Wednesday, 29 March 2023
Ostraphobia
Monday, 27 March 2023
Still Small Voice
Saturday, 25 March 2023
Loser Sons
Friday, 24 March 2023
Queen Katherine
Sunday, 19 March 2023
Split Open and Melt
Lois Falling.
Quimper
Wednesday, 15 March 2023
OPERATION : FREQUENT WIND
Tuesday, 14 March 2023
Schrödinger’s Beatles
“The Irish Beatles experts and podcasters Jason Carty and Steven Cockcroft refer to the period between Lennon quitting the band on 20 September 1969, and the news of the band’s split becoming public on 10 April 1970, as ‘Schrödinger’s Beatles’. In the Schrödinger’s Cat thought experiment, a poor cat is both dead and alive at the same time, just as during this period it was impossible to say whether the band was still a going concern or beyond hope. It could have been, as Lennon had told his band, the end of The Beatles. But his bandmates and the staff at Apple knew how changeable Lennon’s moods were. It could easily have been just another row that passed. The Beatles industry continued on as normal after Lennon informed the others of his decision to quit. A new deal with EMI was signed, and work on the Let It Be album continued. Had McCartney given Lennon more attention and listened to his concerns, without the pressure of business differences, it is conceivable that they could have repaired their relationship. Had Lennon regained enthusiasm for something other than Yoko and the heroin that the pair were by then taking, and become creatively engaged with his bandmates again, it is conceivable that he would have returned.”
“Ironically, Paul was the only Beatle who never left the group. Ringo had been the first to quit, in 1968, when post-Rishikesh tensions between the Beatles first became undeniable, Yoko arrived in the studio, and he felt unloved and an outsider. He flew to the Mediterranean and spent two weeks on Peter Sellers’ yacht. During this holiday, he learned that cave-dwelling octopuses arranged shiny stones, bits of tin cans or whatever they found on the ocean floor outside their caves, like a garden, and a song was born. As he later recalled, he then ‘got a telegram saying, “You’re the best rock’n’roll drummer in the world. Come on Home, we love you.” And so I came back. We all needed that little shake-up. When I got back to the studio I found George had had it decked out with flowers – there were flowers everywhere. I felt good about myself again.’ ”
Monday, 13 March 2023
How Do We Get Out?
Kryten recounted how Lister had followed The Cat into The Game.
'But Better Than Life's addictive! I knew that.'
'You were drunk, Mister David; you thought you'd be OK just to go into The Game and tell The Cat what danger he was in. But once you'd linked up to the Cat's headband, you didn't come out.'
'What about me?' said Rimmer. 'Why did I go in?'
'You were drunk too. You said you had the willpower to drag them both out. You got Holly to splice you into the Game. And that was the last we saw of you.'
Kryten told how they had wandered around Red Dwarf in the twilight zombie state the Game induced. How he'd done his best to feed them, and keep them from harming themselves. But over the months the Cat's and Lister's bodies had begun to wither. Sometimes they'd spend weeks in a single position and develop huge bedsores. They'd tumble down stairs and get up, bloody and laughing, believing they'd made a parachute jump or some such thing. How he'd once seen Lister eat his own vomit with delight, obviously believing he was enjoying some sumptuous delicacy. How, in desperation, he'd begun lasering the messages into Lister's arms to warn him of the danger. This had distressed Kryten greatly. It was built into his software that he mustn't harm human beings. Months of cajoling by Holly had finally persuaded him that not to do it would hurt Lister even more.
But still the three of them remained in the Game. In the end, Kryten had no choice but to enter himself.
'But that's stupid,' said Lister. 'You'll get addicted too.'
Kryten shook his head. 'Holly was right. I'm immune. I could have come in right at the start and rescued you.'
'Immune?' said Rimmer. 'Why are you immune?'
Kryten cracked his face into a hollow grin. 'I'm a mechanoid. I don't have dreams. I don't have fantasies the way you do. I have very few expectations or desires.'
'Very few?' said Lister. 'Then you do have some?'
A Valkyrie appeared, bearing a brand-new, freshly wrapped squeezy mop.
'Only one,' said Kryten, accepting the gift and tearing off the paper. 'Oh, wonderful. A squeezy mop! Just what I've always wanted.'
'OK', said Lister, leaning forward, 'the sixty-four million dollarpound question : How Do We Get Out?'
Lister banged at the dashboard with a gloved hand, and the faltering heater whirred back from the dead, and unenthusiastically started to de-mist the windscreen. Lister craned over the steering column and tried to make out the grey ruts in the snow which served as a rough indication as to where the road might be.
He was leaving The Game. It was easy to leave the Game. Easier than he'd have thought.
First you had to want to leave. And, of course, to want to leave you had to know you were in The Game in the first place. That was the hard part, realising that this wasn't reality. Then it was only a matter of finding An Exit. Just that. A Door marked 'EXIT'.
'And where are these doors?' he'd asked Kryten.
'It's your fantasy,' Kryten had replied; 'they're wherever you want them to be.'
So there it was. All he had to do was imagine An Exit, and go through it.
He'd pass through the exit and find himself back on Red Dwarf, probably thin and gaunt and wasted from his two years in The Game but, nevertheless, back in reality. Once back, he could remove his headband - no, destroy his headband!
Destroy them all! - then start the long haul back to health.
But it was an individual matter. They all had to create their own separate exits. Alone. You're born alone, you die alone, you leave The Game alone.
The glimmering lights of Bedford Falls twinkled in the valley below as, for the last time, he made his way down the hill to his personal Shangri-La.
Ever since he'd left Earth, every step he'd taken had led him further away from the dirty polluted world he loved. First Mimas, then the outer reaches of the solar system, then Deep Space, and finally here - in the wrong dimension of the wrong plane of reality. It was hard to imagine how he could ever be further away from Home.
The Ford juddered down the main street under the strings of lights that hung between trees down the avenue. He passed Horace's bank, and through the window saw the money still stacked in neat piles on the counter. He passed Old Man Gower's drugstore. How could he have - believed it existed? He passed Martini's Bar, alive inside with joyful revellers celebrating Christmas Eve. He headed the old car down Sycamore Avenue, and slid to rest outside no. 220.
There, in the middle of the street, a pink neon sign hung over a shimmering archway. There was His Exit, just as he'd imagined it. On the other side was Reality.
It started to snow. Christmas Eve.
How could he leave them on Christmas Eve?
What harm was one more day? He turned away from the dissolving exit and crunched up the drive to 220.
One more night of that pinball smile.
Just one.
He couldn't leave them on Christmas Eve.
But, of course, in Bedford Falls it was always Christmas Eve ...