candidate gives pass grip leading from Second to Third Degree, Senior Deacon adjusting as before.

Senior Warden does not give grip until he has received it from Candidate).

Senior Warden - What is this?

Candidate - (Prompted aloud by Senior Deacon) The pass grip leading from the Second to the Third Degree.          .

Senior Warden - What does this pass grip demand?

Candidate (Prompted aloud by Senior Deacon).- A pass word.

Senior Warden - Give me that password

Candidate (Prompted aloud by Senior Deacon).­ TUBALCAIN

Senior Warden. What was TUBALCAIN

Candidate (Prompted by Senior Deacon).- The first Artificer in Metals.

Senior Warden - The import of the            ?

Candidate (Prompted aloud by Senior Deacon).­ Worldy possessions

Senior Warden – Pass TUBALCAIN

(Senior Warden restores right hand of Candidate to Senior Deacon but remains standing. Senior Deacon takes Candidate to North of Senior Warden, makes forward left wheel interposing himself between Worshipful Master and Candidate, Places latter's right hand in Ieft hand of Senior Warden and stands on Ieft of Candidate. Junior Deacon who has kept behind Candidate during wheeling movement, moves so as to take up position on Ieft. of Senior Deacon

The position in the. West now is: S W standing in his Place holding Candidates  right hand Senior Deacon on left of Candidate, and Junior Deacon on left of Senior Deacon, all facing East).

Senior Warden (takes Step and shows penal sign of third degree, which he holds until instructed by Worshipful Master). - Worshipful Master, I present to you Brother ___________, a Candidate properly pre­pared to be raised to the Third Degree.

Worshipful Master- Brother Senior Warden you will direct the Deacons to instruct the Candidate to advance to the East by the proper steps.

(Senior Warden cuts Sign not forgetting to recover and restores right hand of Candidate to Senior Deacon and sits. Senior Deacon resumes position on right of Candidate Junior Deacon is on left and all three facing East).

Senior Warden – Bro Deacons it is the Worshipful Masters Command you instruct the candidate to advance to the East by the proper steps (Senior Deacon conducts Candidate, Junior Deacon following behind, to a convenient point in the North about mid-way of the Sheet, where he leaves Candidate with Junior Deacon on his t., both facing South. Senior Deacon faces Candidate from far side of sheet which he reaches by going round the head of the grave.).

Senior Deacon-The method of advancing from West to East in this Degree is by seven steps the first   three as if stepping over a grave. For your information I will go through them and you will afterwards copy me.

(Senior Deacon takes position at head or West end of grave, his foot. formed in a square hell to heel his left foot pointing East and right foot pointing South. Commencing with left foot  the first step is taken across the grave in a North East direction, the left foot being placed at the North side of the grave about one-third of the latter's length and pointing North. The step is completed by bringing the right  foot up to the left foot,, heel to heel, in the form of a square and with the right  foot pointing East. Commencing with the right foot, the second step is taken across the grave in a South  East direction, the right  foot being placed at the South side of the grave about two-thirds of the latter's length and pointing South. This step is completed by bringing the left foot. up to the right foot., heel to heel, in the form of a square, the left foot pointing East. Commencing with the left  foot, the third step is taken to the foot or East end of the grave, the left foot pointing East. The step is completed by bringing up the right foot to the left foot, heel to heel, in the form of a square and right foot pointing South. Commenc­ing with the left foot, four steps are now taken in a direction due East, finishing in front of Worshipful  Master's pedestal with the feet heel to heel in the form of a square, left foot pointing North East and right foot pointing South  East. Senior Deacon, taking care not to step over the grave, returns to Candidate, takes him by the right hand, places him in position at West end of grave and instructs him how to take steps. In front of Worshipful Master's pedestal  the Senior Deacon takes position at Candidate's right.  The Junior Deacon remains stationary while Senior Deacon and Candidate are taking steps and then moves so as to arrive at Worshipful Master's pedestal. Simultaneously with Senior Deacon and Candidate and takes position on left  of Candidate).

 Worshipful Master - It is but fair to inform you that a most serious trial of your forti­tude and fidelity and a more solemn O. await you. Are you prepared to meet them as you ought?

Candidate - I am. (If Candidate does not reply, Senior Deacon should prompt in. a whisper only, no audible prompt should be given).

Worshipful Master - Then you will kneel on both knees, place both hands on the Volume of the Sacred Law. (Candidate does so. Candidate places one hand on each page of the Volume of the Sacred Law but should not touch Square and Compasses. Worshipful Master knocks once, followed by Senior Warden and Junior Warden. All rise with step and penal sign of Third Degree. The Deacons take wands in left hand, cross them over the head of Candidate, take step and show penal sign with right hand.

Worshipful Master - Repeat your name at length and say after me: I, __________, in the presence of the Most High, and of this worthy and worshipful Lodge of Master Masons, duly constituted, regularly assembled, and properly dedicated, of my own free will and accord, do hereby (Worshipful Master with his left hand touches hands of Candidate) and hereon (Worshipful Master with his left hand touches Volume of the Sacred Law ) most solemnly promise and swear that I will always hele (Pronounced hail), conceal, and never reveal any or either of the secrets or mysteries of or belonging to the Degree of a Master Mason to anyone in the world-unless it be to him or them to whom the same may justly and law­ fully belong, and not even to him or them until after due trial, strict exam, or full conviction that he or they are worthy of that confidence, or in the body of a Master Mason's Lodge duly formed on the centre. I further solemnly pledge myself to adhere to the principles of the Square and Compasses, answer and obey all lawful Signs and Summonses sent to me from a Master Mason's Lodge, if within the length of my Cable Tow and plead no excuse, except sickness or the pressing emergencies of my own public or private avocations. I further solemnly engage myself to maintain and uphold the five points of Fellowship in act as well as in word; that my hand, given to a Master Mason, shall be a sure pledge of brotherhood; that my feet shall travel through dangers and difficulties to unite with his in forming a column of mutual defence and support; that the posture of my daily supplications shall remind me of his wants and dispose my heart to succour his weakness and relieve his necessities, so far as may fairly be done without detriment to myself or connections; that my breast shall be the sacred repository of his secrets when entrusted to my care-murder, treason, felony, and all other offences contrary ­to the laws of God and the ordinances of the realm being at all times most especially excepted.

And, finally, that I will maintain a Master Mason's honour and carefully preserve it as my own: I will not injure him myself or knowingly suffer it to be done by others if in my power to prevent it but, on the contrary, will bodly repel the slanderer of his good name and most strictly respect the chastity of those nearest and dearest to him in the persons of his wife, his sister, and his child.

All these point I solemnly swear to observe, without evasion,  equivocation or  mental reservation of any kind, under no less a penalty, on the violation of any of them, than that of being severed in two, my body burnt  to ashes and those ashes scattered over the face of earth and water by the 4 cardinal winds of heaven, that no trace or remembrance of so vile a wretch may longer be found among men, particularly Master Masons.        So help me the Most High and keep me steadfast in this my solemn Obligation of a Master Mason           (All cut penal sign, not forgetting to recover. Deacons return wands to right hand.)

Worshipful Master - As a pledge of your fidelity and to render this binding as a Solemn Obligation for so long as you shall live you will seal it with your lips three times on the Volme of the Sacred Law. (done)

Let me once more call your attention to the position of the Square and Compasses. When you were made an Entered Apprentice both points were hid; in the Second Degree one was disclosed; in this the whole is exhibited, implying that you are now at liberty to work with both those points in order to render the circle of your Masonic duties complete.

(Worshipful Master takes right hand of Candidate with his right hand and raises him; only one hand to be used) - Rise, newly obligated Master Mason        .

(Worshipful Master and Brethren sit and Candidate step backwards to foot of grave, all facing East).

THE EXHORTATION

Worshipful Master - Having entered upon the Solemn Obligation of a Master Mason,  you are now entitled to demand that last and greatest trial, by which alone you can be admitted to a participation of the secrets of this Degree. But it is first my duty to call your attention to a retrospect of those Degrees in Freemasonry through you have already passed that you may, the better be enabled to distinguish and appreciate the connection of our whole system, and the relative dependency of its several parts,

Your admission among Masons in a state of helpless indigence was an emblematical representation of the entrance of all men on this their mortal existence. It inculcated the useful lessons of natural equality and mutual dependence. It instructed you in the active principles of universal beneficience and charity  - to seek the solace of  your own distress, by extending relief and consolation to your fellow - creatures in the hour of their affliction. Above all, it taught you to bend with humility and resignation to the will of the Great Architect of the Universe; to dedicate your heart, thus purified from every baneful and malignant passion, fitted only for the reception of truth and wisdom to His glory and the welfare of your fellow mortals.

Proceeding onwards, still guiding your progress by the principles of moral truth, you were led in the Second Degree to contemplate the intellectual faculty and trace it from its development, through the paths of heavenly science, even to the throne of God Himself. The secrets of Nature and the principles of intellectual truth were then unveiled to your view. To your mind thus modelled by virtue and science, Nature, however, presents one great and useful lesson more. She prepares you, by contemplation for the closing hour of existence; and when by means of that contemplation she has conducted you through the intricate windings of this mortal life, she finally instructs you how to die.

Such, my Brother, are the peculiar objects of the Third Degree in Freemasonry; they invite you to reflect on this awful subject and teach you to feel that, to the just and virtuous man, ­death has no terrors equal to the stain of falsehood and dishonour. Of this great truth the annals of Masonry afford a glorious example  in the unshaken fidelity and noble death of our Master  Hiram Abiff who was slain just before the completion of King Solomon’s Temple at the construction of which he was as no doubt are well aware the principal Architect.

The manner of his death was as follows:

Worshipful Master - Brother Wardens

(The Wardens leave their seats, not forgetting to take Level and Plumb Rule with them. The Junior Warden waits until the Senior  Warden has drawn level with him and then both advance abreast to the East, come up behind the Deacons whom they touch simultaneously on the shoulder. Deacons step one pace outwards and the Wardens come up in line between them and the Candidate, the Senior Warden on the left and the Junior Warden on the right. This line is held momentarily from North to South.  Junior Deacon, Senior Warden, Candidate, Junior Warden, Senior Deacon being' all in line facing East. Deacons then simul­taneously turn outwards and return to their seats, taking care not to cross or walk over grave. Junior Warden directs Candidate to cross his feet, right over left. Both Wardens hold Candidate­ securely by his hands)

Worshipful Master - Fifteen Fellowcrafts of that superior class appointed to preside over the rest, finding that the work was nearly completed and that they were not in possession of the Secrets of the Third Degree, conspired to obtain them by any means, even to have recourse to violence, at the moment of carrying their conspiracy into execu­tion, twelve of the fifteen recanted, but three of a more determined and atrocious character than the rest, persisted in their impious design, in the prosecution' of which they planted themselves respectively at the East, North, and South entrances of the Temple, whither our Master had retired to pay his adoration to the Most High, as was his wonted custom at the hour of high twelve. Having finished his devotions, he attempted to return by the South entrance, where he was opposed by the first of those ruffians, who for want of other weapon, had armed himself with a heavy Plumb Rule and in a threatening manner demanded the Secrets of a Master  Mason warning him that death would be the consequence of a refusal.  Our Master true to his Obligation answered that those secrets were known to but three in the world, and that without the consent and co-operation of the other two be neither could nor would divulge them but intimated that he bad patience and industry would, in due time, entitle the worthy Mason to a participation of them but that for his own part he would rather suffer death than betray the sacred trust reposed in him. This answer, not proving satisfactory the ruffian aimed a violent blow at the head of our Master but being startles by the firmness  of his demeanour, it missed his forehead and only glanced on his right temple (here the Junior Warden touches the Candidate's right temple with the Plumb Rule making the movement from front to back ) but such force as to cause him to reel and sink on his left knee. (Here the Candidate, instructed by the Senior Warden, sinks until his left. touches the floor). Recovering from the shock (Candidate regains erect position), he made for the North entrance, where he was accosted by the second of those ruffians, to whom he gave a similar answer with undiminished firmness, when the ruffian who was armed with a Level, struck him a violent blow on the left temple (here the  Senior Warden  touches Candidate on the left temple with the Level), which brought him to the ground on his right knee. (Here the Candidate instructed by Junior. Warden sinks until his right knee touches the floor. Candidate regains erect positon). Finding his retreat cut off at both those point he staggered, faint and bleeding, to the East entrance, where the third ruffian was posted who received a similar answer to his insolent demand, for even at this trying moment our Master remained firm and unshaken, when the villain, who was armed with a heavy Maul struck him a violent blow on the forehead (here the Worshipful Master, remaining seated, goes through the movement without actually touching Candidate with the heavy Maul), which laid him lifeless at his feet (which the Candidate, assisted by both Wardens is made to imitate being lowered with arms at sides and right foot still crossed over left foot. The Wardens stand

West of Candidate at head of the grave, and when called on to            raise him come forward but return to make their report to Worshipful Master).

Worshipful  Master - The Brethren will take notice that in the recent ceremony, as well as in his present situation, our Brother has been made to represent one of the brightest characters recorded in the annals of Masonry, namely Hiram Abiff who lost his life in consequence of his unshaken fidelity to the sacred trust reposed in him, and I hope this will make a lasting impression on his and your minds should you ever be placed in a similar state of trial. Bro. Junior Warden, you will endeavour to raise the representative of our Master by the Entered Apprentice grip

(Junior Warden proceeds to level of Candidate’s knees, steps across him with his right foot lifts Candidate’s right hand with his left hand gives Entered Apprentice grip with his right  hand,  slips it and gently replaces Candidate’s right hand to his side. He goes and returns to his position at head of the grave on the right side of the Candidate. On returning to his position he takes Step, shows Penal Sign of Third Degree).

Junior Warden – Worshipful Master it proves a slip (cuts Sign not forgetting to recover).

Worshipful Master - Brother Senior Warden you will try the Fellowcrafts

(Senior  Warden proceeds in similar manner to Junior  Warden but along left side of Candidate, steps over latter with his left foot and gives Fellowcraft’s grip and slips it precisely as Junior Warden did and returns to his position, takes Step and  with Penal Sign of Third Degree).

Senior Warden - Worshipful Master it proves a slip like­ wise (cuts Sign not forgetting to recover).

Worshipful Master - Bro. Wardens having both failed in your attempts, there remains a third method, by taking a more firm hold of the sinews of the hand and raising him on the five points of fellowship which, with your assistance, I will make trial of. (Worshipful Master leaves chair by left, advances to feet of Candidate which he uncrosses, so heels are about six inches apart. Worshipful Master then puts foot to foot, takes Candidate's right hand by the Master Masons grip, and with the aid of the Wardens raises the Candidate on the five. Points of Fellowship. The Senior Warden sees that Candidate's left hand is extended properly over Worshipful Master's right shoulder, palm downwards, hand bent back at wrist, and thumb in form of a square. In the Hand Over Back position the Worshipful Master continues). It is thus all Master Masons are from a figurative grave to a reunion with the former companions of their toils, (Worshipful Master  disengages).- Bro. Wardens resume your seats. (Wardens do so by shortest route, no 'squaring:' Worshipful Master takes Candidate by both hands and gently edges him round so that he stands in the North facing South, in front of and to the North of the Worshipful  Master's pedestal. Worshipful Master places Candidate's hands at his sides, steps backward four or jive paces, faces Candidate, and addresses him) .

 

THE CHARGE

Worshipful Master (to Candidate in North).-Let me now beg you to observe that the Light of a Master Mason is darkness visible, serving only to express that gloom which rests on the prospect of futurity. It is that mysterious veil which the eye of human reason cannot penetrate unless assisted by that Light which is from above. Yet, even by this glimmering ray, you may perceive that you stand on the brink of the grave into which  you just figuratively descended, and which, when this transitory life shall have passed away, will again receive you into its cold bosom. Let the emblems of mortality which lie before you lead you to contemplate on your in­evitable destiny, and guide your re­flections to that most interesting of all human studies, the knowledge of your­self. Be careful to perform your allotted task while it is yet day, continue to listen to the voice of Nature, which bears witness that even in this perishable frame resides a vital and immortal principle, which inspires a holy confidence that the  Lord of Life will enable us to trample the King of Terrors beneath our feet, and lift our eyes to that bright Morning Star, whose rising brings peace and salvation to the faithful and obedient of the human race. (Worshipful Master steps forward, takes both hands of Candidate and gently moves round counter clockwise until  they exchange places i.e. the Worshipful Master interposes himself between Candidate and pedestal, in this movement,  and the Candidate is now in the South facing North, the Worshipful Master in the North facing Candidate The position of the Candidate should be South of mid-line of Lodge so as to enable him to take the subsequent Steps and finish in front of Worshipful Master's pedestal.). I cannot better reward the attention you have paid to this exhortation and charge than by entrusting you with the Secrets of the Degree. You will therefore advance to me as a Fellowcraft, first as an Entered Apprentice. (Candidate takes Step and Sign of an Entered Apprentice, cuts Sign, takes another Step, and gives Sign of Fellowcraft and cuts Sign). You will now take another short step towards me with your left foot bringing the right heel into its hollow as before. That is the third regular step in Freemasonry, and it is in this position that the Secrets of the Degree are communicated. They consist of  Signs a Token and Word. Of the Signs the first and second are casual the third penal. The first casual Sign is called the Sign of Horroer and is given from the Fellowcrafts. Stand to order as a Fellowcraft (Worshipful Master takes Step and Sign of a Fellowcraft  Candidate takes no Step, he has already taken it, gives Fellowcraft Sign only) by dropping the left hand in this position extending the right with the hand in order to r. s., as if struck with horror at some dreadful and awful sight (Worshipful Master - illustrates Candidate copies). The second casual Sign is called the Sign of Sympathy and is given by bending the head forward and smiting the forehead gently with the right hand (Worshipful Master illustrates and Candidate copies).

Place your hand in this position with the thumb extended in the form of a square. (Worshipful Master illustrates, Candidate copies). The Penal Sign is given by drawing the hand sharply across the body, dropping it to the side and recovering with the thumb towards the navel. (Worshipful Master illustrates, Candidate copies). This is in allusion to the penalty of your Obligation implying that as a man       of honour and a Master Mason, you would rather be severed in two (Worshipful Master gives Penal Sign copied by Candidate) than improperly disclose the Secrets entrusted to you. The Grip or Token is the first of the Five Points of Fellowship. They are (Worshipful Master illustrates with aid of Candidate) Hand to Hand, Foot to Foot, Knee to Knee Breast to Breast and Hand over Back. (Worshipful Master disengages), and may be thus briefly explained. (The Worshipful Master gives the Five Points of Fellowship a second time, illustrating each with aid of Candidate and explaining each point as he gives it). Hand to Hand, I greet you as a Brother; Foot to Foot, I will support you in all your laudable undertakings; Knee to Knee, the posture of my daily supplications shall remind me of your wants; Breast to Breast your lawful secrets when entrusted to me as such I will keep as my own; and Hand over Back, I will support your character in your absence as in your presence. It is in this position, and this only, and then only in a whisper, except in open Lodge, that the word is given - it is MAHABONE or MACBONAH (The Worshipful Master keeps up the last of the five points of Fellowship until he has communicated the word which he does aloud. Candidate repeats word after Worshipful Master. He then disengages and stands in front of Candidate).

You are now at liberty to retire in order to restore yourself to your personal comforts, and on your return to the Lodge the, Signs, Token and Word will be further explained.

(Worshipful Master resumes seat, Senior Deacon rises and takes right hand of Candidate.  With a forward left wheel, faces the door of the Lodge and, taking care not to step over the grave, leads Candidate by most direct route to North. of Senior Warden and by means of a backward wheel faces Worshipful Master).  

Senior Deacon - Salute the Worshipful Master in the Three Degrees. (Senior Deacon whispers to Candidate penal sign only of Third Degree.' Candidate does. Senior Deacon, by left forward wheel, conducts Candidate to door, which is opened and shut by Inner Guard after Candidate's exit.

After exit of Candidate instruments are restored and the sheet taken up by the Deacons. Outside the Lodge Candidate resumes his ordinary clothing, not forgetting the Fellowcraft’s badge. When he is ready the Tyler gives Third Degree knocks on door).

Inner Guard (stands in his place in front of his chair at North of Senior Warden, takes Step and shows Penal Sign of Third Degree). - Brother Junior Warden, there is a report.

Junior Warden, seated, gives one knock. (Inner Guard cuts Penal Sign which he has held, not forgetting to recover, goes to the door, opens, but says nothing).

Tyler - The Candidate on his return.

Inner Guard (Inner Guard makes no reply, closes and locks door, returns to position in front of his seat and with Step and Penal Sign of Third Degree).-Worshipful Master, the Candidate on his return.

Worshipful Master - Admit him. (Inner Guard cuts Penal Sign, not forgetting to recover, and proceeds to door. Senior Deacon also proceeds to door, which is opened and, after admission of Candidate, shut and locked by Inner Guard, Senior Deacon takes Candidate by right hand to North of Senior Warden and instructs him).

Senior Deacon - Salute the Worshipful Master in the Three Degrees (in a whisper says 'full signs.' The Candidate does so. Senior Deacon then places Candidate's right hand in left hand of Senior Warden who rises with Step and gives Penal Sign which he holds .Senior Deacon on left of Candidate)

Senior  Warden - Worshipful Master, I present to you Brother __________ on his being raised to the Third Degree, for some further mark of your favour.

Worshipful Master - Brother Senior Warden I delegate you to invest him with the distinguishing badge of a Master Mason.

Senior Warden (cuts Penal Sign, not forgetting to recover. Senior Deacon turns Candidate to face Senior Warden  who removes Fellowcrafts apron and assisted by  Senior Deacon, if necessary, invests Candidate with the badge ". of a Master Mason. Badge should have been fitted to Candidate's proportions before ceremony. (holding  badge with left hand by lower right hand corner);-Brother by the Worshipful Master's command I invest you with the distinguishing badge of a Mason Mason to mark the further progress you have made in the science. 

(Senior Warden restores right hand of Candidate. to Senior Deacon with his left hand and sits. Senior Deacon turns Candidate towards Worshipful Master and stands on right of Candidate).     .

Worshipful Master - I must state that the badge with which you have now been invested not only points out your rank as a Master Mason, but is meant to remind you of those great duties you have just solemnly engaged yourself to observe, and whilst it marks your own superi­ority, it calls on you to afford assistance and instruction to the brethren in the inferior degrees (Senior Deacon leads Candidate by nearest route, no squaring' and places him in front of Worshipful Master's pedestal, not more than a foot away).

TRADITIONAL HISTORY

Worshipful Master - We left off at that part of our traditional history 'which mentions the death of our Master Hiram Abiff, a loss so important as that of the principal archi­tect could not fail of being generally and severely felt. The want of those plans and designs which had hitherto been regularly supplied to the different classes of workmen was the first indication that some heavy calamity had befallen our Master. The Menatschin or Prefects, or more familiarly speaking, the Overseers, deputed some of the most eminent of their number to acquaint King Solomon with the utter con­fusion into which the absence of Hiram had plunged them, and to express their apprehension that to some fatal catastrophe must be attributed his sudden and mysterious disappearance.

King Solomon immediately ordered a general muster of the workmen throughout the different departments, when three of the same class of overseers were not to be found. On the same day the twelve Craftsmen who had originally joined in the conspiracy came before the King and made a voluntary confession of all they knew down to  the time of withdrawing themselves from the number of the conspirators. This naturally increased the fears of King Solomon for the safety of his chief artist. He therefore selected fifteen trusty Fellowcrafts and ordered them to make diligent search after the person of our Master to ascertain if he were yet alive, or had suffered death in the attempt  to extort from him the Secrets of his exalted Degree. Accordingly, a stated day having been appointed for their return  to Jerusalem, they formed themselves into three Fellowcraft Lodges and departed from the three entrances of the Temple.

Many days were spent in fruitless search; indeed, one class returned with­ out having made any discovery of importance. A second, however, were more fortunate, for on the evening of a certain day, after having suffered the greatest privations and personal fatigues, one of the brethren, who had rested himself in a reclining posture, to assist his rising, caught hold of a shrub that grew near, which to his surprise came easily out of the ground.

On a closer examination he found that the earth had been recently disturbed.

He therefore hailed his companions, and. with their united endeavours re­opened the ground, and there found the body of our Master very indecently interred. They covered it again with an respect and reverence, and to distinguish the spot, stuck a sprig of acacia at the head of the grave.  

They then hastened to Jerusalem to impart the afflicting intelligence to King Solomon. He, when the first emotions, of his grief had subsided, ordered them to return and raise our   to such a sepulture as became his rank and exalted talents, at the same time in­forming them that by his untimely death the secrets of a Master  Mason were lost. He therefore charged them to be particularly careful in observing whatever casual sign, token or word. might occur whilst paying this last sad tribute of respect to departed merit. They performed their task with the utmost fidelity, and on reopening the ground one of the brethren looking round (Worshipful Master rises, no step.) observed some of his companions in this position. Worshipful Master gives Sign of Horror no step, Candidate copies) struck with at the dreadful and afflicting sight (Worshipful Master cuts Sign), while others viewing the ghastly wound still visible on his forehead smote their own (Worshipful Master gives Sign of Sympathy, copied by Candidate) in sympathy with his sufferings (Worshipful Master sits). Two of the brethren then descended the grave and endeavoured to raise him by the Entered Apprentice grip which proved a slip. They then tried the Fellowcrafts which proved a slip likewise. Having both failed in their attempts, a zealous and expert brother took a more firm hold of the sinews of the hand, and with their assistance raised him on the five points of fellowship, while others, more animated exclaimed MACABONE or MACBONAH both having a nearly similar import, one signifying the death of the builder, the other the builder is smitten.

King Solomon therefore ordered that those casual Signs and that token and word should designate all Master Masons throughout the universe, until time or circumstances           should restore the genuine. It only remains to account for the third class, who had pursued their researches in the direction of Joppa, and  were meditating their return to Jerusalem, when, accidentally passing the mouth of a cavern, they heard sounds of deep lamentation and regret. On entering the cave to ascer­tain the cause, they found three men answering the description of those missing; who, on being charged with the murder, and finding all chance of escape cut off, made a full confession of their guilt. They were then bound and led to Jerusalem, when King Solomon sentenced them to that death, the heinousness of their crime so amply merited.

(Immediate Past Master the Tracing Board to Worshipful Master).

Worshipful Master -  (with Tracing Board in left hand and pencil in right hand to point various items)). - Our Mason was ordered to be re-interred as near to the Sanctum Sanctorum as the Israelitish law would permit; there in a grave,  from the centre three feet East and three feet West, three feet between North and South and five feet or more perpendicular. He was not buried in the Sanctum Sanctorum, because nothing common or unclean was allowed to enter there; not even the High Priest, but once a year; nor then until after many washings and purifications against the great day of expiation for sins, for by the Israelitish law all  flesh was deemed unclean. The same fifteen trusty Fellowcrafts were ordered to attend the funeral, clothed in white aprons and gloves as emblems of their innocence.

You have already been informed that the working tools with which our Master was slain were the Plumb Rule, Level and Heavy Maul. The ornaments of a Master Mason’s Lodge are the Porch, Dormer, and Square Pavement. The Porch        was the entrance to the Sanctum Sanctorum, the Dormer the window that gave Light to the same and the Square Pavement for the High Priest to walk on. The High Priests office was to burn incense to the honour and glory of the Most High, and to pray fervently that the Almighty of His unbounded wisdom and goodness, would be pleased to bestow peace and tranquility on the Israelitish nation during the ensuing year. The coffin, skull and crossbones, being emblems of mortality, allude to the untimely death of our Master Hiram Abiff . He was slain three thousand years after the creation of the  world.

(Worshipful Master here returns Tracing Board and pencil  to Immediate Past Master.).  In the course of the ceremony you have been informed of three signs in this Degree. The whole of them are  five corresponding in number with the five points of  Fellowship. They are the Sign of Horror, the Sign of Sympathy,

The Penal Sign, the Sign of Grief and Distress and the Sign of Joy Exultation likewise called Grand and Royal sign. For the sake of regularity I will go through them and you will copy me.

(Worshipful Master rises with Step. Senior Deacon instructs Candidate to take Step also, and to copy Signs. made by Worshipful Master but not to repeat word).

This is the Sign of Horror, this, of Sympathy, this, the Penal Sign. The Sign of Grief and Distress is given by passing the right hand across the  forehead and dropping it over the left eyebrow in the form of  a square. This took its rise at the time our Master was making his way from the North to the East entrance of the Temple, when his agony was so great that the perspiration stood in large drops on his forehead, and he made use of this Sign (does it and is copied by Candidate) as a temporary relief to his sufferings. This is the Sign of Joy and Exultation (does it and is copied by Candidate as before). It took its rise at the time the Temple was completed, and King Solomon, with the princes of his household, went to view it, when they were struck with its magnificence that with one simultaneous motion they exclaimed (Worshipful Master gives Sign copied by Candidate) O wonderful Masons. On the continent of Europe the Sign of Grief and Distress is given in a different manner by clasping the hands and elevating them with back to the forehead (Candidate copies Sign. But does not repeat words.), exclaiming 'Come to my assistance ye children of the widow (Worshipful Master, followed by Candidate, cuts Sign) on the supposition that all Master Masons are brothers to Hiram Abiff who was a widows son. In Scotland, Ireland and the States of America the Sign of Grief and Distress is given in a still different manner by throwing up the hands with the palms extended towards the heavens and dropping them, with three distinct motions to the sides exclaiming, O Lord my God, O Lord my God, O Lord my God, is there no help for the widows son. (Candidate, as before, copies Sign but does not repeat words).

Worshipful Master (sits).- I now present to you the Working Tools of a Master Mason (The Working Tools have been previously arranged on pedestal by Immediate Past Master ). They are the skirret, pencil and compasses.

The skirret is an implement which acts on a centre pin, whence a line is drawn to mark out ground for the foundation of the intended structure. With the pencil the skilful artist delineates the building in a draft or plan for the instruction and guidance of the workmen. The compasses enable him, with accuracy and precision, to ascertain and determine the limits and proportions of its several parts. But as we are not all operative masons but rather free and accepted, or speculative, we apply these to our morals. In this sense, the skirret points out that straight and undeviating line of conduct laid down for our pursuit in the Volume of the Sacred Law. The pencil teaches us that our words and actions are observed and recorded by the Almighty Architect, to whom we must give an account of our conduct through life. The compasses remind us of His unerring and im­partial justice, who, having defined for our instruction the limits of good and evil, will reward, or punish, as we have obeyed or disregarded His Divine commands. Thus the working tools of a Master Mason teach us to bear in mind, and act according to, the laws of our Divine Creator, that, when we shall be summoned from this sublunary abode, we may ascend to the Grand Lodge above where the world's Great Architect lives ­and reigns for ever.

(S. D. conducts Candidate to seat in Lodge. No Salute).

The New 007



Where am I?

In The Village.

What do you want?

Information.

Whose side are you on?

That would be telling.

We want information...
Information...
Information.

You won't get it.

By hook or by crook... 
We Will.

Who are you?

The New 007

Who is 001?


You are, 006.

I am not a Double-O —
I am a free man!

Ho-ho-ha-ha-haha..!!



Evolution of the Gun Barrel Sequence :

1962–1964

Because Binder had designed the gun barrel sequence to feature Bond only in silhouette, with a non-widescreen aspect ratio, he used stunt man Bob Simmons, rather than Sean Connery, to film the scene.4

Simmons hops slightly as he pivots to assume the firing position and, following the blood wash, the dot becomes smaller and jumps to the lower right-hand corner of the frame before simply vanishing.

In Dr. No, the white dot stops mid-screen and the credit line “Harry Saltzman & Albert R. Broccoli present” appears across the dot. The text is wiped and the dot continues the sequence. The sequence is accompanied by a soundtrack of electronic noises and then numerous notes that sound like they are being plinked from a wind-up jack in the box; the latter is cut short by the gunshot. The “James Bond Theme” then plays very loudly, albeit with the first portion, featuring the theme’s plucked electric guitar riff, truncated. The gun barrel sequence in Dr. No segues directly into the credits, a grid matrix of large-scale, bright and rapidly changing coloured circular dots against a black background. This version, without the electronic noises or the Saltzman-Broccoli credit line, was also used in From Russia with Love with more red coloured blood and Goldfinger which fades into the pre-credit sequence.

1965–1967

For Thunderball, the aspect ratio of the films was changed to a Panavision anamorphic format and so the gun barrel sequence had to be reshot, this time with Sean Connery in the role. It is also the first gun barrel sequence in which the white dot segues to the film’s pre-credit sequence, opening up to reveal the entirety of the scene.

Connery wobbles slightly while firing his gun as he adjusts his balance from an unstable position and he bends over to fire. Although the sequence was shot in color for Thunderball, it is rendered in black and white for You Only Live Twice.

1969 (George Lazenby)

With a new actor, George Lazenby, in the role of James Bond for On Her Majesty’s Secret Service (1969), a third sequence had to be filmed. As with Thunderball, the sequence was once again shot in color.

In this rendering, the white dot stops mid-screen and the credit line “Harry Saltzman and Albert R. Broccoli Present” appears, much as it did in Dr. No (albeit spelling out “and” instead of using the ampersand). The James Bond theme keeps playing though. As the barrel begins to move and when it stops centre-screen, Bond is walking to position for around a second before turning and shooting as the camera tracks with him, resulting in a “treadmill” effect. Lazenby is the only Bond who kneels down to fire; this is also the only version where the descending blood completely erases Bond’s image, leaving only the red circle. In this version, the gun barrel is awash with prismatic splashes of light.

1971 (Sean Connery)

When Sean Connery returned to the role of Bond for Diamonds Are Forever (1971), the gun barrel sequence filmed for Thunderball was used. As with You Only Live Twice, the sequence was rendered in black and white, but was given a bluish tint. As in On Her Majesty’s Secret Service, the barrel is awash with prismatic splashes of light, which this time ripple through it. Unlike On Her Majesty’s Secret Service, the splashes of light are erased by the descending blood. This was the last time the sequence was rendered in black and white until Casino Royale (2006). 

It is also the last gun barrel sequence in which Bond wears a hat.

Let Them Sing.




“Pleasure's fun. It's great, but you can't keep it going forever; just accept the fact that it's here and it's gone, and maybe then again, it will come back, and you'll get to do it again —

Joy Lasts Forever. 

Pleasure is purely self-centered. It's all about your pleasure: it's about you. It's a selfish, self-centered emotion, that is created by a self-centered motive of Greed

Joy is Compassion. Joy is giving yourself to Somebody Else, or Something Else


And it's a kind of thing that is, in its subtlety and lowness, much more powerful than pleasure. 

You get hung up on Pleasure; you're doomed. 
If you pursue Joy; you will find everlasting happiness.”

— Lucas

We Sail into History



We Sail into History..!!


ARRRRRRRGH..!!
HERE WE ARE! Right!
Fuck, man. I’ll tell you – when I was a kid I read Robert Anton Wilson and all this shit. And here we are, we’re standing here, and we’re talking about this shit, and it’s REAL.

Okay, I’m pissed.. and in half an hour I’m gonna come up on drugs, so watch for it.

So.. are there any practicing magicians in the audience? Put your hand up if we’ve got any. 

C’mon, bold! A few. Okay: by the time we’ve finished this, you’re all gonna be practicing magicians. This shit’s easy, right.

I’m like you. Basically: why are we here? Why are we here at this time? What’s this all about?

And by the way, this is a Scottish accent. So reset the filters and pretend it’s Sean Connery talking to you. 
Okay? Double-oh sheven.

So if you can, follow me, I’m just going to talk the way I talk, and fuck you if you don’t understand me.



Evolution of the Gun Barrel Sequence :

1962–1964

Because Binder had designed the gun barrel sequence to feature Bond only in silhouette, with a non-widescreen aspect ratio, he used stunt man Bob Simmons, rather than Sean Connery, to film the scene.4

Simmons hops slightly as he pivots to assume the firing position and, following the blood wash, the dot becomes smaller and jumps to the lower right-hand corner of the frame before simply vanishing.

In Dr. No, the white dot stops mid-screen and the credit line “Harry Saltzman & Albert R. Broccoli present” appears across the dot. The text is wiped and the dot continues the sequence. The sequence is accompanied by a soundtrack of electronic noises and then numerous notes that sound like they are being plinked from a wind-up jack in the box; the latter is cut short by the gunshot. The “James Bond Theme” then plays very loudly, albeit with the first portion, featuring the theme’s plucked electric guitar riff, truncated. The gun barrel sequence in Dr. No segues directly into the credits, a grid matrix of large-scale, bright and rapidly changing coloured circular dots against a black background. This version, without the electronic noises or the Saltzman-Broccoli credit line, was also used in From Russia with Love with more red coloured blood and Goldfinger which fades into the pre-credit sequence.

1965–1967

For Thunderball, the aspect ratio of the films was changed to a Panavision anamorphic format and so the gun barrel sequence had to be reshot, this time with Sean Connery in the role.5 It is also the first gun barrel sequence in which the white dot segues to the film’s pre-credit sequence, opening up to reveal the entirety of the scene.

Connery wobbles slightly while firing his gun as he adjusts his balance from an unstable position and he bends over to fire. Although the sequence was shot in color for Thunderball, it is rendered in black and white for You Only Live Twice.

1969 (George Lazenby)

With a new actor, George Lazenby, in the role of James Bond for On Her Majesty’s Secret Service (1969), a third sequence had to be filmed. As with Thunderball, the sequence was once again shot in color.

In this rendering, the white dot stops mid-screen and the credit line “Harry Saltzman and Albert R. Broccoli Present” appears, much as it did in Dr. No (albeit spelling out “and” instead of using the ampersand). The James Bond theme keeps playing though. As the barrel begins to move and when it stops centre-screen, Bond is walking to position for around a second before turning and shooting as the camera tracks with him, resulting in a “treadmill” effect. Lazenby is the only Bond who kneels down to fire; this is also the only version where the descending blood completely erases Bond’s image, leaving only the red circle. In this version, the gun barrel is awash with prismatic splashes of light.

1971 (Sean Connery)

When Sean Connery returned to the role of Bond for Diamonds Are Forever (1971), the gun barrel sequence filmed for Thunderball was used. As with You Only Live Twice, the sequence was rendered in black and white, but was given a bluish tint. As in On Her Majesty’s Secret Service, the barrel is awash with prismatic splashes of light, which this time ripple through it. Unlike On Her Majesty’s Secret Service, the splashes of light are erased by the descending blood. This was the last time the sequence was rendered in black and white until Casino Royale (2006). 

It is also the last gun barrel sequence in which Bond wears a hat.

OLD GIRL





But Affection has its own criteria. Its objects have to be familiar. We can sometimes point to the very day and hour when we fell in love or began a new friendship. I doubt if we ever catch Affection beginning. To become aware of it is to become aware that it has already been going on for some time. The use of “old” or vieux as a term of Affection is significant. The dog barks at strangers who have never done it any harm and wags its tail for old acquaintances even if they never did it a good turn. The child will love a crusty old gardener who has hardly ever taken any notice of it and shrink from the visitor who is making every attempt to win its regard. But it must be an old gardener, one who has “always” been there—the short but seemingly immemorial “always” of childhood. 

Affection, as I have said, is the humblest love. It gives itself no airs. People can be proud of being “in love”, or of friendship. Affection is modest—even furtive and shame-faced. Once when I had remarked on the affection quite often found between cat and dog, my friend replied, “Yes. But I bet no dog would ever confess it to the other dogs.” That is at least [45]a good caricature of much human Affection. “Let homely faces stay at home,” says Comus. Now Affection has a very homely face. So have many of those for whom we feel it. It is no proof of our refinement or perceptiveness that we love them; nor that they love us. What I have called Appreciative Love is no basic element in Affection. It usually needs absence or bereavement to set us praising those to whom only Affection binds us. We take them for granted: and this taking for granted, which is an outrage in erotic love, is here right and proper up to a point. It fits the comfortable, quiet nature of the feeling. Affection would not be affection if it was loudly and frequently expressed; to produce it in public is like getting your household furniture out for a move. It did very well in its place, but it looks shabby or tawdry or grotesque in the sunshine. 

Affection almost slinks or seeps through our lives. It lives with humble, un-dress, private things; soft slippers, old clothes, old jokes, the thump of a sleepy dog’s tail on the kitchen floor, the sound of a sewing-machine, a gollywog left on the lawn.

But I must at once correct myself. I am talking of Affection as it is when it exists apart from the other loves. It often does so exist; often not. As gin is not only a drink in itself but also a base for many mixed drinks, so Affection, besides being a love itself, can enter into the other loves and colour them all through and become the very medium in which from day to day they operate. They would not perhaps wear very well without it. To make a friend is not the same as to become affectionate. 

But when your friend has become an old friend, all those things about him which had originally nothing to do with the friendship become familiar and dear with familiarity. As for erotic love, I can imagine nothing more disagreeable than to experience it for more than a very short time without this homespun clothing of affection. That would be a most uneasy condition, either too angelic or too animal or each by turn; never quite great enough or little enough for man. There is indeed a peculiar charm, both in friendship and in Eros, about those moments when Appreciative Love lies, as it were, curled up asleep, and the mere ease and ordinariness of the relationship (free as solitude, yet neither is alone) wraps us round. No need to talk. No need to make love. No needs at all except perhaps to stir the fire.

DOORS




Characters in Search of an Exit




A ballet dancer, a major, a clown, a tramp and a bagpipe player find themselves at the bottom of a cylindrical enclosure.




The Cabinet Of Dr. Caligari (1920)

SOMNAMBULISM


Early the following morning, while horseback riding with Claire, Justine notices Antares is no longer visible in the sky.

Later, the reason for Antares’s disappearance has become public knowledge: a newly discovered rogue planet called Melancholia, which entered the Solar System from behind the Sun, was blocking the star from view. 

The planet has now become visible in the sky as it approaches ever closer to Earth. 

John is excited about the “fly-by” predicted by scientists, while Claire is frightened by alternate predictions of Earth being hit and destroyed.

In the meantime, Justine’s depression has grown worse. 

She can barely muster the mental strength to get inside a cab to arrive to Claire and John’s estate, and is essentially catatonic upon arrival. 

Claire takes her sister under her care. 

One day, while horseback riding, Justine finally notices Melancholia in the sky, visible to the naked eye.

Upon seeing Melancholia in person, Claire becomes withdrawn and fearful, afraid that The End of The World is imminent, despite her husband’s assurances. 

She searches the Internet and finds an article predicting that Earth’s gravitational pull will draw Melancholia back towards it after its “fly-by”, ultimately leading to the Earth’s obliteration. 


Her husband assures her that these anecdotes are written by “prophets of doom”. 


Claire tries to relax, to little effect; meanwhile, Justine unexpectedly shows signs of improvement. 


She begins to bathe and eat meals on a regular schedule again. 

The day of the predicted “fly-by”, Justine tells Claire that the Earth is evil, and that they don’t need to grieve for it. 

Claire dismisses her sister’s claims, but is unsettled when Justine unexpectedly tells her the correct number of the bean lottery from the wedding, as proof of her clairvoyance. 

Justine then tells Claire 
“Life is only on Earth. 
And not for long.” 

That night, Melancholia passes very close to Earth, but ultimately begins to recede in the night sky, to Claire’s great relief.

The next morning, John has become visibly nervous, not breaking away from his telescope. 

When John vanishes after Claire naps, Claire observes Melancholia through the astronomical equipment and realizes it is actually getting bigger and circling back—as predicted by the Internet article. 

Horrified, she looks for John, only to find him dead in the stables (he purposefully overdosed on pills Claire was saving). 

Claire releases Abraham, and when Justine asks where John is, Claire says that he has ridden into The Village.

Claire calls the rest of her family together for a completely typical breakfast, but shortly into it, Claire’s attempt at calm breaks and she once again checks Melancholia’s closeness. 

Seeing that it has nearly doubled in size, Claire realizes the Earth is doomed and descends into a panic. 

In a moment of desperation, she attempts to flee the estate with her son, but the cars will not start, and the golf cart shuts down as she attempts to cross the same bridge that Justine had attempted earlier. 

Returning to the mansion, Claire tries to accept the inevitable. 

In a private conversation with Justine, Claire suggests that their last act be coming together on the terrace with wine and music. 
Justine crassly dismisses her idea.

Having noticed that Abraham is wandering around the estate without any sign of his father, Claire’s son, Leo, is frightened. 

Dad said there’s nothing to do, nowhere to hide,” 
Leo says, aware of Melancholia’s closeness. 

He is reassured by Justine, who uses his innocence in order to soothe him, saying that they can be safe in a “magic cave”. 
Justine cries to herself as Leo embraces her. 

They gather tree sticks to build the cave in the form of a teepee without canvas.

The “magic cave” stands in the middle of a field on the golf course. 

Leo, Justine, and Claire sit in the teepee, holding hands as atmospheres from both planets begin to violently merge. 

Leo believes in the magic cave and closes his eyes. 
Claire is terrified and cries profusely. 
Justine watches them both, and accepts her fate calmly and stoically. 

In the last shot, Leo and Justine sit in meditative posture as Melancholia fills the sky behind the teepee, while Claire breaks away from their handhold and panics alone. 

Melancholia hits, sending a wall of fire passing through the field as the planets collide, vaporizing the trio and cutting the screen to black. 

The sounds of the destruction of both planets slowly echo and rumble into total silence.

Lars Von Trier - Melancholia (Richard Wagner - Tristan und Isolde, Prelude) 

Music: Richard Wagner, excerpts from Tristan und Isolde 

Orchestra: Filharmonici mesta Prahy (as The City of Prague Philharmonic Orchestra) 

Conductor: Richard Hein

 

 

 

Sister of Mercy


MINA MURRAY-HARKER :
SHE SCREAMS
No! No!

SHE SCREAMS
 
DRACULA :
Hello.
I've been dying to meet you.


SISTER AGATHA VAN HELSING :
Count Dracula...
Have you eaten?


DRACULA :
I've worked up an appetite.
Good thing there are two of you.


SISTER AGATHA VAN HELSING :
No.
Under no circumstances are there two of us.
Take Mina, lose me.
I know you don't like to drink the blood of The Dead.


DRACULA :
You'd die to save this terrified child?


SISTER AGATHA VAN HELSING :
I'd die to save any terrified child.


DRACULA :
Why?


SISTER AGATHA VAN HELSING :
Because I'm not like you.
There's a nobler purpose to my life than simply prolonging it.

Settle for her, or take me and learn something.

MINA WHIMPERS


DRACULA :
Run.
Go! Now!
 
Agatha Van Helsing, I am going to make you last.
You'll be part of me.
You'll travel to The New World in my veins.

SISTER AGATHA VAN HELSING :
Come, boy. 
Suckle.