Wednesday, 17 July 2019

The New Roman Empire — by Tony Benn









The New Roman Empire 

FROM THE TIME when Julius Caesar landed in 55 BC and brought us into a single currency with the penny, up to the signing of the Treaty of Rome, Britain’s relations with Europe have been central to the political debate in this country and still divide both parties in a way that has threatened their unity. 

The immediate issue is the Euro and whether Britain should join the European single currency; a secondary, but more important, question is whether we should accept a new European constitution drawn up under the chairmanship of the veteran French politician Giscard d’Estaing. 

The constitutional implications of European enlargement –which has brought in many Eastern European countries and produces a union of twenty-five, four times the size of the original six –are huge. 

A third question relates to whether or not Europe should have a common defence and foreign policy, in order, it is argued, that Europe is more united and can act as a counterweight to the United States. 

At the outset of the Common Market I opposed it as a rich men’s club; subsequently, as a minister, I concluded that it was probably the only way of providing political supervision and control of multinational companies that were bigger than nation states; and I have now moved to the position where I see the EU’s present form as representing a threat to democracy in Britain and throughout all the member states of the Union. 

Harold Wilson changed his view on the matter, having first been against and then coming out in favour; and so did Mrs Thatcher, who was passionately in favour of Britain’s membership in 1975 and signed the treaty that introduced the single market, but later, when out of office, opposed the Maastricht Treaty, the euro and all forms of European integration. 

By contrast, Roy Jenkins, Michael Heseltine and Jo Grimond were united in support, as was Ted Heath, who signed the Treaty of Accession in 1972 without the authority of a referendum. Talking to Ted Heath about this over the years, I have always found his arguments both simple and plainly political, for I have heard him say, ‘Europe has had two major wars costing millions of lives and now we have got to get together.’ And his fierce opposition to the Afghan, Iraq and Yugoslav wars confirmed my view that his position on Europe was based partly on his resentment of America dominating our continent. 

That is an argument that has to be taken seriously, but since it raises constitutional questions, it would be intolerable if any steps taken to achieve it were slipped through Parliament without referenda to confirm them. 

Because these are all huge constitutional matters that involve taking away powers from the electors and transferring them into the hands of those who have been appointed. 

Over the centuries Europe has seen many empires come and go: Greek, Roman, Ottoman, French and German, not to mention Spanish, Portuguese and British. Many of the conflicts between European states have arisen from colonial rivalry between imperial powers. 

The concert of Europe after the fall of Napoleon, in which countries would negotiate alternatives to war, gave way after 1919 to the League of Nations, dominated by the old imperial powers, and broke down in part because Mussolini’s Italy launched a colonial war against Abyssinia in breach of the Charter of the League. 

After the Second World War, western establishments had to consider how best to cooperate in rebuilding the continent and, as the Cold War began almost immediately, one of their objectives through NATO was to provide armed forces to prevent the Soviet Union from launching a military attack. 

It could therefore be argued that the EEC was set up to rebuild Europe on safe capitalist lines, and that NATO was set up to arm the EEC against the military threat that we were told was materialising. 

Indeed, a few years ago I heard the former American Ambassador in London speaking at a reception in Speaker’s House about the Marshall Plan, which, he openly declared, was an investment to prevent the spread of communism. 

As Minister of Technology in 1969, facing the massive multinational corporations and wondering how a nation state could cope with them, I did begin to wonder whether the existence of the EEC might offer some opportunity for political control and ought to be considered for that reason. 

Such a huge step required popular consent, and that was why in 1970 when we were in opposition and I was free to speak, I argued the case for a referendum to seek the consent of the British people. 

I discovered that the idea of a referendum was absolutely unacceptable to the establishment, which was totally opposed to giving the people direct say in any decisions, least of all one that might frustrate their dream of a Europe controlled by the political elite. 

The referendum itself, held in 1975 after Heath had lost the 1974 election, was fought in a way that revealed the imbalance of money and influence on the two sides –the pro-Europe campaign having the support of the establishment and every single newspaper except the Morning Star, and able to command enormous resources; while the anti-campaign even had to struggle to find the cash to hold press conferences and meetings. 

Wilson moved me from Industry to Energy immediately afterwards and I found myself on the council of energy ministers, where I served until 1979 and had the opportunity of seeing how the Common Market mechanism worked. 

During the British presidency in 1977 I was the President of the Council of Energy Ministers. It is the only committee I have ever sat on in my life where as a member, or even as President, I was not allowed to submit a document –a right confined to the unelected Commission, leaving ministers like some collective monarch in a constitutional monarchy, able only to say Yes or No. 

The Council of Ministers is of course the real parliament, for the directives and decisions take effect in member states without endorsement by the national parliaments. Because it is in effect a parliament, I proposed during my presidency that it should meet in public, so that everyone could see how decisions are reached and what arguments are used. 

This sent a chill of horror through the other ministers, who feared that it would bring to light the little deals that were used to settle differences, and I lost. 

I also came to realise that the EEC –far from being an instrument for the political control of multinationals –was actually welcomed by the multinationals, which saw it as a way of overcoming the policies of national governments to which they objected. 

For example, I was advised by the Energy Commissioner that the North Sea oil really belonged to Europe and was told by my own officials that the 1946 Atomic Energy Act in Britain, which gave the then government control of all atomic operations, had been superseded by Euratom (the European Atomic Energy Community) and that we no longer had any power of control. 

I was warned that national support for industrial companies was a breach of the principle of free trade and was threatened with action if I disregarded their rules. 

It became clear over the succeeding thirty years that the European Union, as it became, is a carefully constructed mechanism for eliminating all democratic influences hitherto exercised by the electors in the member states; it presents this as a triumph of internationalism, when it is a reversal of democratic gains made in the previous hundred years. 

Now, with the Maastricht Treaty, the Single Market and the Stability Pact, the Frankfurt bankers (who are also unelected) can take any government to court for disregarding the Maastricht Treaty, while the Commission is now engaged in pursuing cases against the elected German and French governments for breaking the strict limits on public expenditure under the Stability Pact. 

If the new European constitution comes into effect, other powers will pass from the parliaments we elect to the Council, Commission and Central Bank, and people here and everywhere in Europe will come to realise that whoever they vote for in national elections cannot change the laws that they are required to obey. 

This is the most deadly threat to democracy and, if qualified majority voting removes the current veto system, any government could be outvoted and overruled and the people it was elected to represent would have no real say. 

Moreover, if the development of an independent foreign and defence policy takes place, we could be taken to war by decisions made elsewhere than in our own parliaments. Not only is this a direct denial of democratic rights, but it removes the power of governments to discourage revolution or riot, on the grounds that a democratic solution is possible. Then the legitimacy and the stability of any political system come into question. 

I am strongly in favour of European cooperation, having presented a bill for a Commonwealth of Europe that would include every country in our continent, as the basis for harmonisation by consent of the various parliaments, just as the UN General Assembly reaches agreements that it recommends should be followed. 

The case for a European constitution and currency is also presented as a move beyond nationalism, which has brought such anguish to Europe. But I fear that it will stimulate nationalism when angry people discover that they are forced to do things they do not want to and are tempted to blame other nations, when the fault actually lies with the system itself. 

Federations come and go, as we have seen in the Soviet Union and Yugoslavia, and I do not rule out the opportunity that the European Federation may break up amidst hostility between nations, which is the exact opposite of what we are told will happen.






Tuesday, 16 July 2019

The Three Quark Model of Superman





" Maury Gellman, Nobel Prize-winner, got his Three-Quark-Model out of Finnegan’s Wake…. The Three Quarks are major characters in Finnegan’s Wake, the two twins who are opposites, and the third twin who is both twins combined and still a third independent character.

In order to understand thoughts like that, two twins who are the opposite, and the third who combines both of them, you gotta think in a Taoist way – like the joke which goes : –

Q : ‘How Many Zen Masters Does it Take to Change a Lightbulb?’


Three



A : ‘One to Change it, and One Not to Change it.’




















Soldier Boy





John Lees, Oldham
Died : 9th September, 1819
Sabred

Lees was an ex-soldier who had fought in the Battle of Waterloo

Zorro









[sighs] [metal creaking, door opens] 
TANDY: [yelling out] 
Movie night is in the house! 
Did this place always look like such a shithole? 


TY :
I hate you so much sometimes.

TANDY: 
Sometimes.
But you love the me that steals from your old stomping grounds.

TY :
Did you get the syllabus from A.P.

TANDY: 
Psychics? Oh, yeah.
And almost all the textbooks on it.
Check it out, I got you one of these thingies.
A new one.

TY :
Okay 
It's cool, but what's it for? 
TANDY: 
For, like, studying? 
And all the "notes to self"? 

TY :
Um, "Note to self: Tandy has no idea what studying is." 

TANDY: 
Solitude has made you sassy.

TY :
And yet, I keep bringing you gifts.
TV night is in the house.
I can't believe people used to watch these things.
[VCR loading] 


TY :
How you been? 


TANDY: 
Really good.

TY :
And your mom? 


TANDY: 
Still at it.
Getting her act together.
But things really couldn't be better.
But today, you know, I had this 

TYRONE: [in the distance]
 Sorry.
[tarp rustling] 

TYRONE: 
Sorry.
[thud] 
What were you saying? 


TANDY: 
Look who's been practicing.


TY :
Well, you know, I got a lot of time on my hands.

TANDY: 
Well if you've gotten so good, why don't you hit up your girl? 


TY :
Super-human booty call.
Nah, I'm just trying to lay low.
No human contact.

TANDY: 
Come on, Ty, you gotta stretch your legs a little.
You know, I heard the last person that lived here, got a little stir-crazy.


TY :
That's why we have movie night.
How 'bout you? 
You been practicing? 

TANDY: 
Every once in a while, you know, when I don't want to get up and grab a knife.
So what's with this Zeppo guy? 


TY :
Zorro? Actually, my mom, and dad, and Billy, and I, we used to watch the reruns in Korean on rabbit ears.

TANDY: 
Wait, you guys speak Korean? 

TY :
Well, you don't have to with Zorro.
The story's always the same.
Town-folks in trouble.
He rises up.
Fights the power.
Bad guys get all Z'd.

TANDY: 
His outfit is kind of ridiculous.

TY :
Check your cloak envy.

TANDY: 
Nobody's getting Z'd with a cloak, Ty.
Man needs a blade for that.

TY :
Lucky I have you.

TANDY: 
Damn right.
Do you miss it? 

TY :
Nah, I can practice as much I can in here, right? 


TANDY: 
No, I mean the real "it." 
The in-the-thick-of-it, risking your life, moment to moment, the saving-the-world rush.

TY :
Nah.
Definitely don't miss running away from bullets.
Risking my life.
Almost dying.
Or puttin' my family in danger, no.


TANDY: 
Yeah, but don't you get restless? 

TY :
Yeah, I suppose I do sometimes.

TANDY: 
What do you do? 

TY :
What I'm supposed to do.
Fight it.
Stay home.
Sit tight.
Hope [scoffs] 
Lady Justice will find a way to get me off the hook.
How 'bout you? You miss it? 


TANDY: 
Yeah from time to time, sure.
But I make knives of light.
I mean what would I even do? 



Take it to The Bridge



So, it turns out it's quite hard to come up with something original to say about love.
But I've had a go.

Love is awful! It's awful.

It's painful.
It's frightening.
Makes you doubt yourself, judge yourself.
Distance yourself from the other people in your life.
Make you selfish.
Makes you creepy! 
Makes you obsessed with your hair.
Makes you cruel! 
Makes you say and do things you never thought you would do! 


It's all any of us want and it's hell when we get there! So, no wonder it's something we don't want to do on our own.
I was taught if we're born with love, then life is about choosing the right place to put it.
People talk about that a lot.
It "feeling right".
"When it feels right it's easy.
" But I'm not sure that's true.
It takes strength to know what's right.
And love isn't something that weak people do.
Being a romantic takes a hell of a lot of hope.
I think what they mean is when you find somebody that you love it feels like hope.
Go out the side way, now.
So, thank you for bringing us all together here today.
To take words from this book of love, be strong and take heart, all you who hope in the Lord.
Um, let's get on with the big bit.





Three Bridges










" Maury Gellman, Nobel Prize-winner, got his Three-Quark-Model out of Finnegan’s Wake…. The Three Quarks are major characters in Finnegan’s Wake, the two twins who are opposites, and the third twin who is both twins combined and still a third independent character.

In order to understand thoughts like that, two twins who are the opposite, and the third who combines both of them, you gotta think in a Taoist way – like the joke which goes : –

Q : ‘How Many Zen Masters Does it Take to Change a Lightbulb?’


Three



A : ‘One to Change it, and One Not to Change it.’






That’s the logic of the Shem, Ham, Japeth relationship in Finnegan’s Wake, which is also the Bacon, Shakespeare, Raleigh relationship, and the Tom, Dick and Harry, and many other types of Trilogies of The Human Mind, including The Holy Trinity.  









The bridge in the original issue of Amazing Spider-Man #121 was stated in the text to be the George Washington Bridge. The Pulse #4 (Sept. 2004) also states the bridge to be the George Washington Bridge.




The art of The Amazing Spider-Man #121, however, depicts the Brooklyn Bridge. 

Some reprints of the issue have had the text amended and now state the bridge to be the Brooklyn Bridge rather than the George Washington Bridge. 

Titles supporting the Brooklyn Bridge include The Amazing Spider-Man #147-148 (1975), The Amazing Spider-Man Annual #21 (1987), and Daredevil v. 2 #8 (2000). 

In a television interview for the Travel Channel’s Marvel Superheroes Guide to New York City (2004), Stan Lee said that the artist for the issue had drawn the Brooklyn Bridge, but that he (as editor) mistakenly labeled it the George Washington Bridge. 

This was corrected in newer prints of the issue.




Different bridges are depicted in subsequent adaptations of the storyline. 

Mary Jane Watson was thrown off the Queensboro Bridge in both Ultimate Spider-Man #25 and the Spider-Man movie, while in Spider-Man: The Animated Series, Mary Jane is thrown off the George Washington Bridge.

Sunday, 14 July 2019

“It’s Probably Just a Flock of Birds or Something.”




“It’s Probably Just a Flock of Birds or Something.”

— Spider-Man : Far From Home 


• Well, when someone writes about an incident AFTER it's happened, that is ‘History.’

• But when The Writing comes FIRST, that's ‘Fiction.’ 

• If we'd have fallen into The Master's trap, we would have BECOME fiction. 








Saturday, 13 July 2019

The Secret Origin of Professor Mysterio S. Darko












Theorising the one could Time Travel as a means of escaping the terminal collapse phase of an imploding MicroUniverse,

SuperHero Donald S. Darko of Earth-833 Quantum-flipped himself straight into the path of a plummeting 16-Ton Stainless Steel Rolls-Royce 747-Boeing ChangeEngine – and VANISHED!







He awoke to find himself rudderless, and adrift in The Multiverse,

Facing Mirror Universes that were NOT his own, 

And Driven by a seething resentment to visit righteous vengeance and just retribution upon entitled,  millionaire Borderline man-babies, with narcissistic expression, and regular drink to FAR in Excess of what might be considered (perhaps) to be possibly considered safe, far too often, and to an extent that could only be described in terms that either meet or superceed the level of 'frighting' or 'alarming'....







His only Guide on His Journey is Frank,

A Conjured Avatar of his own Highest Truth, and Telemetry relay'd Down Through Channels From Kether to Malkuth

Who Appears in The Form of a 6ft. Bunny-Rabbit That Only The Donald can See and Hear –




And So, Professor Mysterio Darko finds himself phase-shifting from reality to reality,

Everywhere forcing it's Knights of Most Mournful Countenance to confront their Dark-Reflected Shadow-Self w. Shield of Truth and Black Mirror'd Armour –






And Hoping, Each Time, in Taking a Fool's Leap into The Next World –


To Make Wine from Your Tears






I Told You

That He Could Fly –

Because Moms Always Have Drapes to Spare

But Some of Us,

Don't Know WHY

BOUNDARIES



Joanna :
Make everything all right with Lisa.

Steve Jobs :
You know, Joanna? Boundaries.

Joanna :
You've come to my apartment at 1:00 AM and cleaned it.
So tell me where the boundary is.

Steve Jobs :
There. Let's say it's there.





There's no reason in The World why she should be nice.
But she is.
So I helped, because somebody had to.





• Burrell Smith (who designed the Macintosh’s motherboard) decided to leave Apple in early 1985, and figured out the perfect way to quit that would “nullify the reality distortion field.” 
He proposed just walking into Steve’s office, pulling down his pants, then urinating on Steve’s desk. “What could he say to that? It’s guaranteed to work.” 
Unfortunately, Steve heard about it before hand, and seemed more excited about whether Smith would actually do it than upset about him leaving.






What's the problem?


- My problem? It sure isn't the house.
- Jo, I...
It's that you told her you weren't going to pay for Harvard.
That child.
That earnest, unironic kid.
She told you I wasn't paying her tuition?
I should have hit you with something heavy a long time ago.


Lisa told you I wasn't paying her tuition?


Andy told me that.


Which one?


Hertzfeld.


How would Hertzfeld know?

He wrote Harvard a check for 25,000 to cover the semester.


Are you fucking... He paid her tuition?


Isn't that why you just asked to see him?


No, I asked to see him about something...


Did you tell her you weren't going to pay for college?


Yes, because...


How could you do that?
Because her mother, who is also her landlord...
Hertzfeld? I was ranting.
I was just, you know... I was talking. You think I would...
I was pissed off because Lisa was trying to piss me off, Joanna.
That was her intent. I don't know...


You obviously scared the hell out of her.


Hertzfeld wrote a check to Harvard, pay for...


Is she here yet?


I'm sure she is.


Can you have someone bring her back?


Yes.

Thank you.

You know, my grandmother always used to say to me...


I don't give a shit, Yentl.



I'll have someone get Lisa.



Thank you.
And if you see Hertzfeld...
It's Andy.


Speak of the devil's chief engineer.
Go.
Come on in.


You look great today.


Thank you.


Doesn't she?


She looks fantastic. Always does. Get out.


Well, I think I know why I'm here.


Do you?



Steve...


Did you send the check yet?


Yes.


So Harvard got a tuition check from Andy Hertzfeld to pay for Lisa?


I don't think they look that carefully.
I don't think they'd notice the check didn't come from you.


Close one. This was almost embarrassing for me.


I understand how...


I'll wire you the money today.


I-I understand how you feel.
And I do apologize. I do.
But let me tell you my thinking.


I can't even think of an appropriate analogy to describe what you did.


I knew you guys would fix things. You always do.
But in the meantime, if the money wasn't there, she'd miss a semester of school.


Yeah.


And she'd have to tell her friends why.
And she needed things. She needed socks.


What?


It's cold in Cambridge. She needed warm socks.


You gave her socks?


Well, I gave her money for socks.


You don't get to deputize yourself as her interim.
You don't get to override my decisions. Do you understand?
You don't get to act like you're her father.


Somebody had to.


What the fuck did you just say to me?


I've known her since she was six.
I also consider... 
Chrisann's my friend, outside of what you and I... 
outside of our relationship.


So you're like a family adviser.


I'm a family friend.


Then you probably know that Lisa's been seeing a therapist.


Yeah.



For many years.


Yeah.


Without my knowledge.


That really wasn't my business.


I'm fascinated by what you think is and isn't your business.


Lisa's been going to a therapist and she likes it
and would love for you and Chrisann to go with her.


And the reason you know that is because you're the one that recommended the therapist.


Well, I know a guy.


No, I mean you're the one who recommended that she see a therapist.


You know what? 
It was a while ago, and I don't remember how the whole...


You told Chrisann that Lisa should see a therapist.


Steve, you're stigmatizing.
It's a perfectly norm...
It's not...
My thing was, how can it hurt?


Let's find out.


Chrisann is my friend.


What was the reason you gave?


You mean...


What was the reason you gave Chrisann why Lisa should see a therapist?


I don't remember. We were talking and I said...
It's pretty much what I just said, that it certainly couldn't hurt.


You didn't say that Lisa needed a strong male role model?


I did.
I think it's a miracle she's not robbing banks with the Symbionese Liberation Army.

There's no reason in The World why she should be nice.
But she is.
So I helped, because somebody had to.


I'll wire the money to you this afternoon.


You threatened me a long time ago.


Sorry?


A long time ago... You threatened me once.


People are attracted to people with talent.
People without it find that threatening.
Maybe you should see a therapist.
Certainly couldn't hurt.



I meant you literally threatened me.
At Flint, right before the Mac launch.
I was recompiling. I was trying to debug the voice demo.
You said if I couldn't find a solution, you'd call me out in front of the audience.


Did it say "hello"?


It did.


No need to thank me.


Why do you want people to dislike you?


I don't want people to dislike me.
I'm indifferent to whether they dislike me.


Since it doesn't matter, I always have.

Really?
I've always liked you a lot. That's too bad.


Knock 'em dead.


Thank you.

Wozniak's Cave



I sat in a fucking garage with Wozniak and invented The Future.
Because artists lead and hacks ask for a show of hands.




JOBS :
There wasn't a single fight you lost.

WOZ :
Do you concede the slots are the reason for the success of the Apple II?

JOBS :
We can't still be talking about the slots.

WOZ :
I have a point.

JOBS :
It's been seven years. 
You're still doing it. 
You're talking about the slots.
There's something wrong with you.
This argument started in The Garage.

WOZ :
What are you talking about? 
Why would you only want two slots?

JOBS :
A printer and a modem.

WOZ :
With eight slots, you...
This is a huge deal that we were able to add eight slots.

JOBS :
I appreciate the engineering, but it's not what we're doing.

WOZ :
And Thank God I won that argument...

JOBS :
 Woz.

WOZ :
Because the open system is what people love about the machine, and it's why it sold and still sells.


JOBS :
An open system. 
We're not doing an open system.

WOZ :
Of course we are. 
That's what people want, and the breakthrough on the Apple II...

JOBS :
People don't know what they want until you show it to them.

WOZ :
Serious users want to customize. 
They wanna modify. They wanna jack it up.
They want hardware engineers like me to expand its capabilities, okay?
Keyboards for music, better sound board, better display boards, improved memory cards.
And it's why there are 3,000 people here right now.
The slots are what allowed the Apple II to run, for just one example, VisiCalc, which from my guess single-handedly sold
between 200,000 and 300,000 machines.
They want slots.

JOBS :
 They don't get a vote.
When Dylan wrote "Shelter from the Storm," he didn't ask people to contribute to the lyrics.
Plays don't stop so the playwright can ask the audience what scene they'd like to see next.
 Painters...

WOZ :
Hobbyists...

JOBS :
We're on the verge of a tectonic... Hobbyists?
A printer and a modem. Two slots.
The Apple II team has my affection, but I'm not loving up a seven-year-old product at the Mac launch.

WOZ :
Computers aren't paintings.

JOBS :
Fuck you.
I'm gonna say "fuck you" every time you say that until you either die or stop saying it.

WOZ :
Steve...

JOBS :
Try it.


Steve.

JOBS :
Say it.

WOZ :
“Computers aren't paintings.”

JOBS :
Fuck you.
Yes, they are, and what I want is a closed system.
End-to-End Control. 
Completely incompatible with anything.

WOZ :
Computers aren't supposed to have human flaws– 
I'm not going to build this one with yours.