Monday 20 March 2017

But a King Should Be Afraid, Always...

"But a King should be afraid, Arthur, always... of The Enemy. 

Waiting, everywhere. 


In the corridors of his castle, on the deer-paths of his forests, or in a more tangled forest... in here. 

[taps his head with his finger]



An important new book by David Golumbia sets forth the technocratic fascist politics underlying Bitcoin. Known to veteran listeners/readers as the author of an oft-quoted article dealing with technocratic fascism, Golumbia has published a short, important book about the right-wing extremism underlying Bitcoin. (Programs on technocratic fascism include: FTR #’s 851859866867.)

In the excerpt below, we see disturbing elements of resonance with the views of Stephen Bannon and some of the philosophical influences on him. Julius Evola“Mencius Moldbug” and Bannon himself see our civilization as in decline, at a critical “turning point,” and in need of being “blown up” (as Evola put it) or needing a “shock to the system.”

The Politics of Bitcoin: Software as Right-Wing Extremism by David Golumbia; University of Minnesota Press [SC]; pp. 73-75.

. . . . As objects of discourse, Bitcoin and the blockchain do a remarkable job of reinforcing the view that the entire global history of political thought and action needs to be jettisoned, or, even worse, that it has already been jettisoned through the introduction of any number of technologies. Thus, in the introduction to a bizarrely earnest and destructive volume called From Bitcoin to Burning Man and Beyond (Clippinger and Bollier 2014), the editors, one of whom is a research scientist at MIT, write, “Enlightenment ideals of democratic rule seem to have run their course. A continuous flow of scientific findings are undermining many foundational claims about human rationality and perfectibility while exponential technological changes and exploding global demographics overwhelm the capacity of democratic institutions to rule effectively, and ultimately, their very legitimacy.” Such abrupt dismissals of hundreds of years of thought, work, and lives follows directly from cyberlibertarian thought and extremist reinterpretations of political institutions:” What once required the authority of a central bank or a sovereign authority can now be achieved through open, distributed crypto-algorithms. National borders, traditional legal regimes, and human intervention are increasingly moot.” Like most ideological formations, these sentiments are highly resistant to being proven false by facts. . . .

. . . . Few attitudes typify the paradoxical cyberlibertarian mind-set of Bitcoin promoters (and many others) more than do those of “Sanjuro,” the alias of the person who created a Bitcoin “assassination market” (Greenberg 2013). Sanjuro believes that by incentivizing people to kill politicians, he will destroy “all governments, everywhere.” This anarchic apocalypse “will change the world for the better,” producing “a world without wars, dragnet Panopticon-style surveillance, nuclear weapons, armies, repression, money manipulation, and limits to trade.” Only someone so blinkered by their ideological tunnel vision could look at world history and imagine that murdering the representatives of democratically elected governments and thus putting the governments themselves out of existence would do anything but make every one of these problems immeasurably worse than they already are. Yet this, in the end, is the extreme rightist–anarcho-capitalist, winner-take-all, even neo-feudalist–political vision too many of those in the Bitcoin (along with other cryptocurrency) and blockchain communities, whatever they believe their political orientation to be, are working actively to bring about. . . .

Saturday 18 March 2017

Day of the Serpent


Anál nathrach, orth’ bháis’s bethad, do chél dénmha.


"Serpent's breath, charm of death and life, thy omen of making."


Osborne



For three things a Briton is pronounced a traitor, and forfeits his rights, 



•emigration
•collusion with an enemy 
•surrendering himself, and living under an enemy.



Thursday 16 March 2017

The Charm of Making



Anál nathrach, orth’ bháis’s bethad, do chél dénmha.



The Charm of Making, an incantation repeatedly uttered by both Merlin and Morgana, is in an Old Gaelic dialect that translates to 

"Serpent's breath, charm of death and life, thy omen of making."



Wednesday 15 March 2017

1818


"The differences between the first, 1818, and second, 1831, editions of Frankenstein, correspond with Mary Shelley’s philosophical changes. By the deaths of Clara, William, and Percy; by the betrayals of Byron and Jane Williams; and by her economic dire straits, Mary Shelley philosophy changed—events are decided by an indifferent destiny of fate. The values in the first edition—nature is a nurturing force that punishes only those who transgress against its rights, Victor is morally responsible for his actions, that the Creature is driven to evil by social and parental neglect, that families similar to the De Laceys, who love all their children equally, offer the best hope for happiness, and that egotism creates the greatest suffering in the world. 

All those notions are rejected in the second edition.

In the 1818 edition, Frankenstein possesses freewill: he could have abandoned his quest for the “principle of life,’ he could have cared for his Creature, and he could have protected Elizabeth. But in the 1831 edition, Frankenstein is a mere pawn within the force of nature, which is beyond his understanding. Victor says, “Destiny was too potent, and her immutable laws had decreed my utter and terrible destruction” (Rieger, app. 239). As well, Elizabeth changes her tune to fatalism: “I think our placid home, and our contented hearts are regulated by the same immutable laws” (Rieger, app. 243).

In the 1831 edition, Mary changes from her organic nature to a mechanistic nature. She portrays Nature as a juggernaut or a mighty machine, an “imperial” tyrant (Rieger, appl. 249). In this edition, human beings represent puppets. 
 
Victor’s sins are not egotistical “presumption and rash ignorance,” but rather bad influences, which include his father’s ignorance, or Professor Waldman’s Mephistophelian manipulations. 
 
Victor’s sin is not his failure to Love and Care for His Creature, but rather his original decision to construct a human being
 
Victor is portrayed as a Victim rather than Creator of Evil. 
 
Clerval, who originally functioned as a Being of Moral Virtue, is now portrayed as an equally ambitious being of fame and power, a Future Colonial Imperialist.

Thus in the final 1831 edition, Mary Shelley disclaims responsibility for her progeny and insist that she remained passive before it, “leaving the core and substance of it untouched” (Rieger 229). 
 
Invention “can give form to dark, shapeless substances, but cannot bring into being the substance itself” (Rieger 226). Imperial nature, the thing-in-itself, is triumphant. 
 
Mary’s imagination can mold shapeless darkness into a hideous monster. Similar to Victor, Mary has become an unwilling “author of unalterable evils” (211).

Tuesday 14 March 2017

The Warrior


"Make me a Warrior."


Always been my problem. 
Thinking like a Warrior. 

" We always have to be in the middle of the action 'cause we're The Warriors. 

And without some challenge, without some damn war to fight then The Warriors might as well be dead, Stallion. 

Now I'm asking you - as a friend - stand by my side this one last time. "


" Our Great War is a Spiritual War. 

 Our Great Depression is Our Lives. "


"It involves the mortification of the soul..."



How does boxing show virtue? 
When you get hit in a boxing match you cannot lose control. 
You must keep focused on the strategy to win. 
You must control your passions.

Remember to say 3 Hail Marys for the priest




Say, then, to Caesar,
Our ancestor was that Mulmutius which
Ordain'd our laws, whose use the sword of Caesar
Hath too much mangled; whose repair and franchise
Shall, by the power we hold, be our good deed,
Though Rome be therefore angry: Mulmutius made our laws,
Who was the first of Britain which did put
His brows within a golden crown and call'd
Himself a King.





In the wake of the civil war between Ferrex and Porrex (sons of Gorboduc, a young warrior named Mulmutius Dunwallow (or "Dunwallo Molmutius", and other variations) emerged as a military leader of considerable skill and craft (Geoffrey, ch. XVII). After the death of his royal father, ClotenDunwallow took over the kingdom of Cornwall. He then began to wage a campaign to enlarge his territories. He defeated and killed Ymner (Pinner), King of Loegria; then he attacked Rudauc (Rudaucus), King of Kambria, and Stater (Staterius), King of Albany, who had joined forces against him. This alliance joined two competent adversaries; the kings took the battle to Dunwallow's territory and held off his army of 30,000 through a day of heavy fighting. Dunwallow, therefore, employed a ruse to defeat these foes. He chose 600 of his most courageous young fighters and had them dress in the armor of the enemies they had just slain; he similarly disguised himself. In this manner he and his warriors slipped in amongst the invading army, killing numerous of the enemy including the two kings. But, fearing that his own army would similarly mistake him and his men for the enemy, he had the warriors put back on their native armor (as did he) and rejoin the battle with their countrymen. As a result, Dunwallow and his forces won the battle by the end of the day. He then marched into the invaders' lands, taking their cities, fortifications, and people. Thus the entire island came under his control; he fashioned a crown of gold for himself as a sign of victory and rule.

In contrast to the martial beginning of his reign, Dunwallow governed peacefully for 40 years. His most notable achievement was a set of laws called the Molmutine Laws. The singular feature of these laws was a kind of sanctuary, in which guilty men who sought refuge in temples of the gods and cities should be allowed to depart as if forgiven (even the roads leading to the temples and cities were declared safe zones). The laws also protected husbandmen and their ploughs. The laws were so successful that the population of cut-throats and bandits were unable to profit from their trade. When he died, Dunwallow was buried in the city of Trinovantum (London) near the Temple of Concord, which he had built to celebrate the establishment of his legal code.

History of the Kings of Britain


Geoffrey of Monmouth



The Struggle is Permanent and Eternal

From diamond mine to the factory
Everybody's doing what you've got to keep on doing for society
Make this world a good place to be
Let livin' be but don't work for free
Playing isn't paying so work is what I'm saying
Working for the world go round
The battle cry don't mess with me
I've traveled the world for eternity

Warriors of the wasteland
Sailboats of ice on desert sands
Warriors of the wasteland

It seems to me that the powers that be
Keep themselves in splendour and security
Armoured cars for Megastars
No streets, no bars, Your Wealth is ours
They make the masses, kiss their assets
Lower class jackass, pay me tax take out the trash
Working for the world go round
Your job is Gold, do as you're told
They pay you less then run for Congress

Warriors of the Wasteland
Sailboats of ice on desert sands
Warriors - what a Waste, man
I'm working for The World go round, go round

Diamond mine to the factory, yeah
Make this a world, a good place to be

Warriors - what a waste, man

Warriors

We're rats in a cage

Suicide a go go


The Struggle Continues.




CATCHLOVE:
 Gentlemen! It's been a privilege, however brief, to command you, but all good things come to an end. 

(The lift doors open.) 

GODSACRE: 
I think you'll find, Captain, that I'm in command here. 

(Gunshot. Catchlove gulps, then falls backwards very slowly.) 

IRAXXA: 
You sacrificed one of your own without tactical advantage? 

GODSACRE:
 No, I didn't sacrifice him. I executed him. 

IRAXXA: 
Do you now expect your life to be spared? 

GODSACRE: 
No. No, no, no. I expect it to be taken.
And I give it willingly. 

(He breaks open his revolver, ejecting the bullets.) 

BILL 
No. No, wait, stop it. Doctor, stop it. 

DOCTOR: 
Shh! 

(Godsacre lays his revolver and sword on the ground.

GODSACRE: 
Some time ago, I was hanged for cowardice. 
The execution took longer than expected, and I fear I have not used my time well. 

(He bares his scar for her.

GODSACRE: 
I should be happy for you to complete the work they failed to do so long ago. 

IRAXXA: 
It will be a pleasure. 

BILL: 
No, please, don't do this. 

DOCTOR: 
Bill, quiet. 

BILL: 
He saved your life! 

GODSACRE: 
Your Majesty, I have a request, if that may be permitted. 

IRAXXA: 
Speak! 

GODSACRE: 
That man was not one of us. 
Please, do not judge mankind by his cruelty or indeed by my cowardice. 
Spare my friends and my world. 

IRAXXA: 
Your request does you credit, soldier. It will be considered. 

(She powers up her weapon.) 

GODSACRE: 
God save the Queen. 

SOLDIERS: 
God save the Queen! 

IRAXXA: 
You will die with honour, with bravery, and in the service of those you swore to protect. 

GODSACRE: 
Thank you. You don't know what that means. 
Thank you. 

IRAXXA: 
But not today. 
In battle, soldier. To die in battle is the way of the warrior. 
Pledge your allegiance to me and my world, and I will ensure you have the opportunity. 

GODSACRE: 
My life and my service are yours. (kneels) To the end. 

IRAXXA:
 To the death, my friend. 
To the death.

(The Ice Warriors salute him.

BILL: 
You knew that would happen. 

DOCTOR: 
Always been my problem. 

BILL: 
What? 

DOCTOR: 
Thinking like a warrior. 


(He makes the Ice Warrior salute, and the lift doors close on the scene.)



As a child you would wait
And watch from far away.
But you always knew that you'd be the one
That work while they all play.

In youth you'd lay
Awake at night and scheme
Of all the things that you would change,
But it was just a dream!

Here we are, don't turn away now,
We are the warriors that built this town.
Here we are, don't turn away now,
We are the warriors that built this town
From dust.

Will come
When you'll have to rise
Above the best and prove yourself,
Your spirit never dies!

Farewell, I've gone to take my throne above,
But don't weep for me
'Cause this will be
The labor of my love

Here we are, don't turn away now,
We are the warriors that built this town.
Here we are, don't turn away now,
We are the warriors that built this town
From dust.

Here we are, don't turn away now,
We are the warriors that built this town.
Here we are, don't turn away now,
We are the warriors that built this town

From dust.

Monday 13 March 2017

Upon This Rock : King Johnson

Joey Zasa: 
Don Corleone, all bastards are liars. 
Shakespeare wrote poems about them. 

False Creed?

Joey Zasa: 
I have a stone in my shoe, Mr. Corleone. 
A two-bit punk who works for me. 
Who thinks he's related to you. 

A bastard. 





" Parliament had declared that Elizabeth was “lawfully descended and come of the Blood royalwithout ever explaining how that could be when her mother’s marriage to the King was invalid

Indeed, Elizabeth’s grandfather, Henry VII, the first Tudor king, would have had no plausible claim to royal blood had it not been for Parliamentary declarations of legitimacy on both sides of his family tree."



Behold, a Pale Horse
Magna Carta - Choke on it.



"But I hope Truth is subject to no prescription, for Truth is Truth though never so old, and time cannot make that false which was once True." 

Edward de Vere, 17th Earl of Oxford
Private Letter to Lord Salisbury, Sir Robert Cecil
May 7, 1603




TO THE
RIGHT HONORABLE HENRY WRIOTHESLY,
Earl of Southampton, and Baron of Tichfield.

The love I dedicate to your lordship is without end; whereof this pamphlet, without beginning, is but a superfluous moiety. The warrant I have of your honourable disposition, not the worth of my untutored lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours. Were my worth greater, my duty would show greater; meantime, as it is, it is bound to your lordship, to whom I wish long life, still lengthened with all happiness.

Your lordship's in all duty,

WILLIAM SHAKESPEARE.




SCENE I. KING JOHN'S palace.

Enter KING JOHN, QUEEN ELINOR, PEMBROKE, ESSEX, SALISBURY, and others, with CHATILLON

KING JOHN
Now, say, Chatillon, what would France with us?

CHATILLON
Thus, after greeting, speaks the King of France
In my behavior to the majesty,
The borrow'd majesty, of England here.

QUEEN ELINOR
A strange beginning: 'borrow'd majesty!'

KING JOHN
Silence, good mother; hear the embassy.

CHATILLON
Philip of France, in right and true behalf
Of thy deceased brother Geffrey's son,
Arthur Plantagenet, lays most lawful claim
To this fair island and the territories,
To Ireland, Poictiers, Anjou, Touraine, Maine,
Desiring thee to lay aside the sword
Which sways usurpingly these several titles,
And put these same into young Arthur's hand,
Thy nephew and right royal sovereign.

KING JOHN
What follows if we disallow of this?

CHATILLON
The proud control of fierce and bloody war,
To enforce these rights so forcibly withheld.

KING JOHN
Here have we war for war and blood for blood,
Controlment for controlment: so answer France.

CHATILLON
Then take my king's defiance from my mouth,
The farthest limit of my embassy.

KING JOHN
Bear mine to him, and so depart in peace:
Be thou as lightning in the eyes of France;
For ere thou canst report I will be there,
The thunder of my cannon shall be heard:
So hence! Be thou the trumpet of our wrath
And sullen presage of your own decay.
An honourable conduct let him have:
Pembroke, look to 't. Farewell, Chatillon.

Exeunt CHATILLON and PEMBROKE

QUEEN ELINOR
What now, my son! have I not ever said
How that ambitious Constance would not cease
Till she had kindled France and all the world,
Upon the right and party of her son?
This might have been prevented and made whole
With very easy arguments of love,
Which now the manage of two kingdoms must
With fearful bloody issue arbitrate.

KING JOHN
Our strong possession and our right for us.

QUEEN ELINOR
Your strong possession much more than your right,
Or else it must go wrong with you and me:
So much my conscience whispers in your ear,
Which none but heaven and you and I shall hear.
Enter a Sheriff

ESSEX
My liege, here is the strangest controversy
Come from country to be judged by you,
That e'er I heard: shall I produce the men?

KING JOHN
Let them approach.
Our abbeys and our priories shall pay
This expedition's charge.

Enter ROBERT and the BASTARD

What men are you?

BASTARD
Your faithful subject I, a gentleman
Born in Northamptonshire and eldest son,
As I suppose, to Robert Faulconbridge,
A soldier, by the honour-giving hand
Of Coeur-de-lion knighted in the field.

KING JOHN
What art thou?

ROBERT
The son and heir to that same Faulconbridge.

KING JOHN
Is that the elder, and art thou the heir?
You came not of one mother then, it seems.

BASTARD
Most certain of one mother, mighty king;
That is well known; and, as I think, one father:
But for the certain knowledge of that truth
I put you o'er to heaven and to my mother:
Of that I doubt, as all men's children may.

QUEEN ELINOR
Out on thee, rude man! thou dost shame thy mother
And wound her honour with this diffidence.

BASTARD
I, madam? no, I have no reason for it;
That is my brother's plea and none of mine;
The which if he can prove, a' pops me out
At least from fair five hundred pound a year:
Heaven guard my mother's honour and my land!

KING JOHN
A good blunt fellow. Why, being younger born,
Doth he lay claim to thine inheritance?

BASTARD
I know not why, except to get the land.
But once he slander'd me with bastardy:
But whether I be as true begot or no,
That still I lay upon my mother's head,
But that I am as well begot, my liege,--
Fair fall the bones that took the pains for me!--
Compare our faces and be judge yourself.
If old sir Robert did beget us both
And were our father and this son like him,
O old sir Robert, father, on my knee
I give heaven thanks I was not like to thee!

KING JOHN
Why, what a madcap hath heaven lent us here!

QUEEN ELINOR
He hath a trick of Coeur-de-lion's face;
The accent of his tongue affecteth him.
Do you not read some tokens of my son
In the large composition of this man?

KING JOHN
Mine eye hath well examined his parts
And finds them perfect Richard. Sirrah, speak,
What doth move you to claim your brother's land?

BASTARD
Because he hath a half-face, like my father.
With half that face would he have all my land:
A half-faced groat five hundred pound a year!

ROBERT
My gracious liege, when that my father lived,
Your brother did employ my father much,--

BASTARD
Well, sir, by this you cannot get my land:
Your tale must be how he employ'd my mother.

ROBERT
And once dispatch'd him in an embassy
To Germany, there with the emperor
To treat of high affairs touching that time.
The advantage of his absence took the king
And in the mean time sojourn'd at my father's;
Where how he did prevail I shame to speak,
But Truth is Truth: large lengths of seas and shores
Between my father and my mother lay,
As I have heard my father speak himself,
When this same lusty gentleman was got.
Upon his death-bed he by will bequeath'd
His lands to me, and took it on his death
That this my mother's son was none of his;
And if he were, he came into the world
Full fourteen weeks before the course of time.
Then, good my liege, let me have what is mine,
My father's land, as was my father's will.

KING JOHN
Sirrah, your brother is legitimate;
Your father's wife did after wedlock bear him,
And if she did play false, the fault was hers;
Which fault lies on the hazards of all husbands
That marry wives. Tell me, how if my brother,
Who, as you say, took pains to get this son,
Had of your father claim'd this son for his?
In sooth, good friend, your father might have kept
This calf bred from his cow from all the world;
In sooth he might; then, if he were my brother's,
My brother might not claim him; nor your father,
Being none of his, refuse him: this concludes;
My mother's son did get your father's heir;
Your father's heir must have your father's land.

ROBERT
Shall then my father's will be of no force
To dispossess that child which is not his?

BASTARD
Of no more force to dispossess me, sir,
Than was his will to get me, as I think.

QUEEN ELINOR
Whether hadst thou rather be a Faulconbridge
And like thy brother, to enjoy thy land,
Or the reputed son of Coeur-de-lion,
Lord of thy presence and no land beside?

BASTARD
Madam, an if my brother had my shape,
And I had his, sir Robert's his, like him;
And if my legs were two such riding-rods,
My arms such eel-skins stuff'd, my face so thin
That in mine ear I durst not stick a rose
Lest men should say 'Look, where three-farthings goes!'
And, to his shape, were heir to all this land,
Would I might never stir from off this place,
I would give it every foot to have this face;
I would not be sir Nob in any case.

QUEEN ELINOR
I like thee well: wilt thou forsake thy fortune,
Bequeath thy land to him and follow me?
I am a soldier and now bound to France.

BASTARD
Brother, take you my land, I'll take my chance.
Your face hath got five hundred pound a year,
Yet sell your face for five pence and 'tis dear.
Madam, I'll follow you unto the death.

QUEEN ELINOR
Nay, I would have you go before me thither.

BASTARD
Our country manners give our betters way.

KING JOHN
What is thy name?

BASTARD
Philip, my liege, so is my name begun,
Philip, good old sir Robert's wife's eldest son.

KING JOHN
From henceforth bear his name whose form thou bear'st:
Kneel thou down Philip, but rise more great,
Arise sir Richard and Plantagenet.

BASTARD
Brother by the mother's side, give me your hand:
My father gave me honour, yours gave land.
Now blessed by the hour, by night or day,
When I was got, sir Robert was away!

QUEEN ELINOR
The very spirit of Plantagenet!
I am thy grandam, Richard; call me so.

BASTARD
Madam, by chance but not by truth; what though?
Something about, a little from the right,
In at the window, or else o'er the hatch:
Who dares not stir by day must walk by night,
And have is have, however men do catch:
Near or far off, well won is still well shot,
And I am I, howe'er I was begot.

KING JOHN
Go, Faulconbridge: now hast thou thy desire;
A landless knight makes thee a landed squire.
Come, madam, and come, Richard, we must speed
For France, for France, for it is more than need.

BASTARD
Brother, adieu: good fortune come to thee!
For thou wast got i' the way of honesty.

Exeunt all but BASTARD

A foot of honour better than I was;
But many a many foot of land the worse.
Well, now can I make any Joan a lady.
'Good den, sir Richard!'--'God-a-mercy, fellow!'--
And if his name be George, I'll call him Peter;
For new-made honour doth forget men's names;
'Tis too respective and too sociable
For your conversion. Now your traveller,
He and his toothpick at my worship's mess,
And when my knightly stomach is sufficed,
Why then I suck my teeth and catechise
My picked man of countries: 'My dear sir,'
Thus, leaning on mine elbow, I begin,
'I shall beseech you'--that is question now;
And then comes answer like an Absey book:
'O sir,' says answer, 'at your best command;
At your employment; at your service, sir;'
'No, sir,' says question, 'I, sweet sir, at yours:'
And so, ere answer knows what question would,
Saving in dialogue of compliment,
And talking of the Alps and Apennines,
The Pyrenean and the river Po,
It draws toward supper in conclusion so.
But this is worshipful society
And fits the mounting spirit like myself,
For he is but a bastard to the time
That doth not smack of observation;
And so am I, whether I smack or no;
And not alone in habit and device,
Exterior form, outward accoutrement,
But from the inward motion to deliver
Sweet, sweet, sweet poison for the age's tooth:
Which, though I will not practise to deceive,
Yet, to avoid deceit, I mean to learn;
For it shall strew the footsteps of my rising.
But who comes in such haste in riding-robes?
What woman-post is this? hath she no husband
That will take pains to blow a horn before her?

Enter LADY FAULCONBRIDGE and GURNEY

O me! it is my mother. How now, good lady!
What brings you here to court so hastily?

LADY FAULCONBRIDGE
Where is that slave, thy brother? where is he,
That holds in chase mine honour up and down?

BASTARD
My brother Robert? old sir Robert's son?
Colbrand the giant, that same mighty man?
Is it sir Robert's son that you seek so?

LADY FAULCONBRIDGE
Sir Robert's son! Ay, thou unreverend boy,
Sir Robert's son: why scorn'st thou at sir Robert?
He is sir Robert's son, and so art thou.

BASTARD
James Gurney, wilt thou give us leave awhile?

GURNEY
Good leave, good Philip.

BASTARD
Philip! sparrow: James,
There's toys abroad: anon I'll tell thee more.

Exit GURNEY

Madam, I was not old sir Robert's son:
Sir Robert might have eat his part in me
Upon Good-Friday and ne'er broke his fast:
Sir Robert could do well: marry, to confess,
Could he get me? Sir Robert could not do it:
We know his handiwork: therefore, good mother,
To whom am I beholding for these limbs?
Sir Robert never holp to make this leg.

LADY FAULCONBRIDGE
Hast thou conspired with thy brother too,
That for thine own gain shouldst defend mine honour?
What means this scorn, thou most untoward knave?

BASTARD
Knight, knight, good mother, Basilisco-like.
What! I am dubb'd! I have it on my shoulder.
But, mother, I am not sir Robert's son;
I have disclaim'd sir Robert and my land;
Legitimation, name and all is gone:
Then, good my mother, let me know my father;
Some proper man, I hope: who was it, mother?

LADY FAULCONBRIDGE
Hast thou denied thyself a Faulconbridge?

BASTARD
As faithfully as I deny the devil.

LADY FAULCONBRIDGE
King Richard Coeur-de-lion was thy father:
By long and vehement suit I was seduced
To make room for him in my husband's bed:
Heaven lay not my transgression to my charge!
Thou art the issue of my dear offence,
Which was so strongly urged past my defence.

BASTARD
Now, by this light, were I to get again,
Madam, I would not wish a better father.
Some sins do bear their privilege on earth,
And so doth yours; your fault was not your folly:
Needs must you lay your heart at his dispose,
Subjected tribute to commanding love,
Against whose fury and unmatched force
The aweless lion could not wage the fight,
Nor keep his princely heart from Richard's hand.
He that perforce robs lions of their hearts
May easily win a woman's. Ay, my mother,
With all my heart I thank thee for my father!
Who lives and dares but say thou didst not well
When I was got, I'll send his soul to hell.
Come, lady, I will show thee to my kin;
And they shall say, when Richard me begot,
If thou hadst said him nay, it had been sin:
Who says it was, he lies; I say 'twas not.

Exeunt