Tuesday, 5 April 2022

The Soviets Did Not Find God in Outer Space.





















THE SEEING EYE

by C.S. Lewis.


“The Russians, I am told, report that they have not found God in outer space. On the other hand, a good many people in many different times and countries claim to have found God, or been found by God, here on Earth.


  The conclusion some want us to draw from these data is that God does not exist. As a corollary, those who think they have met Him on Earth were suffering from a delusion.


  But other conclusions might be drawn:


  1. We have not yet gone far enough in space. There had been ships on the Atlantic for a good time before America was discovered.


  2. God does exist but is locally confined to this planet.


  3. The Russians did find God in Space without knowing it, because they lacked the requisite apparatus for detecting Him.


  4. God does exist but is not an object either located in a particular part of space nor diffused, as we once thought 'ether' was, throughout space.

   


  The first two conclusions do not interest me. The sort of religion for which they could be a defence would be a religion for savages: the belief in a local deity who can be contained in a particular temple, island or grove. That, in fact, seems to be the sort of religion about which the Russians - or some Russians, and a good many people in The West - are being irreligious. It is not in the least disquieting that no astronauts have discovered a god of that sort. The really disquieting thing would be if they had.


  The third and fourth conclusions are the ones for my money. Looking for God - or Heaven - by exploring Space is like reading or seeing all Shakespeare's plays in the hope that you will find Shakespeare as one of the characters or Stratford as one of the places. 


Shakespeare is in one sense present at every moment in every play. But he is never present in the same way as Falstaff or Lady Macbeth. Nor is he diffused through the play like a gas.


  If there were an idiot who thought plays existed on their own, without an author (not to mention actors, producer, manager, stagehands and what not), our belief in Shakespeare would not be much affected by his saying, quite truly, that he had studied all the plays and never found Shakespeare in them.


  The rest of us, in varying degrees according to our perceptiveness, 'found Shakespeare' in the plays. But it is a quite different sort of 'finding' from anything our poor friend has in mind.


  Even he has in reality been in some way affected by Shakespeare, but without knowing it. He lacked the necessary apparatus for detecting Shakespeare.


  Now of course this is only an analogy. I am not suggesting at all that the existence of God is as easily established as the existence of Shakespeare. My point is that, if God does exist, He is related to the universe more as an author is related to a play than as one object in the universe is related to another.


  If God created the universe, He created space-time, which is to the universe as the metre is to a poem or the key is to music. To look for Him as one item within the framework which He Himself invented is nonsensical.


  If God - such a God as any adult religion believes in - exists, mere movement in space will never bring you any nearer to Him or any farther from Him than you are at this very moment. You can neither reach Him nor avoid Him by travelling to Alpha Centauri or even to other galaxies. A fish is no more, and no less, in the sea after it has swum a thousand miles than it was when it set out.

  How, then, it may be asked, can we either reach or avoid Him?

  The avoiding, in many times and places, has proved so difficult that a very large part of the human race failed to achieve it. But in our own time and place it is extremely easy. Avoid silence, avoid solitude, avoid any train of thought that leads off the beaten track. Concentrate on money, sex, status, health and (above all) on your own grievances. Keep the radio on. Live in a crowd. Use plenty of sedation. If you must read books. select them very carefully. But you'd be safer to stick to the papers. You'll find the advertisements helpful; especially those with a sexy or a snobbish appeal.

  About the reaching, I am a far less reliable guide. That is because I never had the experience of looking for God. It was the other way round; He was the hunter (or so it seemed to me) and I was the deer. He stalked me like a redskin, took unerring aim, and fired. And I am very thankful that that is how the first (conscious) meeting occurred. It forearms one against subsequent fears that the whole thing was only wish fulfilment. Something one didn't wish for can hardly be that.

  But it is significant that this long-evaded encounter happened at a time when I was making a serious effort to obey my conscience. No doubt it was far less serious than I supposed, but it was the most serious I had made for a long time.

  One of the first results of such an effort is to bring your picture of yourself down to something nearer life-size. And presently you begin to wonder whether you are yet, in any full sense, a person at all; whether you are entitled to call yourself 'I' (it is a sacred name). In that way, the process is like being psychoanalysed, only cheaper I mean, in dollars; in some other ways it may be more costly. You find that what you called yourself is only a thin film on the surface of an unsounded and dangerous sea. But not merely dangerous. Radiant things, delights and inspirations, come to the surface as well as snarling resentments and nagging lusts.

  One's ordinary self is, then, a mere facade. There's a huge area out of sight behind it.

  And then, if one listens to the physicists, one discovers that the same is true of all the things around us. These tables and chairs, this magazine, the trees, clouds and mountains are facades. Poke (scientifically) into them and you find the unimaginable structure of the atom. That is, in the long run, you find mathematical formulas.

  There are you (whatever you means) sitting reading. Out there (whatever THERE means) is a white page with black marks on it. And both are facades. Behind both lies - well, Whatever-it-is. The psychologists, and the theologians, though they use different symbols, equally use symbols when they try to probe the depth behind the facade called You. That is, they can't really say 'It is this', but they can say 'It is in some way like this.' And the physicists, trying to probe behind the other facade, can give you only mathematics. And the mathematics may be true about the reality, but it can hardly be the reality itself, any more than contour lines are real mountains.

  I am not in the least blaming either set of experts for this state of affairs. They make progress. They are always discovering things. If governments make a bad use of the physicists' discoveries, or if novelists and biographers make a bad use of the psychologists' discoveries, the experts are not to blame. The point, however, is that every fresh discovery, far from dissipating, deepens the mystery.

  Presently, if you are a person of a certain sort, if you are one who has to believe that all things which exist must have unity it will seem to you irresistibly probable that what lies ultimately behind the one facade also lies ultimately behind the other. And then - again, if you are that sort of person - you may come to be convinced that your contact with that mystery in the area you call yourself is a good deal closer than your contact through what you call matter. For in the one case I, the ordinary, conscious I, am continuous with the unknown depth.

  And after that, you may come (some do) to believe that that voice -like all the rest, I must speak symbolically - that voice which speaks in your conscience and in some of your intensest joys, which is sometimes so obstinately silent, sometimes so easily silenced, and then at other times so loud and emphatic, is in fact the closest contact you have with the mystery; and therefore finally to be trusted, obeyed, feared and desired more than all other things. But still, if you are a different sort of person, you will not come to this conclusion.

  I hope everyone sees how this is related to the astronautical question from which we started. The process I have been sketching may equally well occur, or fail to occur, wherever you happen to be. I don't mean that all religious and all irreligious people have either taken this step or refused to take it. Once religion and its opposite are in the world - and they have both been in it for a very long time - the majority in both camps will be simply conformists. Their belief or disbelief will result from their upbringing and from the prevailing tone of the circles they live in. They will have done no hunting for God and no flying for God on their own. But if no minorities who did these things on their own existed I presume that the conforming majorities would not exist either. (Don't imagine I'm despising these majorities. I am sure the one contains better Christians than I am; the other, nobler atheists than I was.) Space-travel really has nothing to do with the matter. To some, God is discoverable everywhere; to others, nowhere. Those who do not find Him on earth are unlikely to find Him in space. (Hang it all, we're in space already; every year we go a huge circular tour in space.) But send a saint up in a spaceship and he'll find God in space as he found God on earth. Much depends on the seeing eye.

  And this is especially confirmed by my own religion, which is Christianity. When I said a while ago that it was nonsensical to look for God as one item within His own work, the universe, some readers may have wanted to protest. They wanted to say, 'But surely, according to Christianity, that is just what did once happen? Surely the central doctrine is that God became man and walked about among other men in Palestine? If that is not appearing as an item in His own work, what is it?'

  The objection is much to the point. To meet it, I must readjust my old analogy of the play. One might imagine a play in which the dramatist introduced himself as a character into his own play and was pelted off the stage as an impudent impostor by the other characters. It might be rather a good play; if I had any talent for the theatre I'd try my hand at writing it. But since (as far as I know) such a play doesn't exist, we had better change to a narrative work; a story into which the author puts himself as one of the characters.

  We have a real instance of this in Dante's Divine Comedy. Dante is (1) the muse outside the poem who is inventing the whole thing, and (2) a character inside the poem, whom the other characters meet and with whom they hold conversations. Where the analogy breaks down is that everything the poem contains is merely imaginary, in that the characters have no free will. They (the characters) can say to Dante only what Dante (the poet) has decided to put into their mouths. I do not think we humans are related to God in that way. I think God can make things which not only - like a poet's or novelist's characters -seem to have a partially independent life, but really have it. But the analogy furnishes a crude model of the Incarnation in two respects: (1) Dante the poet and Dante the character are in a sense one, but in another sense two. This is a faint and far-off suggestion of what theologians mean by the 'union of the two natures' (divine and human) in Christ. (2) The other people in the poem meet and see and hear Dante; but they have not even the faintest suspicion that he is making the whole world in which they exist and has a life of his own, outside it, independent of it.

  It is the second point which is most relevant. For the Christian story is that Christ was perceived to be God by very few people indeed; perhaps, for a time only by St Peter, who would also, and for the same reason, have found God in space. For Christ said to Peter, 'Flesh and blood have not taught you this.' The methods of science do not discover facts of that order.

  Indeed the expectation of finding God by astronautics would be very like trying to verify or falsify the divinity of Christ by taking specimens of His blood or dissecting Him. And in their own way they did both. But they were no wiser than before. What is required is a certain faculty of recognition.

  If you do not at all know God, of course you will not recognize Him, either in Jesus or in outer space.

  The fact that we have not found God in space does not, then, bother me in the least. Nor am I much concerned about the 'space race' between America and Russia. The more money, time, skill and zeal they both spend on that rivalry, the less, we may hope, they will have to spend on armaments. Great powers might be more usefully, but are seldom less dangerously, employed than in fabricating costly objects and flinging them, as you might say, overboard. Good luck to it! It is an excellent way of letting off steam.

  But there are three ways in which space-travel will bother me if it reaches the stage for which most people are hoping.

  The first is merely sentimental, or perhaps aesthetic. No moonlit night will ever be the same to me again if, as I look up at that pale disc, I must think 'Yes: up there to the left is the Russian area, and over there to the right is the American bit. And up at the top is the place which is now threatening to produce a crisis.' The immemorial Moon - the Moon of the myths, the poets, the lovers - will have been taken from us forever. Part of our mind, a huge mass of our emotional wealth, will have gone. Artemis, Diana, the silver planet belonged in that fashion to all humanity: he who first reaches it steals something from us all.

  Secondly, a more practical issue will arise when, if ever, we discover rational creatures on other planets. I think myself, this is a very remote contingency. The balance of probability is against life on any other planet of the solar system. We shall hardly find it nearer than the stars. And even if we reach the Moon we shall be no nearer to stellar travel than the first man who paddled across a river was to crossing the Pacific.

  This thought is welcome to me because, to be frank, I have no pleasure in looking forward to a meeting between humanity and any alien rational species. I observe how the white man has hitherto treated the black, and how, even among civilized men, the stronger have treated the weaker. If we encounter in the depth of space a race, however innocent and amiable. which is technologically weaker than ourselves, I do not doubt that the same revolting story will be repeated. We shall enslave, deceive, exploit or exterminate; at the very least we shall corrupt it with our vices and infect it with our diseases.

  We are not fit yet to visit other worlds. We have filled our own with massacre, torture, syphilis, famine, dust bowls and with all that is hideous to ear or eye. Must we go on to infect new realms?

  Of course we might find a species stronger than ourselves. In that case we shall have met, if not God, at least God's judgement in space. But once more the detecting apparatus will be inadequate. We shall think it just our bad luck if righteous creatures rightly destroy those who come to reduce them to misery.

  It was in part these reflections that first moved me to make my own small contributions to science fiction. In those days writers in that genre almost automatically represented the inhabitants of other worlds as monsters and the terrestrial invaders as good. Since then the opposite set-up has become fairly common. If I could believe that I had in any degree contributed to this change, I should be a proud man. (Note: The reference is to Lewis's interplanetary novels, Out of the Silent Planet , Perelandra and That Hideous Strength . He was probably the first writer to introduce the idea of having fallen terrestrial invaders discover on other planets -in his own books, Mars (Out of the Silent Planet) and Venus (Perelandra) unfallen rational beings who were in need of redemption and with nothing to learn from us. See also his essay, 'Will We Lose God in Outer Space?' Christian Herald, vol. LXXXI (April, 1958), pp. 19, 74-6.) The same problem, by the way, is beginning to threaten us as regards the dolphins. I don't think it has yet been proved that they are rational. But if they are, we have no more right to enslave them than to enslave our fellow-men. And some of us will continue to say this, but we shall be mocked.

  The third thing is this. Some people are troubled, and others are delighted, at the idea of finding not one, but perhaps innumerable rational species scattered about the universe. In both cases the emotion arises from a belief that such discoveries would be fatal to Christian theology. For it will be said that theology connects the Incarnation of God with the Fall and Redemption of man. And this would seem to attribute to our species and to our little planet a central position in cosmic history which is not credible if rationally inhabited planets are to be had by the million.

  Older readers will, with me, notice the vast change in astronomical speculation which this view involves. When we were boys all astronomers, so far as I know, impressed upon us the antecedent improbabilities of life in any part of the universe whatever. It was not thought unlikely that this earth was the solitary exception to a universal reign of the inorganic. Now Professor Hoyle, and many with him, say that in so vast a universe life must have occurred in times and places without number. The interesting thing is that I have heard both these estimates used as arguments against Christianity.

  Now it seems to me that we must find out more than we can at present know - which is nothing - about hypothetical rational species before we can say what theological corollaries or difficulties their discovery would raise.

  We might, for example, find a race which was, like us, rational but, unlike us, innocent - no wars nor any other wickedness among them; all peace and good fellowship. I don't think any Christian would be puzzled to find that they knew no story of an Incarnation or Redemption, and might even find our story hard to understand or accept if we told it to them. There would have been no Redemption in such a world because it would not have needed redeeming. 'They that are whole need not the physician.' The sheep that has never strayed need not be sought for. We should have much to learn from such people and nothing to teach them. If we were wise, we should fall at their feet. But probably we should be unable to 'take it'. We'd find some reason for exterminating them.

  Again, we might find a race which, like ours, contained both good and bad. And we might find that for them, as for us, something had been done: that at some point in their history some great interference for the better, believed by some of them to be supernatural, had been recorded, and that its effects, though often impeded and perverted, were still alive among them. It need not, as far as I can see, have conformed to the pattern of Incarnation, Passion, Death and Resurrection. God may have other ways - how should I be able to imagine them? - of redeeming a lost world. And Redemption in that alien mode might not be easily recognizable by our missionaries, let alone by our atheists.

  We might meet a species which, like us, needed Redemption but had not been given it. But would this fundamentally be more of a difficulty than any Christian's first meeting with a new tribe of savages? It would be our duty to preach the Gospel to them. For if they are rational, capable both of sin and repentance, they are our brethren, whatever they look like. Would this spreading of the Gospel from earth, through man, imply a preeminence for earth and man? Not in any real sense. If a thing is to begin at all, it must begin at some particular time and place; and any time and place raises the question: 'Why just then and, just there?' One can conceive an extraterrestrial development of Christianity so brilliant that earth's place in the story might sink to that of a prologue.

  Finally, we might find a race which was strictly diabolical - no tiniest spark felt in them from which any goodness could ever be coaxed into the feeblest glow; all of them incurably perverted through and through. What then? We Christians had always been told that there were creatures like that in existence. True, we thought they were all incorporeal spirits. A minor readjustment thus becomes necessary.

  But all this is in the realm of fantastic speculation. We are trying to cross a bridge, not only before we come to it, but even before we know there is a river that needs bridging.


The Clown at Midnight

Well, most kind... 
Parting is such sweet sorrow. 
Captain, have we not heard 
The Chimes at Midnight...?


General Chang
Makes a Fool 
of Captain Kirk 

The Clown at Midnight is Hamlet 
because The Mousetrap is exactly 
in The Middle of The Play.
It's a Play within The Play -
- a False Reality -
- a bad JOKE.

Hamlet is The Clown at Midnight 
because he should KNOW (He DOES know) 
that The Ghost/Hurt up on The Ramparts 
of Arkham/Elsinore is NOT His Father, 
because His Father is DEAD and at Peace --
So His Father would never tell him 
to commit Murder to avenge His Death, 
because His Father would NOT be in HELL 
(as The Ghost claims that it is, because King Hamlet was murdered), 
because he KNOWS that Evil Spirits take on the form, face and voice of Friends and Loved Ones to get The Living to Damn their own souls to Hell, and because he knows that he shouldn't accept what The Spirit tells him to do, just because he WANTS to believe that it is True. 

But he DOES, anyway, even though 
he KNOWS -
- by virtue of Reason -
-that it's a Lie.


Paul Scofield in Hamlet (1990) - Ghost Scene



Monday, 4 April 2022

Thomas Wayne Jr.








Building a Better Batman




THE EVOLUTIONARY APPETITE

What then is the modern view of Joan's voices and visions and messages from God? The nineteenth century said that they were delusions, but that as she was a pretty girl, and had been abominably ill-treated and finally done to death by a superstitious rabble of medieval priests hounded on by a corrupt political bishop, it must be assumed that she was the innocent dupe of these delusions. The twentieth century finds this explanation too vapidly commonplace, and demands something more mystic. I think the twentieth century is right, because an explanation which amounts to Joan being mentally defective instead of, as she obviously was, mentally excessive, will not wash. I cannot believe, nor, if I could, could I expect all my readers to believe, as Joan did, that three ocularly visible well dressed persons, named respectively Saint Catherine, Saint Margaret, and Saint Michael, came down from heaven and gave her certain instructions with which they were charged by God for her. Not that such a belief would be more improbable or fantastic than some modern beliefs which we all swallow; but there are fashions and family habits in belief, and it happens that, my fashion being Victorian and my family habit Protestant, I find myself unable to attach any such objective validity to the form of Joan's visions.

But that there are forces at work which use individuals for purposes far transcending the purpose of keeping these individuals alive and prosperous and respectable and safe and happy in the middle station in life, which is all any good bourgeois can reasonably require, is established by the fact that men will, in the pursuit of knowledge and of social readjustments for which they will not be a penny the better, and are indeed often many pence the worse, face poverty, infamy, exile, imprisonment, dreadful hardship, and death. Even the selfish pursuit of personal power does not nerve men to the efforts and sacrifices which are eagerly made in pursuit of extensions of our power over nature, though these extensions may not touch the personal life of the seeker at any point. There is no more mystery about this appetite for knowledge and power than about the appetite for food: both are known as facts and as facts only, the difference between them being that the appetite for food is necessary to the life of the hungry man and is therefore a personal appetite, whereas the other is an appetite for evolution, and therefore a superpersonal need.

The diverse manners in which our imaginations dramatize the approach of the superpersonal forces is a problem for the psychologist, not for the historian. Only, the historian must understand that visionaries are neither impostors nor lunatics. It is one thing to say that the figure Joan recognized as St Catherine was not really St Catherine, but the dramatization by Joan's imagination of that pressure upon her of the driving force that is behind evolution which I have just called the evolutionary appetite. It is quite another to class her visions with the vision of two moons seen by a drunken person, or with Brocken spectres, echoes and the like. Saint Catherine's instructions were far too cogent for that; and the simplest French peasant who believes in apparitions of celestial personages to favored mortals is nearer to the scientific truth about Joan than the Rationalist and Materialist historians and essayists who feel obliged to set down a girl who saw saints and heard them talking to her as either crazy or mendacious. If Joan was mad, all Christendom was mad too; for people who believe devoutly in the existence of celestial personages are every whit as mad in that sense as the people who think they see them. Luther, when he threw his inkhorn at the devil, was no more mad than any other Augustinian monk: he had a more vivid imagination, and had perhaps eaten and slept less: that was all.

 

THE MERE ICONOGRAPHY DOES NOT MATTER

All the popular religions in the world are made apprehensible by an array of legendary personages, with an Almighty Father, and sometimes a mother and divine child, as the central figures. These are presented to the mind's eye in childhood; and the result is a hallucination which persists strongly throughout life when it has been well impressed. Thus all the thinking of the hallucinated adult about the fountain of inspiration which is continually flowing in the universe, or about the promptings of virtue and the revulsions of shame: in short, about aspiration and conscience, both of which forces are matters of fact more obvious than electro-magnetism, is thinking in terms of the celestial vision. And when in the case of exceptionally imaginative persons, especially those practising certain appropriate austerities, the hallucination extends from the mind's eye to the body's, the visionary sees Krishna or the Buddha or the Blessed Virgin or St Catherine as the case may be.

 — George Bernard Shaw

The Law of Attraction

















Charles Haanel wrote in The Master Key System (1912):
“The law of attraction will certainly and unerringly bring to you the conditions, environment, and experiences in life, corresponding with your habitual, characteristic, predominant mental attitude.”

Ralph Trine wrote in In Tune With The Infinite (1897):
“The Law of Attraction works universally on every plane of action, and we attract whatever we desire or expect. If we desire one thing and expect another, we become like houses divided against themselves, which are quickly brought to desolation. Determine resolutely to expect only what you desire, then you will attract only what you wish for.”

In her 2006 film The Secret, Rhonda Byrne emphasized thinking about what each person wants to obtain, but also to infuse the thought with the maximum possible amount of emotion. She claims the combination of thought and feeling is what attracts the desire.

Red Skies














FAUSTUS. Talk not of me, but save yourselves, and depart.

     THIRD SCHOLAR. God will strengthen me; I will stay with Faustus.

     FIRST SCHOLAR. Tempt not God, sweet friend; but let us into the
     next room, and there pray for him.

     FAUSTUS. Ay, pray for me, pray for me; and what noise soever
     ye hear,171 come not unto me, for nothing can rescue me.

     SECOND SCHOLAR. Pray thou, and we will pray that God may have
     mercy upon thee.

     FAUSTUS. Gentlemen, farewell:  if I live till morning, I'll visit
     you; if not, Faustus is gone to hell.

     ALL. Faustus, farewell.
          [Exeunt SCHOLARS.—The clock strikes eleven.]

     FAUSTUS. Ah, Faustus,
     Now hast thou but one bare hour to live,
     And then thou must be damn'd perpetually!
     Stand still, you ever-moving spheres of heaven,
     That time may cease, and midnight never come;
     Fair Nature's eye, rise, rise again, and make
     Perpetual day; or let this hour be but
     A year, a month, a week, a natural day,
     That Faustus may repent and save his soul!
     O lente,172 lente currite, noctis equi!
     The stars move still, time runs, the clock will strike,
     The devil will come, and Faustus must be damn'd.
     O, I'll leap up to my God!—Who pulls me down?—
     See, see, where Christ's blood streams in the firmament!
     One drop would save my soul, half a drop:  ah, my Christ!—
     Ah, rend not my heart for naming of my Christ!
     Yet will I call on him:  O, spare me, Lucifer!—
     Where is it now? 'tis gone:  and see, where God
     Stretcheth out his arm, and bends his ireful brows!
     Mountains and hills, come, come, and fall on me,
     And hide me from the heavy wrath of God!
     No, no!
     Then will I headlong run into the earth:
     Earth, gape!  O, no, it will not harbour me!
     You stars that reign'd at my nativity,
     Whose influence hath allotted death and hell,
     Now draw up Faustus, like a foggy mist.
     Into the entrails of yon labouring cloud[s],
     That, when you173 vomit forth into the air,
     My limbs may issue from your smoky mouths,
     So that my soul may but ascend to heaven!
          [The clock strikes the half-hour.]
     Ah, half the hour is past! 'twill all be past anon
     O God,
     If thou wilt not have mercy on my soul,
     Yet for Christ's sake, whose blood hath ransom'd me,
     Impose some end to my incessant pain;
     Let Faustus live in hell a thousand years,
     A hundred thousand, and at last be sav'd!
     O, no end is limited to damned souls!
     Why wert thou not a creature wanting soul?
     Or why is this immortal that thou hast?
     Ah, Pythagoras' metempsychosis, were that true,
     This soul should fly from me, and I be chang'd
     Unto some brutish beast!174 all beasts are happy,
     For, when they die,
     Their souls are soon dissolv'd in elements;
     But mine must live still to be plagu'd in hell.
     Curs'd be the parents that engender'd me!
     No, Faustus, curse thyself, curse Lucifer
     That hath depriv'd thee of the joys of heaven.
          [The clock strikes twelve.]
     O, it strikes, it strikes!  Now, body, turn to air,
     Or Lucifer will bear thee quick to hell!
          [Thunder and lightning.]
     O soul, be chang'd into little water-drops,
     And fall into the ocean, ne'er be found!

          Enter DEVILS.

     My God, my god, look not so fierce on me!
     Adders and serpents, let me breathe a while!
     Ugly hell, gape not! come not, Lucifer!
     I'll burn my books!—Ah, Mephistophilis!
          [Exeunt DEVILS with FAUSTUS.]  

          Enter CHORUS.

     CHORUS. Cut is the branch that might have grown full straight,
     And burned is Apollo's laurel-bough,
     That sometime grew within this learned man.
     Faustus is gone:  regard his hellish fall,
     Whose fiendful fortune may exhort the wise,
     Only to wonder at unlawful things,
     Whose deepness doth entice such forward wits
     To practice more than heavenly power permits.
          [Exit.]

     Terminat hora diem; terminat auctor opus.

Individuation and Isomorphism

It's not like it'd be cheating. 
They're both Xander. 


Dr Manhattan erotic sex scene. Laurie breaks up with Jon - Watchmen 2009


ScruffyXANDER
Let go! I have to kill the demon-bot! 

The g*n falls to the floor. 
SuaveXander grabs it. 

SuaveXANDER
Anya ... get out of the way. 

Anya is standing in front of ScruffyXander. 
Buffy and Riley rush in. 

BUFFY:
Xander! Riley closes the door. 

SuaveXANDER
(smiling) 
All right, Buffy. 
I have him. 

ScruffyXANDER
No! Buffy! I'm me! Help me! 

ANYA
My gun! He's got my gun! 
(Pointing to the gun in SuaveXander's hand) 

RILEY
You own a gun

BUFFY
Xander ... gun-holding Xander. 
(Walks quickly over to SuaveXander
Give me the gun. 

Both Xanders stare. 

Finally SuaveXander holds the gun up and gives it a quick twist with one hand so that the bullets fall out onto the floor. 
He flips it shut and hands it to Buffy, who looks impressed. 

ANYA: 
Buffy, which one's real? Buffy hands the g*n to Riley. 

ScruffyXANDER
I am. 

SuaveXANDER
No, I am. 
They try to attack each other but Buffy steps between them. 
She flings ScruffyXander across the room; he lands against the kitchen counter. 

SuaveXANDER
Thank you. 

Buffy grabs him and shoves him over 
next to ScruffyXander. 

SuaveXANDER
Ow! 

Anya, Riley, and Buffy come up to examine the two Xanders side-by-side. 

RILEY
Wild. 

BUFFY
Yeah. Okay, Xander ... Xa ... 
(sighs
You've been split in Two. 
But you're both Xander. 
And you can't kill each other. 

Um, well, you could
but it would be really bad. 

The Xanders look at each other. 

SuaveXANDER
No way.
 
ScruffyXANDER
He can't be me. 
He's all ... fancy

RILEY
We can prove that you're both Xander. 

BUFFY
Yeah! 
(to Riley) How? 

RILEY: 
Um... 

BUFFY: 
Um... 

RILEY
Well, there has to be a way. 

BUFFY
Ooh! What number am I thinking of? 

RILEY
I don't think that's gonna do it. 

XANDERS
(in unison) 
Eleven and a half. 

BUFFY
Wrong. Oh! But see? 

The Xanders frown. 

ScruffyXANDER
No. We're not the same. 
We're all different. 

RILEY
Different properties 
went into each of you, 
but you're both Xander. 

ANYA
Different properties? 

ScruffyXANDER
What different properties? 

BUFFY
Uh, uh, you know, uh, sense of direction. 
Good night vision, stuff like that. 

ScruffyXANDER
Oh, but he has a thingie! 
In his pocket! 
(pointing to SuaveXander's pocket
A shiny disk that stuns and disorients! 

SuaveXANDER
(reaching in pocket, taking out the thing
What disk? 

ScruffyXANDER
Cover your eyes! (covering eyes with hands) 

SuaveXANDER
This? 

ScruffyXANDER
It'll melt your brain! 


Buffy takes the thing from SuaveXander. 
Anya and Riley lean in to see. 

BUFFY
(to ScruffyXander) 
Look. 

SuaveXANDER
(tolerantly
It's a nickel someone flattened 
on the railroad track. 
I found it on the construction site 
and I thought it was cool. 
It's not magic. 

ScruffyXander uncovers his eyes to take the thing from Buffy. 

ScruffyXANDER
No, I ... huh. It is kinda cool. 
(SuaveXander nods tolerantly)
Washington's still there, 
but he's all smushy. 
(looks more closely
And he may be Jefferson. 

ANYA
Okay, isn't anyone gonna tell me 
why there are two Xanders?

BUFFY
I will on the way to Giles'. Let's go. 

They all turn to leave 
just as the door is smashed in. 
ScruffyXander and Anya hide behind SuaveXander, 
grabbing his shoulders. 
Toth strides in. 

BUFFY
Oh great. Rod boy. 

TOTH
I will not miss again, Slayer. 

ScruffyXANDER
(standing behind SuaveXander, 
clutching him around the shoulders
The gun! Pick up the little gun pieces! 

Toth raises his rod. 

Buffy and Riley dive away in opposite directions. 

Toth fires at Buffy and misses, 
tearing a big hole in the floor. 

SuaveXANDER
Hey, I just made a small cleaning deposit! 

Riley jumps on Toth from behind, making him drop the rod. 
He throws Riley off. 
Riley punches him a few times, 
then Toth head-butts him 
and flings him aside. 

Buffy comes up and kicks Toth a few times, 
punches him a few times, then he picks her up and body-slams her. 

She kicks up as he approaches, 
catching him on the chin. 
She gets up, lands a few more 
kicks and punches, 
and Toth goes down. 

BUFFY: 
Sword! 

Riley grabs the sword from 
the bag of weapons and throws it to her. 
She catches it and stabs Toth. 
He screams and dies. 
Buffy stands up, panting. 
Anya and ScruffyXander 
let go of SuaveXander. 
They all cluster around the corpse. 

SuaveXANDER:
Oh, yeah. That cleaning deposit's gone

ScruffyXANDER
(gasps) I was thinking the same thing! 
Hey, do you suppose we're both Xander? 

SuaveXander gives him a big grin. 
Anya stares at them. 

Cut to a shot of the two Xanders side-by-side. Now they're dressed the same, both in yellow T-shirts and identical Hawaiian shirts, 
but ScruffyXander's shirt is all dirty 
whereas SuaveXander's is clean, 
and ScruffyXander's hair is much messier. 

ScruffyXANDER
Look and admire, ladies. 

We see that they're in the magic shop. 
Willow, Buffy and Anya are in a row 
staring at the Xanders, fascinated. 
In the background we see Riley watching, 
and Giles on the floor making markings with chalk. 

BUFFY
(looking closely
Look, there's a scar there, 
(pointing at ScruffyXander's forehead
and there's the same one right there. 
(pointing at SuaveXander's forehead

WILLOW
It's all double
(pointing) 
This zit, and this ... 
kinda funny dippy thing. 
A-and this weird little hair 
that grows in the wrong way 
(pointing to ScruffyXander's nose

ScruffyXANDER
Okay! Back off, ladies. 

RILEY
Psychologically, this is fascinating
Doesn't it make everyone wanna 
lock them in separate rooms 
and do experiments on them? 

Everyone gives him an odd look. 

RILEY
Just me, then. 

ANYA
So ... you Xanders really do have 
all the same memories, all the same ... 
(looking downward
physical attributes?
(Laughs suggestively

SuaveXANDER
We're completely identical. 

ScruffyXANDER
Yeah, we checked out some stuff 
in the car on the way over. 
(Anya frowns in puzzlement
Fingerprints! 

ANYA
(turning to the others
Well, maybe we shouldn't do 
this reintegration thing right away. 
See, I can take the boys home, and ... 
we can all have sex together, and ... 
you know, just slap 'em back 
together in the morning. 

Giles tries not to look appalled. 

Buffy and Riley grin. 

SuaveXANDER
She's joking. 

ScruffyXANDER
No she's not! She entirely wants 
to have sex with us together. 
Which is ... wrong and, 
and it would be very confusing.
 
GILES: 
(getting up from the floor
Uh, uh, we just need to light the candles. 
Also, we should continue to pretend 
we heard none of the disturbing sex talk. 

WILLOW
Check. Candles and pretense. 

Everyone moves around getting stuff ready, except the Xanders. 

ANYA
It's not like it'd be cheating. 
They're both Xander. 

ScruffyXANDER
Now, hold on a sec --
If you weren't putting 
a whammy on people 
with the shiny thing, 
how'd you do it? 

How'd you get the promotion? 

SuaveXANDER
Well, I'm good at that stuff. 

ScruffyXANDER
I am? 

SuaveXANDER
Yeah. 

ScruffyXANDER
And hey, how 'bout that lady, huh? 
The apartment manager. 

SuaveXANDER: 
How weird was it when she called me "mister"? 

The Xanders grin goofily at each other. 

WILLOW
We're ready. We should do it now. 
(The Xanders turn their grins toward her


ANYA
What'll we do if this doesn't work? 

XANDERS: 
(unison
Kill us both, Spock! 

(They look at each other and laugh delightedly.

BUFFY
They're ... kinda the same now. 

GILES
Yes, he's clearly a bad influence on himself. 



ScruffyXANDER: 
Hey, summon The Goddess. 
Chant the chant. Let's do it. 

WILLOW: 
Actually, it's not that hard. 
Your natural state is to be together. 
Toth's spell is doing all the work 
of keeping you apart. 
I just have to break it. 

So you two ... 
(takes them both and positions 
them inside the chalk markings
stand right here. Side by side. 
We don't want you to end up 
with two fronts, now do we? 

ScruffyXANDER
Are you sure you know how to do this? 

WILLOW
(exhales
Here we go. Brace yourselves. 

The two Xanders 
close their eyes 
and prepare. 

WILLOW
Let the spell be ended.

 Closeup of a single Xander, 
still with eyes closed. 

XANDER
You gotta be kidding. 
"Let the spell be ended," 
that's not gonna work. 

He opens his eyes and sees 
there's only one of him. 

XANDER
Oh!


Beyond Superman



“I have to take him back inside myself. 

I can't survive without him. 
I don't want him back. 
He's like an animal
a thoughtless, brutal animal, 
and yet it's Me. Me.

— Kirk/Morrison

I vowed to PRESERVE Life, 
no matter what —
But somewhere inside, 
I hear The Voice of ULTRAMAN
ruthless, pragmatic…

MANDRAAK,” He Says…
Mandraak is The OPPOSITE of Life….

— Morrison/Kirk

“You cannot change 
what you do not accept.”
— C.G. Jung



Ah. 
All I had to do was LET GO.
Let Go of LIMITS, Expectations.... And BE a NEW ADAM.
There. 
...allow Me to Demonstrate Quantum Super-Position as used Defensively.

...a THOUGHT ROBOT activated by the tremendous energies unleashed during the collisions of fundamental OPPOSING QUALITIES.

A New FUSION PROCESS Powered by... "Dualities"?

No. There ARE no Dualities,
Only SYMMETRIES.

What Do YOU Know of Things?
I am The ENDGAME of The Idea That SPAWNED The Likes of You, Ultraman.
I am BEYOND Conflict.

I must RETURN to MY World.
But First, Superman?
Do You DARE Test My Understanding of The NATURE OF REALITY?

Here in Limbo, There is No Material Thing to be destroyed.
Limbo is a Living MEMORY.
That's Why HERE! That's Why US.

"Ultimate Evil is Ultimate Good."
"The Most Despised Will Save The Most Beloved"
...I'm telling Him now.
Germs, Superman.

The Monitors see Us as GERMS. 
"The Most Despised."

Hate Crime.
Meet 
SELFLESS ACT.



I've fused SYMMETRIES.
Enough energie in My Hands to BROADCAST His Pure ESSENCE to a reciever in a HIGHER DIMENSION.
Only SUPERMAN can Save Us Now.

Trans









Young’s contract guaranteed him $1 million per album, as well as total creative control over his output.

From late 1980 to mid-1982, Young spent much of his waking hours carrying out a therapy program for his young son, Ben, who was born with cerebral palsy and unable to speak. Neil disclosed to almost no one at the time that he was doing so, or that the repetitive nature of the songs on both the previous album, Re·ac·tor, and this one related to the exercises he was performing with Ben. Work on Trans began in late 1981 as a continuation of Re·ac·tor, with the usual Crazy Horse lineup. 

But then Young started playing with two new machines he had acquired, a Synclavier and a vocoder. Crazy Horse guitarist Poncho Sampedro recalled, “Next thing we knew, Neil stripped all our music off, overdubbed all this stuff, the vocoder, weird sequencing, and put the synth shit on it.

Young’s direction was influenced by the electronic experiments of the German band Kraftwerk, but more importantly he felt that distorting his voice reflected his attempts to communicate with his son.At that time he was simply trying to find a way to talk, to communicate with other people. That’s what Trans is all about. And that’s why, on that record, you know I’m saying something but you can’t understand what it is. Well, that’s exactly the same feeling I was getting from my son.

Young’s first work for Geffen was a group of songs for an entirely different project, Island in the Sun, recorded in May 1982 in Hawaii. According to Young, it was “a tropical thing all about sailing, ancient civilisations, islands and water.”Young recalled later, “Geffen thought it was okay, but he didn’t think it was good enough.

Instead of recording more new material, Young went back to the synthesizer tracks, actually recorded in the last days of the Reprise contract, and put together an album of songs from the two very different projects, three from Island in the Sun and six of the synthesizer tracks. Young proposed making a video to go with the album that would have clarified what the album was about. “All of the electronic-voice people were working in a hospital, and the one thing they were trying to do is teach this little baby to push a button.

https://en.wikipedia.org/wiki/Trans_%28album%29

Sunday, 3 April 2022

Creation of a Simple Pattern



GAME FIVE: CREATION OF A SIMPLE PATTERN 

In this game, you stop giving away your control to imaginary forces. The previous games train you to look passively for patterns. In this game, you are going to start creating the pattern of the Synchronistic Events yourself. This game has a simple, but wide frame of reference. You are going to look for SEs happening in any and every place you turn your attention. There are no "others" in this game. Just you and the effect you have on the SEs around you. First, choose a pattern that is easily recognisable and has some interest for you. You are going to build a thoughtform based on your chosen pattern. Might I suggest a power animal? No, I'm not suggesting you try to align yourself with an animal spirit the way our ancestors did. You create your "animal" from your own thoughts and emotions just by thinking about it for 20 minutes a day. If you like, look up power animals on the internet. You will find lists of the various qual- ities different cultures have ascribed to animals. Pick one you want to see. There are African, Native American, European, and Eskimo power animals. You are going to build your own pet thoughtform. I have a few basic suggestions. Pick something you are likely to find in your normal event stream. I like to make owls. The symbol is represented in the culture commonly enough, but is not so common that it is commonplace. If you choose a rare animal, there is less chance the pattern will be available to pattern match. Duck-billed platypuses are harder to pattern-match than wolves, horses, or bears. 


Your brain stores memories and thinks in associative patterns. Some things remind you of similar things immediately because they share the same storage areas in the brain. Creating patterns of SE always follows your brain function. Aiming at one pattern often produces closely as sociated SEs, just as one thought often triggers similar ones. If you try to create a pattern of owl SEs, you typically also get series of generalized bird SEs as well. The stronger you make your owl thoughtform, the more specifically "owl' your SEs become. It is possible Jung saw universalised archetypal patterns in SE because we store and process data in such generalized associations. Studying the fish archetype, triggers whole categories in memory of fish-like things. Jung may have been studying the technology of human biological information storage. He may have been the first person systematically exploring genetic neuro- psychology. Our ancestors survived to reproduce because we specialized in flexible thinking. 



 The more mentally flexible you are around your patterns of association, 
the easier it is to create and read SE. 
By the way, the more fun you have doing this, 
the better the results become.