"Whatever his background, whatever his connections, one cannot trust what [Bob] Woodward says as fact. Take, for instance, his account in Veil of his last interview with dying CIA Director William Casey.
Havill tracked down Casey's family, friends, hospital security staff and CIA guardians and found that the visit Woodward described was impossible.
First of all, Casey was under 24 hour guard by several layers of security: CIA members, hospital security, and Casey's family. And Woodward had already been stopped once while trying to see Casey.
According to one of Havill's sources, Woodward was not merely asked to leave, as Woodward reported in his book, but was forcibly shoved into the elevator.
And Woodward's story kept shifting. Woodward told a Knight-Ridder reporter that he had gotten in by flashing his press pass. To Larry King, Woodward claimed he just "walked in." But even assuming he somehow managed to get by all of that security, Woodward would still have been the only person to claim that Casey had uttered intelligible words in those last hours. The only other person to make such a claim was Robert Gates, who himself became CIA Director.
The family, doctor and medical staff said Casey could not make words at this point, only noises. At least Gates questioned whether he might have been imagining he heard words. Woodward has never retracted his "conversation."
In addition, Woodward once said that Casey sat bolt upright, which would seem highly implausible given his rapidly deteriorating state.
Onetime CIA Director Stansfield Turner, a friend of Woodward's since 1966, said Woodward told him he'd walked by Casey's room and Casey had waved to him. Casey's bed was positioned in such a way in the room as to make that impossible too.
Likewise, Woodward does not seem to demand authenticity from subordinates. Under his watch as Assistant Managing Editor of the Metro desk, the Post suffered a humiliation of the highest proportions at the hands of one of his hires, Janet Cooke. It was this incident that knocked the Post from its perch as "America's leading newspaper," as it had been called in the wake of its Watergate reporting.
Janet Cooke was a gifted writer with a knack for capturing the essence of the streets of D.C. She went to the Post for a job, and Woodward hired her. More illustrator than reporter, she painted vivid images, if not entirely accurate ones. The latter trait soon brought her trouble.
Cooke's crowning glory-and worst disaster-was a story called "Jimmy's World," about an eight year old heroin addict. The story brought both praise and outrage: praise for the vivid writing, outrage that a reporter could just stand by and watch a kid taking drugs. The controversial story managed to earn a Pulitzer, but only after some arm twisting by the committee head, who overruled the committee's first choice for the prizewinner to pick "Jimmy's World."
Some of the committee members hadn't even read the story, but not wanting to appear divisive, they stood together, for better or for worse. Made bold by the award, Janet Cooke's fabrications grew even larger and more personal. She started making up a history for herself that she didn't possess, including training in languages she couldn't speak.
Several at the Post, including Woodward, were worried that her story of Jimmy may not be true. They pressured Cooke to produce "Jimmy." Losing the battle to protect her source, it rapidly became clear that she had no source. There was no Jimmy. And for the first time ever, a Pulitzer was returned. The Post was thoroughly embarrassed by a woman under Woodward's direct supervision at the paper.
But Woodward's most stunning deceptions come from the work that launched his career, his tracking of the Watergate story as retold in the supposedly nonfiction work All the President's Men. Adrian Havill found curious discrepancies between accountings of incidents as reported in the book, and the rest of the available facts (see sidebar at right).
Given his role in the Watergate cover-up, and the misrepresentations in his own work, it remains to us a huge mystery why this man is treated with the reverence he is. Considering his behavior, his background, his credibility, and his connections, we now feel compelled to join Adrian Havill in asking who is Bob Woodward? Whom does he serve? Is his career sustained for the purposes of those with a "secret agenda"? "
Bob Woodward by Lisa Pease
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