Saturday 8 February 2020

ANOINTED












“Beyond a certain point, The Whole Universe becomes a continuous process of Initiation.”

- Robert Anton Wilson

THE ARCHBISHOP. 
Come, gentlemen. The Maid comes with God's blessing, and must be obeyed.

The courtiers withdraw, some through the arch, others at the opposite side. The Archbishop marches across to the door, followed by the Duchess and La Trémouille. As the Archbishop passes Joan, she falls on her knees, and kisses the hem of his robe fervently. He shakes his head in instinctive remonstrance; gathers the robe from her; and goes out. She is left kneeling directly in the Duchess's way.

THE DUCHESS [coldly] 
Will you allow me to pass, please?

JOAN 
[hastily rising, and standing back] 
Beg pardon, maam, I am sure.

The Duchess passes on. Joan stares after her; then whispers to the Dauphin.

JOAN. 
Be that Queen?

CHARLES. 
No. She thinks she is.

JOAN 
[again staring after the Duchess] 
Oo-oo-ooh! 
[Her awestruck amazement at the figure cut by the magnificently dressed lady is not wholly complimentary].

LA TRÉMOUILLE 
[very surly] 
I'll trouble your Highness not to gibe at my wife. 
[He goes out. The others have already gone].

JOAN [to the Dauphin] Who be old Gruff-and-Grum?

CHARLES. He is the Duke de la Trémouille.

JOAN. What be his job?

CHARLES. He pretends to command the army. And whenever I find a friend I can care for, he kills him.

JOAN. Why dost let him?

CHARLES [petulantly moving to the throne side of the room to escape from her magnetic field] How can I prevent him? He bullies me. They all bully me.

JOAN. Art afraid?

CHARLES. Yes: I am afraid. It's no use preaching to me about it. It's all very well for these big men with their armor that is too heavy for me, and their swords that I can hardly lift, and their muscle and their shouting and their bad tempers. They like fighting: most of them are making fools of themselves all the time they are not fighting; but I am quiet and sensible; and I dont want to kill people: I only want to be left alone to enjoy myself in my own way. I never asked to be a king: it was pushed on me. So if you are going to say 'Son of St Louis: gird on the sword of your ancestors, and lead us to victory' you may spare your breath to cool your porridge; for I cannot do it. I am not built that way; and there is an end of it.

JOAN [trenchant and masterful] Blethers! We are all like that to begin with. I shall put courage into thee.

CHARLES. But I dont want to have courage put into me. I want to sleep in a comfortable bed, and not live in continual terror of being killed or wounded. Put courage into the others, and let them have their bellyful of fighting; but let me alone.

JOAN. It's no use, Charlie: thou must face what God puts on thee. If thou fail to make thyself king, thoult be a beggar: what else art fit for? Come! Let me see thee sitting on the throne. I have looked forward to that.

CHARLES. What is the good of sitting on the throne when the other fellows give all the orders? However! [he sits enthroned, a piteous figure] here is the king for you! Look your fill at the poor devil.

JOAN. Thourt not king yet, lad: thourt but Dauphin. Be not led away by them around thee. Dressing up dont fill empty noddle. I know the people: the real people that make thy bread for thee; and I tell thee they count no man king of France until the holy oil has been poured on his hair, and himself consecrated and crowned in Rheims Cathedral. And thou needs new clothes, Charlie. Why does not Queen look after thee properly?

CHARLES. We're too poor. She wants all the money we can spare to put on her own back. Besides, I like to see her beautifully dressed; and I dont care what I wear myself: I should look ugly anyhow.

JOAN. There is some good in thee, Charlie; but it is not yet a king's good.

CHARLES. We shall see. I am not such a fool as I look. I have my eyes open; and I can tell you that one good treaty is worth ten good fights. These fighting fellows lose all on the treaties that they gain on the fights. If we can only have a treaty, the English are sure to have the worst of it, because they are better at fighting than at thinking.

JOAN. If the English win, it is they that will make the treaty: and then God help poor France! Thou must fight, Charlie, whether thou will or no. I will go first to hearten thee. We must take our courage in both hands: aye, and pray for it with both hands too.

CHARLES [descending from his throne and again crossing the room to escape from her dominating urgency] Oh do stop talking about God and praying. I cant bear people who are always praying. Isnt it bad enough to have to do it at the proper times?

JOAN [pitying him] Thou poor child, thou hast never prayed in thy life. I must teach thee from the beginning.

CHARLES. I am not a child: I am a grown man and a father; and I will not be taught any more.

JOAN. Aye, you have a little son. He that will be Louis the Eleventh when you die. Would you not fight for him?

CHARLES. No: a horrid boy. He hates me. He hates everybody, selfish little beast! I dont want to be bothered with children. I dont want to be a father; and I dont want to be a son: especially a son of St Louis. I dont want to be any of these fine things you all have your heads full of: I want to be just what I am. Why cant you mind your own business, and let me mind mine?

JOAN [again contemptuous] Minding your own business is like minding your own body: it's the shortest way to make yourself sick. What is my business? Helping mother at home. What is thine? Petting lapdogs and sucking sugar-sticks. I call that muck. I tell thee it is God's business we are here to do: not our own. I have a message to thee from God; and thou must listen to it, though thy heart break with the terror of it.

CHARLES. I dont want a message; but can you tell me any secrets? Can you do any cures? Can you turn lead into gold, or anything of that sort?

JOAN. I can turn thee into a king, in Rheims Cathedral; and that is a miracle that will take some doing, it seems.

CHARLES. If we go to Rheims, and have a coronation, Anne will want new dresses. We cant afford them. I am all right as I am.

JOAN. As you are! And what is that? Less than my father's poorest shepherd. Thourt not lawful owner of thy own land of France till thou be consecrated.

CHARLES. But I shall not be lawful owner of my own land anyhow. Will the consecration pay off my mortgages? I have pledged my last acre to the Archbishop and that fat bully. I owe money even to Bluebeard.

JOAN [earnestly] Charlie: I come from the land, and have gotten my strength working on the land; and I tell thee that the land is thine to rule righteously and keep God's peace in, and not to pledge at the pawnshop as a drunken woman pledges her children's clothes. And I come from God to tell thee to kneel in the cathedral and solemnly give thy kingdom to Him for ever and ever, and become the greatest king in the world as His steward and His bailiff, His soldier and His servant. The very clay of France will become holy: her soldiers will be the soldiers of God: the rebel dukes will be rebels against God: the English will fall on their knees and beg thee let them return to their lawful homes in peace. Wilt be a poor little Judas, and betray me and Him that sent me?

CHARLES [tempted at last] Oh, if I only dare!

JOAN. I shall dare, dare, and dare again, in God's name! Art for or against me?

CHARLES [excited] I'll risk it, I warn you I shant be able to keep it up; but I'll risk it. You shall see. [Running to the main door and shouting] Hallo! Come back, everybody. [To Joan, as he runs back to the arch opposite] Mind you stand by and dont let me be bullied. [Through the arch] Come along, will you: the whole Court. [He sits down in the royal chair as they all hurry in to their former places, chattering and wondering]. Now I'm in for it; but no matter: here goes! [To the page] Call for silence, you little beast, will you?

THE PAGE [snatching a halberd as before and thumping with it repeatedly] Silence for His Majesty the King. The King speaks. [Peremptorily] Will you be silent there? [Silence].

CHARLES [rising] I have given the command of the army to The Maid. The Maid is to do as she likes with it. [He descends from the dais].

General amazement. La Hire, delighted, slaps his steel thigh-piece with his gauntlet.

LA TRÉMOUILLE [turning threateningly towards Charles] What is this? I command the army.

Joan quickly puts her hand on Charles's shoulder as he instinctively recoils. Charles, with a grotesque effort culminating in an extravagant gesture, snaps his fingers in the Chamberlain's face.

JOAN. Thourt answered, old Gruff-and-Grum. [Suddenly flashing out her sword as she divines that her moment has come] Who is for God and His Maid? Who is for Orleans with me?

LA HIRE [carried away, drawing also] For God and His Maid! To Orleans!

ALL THE KNIGHTS [following his lead with enthusiasm] To Orleans!

Joan, radiant, falls on her knees in thanksgiving to God. They all kneel, except the Archbishop, who gives his benediction with a sigh, and La Trémouille, who collapses, cursing.

  SCENE I. Westminster Hall.

Enter, as to the Parliament, HENRY BOLINGBROKE, DUKE OF AUMERLE, NORTHUMBERLAND, HENRY PERCY, LORD FITZWATER, DUKE OF SURREY, the BISHOP OF CARLISLE, the Abbot Of Westminster, and another Lord, Herald, Officers, and BAGOT
HENRY BOLINGBROKE

Call forth Bagot.
Now, Bagot, freely speak thy mind;
What thou dost know of noble Gloucester's death,
Who wrought it with the king, and who perform'd
The bloody office of his timeless end.

BAGOT
Then set before my face the Lord Aumerle.

HENRY BOLINGBROKE
Cousin, stand forth, and look upon that man.

BAGOT
My Lord Aumerle, I know your daring tongue
Scorns to unsay what once it hath deliver'd.
In that dead time when Gloucester's death was plotted,
I heard you say, 'Is not my arm of length,
That reacheth from the restful English court
As far as Calais, to mine uncle's head?'
Amongst much other talk, that very time,
I heard you say that you had rather refuse
The offer of an hundred thousand crowns
Than Bolingbroke's return to England;
Adding withal how blest this land would be
In this your cousin's death.
DUKE OF AUMERLE
Princes and noble lords,
What answer shall I make to this base man?
Shall I so much dishonour my fair stars,
On equal terms to give him chastisement?
Either I must, or have mine honour soil'd
With the attainder of his slanderous lips.
There is my gage, the manual seal of death,
That marks thee out for hell: I say, thou liest,
And will maintain what thou hast said is false
In thy heart-blood, though being all too base
To stain the temper of my knightly sword.
HENRY BOLINGBROKE
Bagot, forbear; thou shalt not take it up.
DUKE OF AUMERLE
Excepting one, I would he were the best
In all this presence that hath moved me so.
LORD FITZWATER
If that thy valour stand on sympathy,
There is my gage, Aumerle, in gage to thine:
By that fair sun which shows me where thou stand'st,
I heard thee say, and vauntingly thou spakest it
That thou wert cause of noble Gloucester's death.
If thou deny'st it twenty times, thou liest;
And I will turn thy falsehood to thy heart,
Where it was forged, with my rapier's point.
DUKE OF AUMERLE
Thou darest not, coward, live to see that day.
LORD FITZWATER
Now by my soul, I would it were this hour.
DUKE OF AUMERLE
Fitzwater, thou art damn'd to hell for this.
HENRY PERCY
Aumerle, thou liest; his honour is as true
In this appeal as thou art all unjust;
And that thou art so, there I throw my gage,
To prove it on thee to the extremest point
Of mortal breathing: seize it, if thou darest.
DUKE OF AUMERLE
An if I do not, may my hands rot off
And never brandish more revengeful steel
Over the glittering helmet of my foe!
Lord
I task the earth to the like, forsworn Aumerle;
And spur thee on with full as many lies
As may be holloa'd in thy treacherous ear
From sun to sun: there is my honour's pawn;
Engage it to the trial, if thou darest.
DUKE OF AUMERLE
Who sets me else? by heaven, I'll throw at all:
I have a thousand spirits in one breast,
To answer twenty thousand such as you.
DUKE OF SURREY
My Lord Fitzwater, I do remember well
The very time Aumerle and you did talk.
LORD FITZWATER
'Tis very true: you were in presence then;
And you can witness with me this is true.
DUKE OF SURREY
As false, by heaven, as heaven itself is true.
LORD FITZWATER
Surrey, thou liest.
DUKE OF SURREY
Dishonourable boy!
That lie shall lie so heavy on my sword,
That it shall render vengeance and revenge
Till thou the lie-giver and that lie do lie
In earth as quiet as thy father's skull:
In proof whereof, there is my honour's pawn;
Engage it to the trial, if thou darest.
LORD FITZWATER
How fondly dost thou spur a forward horse!
If I dare eat, or drink, or breathe, or live,
I dare meet Surrey in a wilderness,
And spit upon him, whilst I say he lies,
And lies, and lies: there is my bond of faith,
To tie thee to my strong correction.
As I intend to thrive in this new world,
Aumerle is guilty of my true appeal:
Besides, I heard the banish'd Norfolk say
That thou, Aumerle, didst send two of thy men
To execute the noble duke at Calais.
DUKE OF AUMERLE
Some honest Christian trust me with a gage
That Norfolk lies: here do I throw down this,
If he may be repeal'd, to try his honour.
HENRY BOLINGBROKE
These differences shall all rest under gage
Till Norfolk be repeal'd: repeal'd he shall be,
And, though mine enemy, restored again
To all his lands and signories: when he's return'd,
Against Aumerle we will enforce his trial.
BISHOP OF CARLISLE
That honourable day shall ne'er be seen.
Many a time hath banish'd Norfolk fought
For Jesu Christ in glorious Christian field,
Streaming the ensign of the Christian cross
Against black pagans, Turks, and Saracens:
And toil'd with works of war, retired himself
To Italy; and there at Venice gave
His body to that pleasant country's earth,
And his pure soul unto his captain Christ,
Under whose colours he had fought so long.
HENRY BOLINGBROKE
Why, bishop, is Norfolk dead?
BISHOP OF CARLISLE
As surely as I live, my lord.
HENRY BOLINGBROKE
Sweet peace conduct his sweet soul to the bosom
Of good old Abraham! Lords appellants,
Your differences shall all rest under gage
Till we assign you to your days of trial.
Enter DUKE OF YORK, attended

DUKE OF YORK
Great Duke of Lancaster, I come to thee
From plume-pluck'd Richard; who with willing soul
Adopts thee heir, and his high sceptre yields
To the possession of thy royal hand:
Ascend his throne, descending now from him;
And long live Henry, fourth of that name!
HENRY BOLINGBROKE
In God's name, I'll ascend the regal throne.

BISHOP OF CARLISLE
Marry. God forbid!
Worst in this royal presence may I speak,
Yet best beseeming me to speak the truth.
Would God that any in this noble presence
Were enough noble to be upright judge
Of noble Richard! then true noblesse would
Learn him forbearance from so foul a wrong.
What subject can give sentence on his king?
And who sits here that is not Richard's subject?
Thieves are not judged but they are by to hear,
Although apparent guilt be seen in them;
And shall the figure of God's majesty,
His captain, steward, deputy-elect,
Anointed, crowned, planted many years,
Be judged by subject and inferior breath,
And he himself not present? O, forfend it, God,
That in a Christian climate souls refined
Should show so heinous, black, obscene a deed!
I speak to subjects, and a subject speaks,
Stirr'd up by God, thus boldly for his king:
My Lord of Hereford here, whom you call king,
Is a foul traitor to proud Hereford's king:
And if you crown him, let me prophesy:
The blood of English shall manure the ground,
And future ages groan for this foul act;
Peace shall go sleep with Turks and infidels,
And in this seat of peace tumultuous wars
Shall kin with kin and kind with kind confound;
Disorder, horror, fear and mutiny
Shall here inhabit, and this land be call'd
The field of Golgotha and dead men's skulls.
O, if you raise this house against this house,
It will the woefullest division prove
That ever fell upon this cursed earth.
Prevent it, resist it, let it not be so,
Lest child, child's children, cry against you woe!
NORTHUMBERLAND
Well have you argued, sir; and, for your pains,
Of capital treason we arrest you here.
My Lord of Westminster, be it your charge
To keep him safely till his day of trial.
May it please you, lords, to grant the commons' suit.
HENRY BOLINGBROKE
Fetch hither Richard, that in common view
He may surrender; so we shall proceed
Without suspicion.
DUKE OF YORK
I will be his conduct.
Exit

HENRY BOLINGBROKE
Lords, you that here are under our arrest,
Procure your sureties for your days of answer.
Little are we beholding to your love,
And little look'd for at your helping hands.
Re-enter DUKE OF YORK, with KING RICHARD II, and Officers bearing the regalia

KING RICHARD II
Alack, why am I sent for to a king,
Before I have shook off the regal thoughts
Wherewith I reign'd? I hardly yet have learn'd
To insinuate, flatter, bow, and bend my limbs:
Give sorrow leave awhile to tutor me
To this submission. Yet I well remember
The favours of these men: were they not mine?
Did they not sometime cry, 'all hail!' to me?
So Judas did to Christ: but he, in twelve,
Found truth in all but one: I, in twelve thousand, none.
God save the king! Will no man say amen?
Am I both priest and clerk? well then, amen.
God save the king! although I be not he;
And yet, amen, if heaven do think him me.
To do what service am I sent for hither?
DUKE OF YORK
To do that office of thine own good will
Which tired majesty did make thee offer,
The resignation of thy state and crown
To Henry Bolingbroke.
KING RICHARD II
Give me the crown. Here, cousin, seize the crown;
Here cousin:
On this side my hand, and on that side yours.
Now is this golden crown like a deep well
That owes two buckets, filling one another,
The emptier ever dancing in the air,
The other down, unseen and full of water:
That bucket down and full of tears am I,
Drinking my griefs, whilst you mount up on high.
HENRY BOLINGBROKE
I thought you had been willing to resign.
KING RICHARD II
My crown I am; but still my griefs are mine:
You may my glories and my state depose,
But not my griefs; still am I king of those.
HENRY BOLINGBROKE
Part of your cares you give me with your crown.
KING RICHARD II
Your cares set up do not pluck my cares down.
My care is loss of care, by old care done;
Your care is gain of care, by new care won:
The cares I give I have, though given away;
They tend the crown, yet still with me they stay.
HENRY BOLINGBROKE
Are you contented to resign the crown?
KING RICHARD II
Ay, no; no, ay; for I must nothing be;
Therefore no no, for I resign to thee.
Now mark me, how I will undo myself;
I give this heavy weight from off my head
And this unwieldy sceptre from my hand,
The pride of kingly sway from out my heart;
With mine own tears I wash away my balm,
With mine own hands I give away my crown,
With mine own tongue deny my sacred state,
With mine own breath release all duty's rites:
All pomp and majesty I do forswear;
My manors, rents, revenues I forego;
My acts, decrees, and statutes I deny:
God pardon all oaths that are broke to me!
God keep all vows unbroke that swear to thee!
Make me, that nothing have, with nothing grieved,
And thou with all pleased, that hast all achieved!
Long mayst thou live in Richard's seat to sit,
And soon lie Richard in an earthly pit!
God save King Harry, unking'd Richard says,
And send him many years of sunshine days!
What more remains?
NORTHUMBERLAND
No more, but that you read
These accusations and these grievous crimes
Committed by your person and your followers
Against the state and profit of this land;
That, by confessing them, the souls of men
May deem that you are worthily deposed.
KING RICHARD II
Must I do so? and must I ravel out
My weaved-up folly? Gentle Northumberland,
If thy offences were upon record,
Would it not shame thee in so fair a troop
To read a lecture of them? If thou wouldst,
There shouldst thou find one heinous article,
Containing the deposing of a king
And cracking the strong warrant of an oath,
Mark'd with a blot, damn'd in the book of heaven:
Nay, all of you that stand and look upon,
Whilst that my wretchedness doth bait myself,
Though some of you with Pilate wash your hands
Showing an outward pity; yet you Pilates
Have here deliver'd me to my sour cross,
And water cannot wash away your sin.
NORTHUMBERLAND
My lord, dispatch; read o'er these articles.
KING RICHARD II
Mine eyes are full of tears, I cannot see:
And yet salt water blinds them not so much
But they can see a sort of traitors here.
Nay, if I turn mine eyes upon myself,
I find myself a traitor with the rest;
For I have given here my soul's consent
To undeck the pompous body of a king;
Made glory base and sovereignty a slave,
Proud majesty a subject, state a peasant.
NORTHUMBERLAND
My lord,--
KING RICHARD II
No lord of thine, thou haught insulting man,
Nor no man's lord; I have no name, no title,
No, not that name was given me at the font,
But 'tis usurp'd: alack the heavy day,
That I have worn so many winters out,
And know not now what name to call myself!
O that I were a mockery king of snow,
Standing before the sun of Bolingbroke,
To melt myself away in water-drops!
Good king, great king, and yet not greatly good,
An if my word be sterling yet in England,
Let it command a mirror hither straight,
That it may show me what a face I have,
Since it is bankrupt of his majesty.
HENRY BOLINGBROKE
Go some of you and fetch a looking-glass.
Exit an attendant

NORTHUMBERLAND
Read o'er this paper while the glass doth come.
KING RICHARD II
Fiend, thou torment'st me ere I come to hell!
HENRY BOLINGBROKE
Urge it no more, my Lord Northumberland.
NORTHUMBERLAND
The commons will not then be satisfied.
KING RICHARD II
They shall be satisfied: I'll read enough,
When I do see the very book indeed
Where all my sins are writ, and that's myself.
Re-enter Attendant, with a glass

Give me the glass, and therein will I read.
No deeper wrinkles yet? hath sorrow struck
So many blows upon this face of mine,
And made no deeper wounds? O flattering glass,
Like to my followers in prosperity,
Thou dost beguile me! Was this face the face
That every day under his household roof
Did keep ten thousand men? was this the face
That, like the sun, did make beholders wink?
Was this the face that faced so many follies,
And was at last out-faced by Bolingbroke?
A brittle glory shineth in this face:
As brittle as the glory is the face;
Dashes the glass against the ground

For there it is, crack'd in a hundred shivers.
Mark, silent king, the moral of this sport,
How soon my sorrow hath destroy'd my face.
HENRY BOLINGBROKE
The shadow of your sorrow hath destroy'd
The shadow or your face.
KING RICHARD II
Say that again.
The shadow of my sorrow! ha! let's see:
'Tis very true, my grief lies all within;
And these external manners of laments
Are merely shadows to the unseen grief
That swells with silence in the tortured soul;
There lies the substance: and I thank thee, king,
For thy great bounty, that not only givest
Me cause to wail but teachest me the way
How to lament the cause. I'll beg one boon,
And then be gone and trouble you no more.
Shall I obtain it?
HENRY BOLINGBROKE
Name it, fair cousin.
KING RICHARD II
'Fair cousin'? I am greater than a king:
For when I was a king, my flatterers
Were then but subjects; being now a subject,
I have a king here to my flatterer.
Being so great, I have no need to beg.
HENRY BOLINGBROKE
Yet ask.
KING RICHARD II
And shall I have?
HENRY BOLINGBROKE
You shall.
KING RICHARD II
Then give me leave to go.
HENRY BOLINGBROKE
Whither?
KING RICHARD II
Whither you will, so I were from your sights.
HENRY BOLINGBROKE
Go, some of you convey him to the Tower.
KING RICHARD II
O, good! convey? conveyers are you all,
That rise thus nimbly by a true king's fall.
Exeunt KING RICHARD II, some Lords, and a Guard

HENRY BOLINGBROKE
On Wednesday next we solemnly set down
Our coronation: lords, prepare yourselves.
Exeunt all except the BISHOP OF CARLISLE, the Abbot of Westminster, and DUKE OF AUMERLE

Abbot
A woeful pageant have we here beheld.
BISHOP OF CARLISLE
The woe's to come; the children yet unborn.
Shall feel this day as sharp to them as thorn.
DUKE OF AUMERLE
You holy clergymen, is there no plot
To rid the realm of this pernicious blot?
Abbot
My lord,
Before I freely speak my mind herein,
You shall not only take the sacrament
To bury mine intents, but also to effect
Whatever I shall happen to devise.
I see your brows are full of discontent,
Your hearts of sorrow and your eyes of tears:
Come home with me to supper; and I'll lay
A plot shall show us all a merry day.
Exeunt

Thursday 6 February 2020

ENVY





"Stan's synopsis for the Green Goblin had a movie crew, on location, finding an Egyptian-like sarcophagus. Inside was an ancient, mythological demon, the Green Goblin. He naturally came to life. On my own, I changed Stan's mythological demon into a human villain."

Steve Ditko

"Steve wanted him to turn out to be just some character that we had never seen before. 

Because, he said, in real life, very often a villain turns out to be somebody that you never knew. And I felt that that would be wrong

I felt, in a sense, it would be like cheating the reader. ... if it's somebody you didn't know and had never seen, then what was the point of following all the clues? 

I think that frustrates the reader."
Stan Lee




"Stan wouldn't have been able to stand it if Ditko did the story and didn't reveal that the Green Goblin was Norman Osborn. I didn't know there was any doubt about Osborn being the Goblin. 

I didn't know that Ditko had just been setting Osborn up as a straw dog. I just accepted the fact that it was going to be Norman Osborn when we plotted it. 

I had been following the last couple of issues and didn't think there was really much mystery about it. 

Looking back, I doubt the Goblin's identity would have been revealed in Amazing #39 if Ditko had stayed on"

John Romita, Sr.

Yes, I Will.





Wednesday 5 February 2020

A King Should Be as a Shepherd to His People








I WILL proclaim to the world the deeds of Gilgamesh. This was the man to whom all things were known; this was the king who knew the countries of the world. He was wise, he saw mysteries and knew secret things, he brought us a tale of the days before the flood. He went on a long journey, was weary, worn-out with labour, returning he rested, he engraved on a stone the whole story.

When the gods created Gilgamesh they gave him a perfect body. Shamash the glorious sun endowed him with beauty, Adad the god of the storm endowed him with courage, the great gods made his beauty perfect, surpassing all others, terrifying like a great wild bull. Two thirds they made him god and one third man.

In Uruk he built walls, a great rampart, and the temple of blessed Eanna for the god of the firmament Anu, and for Ishtar the goddess of love. Look at it still today: the outer wall where the cornice runs, it shines with the brilliance of copper; and the inner wall, it has no equal. Touch the threshold, it is ancient. Approach Eanna the dwelling of Ishtar, our lady of love and war, the like of which no latter-day king, no man alive can equal. Climb upon the wall of Uruk; walk along it, I say; regard the foundation terrace and examine the. masonry: is it not burnt brick and good? The seven sages laid the foundations.



1

THE COMING OF ENKIDU

GILGAMESH went abroad in the world, but he met with none who could withstand his arms till be came to Uruk. But the men of Uruk muttered in their houses, 'Gilgamesh sounds the tocsin for his amusement, his arrogance has no bounds by day or night. No son is left with his father, for Gilgamesh takes them all, even the children; yet the king should be a shepherd to his people. His lust leaves no virgin to her lover, neither the warrior's daughter nor the wife of the noble; yet this is the shepherd of the city, wise, comely, and resolute.'

The gods heard their lament, the gods of heaven cried to the Lord of Uruk, to Anu the god of Uruk: 'A goddess made him, strong as a savage bull, none can withstand his arms. No son is left with his father, for Gilgamesh takes them all; and is this the king, the shepherd of his people? His lust leaves no virgin to her lover, neither the warrior's daughter nor the wife of the noble. When Anu had heard their lamentation the gods cried to Aruru, the goddess of creation, 'You made him, O Aruru; now create his equal; let it be as like him as his own reflection, his second self; stormy heart for stormy heart. Let them contend together and leave Uruk in quiet.'

So the goddess conceived an image in her mind, and it was of the stuff of Anu of the firmament. She dipped her hands in water and pinched off clay, she let it fall in the wilderness, and noble Enkidu was created. There was virtue in him of the god of war, of Ninurta himself. His body was rough, he had long hair like a woman's; it waved like the hair of Nisaba, the goddess of corn. His body was covered with matted hair like Samugan's, the god of cattle. He was innocent of mankind; he knew nothing of the cultivated land.

Enkidu ate grass in the hills with the gazelle and lurked with wild beasts at the water-holes; he had joy of the water with the herds of wild game. But there was a trapper who met him one day face to face at the drinking-hole, for the wild game had entered his territory. On three days he met him face to face, and the trapper was frozen with fear. He went back to his house with the game that he had caught, and he was dumb, benumbed with terror. His face was altered like that of one who has made a long journey. With awe in his heart he spoke to his father: 'Father, there is a man, unlike any other, who comes down from the hills. He is the strongest in the world, he is like an immortal from heaven. He ranges over the hills with wild beasts and eats grass; the ranges through your land and comes down to the wells. I am afraid and dare not go near him. He fills in the pits which I dig and tears up-my traps set for the game; he helps the beasts to escape and now they slip through my fingers.'

His father opened his mouth and said to the trapper, 'My son, in Uruk lives Gilgamesh; no one has ever prevailed against him, he is strong as a star from heaven. Go to Uruk, find Gilgamesh, extol the strength of this wild man. Ask him to give you a harlot, a wanton from the temple of love; return with her, and let her woman's power overpower this man. When next he comes down to drink at the wells she will be there, stripped naked; and when he sees her beckoning he will embrace her, and then the wild beasts will reject him.'

So the trapper set out on his journey to Uruk and addressed himself to Gilgamesh saying, 'A man unlike any other is roaming now in the pastures; he is as strong as a star from heaven and I am afraid to approach him. He helps the wild game to escape; he fills in my pits and pulls up my traps.' Gilgamesh said, 'Trapper, go back, take with you a harlot, a child of pleasure. At the drinking hole she will strip, and when, he sees her beckoning he will embrace her and the game of the wilderness will. surely reject him.'

Now the trapper returned, taking the harlot with him. After a three days' journey they came to the drinking hole, and there they sat down; the harlot and the trapper sat . facing one another and waited for the game to come. For the first day and for the second day the two sat waiting, but on the third day the herds came; they came down to drink and Enkidu was with them. The small wild creatures of the plains were glad of the water, and Enkidu with them, who ate grass with the gazelle and was born in the hills; and she saw him, the savage man, come from far-off in the hills. The trapper spoke to her: 'There he is. Now, woman, make your breasts bare, have no shame, do not delay but welcome his love. Let him see you naked, let him possess your body. When he comes near uncover yourself and lie with him; teach him, the savage man, your woman's art, for when he murmurs love to you the wild' beasts that shared his life in the hills will reject him.'

She was not ashamed to take him, she made herself naked and welcomed his eagerness; as he lay on her murmuring love she taught him the woman's art For six days and seven nights they lay together, for Enkidu had forgotten his home in the hills; but when he was satisfied he went back to the wild beasts. Then, when the gazelle saw him, they bolted away; when the wild creatures saw him they fled. Enkidu would have followed, but his body was bound as though with a cord, his knees gave way when he started to run, his swiftness was gone. And now the wild creatures had all fled away; Enkidu was grown weak, for wisdom was in him, and the thoughts of a man were in his heart. So he returned and sat down at the woman's feet, and listened intently to what she said. 'You are wise, Enkidu, and now you have become like a god. Why do you want to run wild with the beasts in the hills? Come with me. I will take you to strong-walled Uruk, to the blessed temple of Ishtar and of Anu, of love and of heaven there Gilgamesh lives, who is very strong, and like a wild bull he lords it over men.'

When she had spoken Enkidu was pleased; he longed for a comrade, for one who would understand his heart. 'Come, woman, and take me to that holy temple, to the house of Anu and of Ishtar, and to the place where Gilgamesh lords it over the people. I will challenge him boldly, I will cry out aloud in Uruk, "I am the strongest here, I have come to change the old order, I am he who was born in the hills, I am he who is strongest of all."'

She said, 'Let us go, and let him see your face. I know very well where Gilgamesh is in great Uruk. O Enkidu, there all the people are dressed in their gorgeous robes, every day is holiday, the young men and the girls are wonderful to see. How sweet they smell! All the great ones are roused from their beds. O Enkidu, you who love life, I will show you Gilgamesh, a man of many moods; you shall look at him well in his radiant manhood. His body is perfect in strength and maturity; he never rests by night or day. He is stronger than you, so leave your boasting. Shamash the glorious sun has given favours to Gilgamesh, and Anu of the heavens, and Enlil, and Ea the wise has given him deep understanding. f tell you, even before you have left the wilderness, Gilgamesh will know in his dreams that you are coming.'

Now Gilgamesh got up to tell his dream to his mother; Ninsun, one of the wise gods. 'Mother, last night I had a dream. I was full of joy, the young heroes were round me and I walked through the night under the stars of the firmament, and one, a meteor of the stuff of Anu, fell down from heaven. I tried to lift it but it proved too heavy. All the people of Uruk came round to see it, the common people jostled and the nobles thronged to kiss its feet; and to me its attraction was like the love of woman. They helped me, I braced my forehead and I raised it with thongs and brought it to you, and you yourself pronounced it my brother.'

Then Ninsun, who is well-beloved and wise, said to Gilgamesh, 'This star of heaven which descended like a meteor from the sky; which you tried to lift,- but found too heavy, when you tried to move it it would not budge, and so you brought it to my feet; I made it for you, a goad and spur, and you were drawn as though to a woman. This is the strong comrade, the one who brings help to his friend in his need. He is the strongest of wild creatures, the stuff of Anu; born in the grass-lands and the wild hills reared him; when you see him you will be glad; you will love him as a woman and he will never forsake you. This is the meaning of the dream.'

Gilgamesh said, 'Mother, I dreamed a second dream. In the streets of strong-walled Uruk there lay an axe; the shape of it was strange and the people thronged round. I saw it and was glad. I bent down, deeply drawn towards it; I loved it like a woman and wore it at my side.' Ninsun answered, 'That axe, which you saw, which drew you so powerfully like love of a woman, that is the comrade whom I give you, and he will come in his strength like one of the host of heaven. He is the brave companion who rescues his friend in necessity.' Gilgamesh said to his mother, 'A friend, a counsellor has come to me from Enlil, and now I shall befriend and counsel him.' So Gilgamesh told his dreams; and the harlot retold them to Enkidu.

And now she said to Enkidu, 'When I look at you you have become like a god. Why do you yearn to run wild again with the beasts in the hills? Get up from the ground, the bed of a shepherd.' He listened to her words with care. It was good advice that she gave. She divided her clothing in two and with the one half she clothed him and with the other herself, and holding his hand she led him like a child to the sheepfolds, into the shepherds' tents. There all the shepherds crowded round to see him, they put down bread in front of him, but Enkidu could only suck the milk of wild animals. He fumbled and gaped, at a loss what to do or how he should eat the bread and drink the strong wine. Then the woman said, 'Enkidu, eat bread, it is the staff of life; drink the wine, it is the custom of the land.' So he ate till he was full and drank strong wine, seven goblets. He became merry, his heart exulted and his face shone. He rubbed down the matted hair of his body and anointed himself with oil. Enkidu had become a man; but when he had put on man's clothing he appeared like a bridegroom. He took arms to hunt the lion so that the shepherds could rest at night. He caught wolves and lions and the herdsmen lay down in peace; for Enkidu was their watchman, that strong man who had no rival.

He was merry living with the shepherds, till one day lifting his eyes he saw a man approaching. He said to the harlot, 'Woman, fetch that man here. Why has he come? I wish to know his name.' She went and called the man saying, 'Sir, where are you going on this weary journey?' The man answered, saying to Enkidu, 'Gilgamesh has gone into the marriage-house and shut out the people. He does strange things in Uruk, the city of great streets. At the roll of the drum work begins for the men, and work for the women. Gilgamesh the king is about to celebrate marriage with the Queen of Love, and he still demands to be first with the bride, the king to be first and the husband to follow, for that was ordained by the gods from his birth, from the time the umbilical cord was cut. But now the drums roll for the choice of the bride and the city groans.' At these words Enkidu turned white in the face. 'I will go to the place where Gilgamesh lords it over the people, I will challenge him boldly, and I will cry aloud in Uruk, "I have come to change the old order, for I am the strongest here."

Now Enkidu strode in front and the woman followed behind. He entered Uruk, that great market, and all the folk thronged round him where he stood in the street in strong-walled Uruk. The people jostled; speaking of him they said, 'He is the spit of Gilgamesh. 'He is shorter.' 'He is bigger of bone.' This is the one who was reared on the milk of wild beasts. His is the greatest strength.' The men rejoiced: 'Now Gilgamesh has met his match. This great-one, this hero whose beauty is like a god, he is a match even for Gilgamesh.'

In Uruk the bridal bed was made, fit for the goddess of love. The bride waited for the bridegroom, but in the night Gilgamesh got up and came to the house. Then Enkidu stepped out, he stood in the street and blocked the way. Mighty Gilgamesh came on and Enkidu met him at the gate. He put out his foot and prevented Gilgamesh from entering the house, so they grappled, holding each other like bulls. They broke the doorposts and the walls shook, they snorted like bulls locked together. They shattered the doorposts and the walls shook. Gilgamesh bent his knee with his foot planted on the ground and with a turn Enkidu was thrown. Then immediately his fury died. When Enkidu was thrown he said to Gilgamesh, 'There is not another like you in the world. Ninsun, who is as strong as a wild ox in the byre, she was the mother who bore you, and now you are raised above all men, and Enlil has given you the kingship, for your strength surpasses the strength of men.' So Enkidu and Gilgamesh embraced and their friendship was sealed.

CASABLANCA



LISTER: 
He did it wrong, man.

CAT: 
(Having fun at their expense) 
Oh, it gets better!

KRYTEN: 
I just can't do it.

LISTER: 
You CAN; you just did it!

KRYTEN: 
I just can't do it, not when there's someone else there.  
What's a suitable human analogy?  It -- it's like trying to urinate in public lavatory when you're standing next to a man two foot taller than you.  
It's just not possible!

CAT: 
Look, what are you trying to do, exactly?

KRYTEN: 
He's trying to teach me how to lie, sir.

CAT: 
Any particular reason?

LISTER: 
Yeah!  Lyin's a vital part of your psychological defence system; you're naked without it.  
If you can't lie, then you can't conceal your True Intentions from Other People - at times, that's essential.  

I mean, like, take Nelson.  
(He holds the banana to his eye like a telescope.)
When he put the telescope to his blind eye and said, "I see no ships!"

Or like Humphrey Bogart, at the end of Casablanca, when he lies to Victor Lazslo to protect the guy's feelings.

KRYTEN: 
I understand the theory, sir.  
How many times have you made me watch that movie?  
I understand that it can be noble to lie; I just can't do it.

LISTER: 
But Kryten, you CAN do it.  
(Waving the banana) 
Look, what's THIS?

KRYTEN: 
It's a banana.

CAT leaves in disgust.

KRYTEN: 
It always HAS been a banana, it always WILL be a banana.  
It's a yellow fruit that you unzip and eat the white bits; it's a banana!

I Know My People Very Well



And other times I feel like I should go -

And through it all, The Rise and Fall
The bodies in the streets
And when you're gone, we want you all to know

We'll carry on, we'll carry on
And though you're dead and gone, believe me
Your memory will carry on
We'll carry on
And in my heart, I can't contain it
The anthem won't explain it

A World that sends you reeling
From decimated dreams
Your misery and hate will kill us all


So Paint it Black and Take it Back
Let's shout it loud and clear
Defiant to the end, we hear The Call



To Carry On.



“Carrying someone’s gold is a fine art and a high responsibility. If you are the recipient of someone’s Gold, hold it carefully and be prepared to give it back within a microsecond’s notice. 

Unfortunately, there are people who collect gold and refuse to give it back. It’s a kind of murder. They collect an entourage or followers and exploit them. It happened to me, and it was exceedingly painful.

My father didn’t really father me, and so much of the fatherly gold in me was uninvested. I spent a good part of my early life looking for the father I never had.”






























What the hell was going on last night? I couldn’t sleep at all. Was something wrong?” I told my brother that Chris wasn’t doing so well. I didn’t tell him that he was lucky to be alive—that we all were. The spirit of Cain had visited our house, but we were left unscathed. 

Maybe I picked up some change in scent that night, when death hung in the air. Chris had a very bitter odour. 

He showered frequently, but the towels and the sheets picked up the smell. It was impossible to get them clean. It was the product of a psyche and a body that did not operate harmoniously. A social worker I knew, who also knew Chris, told me of her familiarity with that odour. Everyone at her workplace knew of it, although they only discussed it in hushed tones. They called it the smell of the unemployable.









ROCKY BALBOA,
of The House of Balboa :
It was nice watching you eat.
Good company.
Hey Yo, Little Marie - 
Let There Be Light!


ROCKY BALBOA,
of The House of Balboa :
You like dogs?


STEPHANO (“Steps”),
of The House of Balboa :
Dogs?



ROCKY BALBOA,
of The House of Balboa :
Dogs. This is like a dog pound.
It's where they keep a large variety of dogs. 
I used to come here all the time for sightseeing.
But, you know, you learn a lot talking to dogs.
Really, you do.


STEPHANO (“Steps”),
of The House of Balboa :
Yeah, man. So... .
Hey, man, how about •this• one?


ROCKY BALBOA,
of The House of Balboa :
He don't look too friendly, my friend.


STEPHANO (“Steps”),
of The House of Balboa :
Man, this is the one.
Hey, boy, how you doing?


ROCKY BALBOA,
of The House of Balboa :
Hey, what about this one here?
Come here, boy.



STEPHANO (“Steps”),
of The House of Balboa :
Who, him?


Yeah, why not?


STEPHANO (“Steps”),
of The House of Balboa :
Hell, no. That is one •ugly• dog, man.
I know, but it's kind of a cute ugly.
If you look at it closely, the color... it sorta looks like old furniture, like some kind of pirate-chest thing going on.



STEPHANO (“Steps”),
of The House of Balboa :
Yeah, sure, man.
Hey, so how about a young one?


ROCKY BALBOA,
of The House of Balboa :
Steps, forget him. Come over here.
I want you to see something.
Now, you notice what this animal
is doing here? Lying in that position?



STEPHANO (“Steps”),
of The House of Balboa
He ain't doing nothing.

ROCKY BALBOA,
of The House of Balboa :
No, he's doing a lot.
He ain't wasting no energy.


STEPHANO (“Steps”),
of The House of Balboa :
Because he's dead.


ROCKY BALBOA,
of The House of Balboa :
He ain't dead. There's a lot of good mileage left on that dog.
Good food, the addition of a couple
of new friends, bingo, he's back.
What do you think is a good name?



STEPHANO (“Steps”),
of The House of Balboa :
It's your dog. You name him.


ROCKY BALBOA,
of The House of Balboa :
No. It's, like, a community animal. Fifty-fifty.


STEPHANO (“Steps”),
of The House of Balboa
Look, I don't know much about no dogs.


ROCKY BALBOA,
of The House of Balboa :
Well, Steps, it ain't that complicated.
You pet him, you feed him, and nature takes its course, you know, so... 
Don't you wanna name an animal?
I think every guy should at one time try to name an animal something.


STEPHANO (“Steps”),
of The House of Balboa :
I don't know. 
‘Fleabag’?

ROCKY BALBOA,
of The House of Balboa :
‘Fleabag’, It's catchy. It ain't original, but it's pretty good.
I think you could come up with,
in your young brain... something better to throw out than ‘Fleabag’.


STEPHANO (“Steps”),
of The House of Balboa :
‘Punchy’. 
How's that?

ROCKY BALBOA,
of The House of Balboa :
Punchy?


STEPHANO (“Steps”),
of The House of Balboa :
Yeah, Punchy.

ROCKY BALBOA,
of The House of Balboa :
I like it, you know.



STEPHANO (“Steps”),
of The House of Balboa :
For real?

ROCKY BALBOA,
of The House of Balboa :
Yeah, for real. 
Punchy it is. It's easy to remember, it's not that hard to spell.
And once it's in your brain, you never forget it. Punchy. Very Good.


STEPHANO (“Steps”),
of The House of Balboa :
All right, man.

ROCKY BALBOA,
of The House of Balboa :
Good call.
All right, Punchy. You ready to get bailed out, my friend?
Okay.


STEPHANO (“Steps”),
of The House of Balboa :
Hey, you know it was a joke, don't you?

ROCKY BALBOA,
of The House of Balboa :
Yeah, I know.
You're a Very Funny Guy.




Tuesday 4 February 2020

BARBARIAN


“Well, you know, sometimes when you hate, you’re in Love, Flora.

If you love someone, you want to kill them.”

Peter Quint 


Every man has a double anima. He comes factory equipped — it is absolutely ingrained— with two visions of woman. How he manages this dilemma says a great deal about his integrity. The first is the heavenly vision, a Beatrice-like figure who leaves him speechless at the world that she opens for him. Beatrice appears early in a man’s life, and all he can do is store her away until he is strong enough to reencounter her. The other vision is an earthy woman who is lots of fun, sexually attractive, and perfect for courtship. She has all the human attributes, as well as the dark aspects —a dragon, a bitch, a whore. Every man is torn between the light and dark expectations of woman. 

And every woman has experienced man vacillating between these visions.

The woman’s animus also comes doublea knight on a white horse and a barbarian. Her soul guide, usually a male figure, will guide her in much the same manner as Beatrice guides Dante. If you’re homosexual, the same thing happens, but the labels are reversed. We all follow the same path.

Beatrice, the heavenly anima figure, is the vision of all that is tender and beautiful. If you are personally unlucky, like Dante— although lucky in an impersonal way— the person who awakens Beatrice in your life will vanish or even die, separating herself from you. Beatrice can live within you only in subtle form. If you marry Beatrice, your marriage will drift off, because it is more a kind of worship than a marriage; or you will turn your Beatrice into the earthy anima image and then wonder what happened to the goddess you married. Probably, like Dante, you will marry an earthy woman who will bear children and help manage your household. You are companions, and  you talk and fight and make love and go through the vicissitudes of life together. But she is not Beatrice.

At age forty-five or fifty, when you have raised your children and become accomplished in your work, suddenly you fall into a hole. The more sensitive and intelligent you are, the deeper the hole might be. A guide in the form of Virgil may come and list all the things in your life that have gone wrong. These are the nine levels of Hell. Your guide, your intelligence, will dis-illusion you. “ Abandon hope, all ye who enter here” is a classical beginning to what Jung called the “ individuation process,” or the spiritualization of a man. If I could rewrite that sign, it would say, “Give up all expectations and presently held concepts.”
 

The job of your intelligence is to catalog Hell for you, to tell you all the things that don’t work. If your integrity is sufficient, if you go forward, Beatrice will come in the form of a radiant vision of hope and the feminine to take you the rest of the way and gently deposit you in Heaven. This will be one of the most profound experiences of your life.

Modern men and women have forgotten how to take this journey. Even with the best of motives— trying to find that vision of life that will nourish us and give meaning to the progression of our days on earth—we do crazy things. We let our marriage go to pieces and marry someone else, hoping to find the visionary feminine in her. We would do well to learn from Dante. Most important is to remember that Virgil, the one who helps us discern what is wrong, and Beatrice, the heavenly guide, are both interior figures and that this is an interior journey. It has its exterior dimension. If you are an artist, a poet, a healer, a teacher, or a mystic, you will produce outer, tangible results of your journey. But the journey is essentially inner. This is the most important thing to learn.


You will never find a Beatrice to marry, because she is in your imagination, your art, and your prayers. When you seek her in an interior way, she will come in an instant. But you must be humble enough to ask your feminine side for these rare qualities of tenderness and beauty, receptivity and love. Without doing so, it can be difficult to become truly whole. Even if you experience her as a real woman who has entered your life, the grace that has descended upon you is your inner awakening, catalyzed by this wonderful experience. 


It is not the other. It is in you.”

 

Excerpt from: "Inner Gold: Understanding Psychological Projection" by Arnie Kotler.


“ I am a democrat (1) because I believe in the Fall of Man. 

I think most people are democrats for the opposite reason. 

A great deal of democratic enthusiasm descends from the ideas of people like Rousseau, who believed in Democracy because they thought mankind so wise and good that everyone deserved a share in the government. 

The danger of defending democracy on those grounds is that they're NOT TRUE. 

Whenever their weakness is exposed, the people who prefer tyranny make capital out of the exposure. 

I find that they're not true without looking further than myself. 

I don't deserve a share in governing a hen-roost, much less a nation. 

Nor do most people — all the people who believe advertisements, and think in catchwords and spread rumors. 

The real reason for Democracy is just the reverse. 

Mankind is so fallen that no man can be trusted with unchecked power over his fellows. 

Aristotle said that some people were only fit to be slaves. I do not contradict him. 

But I reject slavery because I see no men fit to be masters.

This introduces a view of equality rather different from that in which we have been trained. I do not think that equality is one of those things (like wisdom or happiness) which are good simply in themselves and for their own sakes. I think it is in the same class as medicine, which is good because we are ill, or clothes which are good because we are no longer innocent. I don't think the old authority in kings, priests, husbands, or fathers, and the old obedience in subjects, laymen, wives, and sons, was in itself a degrading or evil thing at all. I think it was intrinsically as good and beautiful as the nakedness of Adam and Eve. It was rightly taken away because men became bad and abused it. To attempt to restore it now would be the same error as that of the Nudists. Legal and economic equality are absolutely necessary remedies for the Fall, and protection against cruelty.

But medicine is not good. There is no spiritual sustenance in flat equality. It is a dim recognition of this fact which makes much of our political propaganda sound so thin. We are trying to be enraptured by something which is merely the negative condition of the good life. That is why the imagination of people is so easily captured by appeals to the craving for inequality, whether in a romantic form of films about loyal courtiers or in the brutal form of Nazi ideology. The tempter always works on some real weakness in our own system of values -- offers food to some need which we have starved.

When equality is treated not as a medicine or a safety-gadget, but as an ideal, we begin to breed that stunted and envious sort of mind which hates all superiority. That mind is the special disease of democracy, as cruelty and servility are the special diseases of privileged societies. It will kill us all if it grows unchecked. The man who cannot conceive a joyful and loyal obedience on the one hand, nor an unembarrassed and noble acceptance of that obedience on the other - the man who has never even wanted to kneel or to bow - is a prosaic barbarian. But it would be wicked folly to restore these old inequalities on the legal or external plane. Their proper place is elsewhere.

We must wear clothes since the Fall. Yes, but inside, under what Milton called "these troublesome disguises" (2). We want the naked body, that is, the real body, to be alive. We want it, on proper occasions, to appear -- in the marriage-chamber, in the public privacy of a men's bathing-place, and (of course) when any medical or other emergency demands. In the same way, under the necessary outer covering of legal equality, the whole hierarchical dance and harmony of our deep and joyously accepted spiritual inequalities should be alive. It is there, of course, in our life as Christians -- there, as laymen, we can obey – all the more because the priest has no authority over us on the political level. It is there in our relation to parents and teachers – all the more because it is now a willed and wholly spiritual reverence. It should be there also in marriage.

This last point needs a little plain speaking. Men have so horribly abused their power over women in the past that to wives, of all people, equality is in danger of appearing as an ideal. But Mrs. Naomi Mitchison has laid her finger on the real point. Have as much equality as you please – the more the better – in our marriage laws, but at some level consent to inequality, nay, delight in inequality, is an erotic necessity. Mrs. Mitchison speaks of women so fostered on a defiant idea of equality that the mere sensation of the male embrace rouses an undercurrent of resentment. Marriages are thus shipwrecked (3). This is the tragi-comedy of the modem woman -- taught by Freud to consider the act of love the most important thing in life, and then inhibited by feminism from that internal surrender which alone can make it a complete emotional success. Merely for the sake of her own erotic pleasure, to go no further, some degree of obedience and humility seems to be (normally) necessary on the woman's part.

The error here has been to assimilate all forms of affection to that special form we call friendship. It indeed does imply equality. But it is quite different from the various loves within the same household. Friends are not primarily absorbed in each other. It is when we are doing things together that friendship springs up – painting, sailing ships, praying, philosophizing, fighting shoulder to shoulder. Friends look in the same direction. Lovers look at each other -- that is, in opposite directions. To transfer bodily all that belongs to one relationship into the other is blundering.

We Britons should rejoice that we have contrived to reach much legal democracy (we still need more of the economic) without losing our ceremonial Monarchy. For there, right in the midst of our lives, is that which satisfies the craving for inequality, and acts as a permanent reminder that medicine is not food. Hence a man's reaction to Monarchy is a kind of test. Monarchy can easily be "debunked", but watch the faces, mark well the accents of the debunkers. These are the men whose taproot in Eden has been cut -- whom no rumor of the polyphony, the dance, can reach – men to whom pebbles laid in a row are more beautiful than an arch. Yet even if they desire mere equality they cannot reach it. Where men are forbidden to honor a king they honor millionaires, athletes, or film-stars instead -- even famous prostitutes or gangsters. For spiritual nature, like bodily nature, will be served -- deny it food and it will gobble poison.

That is why this whole question is of practical importance. Every intrusion of the spirit that says, "I'm as good as you" into our personal and spiritual life is to be resisted just as jealously as every intrusion of bureaucracy or privilege into our politics. Hierarchy within can alone preserve egalitarianism without. Romantic attacks on democracy will come again. We shall never be safe unless we already understand in our hearts all that the anti-democrats can say, and have provided for it better than they. Human nature will not permanently endure flat equality if it is extended from its proper political field into the more real, more concrete fields within. Let us wear equality; but let us undress every night.”

(1) C.S. Lewis lived and wrote in England. Hence, his reference to "being a Democrat" had nothing to do with our (USA) "Democratic Party". 
(2) John Milton, Paradise Lost (1667), Book IV, line 740. 18 
(3) Naomi Mitchison, The Home and a Changing Civilization (London, 1934), Chapter I, pp. 49-50.

Sunday 2 February 2020

PROJECT SHEEPDOG











Here in the Book of Acts several times, Paul stands in judgment for what he believes.
At times, we all have to do that.

I mean, we don't see with His eyes so we don't know the glory of his plan.
Our lives unfold before us like puzzling reflections in a mirror.

But on The Day We Rise, we will see with clarity and understand the mystery of his ways.

Let us pray.

There are three types of people in This World.
Sheep, Wolves and Sheepdogs.

Now, some people prefer to believe that Evil doesn't exist in The World.

And if it ever darkened their doorstep, they
wouldn't know how to protect themselves.

Those are The Sheep.

And then you got predators.
They use violence to prey on The Weak.

They're The Wolves.

And then there are those who've been blessed with The Gift of Aggression and The Overpowering Need to Protect The Flock.

These men are a rare breed that LIVE to confront The Wolf.

















They are The Sheepdog.

Now, we're not raising any sheep in This Family.
And I will whup your ass if you become a Wolf.

But We protect Our Own.

If someone tries to fight you, or tries to bully your little brother, you have my permission to finish it.

Then you know 
Who You Are.

You know 
Your Purpose.

VANITY








Jor-El :
[in the Fortress of Solitude]  
You... enjoyed it.

Superman :
I don't know what to say, Father. 
I'm afraid I just got carried away.

Jor-El : 
I anticipated this, my son. I...

Superman : 
[surprised]  
You couldn't have! 
You couldn't have imagined...

Jor-El : 
...How good it felt.

[Clark nods]

Jor-El : 
You are revealed to The World. 
Very well, so be it. 
But you must still keep your secret identity.

Superman : 
But why?

Jor-El : 
The reasons are two. 

First, you cannot serve humanity twenty-eight hours a day.

Superman :
Twenty-four.

Jor-El : 
Or twenty-four, as it is in Earth time. 

Your help would be called for endlessly, even for those problems which human beings could solve themselves. 

It is their habit to abuse their resources in such a way.

Superman :
And, secondly?

Jor-El : 
Secondly, your enemies will discover their only way to hurt you: by hurting the people you care for.

Superman : 
Thank you, Father.

Jor-El : 
Lastly... Do not punish yourself for your feelings of vanity. 

Simply learn to control them. 

It is an affliction common to all, even on Krypton. 

Our destruction could have been avoided had it not been for the vanity of some who considered us indestructible. 

Were it not for vanity, why... at this very moment...

[sadly]

Jor-El : 
I could embrace you in my arms. My son.

[Kal-El reaches yearningly toward his father's image; Jor-El fades, leaving Kal-El alone]


Saturday 1 February 2020

Tuvok’s Cave


Thanks, Tuvok.



[Delta Flyer]

PARIS: 
Ready, Tuvok? 

TUVOK: 
Ready. 

PARIS: 
Cross your fingers. 
(Paris presses a control in a panel, and a console explodes.)

TUVOK: 
The magnetic relays have overloaded. 

PARIS: 
Well, we'd better find another way to polarise this hull, or their sensors won't be able to pick us up. 

WILDMAN: 
We're never getting out of here. 

TUVOK: 
Do not give up hope. 
The probability of our being rescued is low, but not statistically impossible. 

PARIS: 
Comforting. 

WILDMAN: 
Who's going to look after Naomi? 

TUVOK: 
You should not concern yourself with that now. 

WILDMAN: 
How can you say that? 

TUVOK: 
My youngest child has been without a father for four years, yet I am certain of her well-being, that I conveyed my values to her before leaving. 

And I have confidence in the integrity of those around her. 

You have been an exemplary mother to Naomi, and she is in the hands of people you trust. 

She will survive and prosper, no matter what becomes of us. 

WILDMAN: 
Thanks, Tuvok.