Friday, 1 March 2019

Sweetness


sweet (adj.)
Old English swete "pleasing to the senses, mind or feelings; having a pleasant disposition," from Proto-Germanic *swotja- (source also of Old Saxon swoti, Old Frisian swet, Swedish söt, Danish sød, Middle Dutch soete, Dutch zoet, Old High German swuozi, German süß), from PIE root *swād- "sweet, pleasant" (Sanskrit svadus "sweet;" Greek hedys "sweet, pleasant, agreeable," hedone "pleasure;" Latin suavis "pleasant" (not especially of taste), suadere "to advise," properly "to make something pleasant to"). Words for "sweet" in Indo-European languages typically are used for other sense as well and in general for "pleasing."
Then come kiss me, sweet-and-twenty!
Youth's a stuff will not endure.
["Twelfth Night"]
Also "being in a sound or wholesome state" (mid-13c.), and, of water, "fresh, not salt" (late Old English). As an intensifier from 1958. Sweet in bed (c. 1300) was the equivalent of modern "good in bed." To be sweet on someone is first recorded 1690s. Sweet sixteen first recorded 1767. Sweet dreams as a parting to one going to sleep is attested from 1897, short for sweet dreams to you, etc. Sweet-and-sour in cookery is from 1723 and not originally of oriental food. Sweet nothings "sentimental trivialities" is from 1900. Sweet spot is from 1976, first in reference to tennis rackets. Sweet corn is from 1640s.
sweet (n.)
c. 1300, "something sweet to the taste," also "beloved one," from sweet (adj.); the specific meaning "candy drop" is 1851 (earlier sweetie, 1721). Meaning "one who is dear to another" is from 14c. Old English swete (n.) meant "sweetness."




30     INT.     LOBBY AT HOTEL/ANGEL INVESTIGATIONS - NIGHT

Angel and gang are interviewing Skip about Cordelia.


SKIP

You really think it matters? I mean, nothing I tell you is gonna change what's gonna happen.


ANGEL

Cut the gloom and doom. What's taken over Cordy?


SKIP

Something beyond your comprehension. To give it voice would rend your feeble brain into a quivering mass of—


ANGEL

(looks to Fred) Fred, infinite agony. (walks away)

Fred stands, holding open a book.

SKIP

OK, you got me. It doesn't even have a name.


GUNN

Then what do you call it?


SKIP

Oh, Master or "Hey."


LORNE

Unspeakable horror for real this time.


ANGEL

Ah, it doesn't make sense. Cordy was made a higher being because she proved herself to the Powers by bearing their visions. This thing couldn't have—


WESLEY

Unless it maneuvered her to inherit the visions in the first place.


SKIP

Uh, oh. Better step on it. The rubes are catching up.


ANGEL

It wasn't just her ascension. Everything that's happened to Cordy in the past few years—all of it—was planned.


SKIP

You really think it stops with her, amigo? You have any concept of how many lines have to intersect in order for a thing like this to play out? How many events have to be nudged in just the right direction? (looks at Lorne) Leaving Pylea. (looks at Gunn) Your sister. (looks at Fred) Opening the wrong book. (looks at Wesley) Sleeping with the enemy. (beat) Gosh, (chuckles) I love a story with scope.


GUNN

No way. We make our own choices.


SKIP

Yeah, sure. Cheese sandwich here, uh, when to floss. But the big stuff, like two vampires squeezing out a kid?


ANGEL

Connor.


WESLEY

An impossible birth to make one possible.


SKIP

That's what the kid was designed for.


LORNE

(chuckles) To sleep with mother love?


ANGEL

To create a vessel.


SKIP

Look out. The monkey's thinking again.


ANGEL

Being inside a human makes it vulnerable, doesn't it? That's why it had to stay hidden. Why it needed to create something stronger to pour itself into.


GUNN

Wait. So the big nasty inside of Cordy is going to give birth... to itself?


SKIP

Circle of life. It's a beautiful thing.


ANGEL

How do we stop it?


SKIP

That's the easy part, slick. All you gotta do is find Cordelia and chop her head off.


ANGEL

Has to be another way.


SKIP

Sure. Stab her in the heart, kidney, couple pokes in the lung—


ANGEL

A way that won't kill Cordy in the process.

SKIP

Takes a whole lot of cramming to get that much sweetness into a human. 


It's in every hair, every cell, every molecule of Cordelia's body and it ain't letting go 'til it got a brand new bag.


FRED

What happens to Cordy then?











SKIP

Drained of her life force during labor. Those contractions are a real bitch.










ANGEL

It'll kill her?


SKIP

Or she'll end up a head of cabbage.









WESLEY

What do you wanna do?

SKIP

The only thing you can do. 
Kill the woman he loves to save the world. 

Times like this? 
Really gotta suck being you.


ANGEL

How do I find her? (Skip doesn't answer; Angel walks forward intimidatingly) How?


SKIP

Well, I'd go with the Bu'shundi ritual but, uh, you're gonna need a sacred Hutamin paw for that—


LORNE

Got it. (stands, goes behind the desk)


SKIP

(shocked) What?


LORNE

Cordy—the real Cordy—kept one in her desk drawer.


SKIP

Probably a knock-off. It's not some trinket you'd throw in a desk drawer—


LORNE

(Lorne pulls the item out of Cordelia's desk) She thought it was a back scratcher.


ANGEL

Get started.


SKIP

Wait, wait. Uh, did I say "Bu'shundi "? I meant "Ru'shundi ". It's—it—whole different— (turns around in disgust) Crap.



Moz









You know, Chicanos, we call him "Moz."

What can I say?

We relate to his melancholy ballads, you know?









In a Charmed Life, a Road Less Traveled By LAYNG MARTINE Jr.





In a Charmed Life, a Road Less Traveled

By LAYNG MARTINE Jr. MARCH 6, 2009

MY wife and I were in a motel in Roanoke, Va., on our way home from three months at the Hershey Medical Center in Pennsylvania, where she had been convalescing after being crippled in a car accident. It was our first night away from the skill and comfort of the nurses we had come to depend on, and so far, so good.

Then we woke up and smelled something. It smelled like a bowel movement. I lifted up the sheets. It was a bowel movement, and it was in our bed.

We knew we had a lot to learn, but we had no idea how much.

Hearing the word paraplegic had made us focus on the big thing, the fact that Linda could no longer walk. Less anticipated were the smaller humiliations and inconveniences, like bowel movements in bed or on the way to a party, sores that came out of nowhere and took months or years to heal, and inaccessible restroom stalls that caused Linda to have to catheterize herself in the public area where people were washing their hands and talking.

And on it went, the list of indignities. She couldn’t watch “Good Morning America” if the remote fell off the bed when she reached for her glasses. She wet the seat on airplanes and in friends’ cars. She could no longer feel sexual intercourse (and the powerful muscle spasms in her legs threatened to crush anyone who tried).

But we’ve learned, and adapted. Now we know the places with good handicapped-access bathrooms (Starbucks), which airline makes things easiest (Southwest), which cities have smooth curb cuts (San Francisco), and which movie theaters don’t make us sit four feet from the screen.

Anyone who is in love is living a charmed life, especially if you’ve been in love for many years, through good times and bad. I have been crazy about Linda since the first time I saw her. We always felt we could handle any challenge because we were facing it together. This time we knew we had the will, but the demands were so exhausting, the changes so pervasive, that sometimes we wondered how we would cope.

This incredibly capable woman who loved to hike mountains, ride waves, and run marathons, who had cleared our sizable backyard of eight-foot-high brambles and helped me move all our furniture into three houses, suddenly couldn’t do any of those things, ever again.

Not long after getting home from the hospital, when we were having dinner by candlelight at our kitchen table, she burst into tears. “I don’t know if I can do this for the rest of my life,” she said.

All I could say was, “We’ll do it together.”

We began to think of what we could do to replace playing tennis, walking on the beach, working in the garden. Since Linda loves the ocean, a friend found a specially designed beach chair made of PVC tubing with wide inflated tires that allow it to be pushed across the sand. It’s yellow and white with a big red umbrella.

The first time I saw Linda sitting atop those tubes and under the red umbrella, I told her she looked like Ronald McDonald’s homecoming queen.

She laughed like crazy, then repeated it to everyone she knew.

A few summers later, one of our three sons suggested that he and I get on either side of the chair, slide Linda off, carry her into the ocean and drop her just beyond the waves so she could float calmly behind the crashing breakers.

At first we put her in a life preserver, but she tipped over and couldn’t right herself. So we took it off, and to our surprise she bobbed peacefully, looking once again like every other person lolling in the sea on a summer day.

You know those great old stores on Newbury Street in Boston with five or six steps up to each one? At first we could get up only about three of those a day. Now we can do every single store, one right after the other, all day long. My arms and my back are stronger — so are Linda’s — and there’s a rhythm to our teamwork that’s become second nature to us.

We take many more drives now, preferably in our convertible, looking for pretty roads and funky hamburger places, especially ’50s-style drive-ins where they bring the food to our car. Before the car even moves an inch, though, Linda has to put on her seat belt, because even a semi-sudden stop at low speed will whap her face against the dashboard as if she’s a spring-loaded bobblehead. She has no stomach muscles. Her body works only from the chest up.

I remember the day we had to tell her that. She was in the I.C.U., tubes all over, machines and screens whirring and blinking, traces of dried blood in her gnarled hair. The doctor and I stood on either side of her bed.

“Linda,” he said, “this accident you were in was a rough one.”

“I can tell,” she said, her words warped by the breathing tube.

“At the moment your legs do not move.”

She looked at him. “Will they?”

“I doubt it.”

Her eyes shifted over to me. I squeezed her hand gently.


Christopher Silas Neal
After the doctor left, tears filled her eyes. “It was all too perfect,” she said, “wasn’t it?”

And it did seem that way. It always had.

My first glimpse of her was through the screen door of her house; I’d gone there to see her brother. She was 21, and I was 22. She looked adorable in her orange dress, and I thought, “If that girl will have anything to do with me, that’s it.”

We married soon after.

We settled in Nashville, where I was an aspiring songwriter. A decade later we were able to buy a summer house on a harbor in Rhode Island. That’s where we were going when the accident happened. We had been traveling in two cars when something went wrong with mine and we stopped in Knoxville at a repair shop. Linda was wearing a blue and white seersucker dress as she and our youngest son, Mac, who was 15, walked to her car. It was the last time I would ever see her walk. As they pulled away, she called out, “See you in a few hours!” and blew a kiss.

I blew one back.

We planned to meet up later at a motel in Allentown.

Have you ever come upon a traffic jam on the Interstate and looked for an exit to try your luck on the back roads? That’s what I did the night of Linda’s accident. I drove right by my family without even knowing it. I bet I wasn’t more than 100 feet away.

It was late. I was impatient. Traffic was stopped in both directions. Finally I managed to move to the shoulder and scoot along to an exit, where I found an empty frontage road running parallel to the highway.

Barely onto it, I saw a cluster of blinking blue lights in the distance. Wow, what happened? I wondered if Linda and Mac were already at the motel, or if they were also stuck in this jam. Then I thought: Could they be in that accident? But wait — of course not. They were way ahead.

A while later I stopped at a diner, where I found a pay phone and dialed the motel. When I asked for the Martine room, the desk clerk said, “There’s someone on the other line calling for Martine, too.”

“Who?”

“Someone from the hospital in Hershey.”

“Can you connect me?”

“No, but they gave me their number.”

I hung up and redialed, my face hot. The woman who answered identified herself as the hospital chaplain. She said my family had been in an accident.

“Are they all right?”

She put the doctor on, who told me that my son was O.K. My wife, however, was a different story.

I listened as he described her condition, then asked, “Can she think?”

“Yes. Her brain is fine.”

And that’s when I knew we could do it, long before I had any idea what “it” was.

Now, 15 years later, we do know.

We know that most people — strangers, anywhere — will knock themselves out to help us if we explain what we need. We know to say “Yes” to nearly everything because there is probably a way to do it. We know there is happiness available every day, most of it requiring more effort than money. And effort seems like a small price to pay for a day at the beach, a trip to New York or for dinner up eight steps to a friend’s home.

A few months after the accident, Linda started driving again. Her car has hand controls. She thinks nothing of driving to visit her father two hours away by herself. She has rolled three marathons — yes, a full 26-plus miles in a racing wheelchair.

And now, so long since that fateful night, looking across the dinner table at my wife, or seeing her across the room at a party, the hopeless crush I have on her is as wonderfully out of control as when I first saw her more than four decades ago through the screen door. I still get excited after work when I pull in the driveway and know that I’ll soon get to see the sexy, beautiful, very funny person I live with. And, later on, snuggle up to her in bed.

We’ve rolled up and down the hills of Tuscany, squeezed into pubs in Ireland, explored narrow streets in Paris and Rome, gone to Red Sox games, had coffee in the sunshine in San Francisco, Portland, Chicago and Miami. And we’ve learned that alongside great loss we can still have a great life. We want it so badly, and we love it so much.

At sunset, as we sit on the deck of our house in Rhode Island in our side-by-side chairs — mine Adirondack-style, hers on wheels — we look across the water at Fishers Island and think we are as lucky as two people can be.

We don’t know what will happen tomorrow, or who will live how long. But we were young together. We struggled to make a life. We raised three great sons. We’ve each been the caregiver and the cared-for, and I suspect that we each have a little more of both in our future.

We are two, but we are one. And I love those numbers.
















Layng Martine Jr. is an American songwriter. A member of the Nashville Songwriters Hall of Fame,1 he was the writer of “Rub It In”, a number one country hit for Billy “Crash” Craddock in 1974, which became the long-running TV commercial “Plug It In”2 for Johnson & Johnson’s Glade Plug-ins air freshening product.3 This song was previously a No. 65 single on the Billboard Hot 100 for Martine himself in 1971, whose version was released on Barnaby Records.4Some of Martine’s other writing credits include Elvis Presley’s million seller “Way Down”The Pointer Sisters’ Top Ten “Should I Do It” and Trisha Yearwood’s “I Wanna Go Too Far”. He was nominated for a Grammy Award in 1993 for Best Country Song, for co-writing Reba McEntire’s “The Greatest Man I Never Knew”.

Martine authored an article for The New York Times Modern Love column about his continued love story with his wife Linda after she became a paraplegic after a car accident.5 The couple has three sons, one of whom is musician and producer Tucker Martine.6

Songs written


Way Down” is a song recorded by Elvis Presley. Recorded in October 1976, it was his last single released before his death on August 16, 1977. The song was written by Layng Martine, Jr. and was later covered by Status Quo and Cliffhanger. Presley recorded the song at his home studio in Graceland on 29 October 1976.

”Way Down”
Single by Elvis Presley
from the album Moody Blue
B-sidePledging My Love
ReleasedJune 6, 1977
Format7” single
RecordedOctober 29, 1976, GracelandMemphis, Tennessee
GenreRock and roll
Length2:39
LabelRCA
Songwriter(s)Layng Martine, Jr.
Producer(s)Felton Jarvis
Elvis Presley singles chronology
Moody Blue” 
(1976)
Way Down” 
(1977)
My Way” 
(1977)
Music video
”Way Down” (audio) on YouTube

Released as a single (with “Pledging My Love” on the B-side) on June 6, 1977, it was his single at the time of his death. It initially peaked at No. 31 on the BillboardHot 100 chart dated August 6, 1977 and had fallen to No. 53 on the chart for the week ending August 27, 1977. Thereafter, it reversed direction and reached an even higher peak at No. 18 on 24 September – 1 October 1977. “Way Down” reached No. 1 on the American Country chart the week he died.1 Overseas, the song hit the number one in the UK Singles Chart week ending 3 September for five weeks, 2 just over seven years after his previous 16th UK number one single, “The Wonder of You”, in August 1970. His previous single, “Moody Blue”, had been a number one hit on the US Country Charts earlier in 1977. “Way Down” was reissued in April 2005 and reached No. 2 on the UK Singles Chart.3

The recording also featured J.D. Sumnersinging the words “way on down” at the end of each chorus down to the note low C (C2). At the end of the song, this phrase is octaved, reaching a double low C (C1, three octaves below middle C).4 This note was first accomplished by Sumner in a 1966 recording of the hymn “Blessed Assurance.”

Chart performance

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See also