“Luther Lee Boggs, Clyde Bruckman, Gerald Schnauz..
I went through those cases
and that work was extremely impressive.”
(Cameo) Vanessa Morley:
When Fox Mulder and Dana Scully first walk back into the F.B.I. offices
right before they walk into the bullpen,
a female agent walks by that catches Mulder's attention
and he watches her walk away.
The woman is the actress who throughout The X Files (1993)
played the young Samantha Mulder,
and is the same Samantha
in the photo Mulder has taped to the back of his home office door.
“But I've learned to pretend over the past nine years - to pretend that my victories MATTERED, only to realize that NO-ONE was keeping score.”
— Fox Mulder, 2002,
Post-9/11.
GENERAL MARK A. SUVEG:
This would look bad for the Marines
if it didn't look worse for The FBI.
What does Mulder intend to plea?
KERSH shrugs his shoulders and shakes his head.
He doesn't know.
Right up until this very instant —
He did not CARE :
He HATES Fox Mulder,
and everything that he represents.
But now.....
GENERAL MARK A. SUVEG:
You wanted a chance to clear up
this mess, Mr. Kersh, and
I'm going to give it to you —
Give it to the FBI.
KERSH:
How?
GENERAL MARK A. SUVEG:
A fair hearing for Your Agent
by his own Agency.
Mulder isn’t an FBI Agent anymore —
He’s been Out of The Bureau since shortly after he returned from The Dead.
The Military Doesn’t Care.
The Bush Administration Doesn’t Care.
Blame must be assigned.
And for that to happen,
The FBI must get out of The Way,
go along with The Lie and Keep Silent.
9/11.
Your Prosecutor, Your Judges.
Held in my court.
KERSH:
That can't be legal.
KERSH:
Why Do This?
GENERAL MARK A. SUVEG:
I want a verdict.
A guilty verdict.
This man Mulder has made
a lot of Enemies.
He's A Crusader.
And a lot of people do
not like The Crusade.
KERSH shakes his head, no.
KERSH:
I can't do that.
GENERAL MARK A. SUVEG:
Oh, you'll do it,
Deputy Director.
You and I both know there are forces
inside The Government now that
A Man would be foolish to disobey.
KERSH knows a threat when he hears one.
SCULLY :
You've always said that you
Want to Believe.
But Believe in WHAT, Mulder?
If this is The Truth that you've been looking for, then
What is left
to Believe in?
MULDER:
I Want to Believe That The Dead Are Not Lost to Us.
That They Speak to Us as Part of Something Greater Than Us -
Greater Than Any Alien Force.
And if You and I are powerless now,
I Want to Believe
That if We LISTEN
to What is SPEAKING --
It can
Give Us The Power
to Save Ourselves.
SCULLY :
Then,
We Believe in The Same Thing.
She reaches down to the gifted Gold that hangs on a chain around her neck, the same Golden totem that has hung there,
in plain sight for 9 whole seasons of Network Television without attracting ANY real notice or curious interest — or not any from Mulder, at least —
and she gently turns her Cross ever-so slightly, 45-degrees or so from the perpendicular —
It is an X.
The Unknown and Unquantifiable, Endless-Nameless Mystery
“A lot of people like to
characterise Grant, as —
A Space Case.
And a NUTTER.
But what a lot of people don’t realise,
in large-part because They're not listening,
is that he is extremely
practial and pragmantic.
When he talks about his alien abduction,
when he talks about Magick, it's all about --
The Practical Method
to make Something Happen.
In his completely insane and unreasonable way,
he is actually completely reasonable --
and pragmatic about these things."
-- Warren Ellis.
YOUNG GUARDIAN SAAL :
Ha!
It’s good that you were kind to Them.
But you turned down Their Offer?
HAL JORDAN,
THE Green Lantern,
Sir Harold of The Emerald Lamp,
Aladdin, a Widow’s Son, The Son of a Tailor,
The New Taylor :
“My Ring’s running on Grail Energy
and I have plans to hitch a ride on some passing comet,
see where The Road takes me.
Maybe catch up on some
Unfinished Business.
Guardian Saal —
Where Are We Going?
….and Why Do I Hear Voices?"
YOUNG GUARDIAN SAAL :
Only The Voices of Your Fellow Green Lanterns.
Those Who Were Inspired by You.
Those Who Wish to Honour You.
Those Who Dream of One Day Surpassing You!”
The Accolytes :
....um?
SCENE 5
SOMERSET, WESTERN VIRGINIA
5:02 A.M.
The FBI vehicles drive down a snow-laden track.
Joe is dozing next to Mulder in the back.
The vehicle goes over a bump and he wakes up.
FATHER JOE:
Are we getting warm?
WHITNEY:
You tell us.
Whitney is in the front passenger seat, Drummy is driving.
FATHER JOE:
I don't know.
I have a clue where we are.
MULDER:
That's all right.
Everybody works differently.
FATHER JOE:
Who are you - The Good Cop?
MULDER:
I'm the non-Cop.
He holds out Monica Bannan's FBI photo ID card.
FATHER JOE:
I don't know this girl.
This Agent Bannan of yours.
I haven't a clue of the connection.
MULDER:
There's always something,
however small.
FATHER JOE:
And who made you
The Expert?
MULDER:
I once investigated a series of cases involving unexplained phenomena for the FBI.
FATHER JOE:
So you believe in these sort of things?
MULDER:
Let's just say
I want to Believe.
DRUMMY:
And His Sister was abducted.
By E.T.
FATHER JOE:
...Is that True...?
MULDER:
It was a long time ago.
FATHER JOE:
.....she's dead, isn't she?
Your Sister?
Mulder doesn't answer.
He takes Monica Bannan's ID and looks at it.
Whitney glances at him.
Then Joe leans forward.
FATHER JOE:
This is where she was taken - Your Agent.
This is where she was attacked.
MULDER:
I want him to see the crime scene.
They pull into a driveway and get out of the cars.
Joe walks towards the garage
then stops.
FATHER JOE:
No, this isn't right.
You've brought me to the wrong house.
Joe walks back down the drive.
MULDER:
Pulled that right out of his ass.
Drummy walks after Father Joe who has now
walked onto the road.
He approaches the house opposite,
where there is yellow crime scene tape
around the garage.
He goes into the garage and looks around.
Whitney indicates to Drummy to follow him.
WHITNEY:
There were news crews out here
covering the scene,
pictures of the neighborhood —
He could've recognized it all from TV....
Mulder and Whitney go round the outside of the house.
MULDER:
Yeah, but, why?
WHITNEY:
Why?
MULDER:
Why do it? Why go to such
great lengths to create such an
elaborate fiction.
WHITNEY:
Expiation. Forgiveness of His Sins.
He's written dozens of letters
to The Vatican pleading
re-engagement with
The Church.
MULDER:
A rather odd way to impress
The Holy See.
WHITNEY:
The Voice of God Speaking
through A Man -
I think that's been
A Winner a few times.
At the back of the house,
Father Joe is walking towards The Woods,
Drummy watching him.
MULDER:
So you think he's Guilty too, huh?
WHITNEY:
We HAVE to consider him
A Suspect —
MULDER:
But you found no connection
to The Crime.
WHITNEY:
Don't think My Guys have stopped looking,
and they think they're going to find Monica.
MULDER:
But you don't,
or I wouldn't be here.
WHITNEY:
Yeah, I'm not the most popular girl
at the FBI right now for
calling you in,
Believe Me.
MULDER:
I wasn't exactly Miss Popularity
at the FBI myself.
WHITNEY:
But you've dealt with
psychics before.
Luther Lee Boggs,
Clyde Bruckman,
Gerald Schnauz -
I went through
those cases and
that work was
extremely impressive.
MULDER:
Yeah, well.
I'm only half The Yeam.
WHITNEY:
But it's YOUR insights
I NEED.
They see Father Joe sink to his knees in The Snow.
They rush over to him.
FATHER JOE:
She ran away.
She tried to escape.
There were two men.
Well, she couldn't.
He pushed her down,
it was here,
it was right here,
and then they put in the back.
WHITNEY:
Where?!
FATHER JOE:
In the car - no - it was a truck,
a truck with something on it.
WHITNEY:
We have to find her!
FATHER JOE:
She's in pain,
great, great pain.
WHITNEY:
Tell me where!
FATHER JOE:
I don't know.
I can't see.
WHITNEY:
We need to find her!
FATHER JOE:
I can't see.
Drummy doesn't believe this.
DRUMMY:
Because he's pulling it out of his ass.
If he were,
he would be lying better —
providing more positive and actionable information
(even if it isn’t True),
and he would never be saying
“I Don’t Know.”
It isn’t bullshit, therefore.
If he were faking it,
he would want to seem
as useful and insight
as possible — he isn’t.
This is largely unhelpful :
Except for the fact that
she is in Great Pain.
But that does not help
in finding her...
He walks off.
Mulder and Whitney look down at Joe who is weeping.
They blood spots on The Snow.
MULDER:
Father Joe?
Father Joe lifts up his head.
The blood is coming from his eyes.
At the hospital, Scully goes into the children's ward and up to Christian who is lying in bed.
SCULLY:
Hi, Christian.
You're looking very bright-eyed this morning.
CHRISTIAN:
I was thinking.
SCULLY:
Yeah? What were you thinking?
CHRISTIAN:
How I'm going to get out of here.
SCULLY:
Well, you know,
I'm thinking exactly the same thing.
CHRISTIAN:
Can I get out of here soon?
SCULLY:
What's wrong?
Has something scared you?
CHRISTIAN:
The Way The Man
is looking at me.
SCULLY:
What man?
Christian indicates a man standing in the corridor.
SCULLY:
Don't be afraid.
Scully walks down the corridor to The Man, Father Ybarra,
who is looking through a folder.
SCULLY:
I was just looking for those.
FATHER YBARRA:
I wanted to go over them myself
and the results of the
new tests that you ordered.
SCULLY:
That isn't really your purview, Father.
It's his primary physician's.
FATHER YBARRA:
It is in my purview, to make sure
that all my physicians are making
The Right Choices for their patients
and for The Hospital.
SCULLY:
Can I have the test results, please?
He hands them to her.
FATHER YBARRA:
We are here to Heal The Sick,
not prolong the ordeal
of The Dying.
There are other,
better facilities for The Boy.
DRUMMY:
Dana Scully?
Dr. Scully,
I'm looking for Fox Mulder.
SCULLY:
Excuse me.
Scully walks over to him.
DRUMMY:
Special Agent Drummy
with the FBI.
SCULLY:
I can guess who you're with.
DRUMMY:
The FBI urgently needs to speak with Fox Mulder.
SCULLY:
I don't work with Fox Mulder any longer.
I don't work with the FBI.
DRUMMY:
Well, if you could contact him,
it might just Save The Life
of an FBI Agent.
Later, Scully drives down a country road and turns into a lane blocked by a metal gate.
She opens this and continues driving up the long track to a house.
She enters the house, into a cluttered living room.
She undoes her coat, then goes into another room which has press cuttings all over the walls.
Mulder is sat at a desk with his back to her.
MULDER:
What's up, Doc?
SCULLY:
You've become awfully trusting Mulder,
for a man wanted by the FBI.
MULDER:
Eyes in the back of my head, Scully.
"Auf einer Wellenlänge",
as The Germans say.
It's a precognitive state often confused with simple human intuition,
in which the brain perceives
The Deep Logic underlying transitory Human Existence,
unaided by The Conscious Mind,
materializing much as you did just now.
Though if you'd actually materialized,
you'd be rapidly de-materializing.
But Who Believes
that crap anymore?
Mulder has been cutting out another newspaper article.
Then he stands and faces her, smiling.
He's dressed in casual clothes, and has a beard.
SCULLY:
Well, they do at the FBI apparently.
I had a visitor today, Mulder.
The FBI want your help finding a missing agent.
Mulder pins the newspaper article, "Princeton closes ESP lab after 40 years of paranormal study" on the board next to his I Want To Believe poster.
MULDER:
Well, I hope you told them go screw themselves.
SCULLY:
They say all is forgiven.
That they'll drop all charges against you if you come in
and help them solve this case.
MULDER:
The FBI will forgive me.
They put me on trial on bogus charges
and tried to discredit a decade of my work,
they should be asking me for my forgiveness, Scully.
SCULLY:
I think they are.
Desperately.
MULDER:
How can I possibly help these people?
Mulder sits down.
SCULLY:
Someone's come forward with some promising evidence.
A psychic, he claims.
MULDER:
It's A Trick, Scully,
to smoke me out.
SCULLY:
Mulder, if the FBI wanted to get you,
I have no doubt that they could.
I think they've just been happy
to have you out of their hair.
MULDER:
Oh good, because I am just as happy,
having them out of mine.
SCULLY:
A Young Agent's Life is at stake.
Mulder, I know
I don't have to say this,
but it could have been you once, or me.
You know, The Truth is,
I worry about you,
and the effects of long-term isolation.
Mulder chuckles.
MULDER:
I'm fine, here —
Happy as a clam.
Mulder eats a sunflower seed.
Scully looks up at the ceiling which has many pencils embedded in it.
SCULLY:
I'll Tell Them Your Answer.
She leaves the room.
Mulder looks at the closed door
on which there are many press cuttings,
plus a photograph of young Samantha —
Looking at him.
MULDER:
Shit.
He opens the door.
MULDER:
Okay, I'll go.
Under one condition.
Scully sighs.
A helicopter.
Mulder holds open the door for Scully.
After they are both seated inside,
the helicopter takes off.
SCENE 23
TEXAS-NEW MEXICO BORDER
5:07 AM
The SUV driven by MULDER makes it was down the road.
It pulls off to the side.
MULDER cuts the engine, leans toward SCULLY who is sleeping and gently kisses her cheek. He gets out of the car.)
MULDER unzips his pants and relieves himself, when ...
FROHIKE'S GHOST :
Hey, hot shot!
You might have the common courtesy
of doing Your Business there downwind.
MULDER:
Oh, boy.
LANGLY'S GHOST:
Why don't you just finish draining
the little lizard
and then we'll talk?
BYER'S GHOST:
We're very worried about you.
FROHIKE'S GHOST:
It's craziness, man. Turn around.
LANGLEY'S GHOST:
Just hang a big U-ie and never look back.
MULDER:
I can't.
BYER'S GHOST:
Why risk Perfect Happiness, Mulder?
Why risk your lives?
MULDER:
Because I need to
Know The Truth.
BYER'S GHOST:
You already know The Truth.
MULDER thinks about that one for a moment.
When he responds, its with complete honesty
at what he's really doing there.
MULDER:
I need to know if I can change it.
LANGLY'S GHOST:
Change it?
FROHIKE'S GHOST:
For crying out loud --
All you're going to do is
get yourself killed.
From behind him, SCULLY
got out of the car to look
for MULDER.
SCULLY:
Mulder! What are you doing?
MULDER:
I'll be right with you, Scully.
They both get back into the car.
