Phone-in Caller, 1984 :
I was wondering what your opinion was regarding Lyndon H. LaRouche...?
Dave Emory, 1984 :
I know almost nothing about Mr. LaRouche, but I have noticed that he appears to have rather a lot of money.
"The rich can buy anything in Britain, and they have now brought us their own opposition. Russell Brand is the voice of the discontented wealthy. He tells us that money can’t buy you love – which I already knew – and that only the complete overthrow of the existing system and embrace of mysticism can take us from “the shallow pool of the known” to the “great untamable ocean” beyond.
I was prepared to dismiss Revolution as the swollen ramblings of a jaded celeb. Brand leaves you in little doubt that he is trying to escape the ennui that follows trying everything once except incest and folk dancing. “It’s only because I decimated my life by aggressively pursuing eating, wanking, drinking, consuming and getting famous that I was forced to look at spiritual alternatives.” Inspiring a revolution – for such is his ambition – is one of the few thrills to have escaped him. “The revolution cannot be boring,” he says as he encapsulates his thoughtlessness in one phrase. “We’d all be a bit disappointed if utopia and ditching capitalism boiled down to ‘We want to be a bit more like Germany’ – fuck that.”
His writing is atrocious: long-winded, confused and smug; filled with references to books Brand has half read and thinkers he has half understood. At one point, he discusses whether our perception of reality is a mentally constructed illusion (don’t ask me why). “So,” Brand says in a conclusion worthy of a Thought for the Day vicar, “when Elton John said Marilyn Monroe was ‘like a candle in the wind’ he was probably bloody right, and if he wasn’t we’ll never know.” At another, Brand argues that spirituality is the road to revolution, a belief that would have baffled every revolutionary leader in modern European history.
“We’re all doing the same thing, dreaming the same dream, in the words of Belinda Carlisle,” he announces in a sentence that is so syrupy a Barbie doll might have written it, and worse – much worse – misquotes Ms Carlisle."
This is the exact same thinking behind mindless, suicidal statements like "The Interests of the United States and Israel are one and the same - they are identical", or produces acronymical, pneumonic groupings such as "LGBTQ", as if they political, needs, demand and agenda of Lesbians, Transgender persons and Bi-Curious males teenagers were one and the same, and must unite together in common struggle - just as the greatest enemy and the greatest threat to Judaism and people of the Jewish religion is Zionism, the greatest threat to homosexuals, bisexuals, transgender persons and those who are simply not sure is The Gay Community, radically politicised (mostly male) homosexuals - and one place that politics has no place, is during sex.
Many decades ago, the Zionist Movement, represented by the Zionist International and the World Zionist Congress (in Geneva, right next door to all those Nazi bank vaults and Allan Dulles' ratline for Der Spinne - doesn't appear to have been an issue, Mein Herr), infiltrated and took effective control of every major Jewish Organisation in existence - they did not bother to inform the Jews.
30 or 40 years ago, political homosexuality infiltrated every university and college campus where homosexuality is practiced, pondered or considered, and began demanding things - increasingly unreasonable things, with the most radical conservative and fascist elements predominating. Whilst I was at Sheffield University, the LGB (they had not yet added the T or the B) successfully forced the Students' Union to ban the music of Eminem from ALL Union club nights and from all events held on Union premises - all of my gay friends at the time loved Eminem and thought this was both stupid and embarrassing, but were not sufficiently angered or disturbed by it to actually feel the need to correct it; in fact, at that time, I was briefly involved in an abortive attempt, via entryism to infiltrate the LGB, table a reversal motion, and then (potentially) table a secondary motion to disband the LGB for to remainder of the academic year.
It was at that time, I came into contact with those forces who were in effective control of the LGB, the elite Fascist, counter-revolutionary (all White, all super-rich) vanguard.
They did not, and never have, demanded a ban on SkrewDriver (for instance), since SkrewDriver's music is not only racist, sexist and homophobic, it's also awful and not popular.
Eminem was popular, but also funny, witty, populist and often polemical - M was a great mobiliser, especially of disconnected and disillusioned White Youth - he was investigated and questioned by both the FBI and Secret Service when he brought out Mosh, suggesting that assassinating Bush might be an effective means of either exacting penance or forcing a back down from the ongoing Iraq War in 2004 - something the New Left never would have advocated; no-one from that camp would have seriously advocated the assassination of Nixon or Reagan, for instance.
They just refuse to wash and then sing at them.
Another example : Wonder Woman is a feminist icon; Wonder Woman appeared on the front cover of women's liberation rag Ms., edited by Gloria Steinham, who effectively married into the CIA.
But Wonder Woman was created to celebrate and promote female submission.
"Confinement to WW and the Amazons is just a sporting game, an actual enjoyment of being subdued. This, my dear friend, is the one truly great contribution of my Wonder Woman strip to moral education of the young. The only hope for peace is to teach people who are full of pep and unbound force to enjoy being bound. Women are exciting for this one reason – it is the secret of women's allure – women enjoy submission, being bound. This I bring out in the Paradise Island sequences where the girls beg for chains and enjoy wearing them."
“A really efficient totalitarian state would be one in which the all-powerful executive of political bosses and their army of managers control a population of slaves who do not have to be coerced, because they love their servitude.”
― Aldous Huxley, Brave New World
Here, Huxley defines the essence of Utopian culture; and of Utopian Counter-Culture :
"'Even Epsilons are useful'! So am I. And I damned well wish I weren't!"
Lenina was shocked by his blasphemy. "Bernard!" She protested in a voice of amazed distress. "How can you?"
In a different key, "How can I?" he repeated meditatively. "No, the real problem is: How is it that I can't, or rather–because, after all, I know quite well why I can't–what would it be like if I could, if I were free–not enslaved by my conditioning."
"But, Bernard, you're saying the most awful things."
"Don't you wish you were free, Lenina?"
"I don't know what you mean. I am free. Free to have the most wonderful time. Everybody's happy nowadays."
He laughed, "Yes, 'Everybody's happy nowadays.' We begin giving the children that at five."
To rebel against ones conditioning is not enough - Brand X evokes Huxley in that he seeks to have the masses perceive it as a goal in and of itself.
It's intrinsically Oedipal, and so has total, resonant appeal to callow youth, who don't know anything, seeking to find an identity. The Dupe-a-Mob.
Give them some money, some flags and some drugs and you have a colour revolution, based on nothing, corralling mass mobilisation from people who don't believe in anything and don't know what they want, other than to oppose.
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