Tuesday, 12 February 2019

Fam




Of course! A Gestalt! A Telepathic Gestalt!

THE CHIN: 
Welcome, welcome. 
This is The Gang. 
I've got a Gang. 

AMY: 
With you? They're with you? 
Are they the new Us? 

Is that why we haven't seen you? 

THE CHIN: 
No. 
They're just people. 
They're not Ponds. 

I thought we might need a new gang. 
Not really had a gang before. 
It's new.



'Graham" means 'Grey Haired One". 
That's why Graham is called Graham.
 

Orion is the Youth God of The New Gods and The Fourth World. 
That's why Ryan is called Ryan.


And, he's his own father (kind of)
 
 
'Yasmin' or 'Jasmine' means 'Beautiful Flower.... 
And she's God on Angel
That's why Yaz is called Yaz.











Dr. Disco : 
Just stick one into the Tardis console. 
That'll bring you to me.
The Maid : 
[on monitor]: 
Right.
Dr. Disco : 
And make sure you hang on to the console, otherwise the Tardis will leave you behind.
My Lady : 
So what do we do? 
Doctor? Huh? 
Doctor, what do we do? 

Dr. Disco : 
Nothing.
My Lady :
What?

Dr. Disco : 
We don't do anything. 
I'm sorry, Clara. 
I can't help you.
My Lady : 
Of course you can help.
Dr. Disco : 
The Earth isn't my home. 
The Moon's not my moon. 
Sorry.
My Lady : 
Come on. Hey.
Dr. Disco : 
 Listen, there are moments in every civilisation's history in which the whole path of that civilisation is decided. 

The whole future path. 

 Whatever future humanity might have depends upon the choice that is made right here and right now. 

Now, you've got the tools to kill it. 
You made them. 
You brought them up here all on your own, with your own ingenuity. 

You don't need a Time Lord. 

Kill it. 
Or let it live. 

I can't make this decision for you.
My Lady : 
Yeah, well, I can't make it.
Dr. Disco : 
Well, there's two of you here.
My Lady : 
Well, yeah. 
A school teacher and an astronaut.
Dr. Disco : 
Who's better qualified? 

My Lady : 
I don't know! The President of America. 

Dr. Disco : 
Oh, take something off his plate!
He makes far too many decisions anyway. 

The Widow :
 
She. 

Dr. Disco :
She. Sorry. 

She hasn't even been into space. 
She hasn't been to another planet. 
How would she even know what to do?
My Lady : 
I am asking you for help.
Dr. Disco : 
 Listen, we went to dinner in Berlin in 1937, right? 
We didn't nip out after pudding and kill Hitler. 

I've never killed Hitler. 
And you wouldn't expect me to kill Hitler. 

The Future is no more malleable than The Past.

My Lady : 
Okay, don't you do this to make some kind of point.
 

Dr. Disco :
 Sorry. Well, actually, no, I'm not sorry. 

It's time to take the stabilisers off your bike.
It's your moon, womankind. 
It's your choice. 
 

My Lady : 
And you're just going to stand there?
Dr. Disco : 
Absolutely not.
(The Tardis arrives, and Courtney comes out.)
 

My Lady : 
Doctor? 

Dr. Disco : 
A teenager, an astronaut and a schoolteacher.

The Widow : 
Hang on a minute. We can get in there, can't we? You can sort it out with that thing.
Dr. Disco : 
No. Some decisions are too important not to make on your own.
My Lady : 
Doctor. 
Doctor? 
Doctor!
(The Doctor goes into the Tardis and shuts the door. It dematerialises.)

The Widow :


 Oh, what a prat
.







[Room]
TROI: 
Captain. 


WORF: 
Sir. 


(A well build man with red hair and beard has entered. He stops in front of each of them in turn. Please note this actor really is deaf.


TROI: 
Riva. 


(He goes and stands on his dais. Picard steps forward but is gestured to stop. Two men and a woman in white enter and stand in front of Riva)


WOMAN: 
Please, come closer. Before I start, is there anything you need? Food, refreshments? 


PICARD: 
Thank you, no. 




SCHOLAR: 
(the man in the hat) 
Then proceed. 


PICARD: 
Greetings from the United Federation of Planets. I am Captain Jean Luc Picard, of the USS Enterprise. This is Counsellor Troi. Lieutenant Worf. 


ADONIS: Greetings. 


SCHOLAR: Welcome to Ramatis. 


WOMAN: I have been expecting you. 


ADONIS: You are empathic. 


TROI: Yes. 


(Riva walks towards Troi) 


ADONIS: 
Then although you already know my feelings toward you, allow me to put them into words. 
I am looking forward to this journey, now more than ever, because it gives me the chance to be in your company. 


TROI: 
I am flattered. I too am look forward to learning more about you. 


(Riva goes back to his dais) 


PICARD: 
There are aspects to Riva of which we have not been informed. 


WOMAN: 
Precisely. Our way of communicating has developed over the centuries and its one that I find quite harmonious. 


PICARD: 
Then Riva the mediator... 


WOMAN: ..is deaf. 

PICARD: Deaf? 


WOMAN: Born, and hope to die. 


PICARD: And the three of you speak for him? 


CHORUS: Yes. 



SCHOLAR: 
We serve as translators. We convey not only his thoughts, but his emotional intent as well. I am the Scholar. I represent the intellect, and speak in matters of judgement, philosophy, logic. Also, I am the dreamer, the part that longs to see the beauty beyond the truth which is always the first duty of art. I am the poet who ...



ADONIS: 
Artists, they tend to ramble, neglect the moment. I am passion, the libido. I am the anarchy of lust, the romantic and the lover. I am also the warrior, the perfect line which never wavers. 




WOMAN: 
I am that which binds all the others together. I am harmony, wisdom, balance. 


PICARD: 
Remarkable. And so these...


(Riva steps forward, angry) 


SCHOLAR: Speak to me! 


PICARD: What? 


SCHOLAR: Speak directly to me. 


PICARD: The uniqueness of this presentation provoked this inadvertent breach in protocol. No insult was intended. 


SCHOLAR: Then none is perceived. 


PICARD: I'm curious about how this rare form of communication came about. 


WOMAN: The gene for hearing is not present in my planet's ruling line. 


SCHOLAR: Not that unusual, indeed it is similar to the House of Hanover of your planet Earth, all who had haemophilia. Or the leaders of Fendaus Five, who were without limbs. 


WOMAN: Many of the galaxy's greatest contributors have been similarly special. 


SCHOLAR: My Chorus is so attuned, they can hear my thoughts and translate to you. It is a relationship which goes back for centuries. Their ancestors provided the same service to my ancestors. 


TROI: Your method of communication is most elegant and quite beautiful. 


ADONIS: It takes a fine mind to realise that, Counsellor Troi. 


TROI: This part of you doesn't speak very often. 


ADONIS: Only when the spirit moves me.

PICARD: Riva, if you are ready, the situation at Solais Five is very critical. We should not delay. 


SCHOLAR: Very well. 


WORF: With your permission, Captain. 


PICARD: Make it so, Mister Worf. 


WORF: Enterprise, this is the away team. Seven to beam up.
[Bridge]
O'BRIEN [OC]: Commander Riker. The away team, plus four, is on board. 

RIKER: Acknowledged. Ensign, set your course for Solais Five. 


WESLEY: Course is set. 


RIKER: Velocity, warp eight. 


WESLEY: Warp eight, aye. 


RIKER: Engage, Ensign. 


WESLEY: Yes, sir. 


(The party enters the Bridge) 


RIKER: What is this? 


PICARD: Riva is deaf. These three speak for him. Treat them as interpreters. Address yourselves directly to Riva. Now, may I present my First Officer. 


SCHOLAR: First, Captain, may I say it is an honour to be on board such a fine vessel. Now, please, continue with the introductions. 


PICARD: This is my First Officer, Commander Riker. 


SCHOLAR: It is an honour to meet you. 


(Riva places his right hand in the centre of Riker's chest) 


PICARD: Lieutenant Commander Data. 


SCHOLAR: It is a pleasure to meet such a unique individual. 


DATA: Thank you. 


PICARD: Lieutenant La Forge. 


LAFORGE: It is my pleasure to meet you, sir. 


WOMAN: What is that you're wearing? 


LAFORGE: A visor. It interprets the electromagnetic spectrum and then carries the readings to my brain. 


WOMAN: And without it, can you see? 


LAFORGE: Without it I'm as blind as a stump. 


WOMAN: Then your visor serves the same function as my Chorus, which interprets my thoughts and translates them into sound? 


LAFORGE: Yes. 


SCHOLAR: And you don't resent it? 


LAFORGE: The visor or being blind? 


SCHOLAR: Either. 


LAFORGE: No, since they're both part of me, and I really like who I am, there's no reason for me to resent either one. 


SCHOLAR: What is your position on the ship? 


LAFORGE: I'm the Chief Engineer, sir.


WOMAN: It's a blessing to understand we are special, each in his own way. 


LAFORGE: Yes. Yes, that's the way I feel exactly. 


PICARD: I offer the hospitality of my vessel. And at your convenience, there is a briefing on the Solari wars. If you wish, I'll have you conducted to your quarters. 


WOMAN: Thank you. 


ADONIS: Perhaps, if it is not inconvenient, Counsellor Troi could escort me. With your permission. 


TROI: This way. 


(Troi leaves with Riva and the Adonis) 


RIKER: What about you? 


WOMAN: At times like this, we become an encumbrance. 


SCHOLAR: So, if you have rooms for us?

PICARD: Lieutenant Worf will escort you. 


RIKER: 
Riva's not what I expected.












The Devil with a Blue Dress On




















The Ceremony of Innocence 


 PETER goes to the piano. 
Plays the two highest notes over and over.

PETER
They hate this. 
I like to torture 'em. 
That's right, boys. 

It's Dr. Venkman!



Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Fee, fee, fi, fi, fo-fo, fum
Look at mine today, here she comes
Wearin' her wig hat and shades to match
Her high-heel shoes and an alligator hat
Wearin' pearls and diamond rings
She's got bracelets on her fingers, now, and everything?
Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Hey I said now, devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Wearin' her perfume, Chanel No. 5
Got to be the finest thing alive
Walks real cool, catches everybody's eye
Catch you too nervous and you can't say hi
Not too skinny not too fat
Real humdinger and I like it like that
She's the devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Good golly, Miss Molly (good golly, Miss Molly)
You sure like to ball (good golly, Miss Molly)
Good golly, Miss Molly(good golly, Miss Molly)
You sure like to ball (good golly, Miss Molly)
If you're rockin' and rollin'(good golly, Miss Molly)
Hear your mama call (Good golly, Miss Molly)
From the early, early mornin' 'til the early, early nights
See Miss Molly rockin' at the House of Blue Lights
Good golly, Miss Molly (good golly, Miss Molly)
You sure like to ball (good golly, Miss Molly)
You have take it easy (good golly, Miss Molly)
Hear your mama call (good golly, Miss Molly)
Fee, fee, fi, fi, fo-fo, fum
Look once again, now, here she comes
Wearin' her wig hat and shades to match
Got high-heel shoes and an alligator hat
Wearin' her pearls and her diamond rings
That sort of thing is now everything
She's devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Hey I said now, devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on
Devil with the blue dress, blue dress, blue dress,
Devil with the blue dress on

Once I Know Fear, How Do I Defeat It?




On the eve of battle, on a cold and windless night, an old general turned to a young soldier.

"Tomorrow," said the master, "you will know fear.


The young soldier, who had not yet experienced the agony of war, looked at the general with quizzical eyes.

"How will I know fear if I do not know what it looks like?"  

The General replied,  
"You will know fear because it speaks very fast and it speaks very loud."

If that is how fear acts, recognizing it is easy.


But as the young soldier considered the general's advice, she asked the question facing us now: 


"Once I know fear, how do I defeat it?"

We are not longer on The Eve of Battle -

Even so, I come to ask myself the same question that young soldier asked the general all those years ago:

"How do I defeat fear?"


The General's answer: the only way to defeat fear is to tell it 

"No."
 

" No."
We will not take shortcuts on the path to righteousness.


"No."
We will not break the rules that protect us from our basest instincts.
 

"No."
We will not allow desperation to destroy moral authority.

I am guilty of all these things.

Some say that in life, there are no second chances.

Experience tells me that this is True.

But we can only look forward.

We have to be Torchbearers, casting the light so we may see our path to lasting peace.


We will continue exploring, discovering new worlds, new civilizations.


Yes.


That is the United Federation of Planets.



You Fellas Have a Lotta The Same Power "E" Had.


You Fellas Have a Lotta The Same Power "E" Had.




PAY NO ATTENTION TO THAT MAN BEHIND THE CURTAIN








Only The Penitent Man Shall Pass


 
SAILOR
But I’m a robber
and a manslaughterer
and I haven’t had any parental guidance.

The GOOD WITCH 
Laura Palmer :
She has forgiven you of all these things ...
You love her...
Don’t be afraid, Sailor.

SAILOR
But I’m Wild at Heart.
 
The GOOD WITCH 
Laura Palmer :
If you are truly Wild at Heart, 
you’ll fight for your dreams...

Don’t turn away from Love, Sailor...
Don’t turn away from Love...
Don’t turn away from Love.

The Sailor



The song is Brandy (You're a Fine Girl) 
by Looking Glass.




“ I tend to think that what fame has done is to replace The Sea as the element of choice of adventure for young people. 

If you were a dashing young man in the 19th century you would probably have wanted to Run Away To Sea, just as in the 20th century you might decide that you want to run away and form a pop band. 

The difference is that in the 19th century, before Running Away to Sea, you would have had at least some understanding of the element that you were dealing with and would have perhaps, say, learned to swim ... 

The thing is that there is no manual for how to cope with fame. 

So you'll get some, otherwise likeable young person, who has done one good comic book, one good film, one good record, suddenly told that they are a genius, who believes it and who runs out laughing and splashing into the billows of celebrity, and whose heroin-sodden corpse is washed up a few weeks later in the shallows of the tabloids. ”

- Alan Moore 



160. EXT. CITY STREET - LATE AFTERNOON/EVENING

Sailor walks down the street pretending hard not to care.

 CUT TO:

161. INT. LULA’S CAR - LATE AFTERNOON/EVENING


Lula climbs in behind the wheel - sobbing. Pace sits sadly, staring out the window.

 CUT TO:

162. EXT. CITY STREET - LATE AFTERNOON/EVENING


Sailor continues walking down the street. A GANG OF INSANE KILLER TEENAGERS on PCP appear and come towards Sailor. They circle around him, coming in closer for the kill.

 SAILOR 
What do you faggots want?

That’s all it takes. The gang is on him. Sailor tries to defend himself, but one big punch to his nose sends him down and out. Blood begins to pour from his swelling nose.


162A. EXT. CITY STREET - LATE AFTERNOON/EVENING

CU OF SAILOR’S FACE - a bright light illuminates it.


In the sky above Sailor, a large glowing bubble holding the beautiful Good Witch of the North [ Laura Palmer ] comes floating down above him.
 

The GOOD WITCH Laura Palmer :
Sailor Ripley...

Sailor’s eyes suddenly see the Good Witch through his closed eyelids. His mouth speaks through closed lips.


 SAILOR 

The Good Witch...

The GOOD WITCH Laura Palmer :

Sailor... 
Lula loves you.

 SAILOR 

But I’m a robber 
and a manslaughterer 
and I haven’t had any parental guidance.
The GOOD WITCH Laura Palmer :
She has forgiven you of all these things ... 
You love her... 
Don’t be afraid, Sailor.

 SAILOR 

But I’m Wild at Heart.
 

The GOOD WITCH Laura Palmer :
If you are truly wild at heart, you’ll fight for your dreams... 

Don’t turn away from love, Sailor...
Don’t turn away from love... 
Don’t turn away from love.

The Good Witch disappears.

162. EXT. CITY STREET - LATE AFTERNOON/EVENING

Sailor opens his eyes and drags himself and his giant swollen nose up on his feet. The gang still stands around him.


GANG MEMBER

You had enough, asshole?



SAILOR

Yes, I have...

And I wanna apologize to you gentlemen for referring to you as homosexuals.

I also want to thank you fellas - you've taught me a valuable lesson in Life. 

(lifts his head high

LULA!!!!

Sailor turns around and starts running back. The gang watches him go.





There's a port on a western bay
And it serves a hundred ships a day
Lonely sailors pass the time away
And talk about their homes

And there's a girl in this harbor town
And she works layin' whiskey down
They say, Brandy, fetch another round
She serves them whiskey and wine

The sailors say: "Brandy, you're a fine girl" (you're a fine girl)
"What a good wife you would be" (such a fine girl)
"Yeah, your eyes could steal a sailor from the sea"


Brandy wears a braided chain
Made of finest silver from the North of Spain
A locket that bears the name
Of the man that Brandy loved

He came on a summer's day
Bringin' gifts from far away
But he made it clear he couldn't stay
No harbor was his home


The sailors say: "Brandy, you're a fine girl" (you're a fine girl)
"What a good wife you would be" (such a fine girl)
"But my life, my lover, my lady is the sea"


Yeah, Brandy used to watch his eyes
When he told his sailor stories
She could feel the ocean fall and rise
She saw its ragin' glory
But he had always told the truth, Lord, he was an honest man
And Brandy does her best to understand
At night when the bars close down
Brandy walks through a silent town
And loves a man who's not around
She still can hear him say
She hears him say "Brandy, you're a fine girl" (you're a fine girl)
"What a good wife you would be" (such a fine girl)
"But my life, my lover, my lady is the sea"

It is, yes it is,
He said, "Brandy, you're a fine girl" (you're a fine girl)
"What a good wife you would be" (such a fine girl)
"But my life, my lover, my lady is the sea"










FULL QUOTE : " I believe that this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a Shaman.

I believe that all culture must have arisen from cult.  Originally, all of the faucets of our culture, whether they be in the arts or sciences were the province of the Shaman.  

The fact that in present times, this magickal power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy.  

At the moment the people who are using Shamanism and magic to shape our culture are advertisers.   Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people more manipulable.  

Their magick box of television, and by their magick words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment. 

In all of magick there is an incredibly large linguistic component.  The Bardic tradition of magic would place a bard as being much higher and more fearsome than a magician.  A magician might curse you.  That might make your hands lay funny or you might have a child born with a club foot.  If a Bard were to place not a curse upon you, but a satire, then that could destroy you.  If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family.  It would destroy you in your own eyes.  And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries.  

Then, years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity.  

Writers and people who had command of words were respected and feared as people who manipulated magic.  

In latter times I think that artists and writers have allowed themselves to be sold down the river.  

They have accepted the prevailing belief that art and writing are merely forms of entertainment.  

They’re not seen as transformative forces that can change a human being; that can change a society.  

They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. 

It’s not the job of the artist to give the audience what the audience wants.  

If the audience knew what they needed, then they wouldn’t be the audience.  

They would be the artists.  

It is the job of artists to give the audience what they need. "

- Alan Moore

The Devil In The Pale Moonlight




The Devil in The Pale Moonlight = 
1 Corinthians 13

GUILTY or INNOCENT?










Androids are Better Than People (Sometimes)




Reindeers are better than people
Sven, don't you think that's True?

Kristoff (As Sven): Yeah, people will beat you
and curse you and cheat you
Every one of them's bad except you

Kristoff: Oh, thanks buddy
But people smell better
than reindeers Sven, don't
you think that I'm right?

Kristoff (As Sven): That's once again True,
for all except you

Kristoff: You got me, let's call it a night

Kristoff (As Sven): Good night

Androids are Better Than People.
 C-3PO, Don’t You Think That’s True?

Master Luke, 
People Will Scrap You,
Violate Your Mind and Enslave You.
Every one of them’s Bad — 
You were right, R2.