Monday, 4 March 2024

Darkest Peru



Seeing into The Future 
is only The Start. 
Your Mind has 
infinite potential

If you master Your Power,
 you can use The Web to be 
in more than one place 
at the same time. 

You are the only one who
 can change The Future. 
And when you take on 
The Responsibility
Great Power will come.



Paddington | Paddington dreams of Peru | Paddington Movie

Guys. Guys. Guys, we have to go.

Girls, get in! Get in, get in, 
get in! Leave everything! 
Run! Come on, let’s go!

Mattie, let’s go! 
I’m so sorry, Cassie!

God! So much for not needing a babysitter. 
Do you guys think of anybody but yourselves
You’re so impulsive and entitled
And you don’t listen.

We didn’t mean to…

Whatever, don’t even say anything.

God, your futures were almost… 
so different. You’re lucky I saw them.

I’m so sorry.

Yes! You should be so sorry. 
All of you should be sorry.



Maria. Where did they go?

I’m running checks now.

Ezekiel :
I don’t understand how they’re doing this.

I’ve got a match on the woman that’s with them.

Ezekiel :
I’m not interested in her
Focus on finding those girls.

Cassandra WebbDaughter of 
Constance Webb, deceased.

Ezekiel :
Did you say Webb?

Uh, yeah. Do you know her?

Ezekiel :
It’s not possible.



C’mon!

He’s not gonna stop until 
he kills us… is he?

I don’t know what he wants.
I don’t know anything.

But… you can see the future. Can’t you 
stop him with your visions?

I don’t know how to control them.
It’s useless.

I don’t know why
maybe that’s a plus.

Is your hand okay?

It’s fine. First thing in the morning 
I’m taking you all home. 
Your parents can deal with this.

No, they can’t. My mom’s 
in a psych ward.

She didn’t really cope well after my dad left, and so I got sent to live with him and his new family, and I don’t think that they want me there. I wondered if they missed me if… if I ran away.

Hmm. So you did.

My parents aren’t around either. I think they resent how having a kid messed up their lives. I don’t think they’re gonna fly back from China to deal with this, and I really don’t want to find out, so… I’m on my own.

Well, fine then. You guys can just… Go to the police.

No. My dad got deported six months ago. I came home from school when he was gone.

What about your mom?

My mom died when I was five. It’s just me and my dad. Except he never told me he didn’t have his papers, so I’ve just been living by myself in our apartment since then.

You’re on your own?

I don’t need anyone else to look out for me. And I don’t have a curfew either. So I can’t go to the police. Okay? Until I’m 18. I can’t exist. And there’s no way I’m getting deported, too. Or going into the foster system.

Well… The foster system isn’t always that terrible. 
Things didn’t turn out so bad for me.

Right.

Cassie, please help us.

No one survives once enough poison enters their system. You won’t be so lucky next time.



Why are you doing this?

I need to stop them from killing me.

They’re not killers. They’re just teenagers.

In the future, I have done much more. In the future, 
they will destroy me. And everything I’ve built. 
Those girls cannot exist.

How come you get to decide?

Because I’m the one with the powers. If you knew what I know, you’d do the same thing.

Would I? If I knew the price to pay was the lives of three girls.

The only thing I know is that, in the future, they also have powers.

The girls? The girls have the powers in the future?

Did you think you can beat me with your mind? Your mother underestimated me. Mother underestimated me. The power of the spider. Don’t make the same mistake. Tell me where they are. They don’t mean anything to you. You can just walk away.



Rise and shine!

Okay, so this guy’s hands somehow release an acute neurotoxin. 
And it is painful. I was lucky. The longer he holds onto you, 
the more poison gets into your system.

Then what happens?

Then your heart stops. But you can offset cardiac arrest with CPR. So, you interlock your hands like this. You lock your elbows. And then you place the heel of your hand right on the sternum. And then you pump. And you want to go like two inches down. And you want to keep a rhythm like a heartbeat. OK. You ready? Okay, begin compressions. Go. Good.

OK. And when do I stop?

You don’t stop.

If you stop, they die.

If you get tired, then you need somebody to take over.

I’m getting kind of tired.

Okay, Anya, get ready to take over. 
But you have to pick up the 
exact same rhythm. OK? Ready?

Yeah.

And go. Great. Nice, Matty.

Cool.

Julie, you want to take over? Okay. Get ready. 
Okay. One, two, three. Perfect. Nice job, Anya.

I’ve never said this before 
in my entire life, but 
you’re a good teacher.

Well, I’ve been learning some things, too… 
About my mom.

Wait, so you do know this guy?

My mom did, I think. That’s her.

She’s really pretty.

So this is because of you?

All I know is that she was researching spiders. 
In her notebook, there’s some stuff about a local tribe 
in Peru that can do, like, crazy stuff.

What kind of crazy stuff?

Climb like spiders.

So is he one of them?

I need more information.

You’re leaving.

I have to go and figure out what is going on.

How?

You have to go to Peru.

I’ll be gone a week. I don’t want to leave them. 
But he’s out there looking for them, and 
they’re relying on me, and I don’t know 
how else to protect them.

Okay. Look, I’m staying down there for a few weeks over. It’s out of town. He won’t find them there. But Cassie, I can’t pretend to understand what’s going on here. Just be careful, okay?

I’ll be back as soon as I can. Thank you, Ben. You didn’t ask for any of this.

Okay, well neither did you.

You have come back. Looking for answers.

Back?

I promised your mother I would be here.

My mom thought Las Aranyas were a myth.

What do you think?

I think she’s crazy for coming here alone.

She came here hoping to extract healing properties from the spiders. She thought she was being protected.

By Ezekiel Sims?

His motives were selfish. He used your mom to find us. But because he stole the spider, he was cursed. He’s been trying to outrun his destiny ever since.

This is where my mom died?

And where you were born.

I don’t understand why she risked my life to come here.

To see your future clearly, you have to heal the wounds of your past.

That sounds like literally every therapy session I’ve ever avoided.

You have to go back to your beginning and keep going past that. There are powers… You don’t even know you’re capable of. Your thread did not start when you were born. Do you trust me?

I’m not really sure at this point if I have a choice…

You need to just walk away.

Your threat did not start when you were born.

She really is trying her best to keep me from working. Not when I was close, but when I’m not going to let her do that.

Why did you hate me so much?

Thank you.

For the umbrella.

Give it to me.

I found it! I found the spider! Incredible, isn’t it?

Give it to me.

No, please…

Give it to me.

You’re making the wrong decision…

Give it to me!

You could just walk away!

Ah!

I’m sorry. I’m sorry. I’m so sorry. I’m so sorry.

Las Aranyas could not stand by. We tried to save you both. … Her journey will not be easy, but she is strong.

Your test results came back. I’m sorry to tell you that your baby has Myestenia gravis. It’s a genetic neuro-muscular disorder.

But I don’t have a neuro-muscular disorder.

Life expectancy? It varies. Do you need a tissue?

No. No, I need a cure.

I’m afraid there is no cure.

A single target nucleotide intervention. It’s experimental, but there are some promising leads in the Amazon.

That’s why you want that? For me?

I have to advise you against 
traveling in your condition.

I’m sorry. What are you offering besides tissues?

I know this is hard to accept.

No, no. I’m unwilling to accept 
a diagnosis of helplessness. And I’m not 
going to teach my daughter to, either.

You did it. You did it. I never knew I was sick
The spider venom did have healing properties. 
I’m so sorry I spent so long being mad at you.

I always thought my mom 
didn’t care about me.

Sometimes you must sacrifice 
yourself for those you love.

I was there. I was in the room. I was in the room with her. How did you do that?

You did that. Now you’re starting to see what you’re capable of. You came here to learn the truth about your past. You will leave ready to embrace your future.

Seeing into the future is no match for Ezekiel. I need to stop him before he kills those girls. But I can’t do what he can do. I can’t do the leapy, crawly, like… death poison.

You didn’t get the gift of the greater physical strength or the ability to release poison. But seeing into the future is only the start. Your mind has infinite potential. If you master your power, you can use the web to be in more than one place at the same time. You are the only one who can change the future. And when you take on the responsibility, great power will come.

Quick Little Bastard

 

via GIPHY




Sunday, 3 March 2024

So Ugly

“Talma Ros now wears 
a radio headset continuously
all through the night - -”

“I’m wearing The Radio so that 
I can hear The Alarm, because 
The House is so noisy 
all the time.”

So….. when are you sleeping?

“And The Alarm is SO weak
I ALMOST Didn’t hear it —”

She’s talking about the 
Israeli Civil Defence
AIR-RAID SIRENS.

She says they are 
not loud enough 
to protect Her Family.

So she has murdered sleep 
to become a half-robot.

“— and once we HEARD it,
I was standing, ARGUING 
with my husband about 
whether it’s an alarm or not —”

“The Threat of GAS has 
provoked NATIONAL Trauma.

Gas is attatched to Holocaust

It is attached to…. 
Being suffocated.
And not to be able to 
Do anything ABOUT it….

It’s a humiliating 
sort of feeling.

If you fight backif 
you can fight back
you have a weapon…. 

But HOW can you 
fight back with THIS ??

— you CANNOT
it’s all so UGLY.”
Gulf War Saddam Hussein Scud Attack On Israel Tel Aviv | Prince Hassan B...




This is a shortened version of the original report. 
With The Gulf war under way, the population 
of the Israeli City of Tel Aviv endure the fear 
of a chemical attack as Saddam Hussein's 
Scud Missiles land on the city. 

In this report 'This Week' visits Tel Aviv and also 
speaks to Prince Hassan Bin Talal of Jordan 
about the Iraqi Presidents motives 
behind the attacks. 

First shown: 24/01/1991

The Key and The Locks

Buffy & Dawn learn about 
The Origins of Glory & The Key


Xander peeks out the hole made by one arrow.

Shot of the outside. A bunch of knights are setting up, mostly hiding behind the abandoned truck and gas pumps with their bows and arrows. There are a few garbage barrels with fires lit in them.

XANDER: (OS) We got company.

More arrows sh**t through the windows. Xander turns back inside.

XANDER: And they brought A Crusade.

Cut to outside. The knights continue f*ring their arrows. The general rides up on horseback.

Cut to inside. Everyone's crouching down. Buffy runs toward the wall.

BUFFY: Willow!

We see Willow crouching beside the counter, with one hand stretched up to keep pressure on Giles's wound while her other hand is flipping the pages of a magic book. Tara huddles next to her whimpering and covering her head.

WILLOW: I'm working on it!

Buffy and Spike together shove a large coffee machine in front of the door and tip it over on its side.

Cut to outside. The general sits on his horse watching the action.

KNIGHTS: Go! Go! Go! Let's move! Come on, move it!

We see multiple knights attacking the boarded-up windows of the building with various w*apon, trying to break in.

Cut to inside. A knight's axe breaks through the wall right next to Dawn's head. She screams.

The knight continues hacking and then reaches an arm in. Dawn screams again.

DAWN: Buffy!

Buffy runs over to help, but a knight comes through the door beside the counter. He punches Buffy and she falls aside.

Xander and Anya hide behind something (looks like an old heater).

Spike lunges at the knight, punches him, then screams in pain and clutches his head. The knight lifts his w*apon to strike Spike but Buffy intervenes, kicks him and then punches him. He punches her back.

The boards on the windows rattle as more knights pound on them and the glass shatters. Spike covers his head as glass falls on him.

Buffy kicks the knight again and he stumbles back, turns and thrusts his w*apon at her but she blocks it, kicks him, then twists around and flips him over her shoulder. He falls unconscious on the floor.

Xander runs out from his hiding place and grabs the unconscious knight, begins dragging him away.

The other knights continue b*ating on the walls and windows, knocking out the glass with their w*apon.

KNIGHT: It's clear! (?)

Dawn stands up cautiously from behind the counter and is confronted by the bleeding Giles. She looks at his wound in dismay.

The general enters. Buffy turns to look at him. He points his sword.

GREGOR: The key.

Dawn looks frightened.

Buffy picks up the knight's w*apon from the ground and throws it at Gregor, hitting him in the hand, making him drop his sword. He lunges at Buffy and she hits him, making him reel aside into a pillar. He hits it face-first and falls down unconscious.

WILLOW: Enemies, fly and fall.

We see Willow sitting on the floor beside the counter, with her legs crossed holding the book. Her eyes are all black again as they were in "Tough Love."

WILLOW: Circling arms, raise a wall.

She raises her arms and a circle of light emits from them, expanding outward.

Cut to outside. The sphere comes through the walls and all the knights are forced backward, flying through the air. They land several feet away from the building as the bubble holds.

Dante hits the barrier with his sword. It shimmers but he can't get through.

DANTE: (angry growl) They have the general. Clerics!

Two elderly men in long black robes come forward. They walk up to the barrier and hold up their hands to it. One begins to chant while the other turns back to Dante.

CLERIC: Energy barrier. A most powerful one.

DANTE: Can it be breached?

CLERIC: The witch's magic pales to the might of our god. The infidels' wall ... shall tumble before us.

Cut to inside. Willow and Tara get to their feet as Buffy comes to check Giles's wound.

BUFFY: Will? How long will it hold?

WILLOW: (uncertain) Half a day maybe.

Buffy and Dawn watch as Willow goes to the window and peeks out.

sh*t of the view through the window. We can see the two clerics chanting while the knights wait behind them.

WILLOW: Or till Heckle and Jeckle punch a hole through it.

Buffy and Dawn look nervous.

Spike walks forward, looking down at the ground.

SPIKE: So. What's the story with these role-playing rejects?

sh*t of Gregor lying unconscious on the floor.

BUFFY: (OS) Let's find out.

Cut to Gregor tied to a pillar in a rear room of the building. Buffy stands in front of him with her arms folded.

sh*t of Dawn by the door watching.

sh*t of Spike off to the side.

SPIKE: You sure Scarface here can habla the English?

BUFFY: He understands me. (to Gregor) Don't you?

GREGOR: You were warned we would return, Slayer.

BUFFY: Took you long enough. What are you supposed to be, some kind of chief?

GREGOR: (sneers) General.

BUFFY: General. (takes a step forward) In charge of what, getting captured?

GREGOR: You do not frighten me, child. (looks at Dawn) The instrument of chaos must be destroyed.

Buffy steps forward to him and puts her hands firmly on either side of his face.

BUFFY: (angrily) Look at her that way again, and she will be the last thing you ever see.

She lets go and steps back.

GREGOR: As I've been told, you protect the key of the beast.

sh*t of Xander watching.

BUFFY: It's not that simple.

GREGOR: Yes. The key has been transformed, given ... breath, life. Yet, this makes no difference. The key is the link. The link must be severed. (sh*t of Dawn looking scared) Such is the will of god.

BUFFY: (upset) She doesn't remember anything about being this key you're all looking for. The only thing that she remembers is growing up with a mother, and a sister that love her. What kind of god would demand her life for something that she has no control over?

sh*t of Gregor looking unmoved.

BUFFY: We are not your enemy. (sh*t of Spike watching) Tell your men to stand down.

GREGOR: (looks at Dawn) No.

BUFFY: It is not her fault! She's human now! (sh*t of Dawn)

GREGOR: The key is too dangerous ... to be allowed to exist. No matter what form it has been pressed into.

BUFFY: I will not let anyone tell me-

Buffy breaks off as we hear a wailing from the next room and Willow saying "Shh, shh." Xander turns to look through the door.

Buffy, Dawn, Spike, and Xander go into the other room where Anya is watching helplessly as Willow tries to calm Tara.

WILLOW: Shh, shh, shh.

BUFFY: What happened?

ANYA: I-I don't know, she just went nuts.

Tara whimpers frantically and struggles to get free from Willow who is holding her still. Tara finally breaks free.

TARA: Time! Time, time!

She runs over to the boarded-up windows and claws at them. Willow runs after her and tries to pull her away. Tara breaks free and runs to another part of the wall, whimpering in agitation. The others watch helplessly.

Willow grabs Tara around the torso, pinning her arms to her sides as Tara continues whimpering.

WILLOW: Tara! (to Buffy) We have to do something! (sh*t of Dawn and Spike watching with concern) She, she can't stay this way. Buffy!

TARA: Time... time... time...

Cut to the hospital psych ward. All the patients are muttering "Time, time" as well, and struggling against their bonds. One of them is the man who accosted Dawn on the street in "The Real Me."

PATIENTS: Time. Time.

The nurse comes in.

NURSE: No, it's not time for your meds, just lie back-

The guy from "The Real Me" rips free of his restraints and the nurse rushes over to try to force him back into bed.

NURSE: (yelling over her shoulder) Doctor! Doctor McCarthy!

Another patient hits her over the head and she falls down unconscious. The other patients begin to break free and get up out of bed. They all walk off toward the door, muttering "Time" over and over again.

Cut to outside the gas station. Orlando is among the knights in the encampment. He walks forward, staring at the building.

ORLANDO: It's time. It's time.

DANTE: No, no, shh. There's nothing to fear, my brother.

Orlando looks unhappy. Behind Dante we can see the clerics still standing by the barrier chanting.

DANTE: The beast may have taken your mind, but I swear to you, she will never know the taste of your heart.

Dante pulls Orlando sharply toward him. Orlando groans and grabs Dante's shoulders but then slumps to the ground. Dante looks sadly down at him. We see a bloody dagger in his hand.

DANTE: Clerics! (The clerics turn) I want the witch's barrier down. NOW!

The clerics exchange a look, return to their chanting.

Cut to: closeup of Buffy's face.

BUFFY: I'm sorry.

We see she's standing beside Giles, holding his hand with both of hers. Giles is conscious.

GILES: For what?

BUFFY: We should have stayed. If we had, none of this would have happened.

GILES: Don't. (painfully) What you did ... w-was necessary ... what I've always admired.

BUFFY: (small smile) Running away?

GILES: Being able to place ... your heart ... above all else.

He breathes shakily while Buffy watches with concern.

GILES: I'm so proud of you. You've come so far. You're everything a Watcher ... everything I could have hoped for.

Buffy has tears in her eyes. She sniffles.

Giles makes a pained face, closes his eyes. Buffy looks anxiously at their entwined hands, then at Giles's stomach. He continues breathing shallowly, seems to have fallen asleep. Buffy gently removes his hand from hers.

In the background we see Willow standing over a sleeping or resting Tara, stroking her hair.

Buffy turns away from Giles with a resolute expression.

BUFFY: Willow.

Willow looks up at her.

BUFFY: Open a door.

Willow looks uncertainly from Buffy to the wall and back.

Cut to outside. A hole appears in the barrier as Buffy comes out of the building followed by Xander. Dante and a few other knights come forward. They stop at the edge of the barrier and Dante holds up a hand to stop the knights.

DANTE: Speak.

BUFFY
One of my friends was hurt when you attacked us.

DANTE
And ten of my men are dead. Honourable men. 
(draws his sword) Shall we balance the scale?

BUFFY
Will you let someone come and help him or not?

DANTE
Give quarter to an agent of The Beast? 
What madness would move me to such action?

BUFFY
I'm done asking.

Buffy starts forward but Xander intervenes, stopping her, 
as the knights were preparing for Buffy's attack.

XANDER
Whoa, whoa, hey! Uh ... This is War, isn't it? 
And if there's one thing I've learned from Sergeant Rock, 
it is in War ... There are rules.

Dante looks stern.

XANDER
Or at least there should be, if you're as 
honourable as you think you are. 
(Buffy looks to see if Dante is convinced
Plus, we do have your General Forehead-guy.

Dante considers this.

Cut to: 
Willow, Spike, and Buffy standing beside a pay phone in the building. The phone is dark.

WILLOW
Discharge and bring life.

The pay phone sizzles and suddenly lights up. Buffy picks up the receiver, turns and nods to Willow, who looks relieved. Buffy begins to dial.

SPIKE: (to Willow) Handier than a Swiss Kn*fe. Look, the door to my crypt's got this nasty squeak, maybe you could...

Willow rolls her eyes, turns and walks away. Pan to Buffy on the phone.

BUFFY: Hey, uh, i-it's Buffy. I need to ask you a really big favor.

Cut to: exterior sh*t, night. A car drives up to the gas station where the army of knights stands around watching. Ben is at the wheel. He stops the car and looks fearfully out the window at the knights, who all hold w*apon and glare at him. Ben takes a deep breath, picks up his black bag from the seat, and gets out of the car.

Cut to inside. Ben stands next to Giles tending to his wound, wearing surgical gloves. Buffy stands beside him with the others in the background.

BEN: You, uh, forgot to mention the costume party outside.

BUFFY: Sorry. (sh*t of Willow sitting over a sleeping Tara) I-I didn't know who else to call.

BEN: No, it's okay. I mean, yeah, not ... how I pictured seeing you again, but, uh ... I'll take what I can get.

sh*t of Spike looking annoyed, rolling his eyes.

BUFFY: Thank you ... for coming.

BEN: My pleasure.

Ben looks past Buffy. sh*t of Dawn standing a few feet away, with Xander in the background.

Ben continues looking at Dawn.

Blackout.

--------------------------------------------------------------------------------

Act IV

--------------------------------------------------------------------------------

Open on Giles's face, asleep or unconscious. Ben's hands enter the sh*t and put the discarded surgical gloves down next to Giles. Pan down to Giles's stomach. The bloody sweater is pulled up revealing a bandage wrapped around his abdomen.

Cut to a longer sh*t as Ben pulls a blanket up over Giles's stomach and packs away his stethoscope while Buffy stands watching.

BEN: All right, I think I got him stabilized, but there's a lot of damage. We need to get him out of here.

BUFFY: Well, I think the guys with the pointy swords kinda have other ideas.

BEN: Don't they always.

sh*t of Spike in the background making a disgusted face, mimicking Ben silently, then turning away.

BUFFY: Look, I know this must seem extra "Outer Limits" to you.

BEN: This? Naah. I've seen things you wouldn't believe.

sh*t of Dawn watching with Xander in the background.

BEN: (OS) You know, emergency room, full moon on a Saturday night.

Xander goes into the other room and pulls the door shut behind him.

Cut back to Buffy and Ben.

BUFFY: Look, if this gets too weird, just tell me. I'll understand.

BEN: Don't worry about me. I won't leave until I've worn out my welcome.

He smiles. Buffy smiles back, then looks with concern at Giles.

sh*t of Giles breathing shallowly and unevenly. Pan down to his blanket-covered stomach.

sh*t of Giles's hand lying beside his body. Buffy's hand enters the sh*t and takes hold of Giles's.

Cut to Spike's bloody, bandaged hands as he tries to light a cigarette. He fumbles with the lighter.

We see that we're in the back room. It's dark. Xander stands watching the tied-up general as the sound of Spike trying to light his lighter continues.

SPIKE: (whispering) Ow.

Spike shakes his hand in pain and annoyance.

Xander walks over. Spike gives him a wary look. Xander takes the lighter. Spike sighs.

SPIKE: Thanks.

Xander flicks the lighter on and holds it up to Spike's cigarette, lighting it. Then Xander closes the lighter, puts it in his pocket as Spike takes a drag.

XANDER: You know, those things'll k*ll you.

Spike gives him a look.

XANDER: Oh. Right.

They stand side by side, leaning against the wall, as Spike smokes.

XANDER: I mention today how much I don't like you?

SPIKE: (nods) You mighta let it slip in ... (looks at Xander) once or twice.

Xander smiles slightly, looks down at Spike's hands.

XANDER: How're your feelers?

SPIKE: (sighs, looks around) Nothing compared to the little bits we're gonna get chopped into when the Renaissance Faire kicks the door in. (points to the door; they both look over at it) And here we bloody sit.

XANDER: It's not like we got much of a choice.

SPIKE: (gestures impatiently) Could make a break for it! Use General Armor-All as a shield (sh*t of the general) get to the doc's car, and-

XANDER: Great plan. And while all the hacking and slashing's going on, what are you gonna be doing, huh? Throwing migraines at 'em?

SPIKE: Look, we stay here, we all die! At least this way, some of us might get-

BUFFY: (OS) No.

The guys turn to see Buffy standing in the doorway.

BUFFY: We're all gonna make it. I'm not losing anyone.

Spike sighs and shakes his head but says nothing.

BUFFY: Check the supplies. See if anyone's hungry.

Xander looks at Spike, then they both walk out. Focus on Buffy as they walk past her. She stares at the floor looking pensive.

Gregor chuckles and Buffy closes her eyes briefly, then looks angrily at him.

GREGOR: Dissention in the ranks. Seldom a harbinger of glad tidings.

Buffy scowls, walks over to him and backhands him across the face.

BUFFY: Shut up.

Gregor turns his head and spits blood. Buffy turns her back to him.

GREGOR: Poor frightened girl. (she turns back) You've no idea what you've gotten yourself into.

BUFFY: (crosses arms over her chest) Why don't you tell me?

GREGOR: Would it make a difference?

Pause.

GREGOR: What do you know of the beast?

BUFFY: Strong. Fast. Hellgod.

GREGOR: From a dimension of unspeakable torment.

BUFFY: A demon dimension. I know. She ruled with two other hellgods, right?

GREGOR: Along with the beast they were a triumvirate of suffering and despair. Ruling with equal vengeance. But the beast's power grew beyond even what they could conceive. As did her lust for pain and misery. They looked upon her, what she had become ... and trembled.

BUFFY: (nervously) A god afraid?

GREGOR: Such was her power. They feared she would attempt to seize their dimension for herself, and decided to strike first. A great battle erupted. In the end, they stood victorious over the beast ... barely. She was cast out. Banished to this lower plane of existence, forced to live and eventually die trapped within the body of a mortal ... a newborn male, created as her prison. That is the beast's ... only weakness.

BUFFY: k*ll the man ... and the god dies.

GREGOR: Unfortunately, the identity of the human vessel has never been discovered.

BUFFY: (puzzled) I don't understand. Now, I've seen Glory. Not a whole lot going on in the hairy chest department.

GREGOR: You have seen a glimpse of the true beast. Her power was too great to be completely contained. She's found a way to escape her mortal prison ... for brief periods, before her energies are exhausted and she's forced back ... into her living cell of meat and bone.

DAWN: (OS) What about me?

Buffy turns to see Dawn standing in the doorway.

DAWN: What about the key?

BUFFY: Dawn.

DAWN: I want to know.

GREGOR: The key ... is almost as old as the beast itself. Where it came from, how it was created ... the deepest of mysteries. All that is certain is that its power is absolute. Countless generations of my people have sacrificed their lives in search of it, to destroy it before its wrath could be unleashed.

DAWN: But the monks found it first.

GREGOR: Yes, and hid it with their magicks.

BUFFY: Why didn't they just destroy it? If the key is as dangerous as-

GREGOR: Because they were fools. They thought they could harness its power for the forces of light. They failed, and paid with their blood.

DAWN: What do I do? What was I created for?

GREGOR: You were created ... to open the gates that separate dimensions. The beast will use your power ... to return home and seize control of the hell she was banished from.

Buffy laughs. The general looks at her in surprise.

BUFFY: That's it? That's Glory's master plan ... to go home?

GREGOR: You misunderstand. Once the key is activated, it won't just open the gates to the beast's dimension. It's going to open all the gates. The walls separating realities will crumble. (sh*t of Buffy no longer smiling. sh*t of Dawn) Dimensions will bleed into each other. Order will be overthrown and the universe will tumble into chaos ... all dark ... forever.

Buffy looks dismayed.

GREGOR: (staring at Dawn) That ... is what you were created for.

Dawn stares at him, then looks down.

Cut to: Buffy emerging from the back room into another room.

BUFFY: Dawn.

We see Dawn sitting on a table nearby. She has her back to Buffy.

DAWN: (not turning) You think it's true ... what he said?

Buffy walks forward with a sigh, sits next to Dawn. They look at each other.

BUFFY: I don't know.

DAWN: Destroyer of the universe. (pause) I guess cutting school doesn't seem so bad now, huh?

BUFFY: It's not you. You know that.

DAWN: But it's in me ... isn't it? It's inside me.

They look at each other for a moment, then Dawn looks away.

DAWN: What are we gonna do?

Buffy frowns slightly, then puts her arms around Dawn's shoulders and pulls Dawn close, resting Dawn's head on her cheek.

BUFFY: I won't let anything happen to you. I promise.

They sit there quietly. Buffy sighs.