Sunday, 16 October 2022

Sigma

 
What about This One?

no. You’ve not Turned.
Faithful to The Last. Go.
Join Your People
while you still can.



HALPEN: 
Mister Kess, what's the situation?

[Detention area]
KESS: 
We've contained it, sir. Fenced them in. 
But the red eye seems to be permanent this time. 
It's not fading. Worse than that, sir, 
there's more of them going rabid. 
In my opinion, sir, I think we've lost them. 
The entire batch contaminated.

[Office]
HALPEN: What's causing it? Why now? What's changed?
(Halpen strokes his head, and some hair comes away in his fingers.)
HALPEN: 
How many Ood in total?
[Detention area]
KESS: I'd say about two thousand, sir.
HALPEN [OC]: 
We can write them off. 
That's what insurance is for.
[Office]
HALPEN: 
Drink. We've plenty more 
on the breeding farms. 
Let's start again. Fetch the canisters.

[Detention area]
HALPEN [OC]: 
No survivors.
KESS: 
My pleasure, sir. 
You lot. Canisters.

[Factory complex]
DOCTOR: 
This way.

(They arrive at a door.)
DOCTOR: Oh, can you hear it? I didn't need the map. I should have listened.
[Ood Conversion]
(The Doctor sonics the door lock.)
DONNA: Hold on. Does that mean we're locked in?
DOCTOR: Listen. Listen, listen, listen, listen.
(The ethereal music.)
DOCTOR: Oh, my head.
DONNA: What is it?
DOCTOR: Can't you hear it? The singing?
(Groups of Ood are sitting in cages. They turn away from the Doctor and Donna.)
DONNA: They look different to the others.
DOCTOR: That's because they're natural born Ood, unprocessed, before they're adapted to slavery. Unspoilt. That's their song.
DONNA: I can't hear it.
DOCTOR: Do you want to?
DONNA: Yeah.
DOCTOR: It's the song of captivity.
DONNA: Let me hear it.
DOCTOR: Face me.
(The Doctor makes a mind meld with Donna.)
DOCTOR: Open your mind. That's it. Hear it, Donna. Hear the music.
(The song is sad and beautiful. Donna cries.)
DONNA: Take it away.
DOCTOR: Sure?
DONNA: I can't bear it.
(The Doctor disconnects her from the telepathic field.)
DONNA: I'm sorry.
DOCTOR: It's okay.
DONNA: But you can still hear it.
DOCTOR: All the time.
[Outside Ood Conversion]
HALPEN: Come on. What's the hold up?
RYDER: It's the experimentation lab. Maximum security. He's fused the system.
HALPEN: Don't just stand there, get the bolt cutters. Rip that door off. Solana, go back to the reps, I don't want any of them wandering off and seeing this. And get them away from the Ood, just in case. Hurry up!
SOLANA: Yes, sir.
[Ood Conversion]
(The Doctor sonics open the cage.)
DONNA: They're breaking in.
DOCTOR: Ah, let them.
(The Ood cower in the corner.)
DOCTOR: What are you holding? Show me. Friend. Doctor, Donna. Friend. Let me see. Look at me. Let me see. That's it. That's it, go on. Go on.
(The Ood opens his hands. He is holding a small brain.)
DONNA: Is that?
DOCTOR: It's a brain. A hind brain. 
The Ood are born with a secondary brain. 
Like the amygdala in humans, 
it processes memory and emotions
You get rid of that, you wouldn't 
be ‘Donna’ any more. 
You'd be like an Ood. 
A processed Ood.
DONNA: 
So The Company cuts off their brains?
DOCTOR: 
And they stitch on The Translator.
DONNA: 
Like a lobotomy. I spent all that time 
looking for you, Doctor, because I thought 
it was so wonderful out here. 
I want to go home.
(Crash!)
GUARD [OC]: They're with the Ood, sir.
(The Doctor locks himself and Donna in with the Ood.)

DOCTOR: 
What you going to do, then? Arrest me? 
Lock me up? Throw me in a cage? 
Well, you're too late. Ha!
[Office]
(The Doctor and Donna are handcuffed to some pipes.)
HALPEN: 
Why don't you just come out 
and say it? FOTO activists.
DOCTOR: 
If that's what Friends Of The Ood are trying to prove, then yes.

HALPEN: The Ood were nothing without us, just animals roaming around on the ice.
DOCTOR: 
That's because you can't HEAR Them.
HALPEN: They welcomed it. It's not as if they put up a fight.
DONNA: You idiot. They're born with their brains in their hands. Don't you see, that makes them peaceful. They've got to be, because a creature like that would have to trust anyone it meets.
DOCTOR: Oh, nice one.
DONNA: Thank you.
HALPEN: The system's worked for two hundred years. All we've got is a rogue batch. But the infection is about to be sterilised. Mister Kess. How do we stand?
[Detention area]
KESS: Canisters primed, sir. As soon as the core heats up, the gas is released. Give it two hundred marks and counting.
[Office]
DOCTOR: You're going to gas them?.
HALPEN: Kill the livestock. The classic foot and mouth solution from the olden days. Still works.
(In different places, Ood both unconverted and red eyed form circles and sing.)
[Presentation area]
SOLANA: I'm sorry. If I could ask you one more time, could all the reps please come through to the Education Suites.
REP: Why move now? It's a free bar.
SOLANA: Could I ask all the Ood to withdraw. It's feeding time.
The Oods put their hands to their heads.)
REP: Ah, you've upset them. Leave them alone.
SOLANA: I have to insist. If all the Ood could please leave.
The Ood's eyes have turned red.)
SOLANA: Ladies and gentlemen, change of plan. If you could leave by the fire exits.
REP: I could sell this. You could offer different colours.
(An Ood kills him. Panic ensues and more people die.)
MAN: Get out of here! Get out of here!
(Solana runs outside.)
[Factory complex]
GUARD: They've gone insane, Miss. They've gone mad, all of them.
SOLANA: Just shoot them. Shoot to kill!
(Solana runs away as the guards open fire, and is killed by a lone Ood.)
[Office]
(An alarm sounds.)
HALPEN: What the hell?
[Detention area]
(The countdown passes 51.)
KESS: What's going on out there?
(More Ood enter.)
[Factory complex]
TANNOY: Emergency status. Emergency status. All exits sealed. All Ood declared hostile. Ood distribution centre now
(KaBOOM! goes something very combustible.)
RYDER: It's a revolution.
(Sigma follows Halpen as he goes back inside.)
[Detention area]
(The Ood have freed their comrades and locked Kess in a cage. The countdown reaches 1.)
KESS: Come back. Let me out of here.
(The gas is set off.)
[Office]
HALPEN: Change of plan.
RYDER: There are no reports of trouble off-world, sir. It's still contained to the Ood Sphere.
HALPEN: Then we've got a public duty to stop it before it spreads.
DOCTOR: What's happening?
HALPEN: Everything you wanted, Doctor. No doubt there'll be a full police investigation once this place has been sterilised, so I can't risk a bullet to the head. I'll leave you to the mercies of the Ood.
DOCTOR: But Mister Halpen, there's something else, isn't there? Something we haven't seen.
DONNA: What do you mean?
DOCTOR: A creature couldn't survive with a separate forebrain and hind brain, they'd be at war with themselves. There's got to be something else, a third element, am I right?
HALPEN: And again, so clever.
DOCTOR: But it's got to be connected to the red eye. What is it?
HALPEN: It won't exist for very much longer. Enjoy your Ood.
(The Doctor and Donna are left alone.)
DOCTOR: Come on.
[Factory complex]
HALPEN: Doctor Ryder. Warehouse Fifteen.
RYDER: Well, what about this one?
HALPEN: No. You've not turned. Faithful to the last. Go. Join your people, while you still can.
(Halpen and Sigma bow to each other, 
then Sigma leaves.)
HALPEN: Come on.
[Office]
DONNA: Well, do something. You're the one with all the tricks. You must have met Houdini.
DOCTOR: These are really good handcuffs.
DONNA: Oh well, I'm glad of that. I mean, at least we've got quality.
(Three Ood enter.)
DOCTOR: Doctor, Donna, friends.
DONNA: The circle must be broken.
DOCTOR: Doctor, Donna, friends.
DONNA: The circle must be broken.
DOCTOR: Doctor, Donna, friends.
DONNA: The circle must be broken.
DOCTOR: Friends, friends, friends.
DONNA: The circle must be broken.
(They continue to repeat themselves while the unconverted Ood connect with the others and share their knowledge of the Doctor and Donna.)
OOD: Doctor. Donna. Friends.
DOCTOR + DONNA: Yes. That's us. Friends. Oh, yes.
[Factory complex]
(An Ood attacks Halpen and Ryder's escort.)
HALPEN: No, leave him.
(Elsewhere -)
DOCTOR: I don't know where it is. I don't know where they've gone.
DONNA: What are we looking for?
DOCTOR: It might be underground, like some sort of cave, or a cavern, or
(Halpen unlocks a door).
COMPUTER: Warehouse Fifteen door open.
(The Doctor and Donna are knocked down by an explosion.)
DOCTOR: All right?
(As the smoke clears, Sigma is standing behind them.)
[Warehouse 15]
HALPEN: It's always been an option. My grandfather drew up this plan. That's the advantage of a family run business, Doctor Ryder. The personal touch.
RYDER: But we should evacuate. If we can get to the rocket sheds, we can
HALPEN: No need. We've got this. Detonation packs. Place them around the circumference. We're going to blow it up. This thing dies, so do the Ood.
(They place the devices on the catwalk around the mysterious something we haven't seen yet. Meanwhile, the Doctor sonics the door controls and they get in. He looks down on -)
DOCTOR: The Ood Brain. Now it all makes sense, That's the missing link. The third element, binding them together. Forebrain, hind brain, and this, the telepathic centre. It's a shared mind, connecting all the Ood in song.
HALPEN: Cargo. I can always go into cargo. I've got the rockets, I've got the sheds. Smaller business. Much more manageable, without livestock.
RYDER: He's mined the area.
DONNA: You're going to kill it?
HALPEN: They found that thing centuries ago beneath the Northern Glacier.
DOCTOR: Those pylons.
DONNA: In a circle. The circle must be broken.
DOCTOR: Damping the telepathic field. Stopping the Ood from connecting for two hundred years.
HALPEN: And you, Ood Sigma, you brought them here. I expected better.
SIGMA: My place is at your side, sir.
HALPEN: Still subservient. Good Ood.
DONNA: If that barrier thing's in place, how come the Ood started breaking out?
DOCTOR: Maybe it's taken centuries to adapt. The subconscious reaching out?
RYDER: But the process was too slow. It had to be accelerated. You should never give me access to the controls, Mister Halpen. I lowered the barrier to its minimum. Friends Of The Ood, sir. It's taken me ten years to infiltrate the company, and I succeeded.
HALPEN: Yes. Yes, you did.
(Halpen throws Ryder over the catwalk railing and onto the giant brain, which absorbs him.)
DONNA: You murdered him.
HALPEN: Very observant, Ginger. Now, then. Can't say I've ever shot anyone before. Can't say I'm going to like it. But er, it's not exactly a normal day, is it? Still.
SIGMA: Would you like a drink, sir?
HALPEN: I think hair loss is the least of my problems right now, thanks.
(Sigma stands in front of the Doctor.)
SIGMA: Please have a drink, sir.
HALPEN: If, if you're going to stand in their way, I'll shoot you too.
SIGMA: Please have a drink, sir.
HALPEN: Have, have you poisoned me?
SIGMA: Natural Ood must never kill, sir.
DOCTOR: What is that stuff?
SIGMA: Ood graft suspended in a biological compound, sir.
HALPEN: What the hell does that mean?
DOCTOR: Oh, dear.
HALPEN: Tell me!
DOCTOR: Funny thing, the subconscious. Takes all sorts of shapes. Came out in the red eye as revenge, came out in the rabid Ood as anger, and then there was patience. All that intelligence and mercy, focused on Ood Sigma. How's the hair loss, Mister Halpen?
(More hair comes away in Halpen's hand.)
HALPEN: What have you done?
DOCTOR: Oh, they've been preparing you for a very long time. And now you're standing next to the Ood Brain, Mister Halpen, can you hear it? Listen.
HALPEN: What have you? I'm not.
(Halpen's face goes blank. He drops his gun, reaches for his head and peels the skin off. Then tentacles come out of his mouth.)
DONNA: They, they turned him into an Ood?
DOCTOR: Yep.
DONNA: He's an Ood.
DOCTOR: I noticed.
(Halpen sneezes and a small hind brain flops into his hands.)
SIGMA: He has become Oodkind, and we will take care of him.
DONNA: It's weird, being with you. I can't tell what's right and what's wrong any more.
DOCTOR: It's better that way. People who know for certain tend to be like Mister Halpen.
(Beep beep.)
DOCTOR: Oh!
(The Doctor deactivates the explosives.)
DOCTOR: That's better. And now, Sigma, would you allow me the honour?
SIGMA: It is yours, Doctor.
DOCTOR: Oh, yes! Stifled for two hundred years, but not any more. The circle is broken. The Ood can sing.
(The current around the Brain is shut off and the song starts up, slow but happy.)
DONNA: I can hear it!
(The fighting stops. The Ood raise their palms to the sky and join in.)
[Planet surface]
DOCTOR: The message has gone out. That song resonated across the galaxies. Everyone heard it. Everyone knows. The rockets are bringing them back. The Ood are coming home.
SIGMA: We thank you, Doctor Donna, friends of Oodkind. And what of you now? Will you stay? There is room in the song for you.
DOCTOR: Oh, I've, I've sort of got a song of my own, thanks.
SIGMA: I think your song must end soon.
DOCTOR: Meaning?
SIGMA: Every song must end.
DOCTOR: Yeah. Er, what about you? You still want to go home?
DONNA: No. Definitely not.
DOCTOR: Then we'll be off.
SIGMA: Take this song with you.
DONNA: We will.
DOCTOR: Always.
SIGMA: And know this, Doctor Donna. You will never be forgotten. Our children will sing of the Doctor Donna, and our children's children, and the wind and the ice and the snow will carry your names forever.
(The Doctor and Donna go into the Tardis, and it dematerialises.)

Saturday, 15 October 2022

The Celestial Toyroom











celestial (adj.)

late 14c., "pertaining to the sky or the visible heavens; pertaining to the Christian or pagan heaven," from Old French celestial "celestial, heavenly, sky-blue," from Latin caelestis "heavenly, pertaining to the sky," from caelum "heaven, sky; abode of the gods; climate," which is of uncertain origin; perhaps from PIE *kaid-slo-, perhaps from a root also found in Germanic and Baltic meaning "bright, clear" (compare Lithuanian skaidrus "shining, clear;" Old English hador, German heiter "clear, shining, cloudless," Old Norse heið "clear sky").

The Latin word is the source of the usual word for "sky" in most of the Romance languages, such as French ciel, Spanish cielo, Italian cielo, Portuguese céu. Transferred sense of "heavenly, very delightful" in English is from early 15c. Celestial Empire "China" is from 1808, translating native names.

ceiling (n.)

mid-14c., celynge, "act of paneling a room," noun formed (with -ing) from Middle English verb ceil "put a cover or ceiling over," later "cover (walls) with wainscoting, panels, etc." (early 15c.); from Old French celer "to conceal," also "cover with paneling" (12c.), from Latin celare "to hide" (from PIE root *kel- (1) "to cover, conceal, save"). Probably influenced by Latin caelum "heaven, sky" (see celestial).

Extended to the paneling itself from late 14c., then to lath-and-plaster work.  The meaning "interior overhead surface of a room" is attested by 1530s; by late 19c. the meaning "wainscoting" was only in provincial English. Figurative sense "upper limit" is from 1934. Colloquial figurative phrase hit the ceiling "lose one's temper, get explosively angry" attested by 1908; earlier it meant "to fail" (by 1900, originally U.S. college slang). Glass ceiling in the figurative sense of "invisible barrier that prevents women from advancing" in management, etc., is attested from 1988.

Celeste 
fem. proper name, from French céleste (11c.) "sky, heaven," from Latin caelestis "heavenly" (see celestial).

cerulean
Selina

celestial (adj.)
of or relating to the sky;
celestial map
Synonyms: heavenly

celestial (adj.)
relating to or inhabiting a divine heaven;
celestial beings
Synonyms: heavenly

celestial (adj.)
of heaven or the spirit;
celestial peace
Synonyms: ethereal / supernal

Q is God.





Typical, so typical. 
Savage life forms
never follow even
their own rules. 


Shatner :
Did you realise that, The Next Generation
it was possible to characterise it 
as Gene Roddenberry's
Dream of Heaven

Branon Braga :
I would never have thought
that at the time
but now that we're talking, with
his conception of The Future and 
Human Beings in The Future,
and, Q —  Q is God.

I mean, just look at the character, look at everything about the character. 

Shatner :
Gene was a well-known atheist,
but he invents Q

Q. :
Typical, so typical. 
Savage life forms
never follow even
their own rules. 


Branon Braga :
As I sit here, it's pretty startling :
God's a Character — a literalised
character on Star Trek : 
The Next Generation.

Shatner :
….by An Atheist.

Branon Braga :
By an atheist. 
Very interesting

Normalised





"...but if these [official] photos and X-Ray's of President Kennedy are not authentic, then you have something of a magnitude beyond common experience that would reflect so devistatingly on our society as a whole and it's corruptibility, that you don't know how to deal with it."




"Normalisation is a cynical expression 
borrowed from Soviet propaganda. 
When the Soviet tanks moved into Checkoslovakia 
in 1968, Comrade Brejnev said, 
'Now the situation in brotherly 
Checkoslovakia is normalised.'



HYPERNORMALISATION

4. NORMALIZATION: THE FOURTH AND LAST STAGE 



Any normal nation would definitely resist such a 'progressive change' as I have just described. 

And according to the 'classics of Marxism-Leninism' there will arise pockets of resistance, shortly after the takeover consisting of the 'enemy classes and counter-revolutionaries' who will physically resist the new system. Some Americans may take to arms and flee to the mountains (as in Afghanistan). 

Reforms (or DESTRUCTION to be more accurate) of the security agencies, (police and military) by the new government may lead to a situation of 'split loyalties' among law enforcement officers and render the majority of the population defenseless. 

At this point, to avoid 'the bloodshed', the subverter moves to NORMALIZATION, a term borrowed from the Soviet propaganda of 1968 — from the time of the Soviet 'fraternal' invasion of Czechoslovakia. Comrade Brezhnev called that 'NORMALIZATION'. 

And he was right : the vanquished country was brought BY FORCE into the NORMAL state of SOCIALISM : namely, subjugation



This is when my dear friends, you will start seeing 'friendly' Soviet soldiers in the streets of our cities working together with American soldiers and the 'new' police force to 'restore law and order'. 

Very soon your yesterday's American socialist radicals and 'do-gooders who were working so hard to bring 'progress' to their own country will find themselves IN PRISONS and hastily-built concentration camps. 

Many of them will be EXECUTED, quietly or publicly. Why? Simple : the Soviet 'liberators' will have no further use for the 'disturbers'. 

The 'useful idiots' will have completed their work. 

From then on the New Order will need STABILITY and NEW MORALITY. No more 'grass roots' movements. No more criticism of The State. The Press will obediently censor itself. In fact, this censorship is already existing NOW, imposed by the so-called U.S.'liberals 'and socialist do-gooders. 



You will now have the opportunity to 'enjoy' exactly the same life as the Vietnamese, Cambodians, Angolans and Nicaraguans, betrayed by you enjoy NOW. This state of social 'NORMALIZATION' may last forever, that is — your life-time and life-times of you children and grandchildren . . . 


The Russian General



You Hurt Him! See, He’s NOT a Machine, 
He’s a MAN — Be MORE Man Than He Is!





“I’m inclined to suspect that Jung was influenced by Joyce, because Jung certainly had the highest regard for “Ulysses”. 

He recommended it as a new Bible for the white race on the grounds that The Bible has warped the development of Western Humanity in certain egotistic directions, and Jung thought the development of the True Self - The Higher Self - required a dose of Oriental thinking and feeling - he said Joyce had brought that into Western literature with “Ulysses”.  

When Finnegan’s Wake started to appear, Jung wrote a comment on it in which he said that This is either Mental Illness, or a degree of Mental Health inconceivable to most people’, and I think Jung finally decided it was a degree of Mental Health inconceivable to most people, because a lot of Jung develops right out of FW, just like a lot of Joseph Campbell did.  

The synchronistic element includes many seeming cases of precognition.  I’m going to do a whole book about this eventually, just to annoy The Committee for the Scientific Investigation of Claims of the Paranormal, but Joyce has much better credentials as a prophet than Nostradamus does.  

So many things in FW seem to refer to events after 1939, when FW was published.  For instance, the middle chapter of the book, The Story of How Buckley shot The Russian General.

Buckley was a friend of Joyce’s Father who served in The Crimean War, which for Joyce was a symbol of all wars, because it had the word ‘crime’ in it, and Buckley saw A Russian General in The Field, and was going to shoot him, because The Primary Military Rule is ‘Always shoot the highest ranking officer of The Enemy Army’.  

As Buckley was about to shoot, The General took down his pants and sat down to take a crap in The Field, and Buckley, telling The Sory in Dublin pubs as he was (inaudible) to in old age, said ‘It made him look so Human, I couldn’t shoot.’.  

And then The General finished and pulled his pants up again, and he was An Enemy Officer again, and Buckley shot the poor bastard down in his tracks.  

And somehow, to Joyce, this is the symbol of The Fight or The Predicament or The Comedy of Humanity, that The General is Human with his pants down and his ass sticking out, and he’s Not Human with The Uniform on.  

And in telling The Story of How Buckley shot The Russian General, Joyce incorporates all the battles of human history.   

You can find every battle in every history book, The Charge of The Light Brigade, and Bryan Boru fighting The Danes at Clontarf in 1014, the Peloponnesian Wars; there have been long commentaries on all the military histories that Joyce put into that one chapter, together with all the anal jokes of which the English language is capable.  

Joyce seems to have shared Freud’s view that war is anal sadism, and mixed in with this is a running theme about the atoms and if’s, which goes back to the first sentence of the book, “Riverrun past Adam and Eve’s”.  

Eve And Adam are the male and female archetypes that dominate the book, and become all the different male and female combinations.  

And they’re like the Yin and the Yang in the I Ching, they’re also A River and A Mountain as well as a woman and a man, and they seem to be complementary cosmic principles.  

And the ‘atoms and the if’s’ is a pun on the ‘Adam’s and the Eve’s’, the basic Yin and Yang duality, but it also refers to The Uncertainty Principle in atomic physics, atoms and if’s, everything is uncertain on the quantum level, and Joyce has all these quantum puns running through the chapter, not only atom’s and if’s, but ‘blown to atoms’, which takes you back to The Garden of Eden again, and there are “sullied bodies all atom’d”, and then there’s a reference to nokie-soakie”, followed closely by  a reference to “lipinese long-wage” which is the 'Nipponese language', which is followed by “Sayonara Poke-hole son” which is Nipponese language for  “Farewell Honorable Pookah”, the pookah being a six-foot tall white rabbit who resides in County Kerry and is well-known in Irish folklore.  

But “Sayonara poke-hole son” is also a well known in Norwegian yiddish for “Look at the hunchbacked fool”, and there’s a theme about The Hunchbacked Sailor cheating The Tailor all through that chapter, and The Sailor and The Tailor are like The Two Twins changing places, The Sailor is The Tailor and The Tailor is The Sailor, it’s just an S-T transformation, which is part of Einstein’s Theory of Relativity, the S-T transformations in the Space-Time equations, then there’s The Charge of The Light Barricade, which refers to The Two-Hole Experiment in Quantum Mechanics where Light is both Particles and Waves, and that’s followed by a geranium curtain, which sounds like the flower the geranium but Joyce spells it with a ‘u’ so you’ve got Uranium in there, that’s The Trigger of The Atom Bomb, and it runs all through the chapter, you can find this theme of the atom bombing of Nagasaki, which hadn’t happened yet except in Joyce’s Head.  

And that’s the aspect of FW, as I said, that I’m most interested in these days. 

The Unalterable Will of God

ESCAPE FROM THE PLANET OF THE APES
AT CIRCUS (((GOD'S WILL))))



Khan Noonian Singh :
I had planned it all so well. In just one month, 
we move on to our winter quarters in Florida. 
I could have released you in the Everglades, and, oh
my dear, dear friends... you might have lived 
happily ever after. 

But now, what can I do? 

Zira :
You have done enough to make us 
grateful to you forever

Khan Noonian Singh :
I did it because I like chimpanzees best of all apes 
and you, the best of all chimpanzees. 

I did it because hate those 
who try to alter Destiny,
 which is the unalterable 
Will of God. 

And if it is Man's Destiny one day 
to be dominated... 
then, oh, please, God, let Him 
be dominated by such as you. 

All I can now do to help you...
is give you this for The Baby --
It's a medal of St. Francis of Assisi. 

Cornelius :
Who is he? 

Khan Noonian Singh :
He was -- a holy man who loved 
and cared for all animals. Yes. 

Zira :
Oh, thank you. 

Khan Noonian Singh :
We'll hang it around The Baby's neck. 
For protection, huh? 

Cornelius :
Thank you. 

Rasputin

 






UC Sunnydale classroom

Buffy is sitting among The Students, 
yawning while The Professor lectures. 

PROFESSOR: 
Now, Rasputin was associated 
with a certain obscure religious sect. 

(Buffy taps her pencil on her desk. 
The girl next to her glares
Buffy sees her and stops tapping the pencil 
but continues fidgeting

PROFESSOR:
They held the tenet that 
in order to be forgiven
one first had to sin

Rasputin embraced this doctrine 
and proceeded to sin impressively 
and repeatedly.
 
The notion that he was in fact evil 
gained strength years later, 
(Buffy fiddles with her pencil, drops it, 
shrugs and doesn't pick it up
when The Conspirators who set out to Kill Him 
found it nearly impossible to do so. 

BUFFY: (to herself) 
Nearly impossible

PROFESSOR
I'm sorry, there's A Question?
 
The Students look at Buffy. 

PROFESSOR: (sighing
Miss Summers, of course

Buffy makes a pained face, stands up as The Professor gives her a disapproving look. 

BUFFY: 
I, uh, about, you know, 
killing him ... 

You know, they, they poisoned him and, 
and they beat him and they shot him
and he didn't die. 

PROFESSOR
.....until They rolled 
His Body in a carpet and 
drowned him in a canal. 

BUFFY
But there are reported sightings of him as
 late as the 1930s, aren't there? 

PROFESSOR: 
I can assure you there is near-consensus in 
the academic community regarding 
The Death of Rasputin. 

BUFFY: 
There was also near-consensus 
about Columbus, you know, until someone 
asked The Vikings what they were up to in 
the 1400s, and they're like, "Discovering this America-shaped continent.

(Professor looks annoyed

I just ... I'm only saying, you know, 
it might be interesting, 
if we ... came at it from,
 you know, a different perspective, that's all. 

PROFESSOR: 
Well, I'm sorry if you 
find these facts 
so boring, Miss Summers. 

Maybe you'd prefer I step aside, 
so that you can teach 
Your Own Course : 
Speculation 101 perhaps? 
(The other students laugh
Intro to Flights of Fancy? 
(The students laugh more

BUFFY: 
I only meant

PROFESSOR: 
What was it you were going on about last week? The Mysterious Sleeping Patterns 
of The Prussian generals? 

(Buffy looks annoyed)
 
Now, some of Us 
are here to learn. 
Believe it or Not, 
We're interested in finding out 
What Actually Happened. 

It's called 'Studying History'.
 
You can sit down now. 
Unless you have something else 
to add, Professor? 

Buffy scowls, sits. 

Robots





The Great Intelligence :
The Doctor lives his life in 
darker hues, day upon day, 
and he will have other names 
before The End. 
The Storm, The Beast, 
The Valeyard.

Even if any of this were true, 
which I take the liberty of doubting
how did you come by this information?

I AM Information.






DOCTOR: 
I don't like it. 
There's something happening 
on this mountain. 
I can feel it. 

JAMIE: 
Here, you're giving me the willies. Come on. 

(Meanwhile, two Yeti are approaching the cave. The one carrying the control sphere stands outside while the other goes back down the mountain. Travers is still watching, and sees Songsten and his escort approach the cave. Songsten takes the sphere from the Yeti, which leaves. Then he goes into the cave alone, leaving three Yeti standing guard.

JAMIE: 
Look, Doctor. 

(The TARDIS is guarded by a Yeti. 
The Doctor and Jamie take cover behind a rock.)

DOCTOR: 
I thought we'd been too lucky. 

JAMIE: 
What now? 

DOCTOR: 
I don't know. We've got to get 
to The TARDIS somehow. 

JAMIE: 
Aye, well you can't frighten 
one of those things away. 

DOCTOR: 
No. 

JAMIE: 
I wonder what he's waiting for? 

DOCTOR: 
Hmm? 

JAMIE: 
Well, he couldn't have known 
we were coming. 

DOCTOR: 
It's a robot, Jamie. 
It merely follows instructions.

JAMIE: 
Who's giving them? 

DOCTOR: 
That we shall have to 
find out, won't we?

JAMIE:
Get down, Doctor!


[Inner Sanctum]
PADMASAMBHAVA: 
Oh, Great Intelligence
have I served you well? 

After so many years, can I feel the grip 
of Your Power loosen? 

How long before your 
Great Experiment begins 
and I can rest? So soon? 
I am not sorry. 

What of the others? 

It will be done. 
Songsten is making 
final preparations.


[Cave]
(The rockfall has been cleared, 
and the spheres are now arranged in a circle. 
Songsten places the transparent pyramid 
in the middle and leaves. 
The pyramid pulsates with light. 
Outside, Travers watches Songsten 
and his escort leave. When they are out of sight, 
Travers goes into the cave.)




[Outside the Tardis]

DOCTOR: 
Yes. 

JAMIE: 
Have you thought up some 
clever plan, Doctor? 

DOCTOR: 
Yes, Jamie, I believe I have. 

JAMIE: 
What are you going to do? 

DOCTOR: 
Bung a rock at it. 

JAMIE: 
Oh, be serious, Doctor. 

DOCTOR: 
Jamie, I am. 

(The Doctor throws a rock at The TARDIS.) 

JAMIE: 
Hey, no, Doctor. 

(The Yeti does not move.

DOCTOR: 
There you are, you see? 
Just as I thought. 
It can't see and 
it can't feel. Come on.

JAMIE: 
Don't be daft, Doctor. 

DOCTOR: 
Well. it's quite all right, Jamie. 
It's like those three back there. 
It's either switched off or 
not receiving. Come along. 

JAMIE: 
Are you sure it's quite safe? 

DOCTOR: 
Well, quite frankly, no, Jamie.
But there's only one way 
of finding out.




(The Doctor goes up to the Yeti and touches it, 
then listens to its chest.

JAMIE: 
Don't, Doctor. You might 
switch it on. 

DOCTOR: 
No, I don't think so, Jamie. Yes, 
just as I thought. Now then. 

(The Doctor uses a screwdriver on the Yeti.) 

DOCTOR: 
Jamie, will you hold this flap open 
for me, please? Thank you. 

JAMIE: 
Hey you're taking an awful risk, Doctor. 

(The Doctor removes the control sphere.

DOCTOR: 
Well, I'm glad that's over. Catch. 

JAMIE: 
Hey, I just thought of something, Doctor. 
The Man that made these robots 
is very clever, right? 

DOCTOR: 
Yes. 

JAMIE: 
And yet we were able to walk right up to it 
and put it out of action just like that.

 DOCTOR: 
You mean, why didn't they build in 
some sort of protective device? 

JAMIE: Aye. 

DOCTOR: 
Well, perhaps they didn't think 
it was necessary
I mean, look at him. 
Would you walk up to a creature like that 
with just a screwdriver in your hand? 

JAMIE: 
No, I would not

DOCTOR: 
No, there you are. I'm really rather 
pleased with myself. 

(The Doctor goes into The TARDIS.)