Tuesday, 23 March 2021

You Could Never Hope to Grasp The Source of Our Power —



XANDER: 
What's after me....? 

GILES: 
It's because of What We Did
I know that. 

(Takes a bite of The Apple

XANDER : 
(shakes his head in confusion
What We Did?

*******

 Joyce enters, wearing a bathrobe.

JOYCE SUMMERS: 
I'm, uh, guessing I missed some fun? 

WILLOW : 
The Spirit of The First Slayer 
tried to kill us in Our Dreams. 

JOYCE SUMMERS : 
Oh! You want some hot chocolate..?



GILES: 
Somehow our joining with ... Buffy and ... invoking The Essence of The, The Slayer's Power 
was an affront to 
The  SOURCE of That Power. 

BUFFY: 
You know, you could have brought that up to us before we did it. 

GILES: 
I did! I said there could be Dire Consequences. 

BUFFY: 
Yes, but you say that about chewing too fast. 











"I know that Dolphins communicate. 
I mean, They send signals. 

You don't think that if A Shark was destroyed, that another shark could... 

Could come and..."

"Sharks don't take things personally, Mr. Brody."


"...The very first sentence of Moby Dick tells you he's a disciple of Hassan i Sabbah, but you cant find a single Melville scholar who has followed up that lead— in spite of Ahab being a truncated anagram of Sabbah. He even tells you,  again and again, directly and indirectly, that Moby Dick and Leviathan are the same creature, and that Moby Dick is often seen at the same time in two different parts of The World, but not one reader in a million groks what he's hinting at. 

There's a whole chapter on whiteness and why white is really more terrifying than black; all the critics miss the point"

" 'Osiris is a Black God,' " Joe quoted.



 Giles :
Certainly no lack of supplies —
I only wish I knew which ones would kill Adam.
 
Buffy : 
According to Riley, his power source is a Uranium core embedded somewhere inside his chest. 
Probably near the spine. 

Xander: 
Great, so we just ask him to lie down quietly while we do some exploratory surgery. 

Willow: 
What about Magick?
 Some kind of, I don't know...
Uranium extracting spell? 

Everyone looks at her in disbelief. 

Willow: 
I know. I'm reaching. 

Giles stands up. 

Giles: 
Perhaps a paralyzing spell. 

He walks over to the bookshelf and pulls a book off. 

Giles: 
Only I can't perform the incantation for this. 

Willow: 
Right. Don't you have to speak it in Sumerian or something?
 
Giles:
I DO Speak Sumerian. It's not that.
Only a...an experienced witch can incant it, and you'd have to be within striking distance of this object.
 
Xander:
See what you get for takin' French instead of Sumerian?
 
Buffy:
What was I thinking?
 
Xander:
So no problem, all we need is ComboBuffy — 
Her with Slayer strength, 
Giles' multi-lingual know how, 
and Willow's witchy power.

Giles looks at him.
 
Xander :
Yeah, don't tell me.
'I'm just full of helpful suggestions.'
 
Giles :
As a Matter of Fact -- you are.
 

********

Buffy : 
Look, I'm the only one who can stop him now. 
Just let me handle this. 
Get Your People out of here. 

Colonel
All right, you men follow me. 
We gotta take the Armory now. 

Soldier #3 : 
Sir. 

Buffy: 
Colonel.
 
 
Colonel: 
These people are under arrest
do you understand?
 
Soldier #4:
 Yes, sir. 

The soldiers and the Colonel all leave. 
A soldier stands up. Buffy gives him a kick to the chest. 

Another soldier tries to attack her, and she bangs his head into the desk, then hits him in the face, knocking him out cold.
 
Buffy:
We've gotta find Adam.
 
Willow:
On it. She goes over to the computer, and sits down.
 
Giles:
The Enjoining spell 
(cut to Buffy) 
is extremely touchy. 

It's, uh, 
(cut to Willow) 
volatile. 

We--We can't risk it 
(cut to Buffy) 
being interrupted. 

We need a place that's 
(cut to Giles and Xander) 
close to you and quiet

Cut to the screen. 

Xander:
 Uh...quiet? 



*****


Cut to the inside of 314. 


Buffy: 
Okay, it should be over here. 

They move a cart in front of the door. 

She opens up two doors. 

Buffy: 
Once I'm in, barricade the door behind me. 
Is this place okay to be Magic Central? 

Giles: 
It, uh, should do. 

Willow: 
As long as we don't get blowed up or nothin'. 

Xander: 
What're the odds of that? 

Buffy: 
How long before the ritual kicks in?

Giles: 
Five minutes, give or take. 

Xander: 
Buffy, I still don't like you going in alone. 

Buffy: 
I won't be. 

Willow
Cut to the inside of 314. Giles lights a candle.
 
Willow:
(chanting)
"The Power of The Slayer and all who yield it.
Last to Ancient First, We Invoke Thee.
 
Grant us Thy Domain and Primal Strength.
Accept Us in The Power We Possess.
Make Us Mind and Heart and Spirit Joined.
 
Let The Hand Encompass Us. Do Thy Will."
 
 
Cut back to the lower level of The Initiative.
 
Cut to the inside of 314. 
 
Willow: 
Spiritus...Spirit. 
 
She hands a card to Xander. 
 
Xander: 
Animus...Heart. 
 
She hands a card to Giles. 
 
Giles: 
Sophus...Mind. 
 
Willow: 
And Manus... 
 
Cut to Buffy punching Forrest. 
 
Willow: (o.s.) 
The Hand. 
 
Cut to the inside of 314. 
The camera view is fading. 

Willow: 
We enjoin that We may inhabit The Vessel -- 
The Hand... Daughter of Sineya...
First of The Ones... 

Cut to Adam's area in the Initiative. 

Buffy: 
Fun, isn't it? 
 
Adam: 
I do appreciate violence. 
 
Buffy: 
Good. 
 
Buffy tries to run toward him, but he punches her, sending her backwards. 
 
She rolls, gets up, and kicks him. 
 
She begins punching him in the face. 
 
Adam grabs her hand, and throws her into the wall. 
 
His skewer comes out. 
 
He tries to stab Buffy, but she snaps it with her knee and punches him in the face. 
 
Buffy: 
Broke your arm. 
 
Adam: 
Got another. 
 
His hand sprouts into a mini-gun. 
 
Adam: 
I've been upgrading. 
 
He begins firing at her. 
She dives over the computer console. 
He stops.
 
Cut to the inside of 314. 
 
Willow: 
We implore Thee, admit us, 
Bring Us to The Vessel, Take us NOW...!

Cut to Adam's room at the Initiative. 
Buffy gets out from her hiding place and sees Adam. 
He blows up the console. 
Adam looks for Buffy. 

She stands up, eyes glowing orange. 
 
Adam: 
You can't last much longer. 
 
Buffy: 
(speaking simultaneous
We can. We are Forever. 
 
Cut to Adam. 
 
 
Cut to Buffy. 
 
Buffy: 
(Speaking Sumerian) 

Adam: 
Interesting. 
 
Adam fires at Buffy, but it generates some sort of force field. 
 
Buffy
(Continues speaking Sumerian) 

Adam
Very interesting. 


He is still firing his mini-gun at Buffy. 
He fires a rocket at her, but she holds her hand up. 


Buffy :
(Sumerian
Kur. 
 
The rocket then bursts into 3 birds.
 
She holds her hand up again, 
and Adam's rocket goes back inside him. 
Adam tries to attack her, but she blocks every punch.

 She kicks him in the stomach, and he falls. 
She grabs his head. 
 
Adam: 
How...can you-- 
 
Dissolve to the inside of 314. 
 
Xander : 
You could never hope to grasp The Source --
 
Superimpose Adam's room at the Initiative. 
 
ComboBuffy : 
-- of Our Power. 
 
She uppercuts him, sending him flying to the ground. 
She picks him up and kicks him against the wall. 
 
She reaches into him and pulls out the uranium. 
 
ComboBuffy : 
.....but Yours is Right Here.
 
Adam :
(groans)
 
He falls to the ground. 

Riley walks up. 

Riley: 
Buffy. 

The Uranium begins levitating. 

A Woman begins speaking Sumarian, 
and the Uranium disappears. 

Buffy's eyes go normal and she faints, 
but Riley catches her.






" A little old man— he was five foot seven exactly, Joe remembered from the FBI files— opened the door.

"Here's our new recruit," Simon said simply.

"Come in," John Dillinger said, "and tell me how an asshole egghead like you can help us beat the shit out of those motherfucking Illuminati cocksuckers."

("They fill their books with obscene words, claiming that this is realism," Smiling Jim shouted to the KCUF assembly. "It's not my idea of realism. I don't know anybody who talks in that gutter language they call realism. And they describe every possible perversion, acts against nature that are so outrageous I wouldn't sully this audiences' ears by even mentioning their medical names. Some of them even glorify the criminal and the anarchist. I'd like to see one of these hacks come up to me and look me in the eye and say, 'I didn't do it for money. I was honestly trying to tell a good, honest story that would teach people something of value.' They couldn't say that. The lie would stick in their throats. Who can doubt where they get their orders from? What person in this audience needs to be
told what group is behind this overflowing sewer of smut and filth?")

"May storms and rains and typhoons beat them," Howard sang on. "May Great Cthulhu rise and eat them"

"I got into the JAMs in Michigan City Prison," Dillinger, much relaxed and less arrogant, was saying as he, Simon, and Joe sat in his living room drinking Black Russians.

"And Hoover knew, from the beginning?" Joe asked.

"Of course. I wanted the bastard to know— him and every other high-ranking Mason and Rosicrucian and Illuminati front-man in the country." The old man laughed harshly; except for his unmistakable eyes, which still held the strange blend of irony and intensity that Joe had noted in the 1930s photos, he was indistinguishable from any other elderly fellow who had come to California to enjoy his last years in the sun.

 "The first bank job I pulled off, in Daleville, Indiana, I used the line that I always repeated: 'Lie down on the floor and keep calm.' Hoover couldn't miss it. That's been the motto of the JAMs ever since Diogenes the Cynic. He knew no ordinary bank robber would be quoting an obscure Greek philosopher. The reason I repeated it on every heist was just to rub it in and let him know I was taunting him."

"But going back to Michigan City Prison . . ." Joe prompted, sipping his drink.

"Pierpont was the one who initiated me. He'd been with the JAMs for years by then. I was just a kid, you know— in my early twenties — and I had only pulled one job, a real botch. I couldn't understand why I got such a stiff sentence, after the D.A. promised me clemency if I'd plead guilty, and I was kind of bitter. But old Harry Pierpont saw my potential.

"At first I thought he was just another big-house faggot, when he started tracking me around and asking me all sorts of personal questions. But he was what I wanted to become — a successful bankrobber — so I played along. To tell you the truth, I was so horny it wouldn't have mattered if he was a faggot. You have no idea how horny a man gets in prison. That's why Baby-Face Nelson and a lot of other guys preferred to die rather than go back to the big house again. Hell, if you haven't been there, you can't understand. You just don't know what being horny is.

"Well, anyway, after a lot of bull about Jesus and Jehovah and the Bible and all that, Harry just asked me point-blank one day in the prison yard: 'Do you think it's possible there might be a true religion?'

I was about to say, 'Bullshit — like there might be an honest cop,' but something stopped me. 

realized he was dead serious, and a lot might depend on my answer. So I was cautious. 

I said, 'If there is, I haven't heard about it.' 

And he just came back, real quiet, 
'Most people haven't.'

"It was a couple of days afterward that he brought the subject up again. Then, he went right on with it, showed me the Sacred Chao and everything. It took my breath away." The old man's voice trailed off, as he sank into silent memories.

"And it really does go back to Babylon?" Joe prompted.

"I'm not much of an intellectual," Dillinger replied. "Action is my arena. Let Simon tell you that part."

Simon was eager to leap into the breach. "The basic book to confirm our tradition," he said, "is The Seven Tablets of Creation, which is dated at about 2500 B.C. the time of Sargon. It describes how Tiamat and Apsu, the first gods, were coexisting in Mummu, the primordial chaos. Von Junzt, in his Unausprechlichen Kulten, tells how the Justified Ancients of Mummu originated, just about the time the Seven Tablets were inscribed. You see, under Sargon, the chief deity was Marduk. I mean, that was what the high priests gave out to the public — in private, of course, they worshipped lok-Sotot, who became the Yog-Sothoth of the Necronomicon. 

But maybe I'm going too fast. 

Getting back to the official religion of Marduk, it was based on usury. The priests monopolized the medium of exchange and were able to extract interest for lending it. They also monopolized the land, and extracted tribute for renting it. It was the beginning of what we laughingly call civilization, which has always rested on rent and interest. The old Babylonian con.

"The official story was that Mummu was dead, killed in the war between the gods. When the first anarchist group arose, they called themselves Justified Ancients of Mummu. 

Like Lao-Tse and the Taoists in China, they wanted to get rid of usury and monopoly and all the other pigshit of civilization and go back to a natural way of life. 

So, grok, they took the supposedly dead god, Mummu, and claimed he was still alive and was actually stronger than all the other gods. 

They had a good argument 'Look around,' they'd say, "what do you see most of? Chaos, right? Therefore, the god of Chaos is the strongest god, and is still alive.'

"Of course, we got our ass whipped good. We were just no match for the Illuminati in those days.

Didn't have a clue, about how they performed their 'miracles,' for instance. So we got our asses whipped again, in Greece, when the JAMs got started again, as part of the Cynic movement. 

By the tune the whole thing was happening again in Rome — usury and monopoly and the whole bag of tricks — the truce took place. 

The Justified Ancients became part of the Illuminati, a special group still keeping our own name, but taking orders from the Five. 

We thought we'd humanize them, like the anarchists who stayed in SDS after last year. 

And so it went until 1888. Then Cecil Rhodes started the Circle of Initiates and the big schism occurred. Every meeting would have a faction of Rhodes boys carrying signs that said 'Kick out the JAMs!' It was the parting of the ways. They just didn't trust us — or maybe they were afraid of being humanized.

"But we had learned a lot by our long participation in the Illuminati conspiracy, and now we know how to fight them with their own weapons."

"Fuck their weapons," Dillinger interrupted. "I like to fight them with my weapons." 

"You are behind the big unsolved bank robberies of the last few years—"

"Sure. Just in the planning, though. I'm too old to vault over tellers' cages and carry on like I did back in the thirties."

"John is also fighting on another front," Simon interjected.

Dillinger laughed. "Yes," he said. "I'm the president of Laughing Buddha Jesus Phallus Inc. You've seen them— 'If it's not an LBJP it's NOT an L.P.'?

"Laughing Buddha Jesus Phallus?" Joe exclaimed. "My God, you put out the best rock in the country! The only rock a man my age can listen to without wincing."

"Thanks," Dillinger said modestly. "Actually, the Illuminati own the companies that put out most of the rock. We started Laughing Buddha Jesus Phallus to counterattack. We were ignoring that front until they got the MC-5 to cut a disc called 'Kick Out The Jams' just to taunt us with old, bitter memories. So we came back with our own releases, and the next thing I knew I was making bales of money from it. We've also fed information, through third parties, to Christian Crusade in Tulsa, Oklahoma, so they could expose some of what the Illuminati are doing in the rock field. You've seen the Christian Crusade publications — Rhythm, Riots and Revolution, and Communism, Hypnotism and the Beatles, and so forth?"

"Yes," Joe said absently. "I thought it was nut literature. It's so hard," he added, "to grasp the whole picture."

"You'll get used to it," Simon smiled. "It just takes awhile to sink in."

"Who really did shoot John Kennedy?" Joe asked.

"I'm sorry," Dillinger said. "You're only a private in our army right now. Not cleared for that kind of information yet. I'll just tell you this much: his initials are H.C. — so don't trust anybody with those initials, no matter where or how you meet him."

"He's being fair," Simon told Joe. "You'll appreciate it later."

"And advancement is rapid," Dillinger added, "and the rewards are beyond your present understanding."

"Give him a hint, John," Simon suggested with an anticipatory grin. "Tell him how you got out of Crown Point Jail."

"I've read two versions of that," Joe said. "Most of the sources claim you carved a fake gun out of balsa wood and dyed it black with your shoe polish. Toland's book says that you made that story up and leaked it out to protect the man who really managed the break for you —a federal judge that you
bribed to smuggle in a real gun. Which was it?"

"Neither," Dillinger said. "Crown Point was known as the 'escape-proof jail' before I crashed out of it, and, believe me, it deserved the name. Do you want to know how I did it? I walked through the walls. Listen. . . ."

HARE KRISHNA HARE HARE
The sun beat down on the town of Daleville on July 17, 1933, like a rain of fire.
Motoring down the main street, John Dillinger felt the perspiration on his neck. Although he had been paroled three weeks earlier, he was still pale from his nine years in prison, and the sunlight was cruel on his almost albino-tinted skin.
I'm going to have to walk through that door all by myself, he thought. All alone.

And fighting every kind of fear and guilt that has been beaten into me from childhood on.

'The spirit of Mummu is stronger than the Illuminati's technology," Pierpont had said. "Remember that. We've got the Second Law of Thermodynamics on our side. 

Chaos steadily increases, all over the universe. 

All 'law and order' is a kind of temporary accident."

But I've got to walk through that door all alone. The Secret of the Five depends on it. This time it's my turn to be the goat.

Pierpont and Van Meter and the others were still back in Michigan City Prison. It was all in his hands—being the first one paroled, he had to raise the money to finance the jail-break that would get the others out. Then, having proved himself, he would be taught the JAM "miracles."

The bank suddenly loomed before him. Too suddenly. His heart skipped a beat.

Then, calmly, he drove his Chevrolet coupe over to the curb and parked.

I should have prepared better. This car should be souped-up like the ones Clyde Barrow uses. Well, I'll know that the next time.

He left his hands on the steering wheel and squeezed, hard. He took a deep breath and repeated the
Formula: "23 Skidoo."

It helped a little — but he still wanted to get the hell out of there. He wanted to drive straight back to his father's farm in Mooresville and find a job and learn all the straight things again, how to kiss a boss's ass and how to look the parole officer straight in the eye and be like everybody else.

But everybody else was an Illuminati puppet and didn't know it. He did know it and was going to liberate himself.

Hell, that's what a younger John Dillinger thought back in 1924—except that he hadn't known about the Illuminati or the JAMs, then— but he was trying to liberate himself, in his own way, when he held up that grocer. And what did it lead to? Nine years of misery and monotony and almost going mad with horniness in a stinking cell.

It'll be nine years more if I fuck up today.

"The spirit of Mummu is stronger than the Illuminati's technology."

He got out of the car and forced his feet and legs to move and he walked straight for the bank door.

"Fuck it," he said, "23 Skidoo."

He walked through the do or— and then he did the thing the bank tellers remembered after and told the police. He reached up and adjusted his straw hat to the most dapper and debonair angle — and he grinned.

"All right, this is a stick-up," he said clearly, taking out his pistol. "Everybody lie down on the floor and keep calm. None of you will get hurt."

"Oh, God," a female teller gasped, "don't shoot. Please don't shoot."

"Don't worry, honey," John Dillinger said easily, "I don't want to hurt anybody. Just open the vault."

LIKE A TREE THAT'S PLANTED BV THE WATER
"That afternoon," the old man said, "I met Calvin Coolidge in the woods near my father's farm at Mooresville. I gave him the haul — twenty thousand dollars — and it went into the JAM treasury. He gave me twenty tons of hempscript."

"Calvin Coolidge?" Joe Malik exclaimed.

"Well, of course, I knew it wasn't really Calvin Coolidge. But that was the form he chose to appear in. Who or what he really is, I haven't learned yet."

"You met him in Chicago," Simon added gleefully. "He appeared as Billy Graham that time."

"You mean the Dev—"

"Satan," Simon said simply "is just another of the innumerable masks he wears. Behind the mask is a man and behind the man is another mask. It's all a matter of merging multiverses, remember? Don't look for an Ultimate Reality. There isn't any."

"Then this person— this being—" Joe protested, "really is supernatural—"

"Supernatural, schmupernatural," Simon grimaced.

"You're still like the people in that mathematical parable about Flatland. You can only think in categories of right and left, and I'm talking about up and down, so you say 'supernatural.' There is no 'supernatural'; there are just more dimensions than you are accustomed to, that's all. If you were living in Flatland and I stepped out of your plane into a plane at a different angle, it would look to you as if I vanished 'into thin air.' Somebody looking down from our three-dimensional viewpoint would see me going off at a tangent from you, and would wonder why you were acting so distressed and surprised about it."

"But the flash of light—"

"It's an energy transformation," Simon explained patiently. "Look, the reason you can only think three-dimensionally is because there are only three directions in cubical space. That's why the Illuminati— and some of the kids they've allowed to become partially illuminized lately— refer to ordinary science as 'square.' The basic energy-vector coordinates of Universe are five-dimensional — of course —  and can best be visualized in terms of the five sides of the Illuminati Pyramid of Egypt."

"Five sides?" Joe objected. "It only has four."

"You're ignoring the bottom."

"Oh. Go on."

"Energy is always triangular, not cubical. Bucky Fuller has a line on this, by the way: he's the first one outside the Illuminati to discover it independently. The basic energy transformation we're concerned with is the one Fuller hasn't discovered yet, although he's said he's looking for it— the one that ties Mind into the matter-energy continuum. The pyramid is the key. You take a man in the lotus position and draw lines from his pineal gland— the Third Eye, as the Buddhists call it— to his two knees, and from each knee to the other, and this is what you get. . . ." Simon sketched rapidly in his notepad and passed it over to Joe:

"When the Pineal Eye opens — after fear is conquered; that is, after your first Bad Trip — you can control the energy field entirely," Simon went on. "An Irish Illuminatus of the ninth century, Scotus Ergina, put it very simply— in five words, of course —when he said Omnia quia sunt, lumina sunt:

'All things that are, are lights.' Einstein also put it into five symbols when he wrote e = mc2?. The actual transformation doesn't require atomic reactors and all that jazz, once you learn how to control the mind vectors, but it always lets off one hell of a flash of light, as John can tell you."

"Damn near blinded me and knocked me on my ass, that first time in the woods," Dillinger agreed.

"But I was sure glad to know the trick. I was never afraid of being arrested after that, 'cause I could always walk out of any jail they put me in. That's why the Feds decided to kill me, you know. It was embarrassing to always find me wandering around loose again a few days after they locked me up.

You know the background to the Biograph Theatre scam— they killed three guys in Chicago, without giving them a chance to surrender, because they thought I was one of them. Well, those three were all wanted in New York for armed robbery, so nobody criticized the cops much for that caper.

But then up in Lake Geneva, Wisconsin, they shot three very respectable businessmen, and one of them went and died, and Hoover's Heroes caught all sorts of crap from the newspapers. So I knew where it was at; I could never again surrender and walk away a few days later. We had to produce a body for them." The old man looked suddenly sad. "There was one possibility that we hated to think about. . . . But, luckily it didn't come to that. The gimmick we finally worked out was perfect."

"And everything really follows the Fives' law?" Joe asked.

"More than you guess," Dillinger remarked blandly.

"Even when you're dealing with social fields," Simon added.

"We've run studies of cultures where the Illuminati were not in control, and they still follow Weishaupt's five-stage pattern: Verwirrung, zweitracht, Unordnung, Beamtenherrschaft and Grummet. That is: chaos, discord, confusion, bureaucracy, and aftermath. America right now is between the fourth and fifth stages. Or you might say that the older generation is mostly in Beamtenherrschaft and the younger generation is moving into Grummet rapidly."

Joe took another stiff drink and shook his head. "But why do they leave so much of it out in the open? I mean, not merely the really shocking things you told me about the Bugs Bunny cartoons, but putting the pyramid on the dollar bill where everybody sees it almost every day—"

"Hell," Simon said, "look what Beethoven did when Weishaupt illuminated him. Went right home and wrote the Fifth Symphony. You know how it begins: da-da-da-DUM. Morse code for V—the Roman numeral for five. Right out in the open, as you say. It amuses the devil out of them to confirm their low opinion of the rest of humanity by putting things up front like that and watching how almost everybody misses it. 

Of course, if somebody doesn't miss something, they recruit him right away. Look at Genesis: 'lux fiat' —right on the first page. They do it all the time. The Pentagon Building. '23 Skidoo.' The lyrics of rock songs like 'Lucy in the Sky with Diamonds' —  how obvious can you get? 

Melville was one of the most outrageous of the bunch; the very first sentence of Moby Dick tells you he's a disciple of Hassan i Sabbah, but you cant find a single Melville scholar who has followed up that lead— in spite of Ahab being a truncated anagram of Sabbah. He even tells you,  again and again, directly and indirectly, that Moby Dick and Leviathan are the same creature, and that Moby Dick is often seen at the same time in two different parts of The World, but not one reader in a million groks what he's hinting at. 

There's a whole chapter on whiteness and why white is really more terrifying than black; all the critics miss the point"

" 'Osiris is a black god,' " Joe quoted.

"Right on! You're going to advance fast," Simon said enthusiastically. "In fact, J think it's time for you to get off the verbal level and really confront your own 'Lucy in the Sky with Diamonds' — your own lady Isis."

"Yes," Dillinger said. "The Leif Erikson is laying offshore near California right now; Hagbard is running some hashish to the students at Berkeley. He's got a new black chick in his crew who plays the Lucy role extremely well. We'll have him send her ashore for the Rite. I suggest that you two drive up to the Norton Lodge in Frisco and I'll arrange for her to meet you there."

"I don't like dealing with Hagbard," Simon said. "He's a right-wing nut, and so is his whole gang."

"He's one of the best allies we have against the Illuminati," Dillinger said. "Besides, I want to exchange some hempscript for some of his flaxscript. Right now, the Mad Dog bunch won't accept anything but flaxscript —they think Nixon is really going to knock the bottom out of the hemp market. And you know what they do with Federal Reserve notes. Every time they get one, they burn it. Instant demurrage, they call it."

"Puerile," Simon pronounced. "It will take decades to undermine the Fed that way."

"Well," Dillinger said, "Those are the kinds of people we have to deal with. The JAMs can't do it all alone, you know."

"Sure," Simon shrugged. "But it bugs me." He stood up and put his drink on the table.

"Let's go," he said to Joe. "You're going to be illuminized."

Dillinger accompanied them to the door, then leaned close to Joe and said, "A word of advice about the Rite."

"Yes?"

Dillinger lowered his voice. "Lie down on the floor and keep calm," he said, and his old, impudent grin flashed wickedly.

SHARKEY


(The Doctor tries Camilla's throne, then Zargo's.) 

DOCTOR: 
Oh yes, this is much more comfortable. 
What were those Hydrax officers called? 

ROMANA: 
Captain Miles Sharkey, 
Navigation Officer Lauren MacMillan, 
Science Officer Anthony O'Connor. 

DOCTOR: 
That's very good. 
Have you ever heard of the Brothers Grimm? 

ROMANA: 
This is no time for fairy tales. 

DOCTOR: 
They also discovered the Law of Consonantal Shift. 
How language changes over the years. 

ROMANA: 
You mean the hard sounds softening, 
B's becoming V's and so on?

DOCTOR: 
Hmm. 

ROMANA: 
Camilla, Aukon and Zargo. 

Wait a minute. 

Sharkey, 
Zharkey, 
Zarkey, 
Zar, 
Zargo. 

The same name passed down through generations. 


Sunday, 21 March 2021

Father Joe




The story follows Mulder and Scully who have been out of the FBI for several years, with Mulder living in isolation and Scully having become a doctor at a Catholic hospital, where she has formed a bond with a critically ill child patient. 


When an FBI agent is mysteriously kidnapped and a former Catholic priest who has been convicted of pedophelia claims to be experiencing psychic visions of the endangered agent, Scully is asked to bring Mulder back to the bureau to consult on the case because of his work with psychics. 


The narrative goes through the push and pull of his at-first reluctant involvement 

and Scully’s attempts to stay out of it.


SCULLY: 
How long as she been missing?

WHITNEY: 
Since Sunday evening. 
Almost three days.

SCULLY: 
I know you know this, but after 72 hours there's a slim chance that she's still alive.

WHITNEY: 
We have some reason to believe she is. 
But so far we've got no evidence to the contrary 
and the facts give us hope. 
Soon after she was missing, we find this. 
A severed arm.

[She shows them some photographs.]

MULDER: 
Where?

WHITNEY: 
About ten miles from her home.

SCULLY: 
I don't understand. It's a man's arm.

MULDER: 
Is it a match for evidence found at or near the crime scene? 
Blood or tissue?

WHITNEY: 
Blood. Found in her garage and on the tool that matches the wound.

MULDER: 
I take it you were led to it.

WHITNEY: 
Like a needle in a haystack.

MULDER: 
By someone claiming psychic powers.

WHITNEY: 
Joseph Fitzpatrick Crissman.

MULDER: 
And you think he's full of shit.

DRUMMY: 
What makes you say that?

MULDER: 
Psychic.

DRUMMY: 
Father Joe...

SCULLY: 
Father? He was a priest?

DRUMMY: 
Catholic. He cold-called six hours after Monica Bannan was reported missing, claiming a vision of her, a psychic connection.

MULDER: 
And he tells you she's alive.

DRUMMY: 
That's right.

MULDER: 
Have you found any other connection?

DRUMMY: 
To Monica Bannan?

WHITNEY: 
No. That's why I sent for you. 
I need to know we're not wasting time.

MULDER: 
He's a religious man, clearly educated man. 
He took right action, said nothing to cast doubt upon himself, has no material connection to the crime. 
You are wasting time, only it's mine and your agents'.

WHITNEY: 
There's a question of credibility.

MULDER: 
If you have no reason to doubt the man, why doubt the man's visions?

DRUMMY: 
He didn't lead us to Monica Bannan. 
He gave us a guy's bloody arm in the snow.

MULDER: 
This is not an exact science. If it were me, I'd be on the guy 24/7, I'd be in bed with him kissing his holy ass.

[The FBI agents murmur.]

WHITNEY: 
Father Joe's a convicted pedophile.

[Mulder isn't quite sure what to say.]

MULDER: 
Maybe I'd stay out of bed with him.



SCENE 4 
RICHMOND, VIRGINIA 
1:01 A.M.

[The two agents and Mulder and Scully arrive outside at a housing complex.]

SCULLY: 
What is this?

WHITNEY: 
Dorms for habitual sex offenders.

SCULLY: 
Dorms?

WHITNEY: 
They manage the complex and police themselves
Father Joe lives here voluntarily with his room-mate.

MULDER: 
Just avoid the activities room.

[The two women glare at him, as Mulder grins. Inside one of the apartments, there's a knock at the door. A man who is cooking answers the door.]

MAN: 
Joe?

FATHER JOE: 
Tell them to come in.

[The four enter as Joe's room-mate moves to one side. There is music coming from a black-and-white TV in a bedroom containing a double bed. In room leading off from the bedroom, Father Joe is kneeling, saying his prayers.]

DRUMMY: 
Father Joe?

[Father Joe, wearing a dressing gown, stands up and walks into the bedroom.]

FATHER JOE: 
Excuse the mess. 
I haven't been sleeping.

DRUMMY: 
Father Joe, this is Fox Mulder.

FATHER JOE: 
Okay.

DRUMMY: 
He'd like to ask some questions.

SCULLY: 
Actually, I'd like to ask something. 
What was it you were praying for in there, sir?

FATHER JOE: 
For the salvation of my immortal soul.

SCULLY: 
And you think God hears your prayers?

FATHER JOE: 
Do you think he hears yours?

SCULLY: 
I didn't bugger thirty-seven altar boys.

FATHER JOE: 
Oh....!

[He sits on the bed.]

MULDER: 
That's a colorful way of putting it.

SCULLY: 
I have another word, if you like.

MULDER: 
I'm sure you do.

FATHER JOE: 
I have to believe he does hear me, 
or 
why would he send these visions?

SCULLY: 
Maybe it's not God doing the sending.

MULDER: 
You call them visions. 
You see them?

FATHER JOE: 
They're what you might call my mind's eye.

MULDER: 
What do you see?

[Father Joe picks up a cigarette and lights it.]

FATHER JOE: 
I see the poor girl being assaulted. 
See her putting up a fight. 
I hear dogs barking.

WHITNEY: 
Where?

FATHER JOE: 
Can't tell.

MULDER: 
But you see her alive.

FATHER JOE: 
No, but I feel that she is.

MULDER: 
Can you show us how you do it?

[Father Joe puts down his cigarette, closes his eyes and concentrates.]

FATHER JOE: 
I don't know that I can do this right now. 
Maybe it'd be better if she wasn't here.

[He indicates Scully.]

SCULLY: 
Maybe what you see is a way to try and make people forget 
what it is that you really are.

[Scully walks out. Mulder stares at him intently. Scully is outside the apartment looking through a folder. Joe's room-mate emerges and Scully stares at him as he makes his way downstairs. She jumps as a hand touches her shoulder.]

SCULLY: 
Jesus, Mulder.

MULDER: 
So much for kissing his holy ass.

SCULLY: 
I'm sorry. I've had too long away from this business. 
Or not long enough.

MULDER: 
No, you were good in there. 
All I had were questions. 
But you pushed him, you challenged him. 

Like old times.

SCULLY: 
Well, he's a creep, and a liar. 

He knows who did this and they're supplying him with information.

 And look where he lives. 
And this arm they found - it wasn't severed in any fight, it was cut cleanly, chopped off. 

And tell me how he's been able to lead them straight to it and not even muster a guess as to where the victim is? 

And two things you're going to find in the next 24 hours - a dead agent and that this guy, Father Joe, is a big fat fraud.


MULDER: 
You could be right, Scully. 
You could be right. 
But what if you're wrong?

[Drummy opens the apartment, as Joe is putting on his coat and scarf.]

SCULLY: 
What are you doing?

MULDER: 
Going to take him for a ride, 
see just how psychic this Father Joe really is.

SCULLY: 
Yeah, well, it's been fun.

[She starts walking away.]

MULDER: 
Scully. Nobody's going to make you sit next to him.

SCULLY: 
Thanks, but I've already been taken for a ride. 
Anyway, he doesn't want me there.

[She walks down the steps and he follows.]

MULDER: 
I want you here.

SCULLY: 
This isn't my life anymore, Mulder. 
I'm done chasing monsters in the dark. 
I think you've done all they've asked of you here too. 
You know, no-one says you have to stay here.

MULDER: 
These people need my help. 
I could really use yours.

[He holds out another case file. Reluctantly she takes it and walks to the car.]





[Father Joe's apartment. He is sitting on his bed, in his dressing gown, when there is a knock on the door. He opens it to find Scully standing a little away from the door, her hands on her hips.]

FATHER JOE: 
A vision, if ever I had one.

SCULLY: 
May I speak with you?

FATHER JOE: 
Would you like to come in?

[She pauses slightly at the door, then enters the apartment.]

FATHER JOE: 
Make yourself comfortable.

SCULLY: 
I won't be staying long.

FATHER JOE: 
Have you come here by yourself?

SCULLY: 
Yes.

FATHER JOE: 
Sit. Please, I insist.

[Rather uncomfortably, she sits on the edge of the bed. He picks up his bible and sits down next to her.]

FATHER JOE: 
Now, you came to ask something.

[There's a sudden noise from an adjoining room, and Scully looks round .]

FATHER JOE: 
We're alone. 
Free to speak in confidence.

SCULLY: 
You said something to me the other night in the snow.

FATHER JOE: 
Yes. I said, "don't give up".

SCULLY: 
I need to know why you said that.

FATHER JOE: 
I haven't the faintest idea.

[She stands up.]

FATHER JOE: 
Were you hoping for another answer?

SCULLY: 
Do you know anything about me?

FATHER JOE: 
Other than that you loath me?

SCULLY: 
Do you know what it is that I do?

FATHER JOE: 
No. I can see you're a Woman of Faith, 
but not in the same things as your husband.

SCULLY: 
He's not my husband.

FATHER JOE: 
Do you care to tell me about yourself?

SCULLY: 
No!

FATHER JOE: 
Do you care to offer confession?

SCULLY: 
I don't think you're...

FATHER JOE: 
What? In a position to judge
And yet you've judged me, haven't you?

SCULLY: 
You deserve to be judged.

FATHER JOE: 
Do you know why we live here? 

The men who call this vile box of monsters home? 
Because we hate each other, 
even as we hate ourselves for our sickening appetites.

SCULLY: 
This doesn't make it any less sickening.

FATHER JOE: 
And where do they come from, these appetites
these uncontrollable urges of ours?

SCULLY: 
Not from God!

FATHER JOE: 
Not from me. 

I castrated myself when I was 26. 
And the visions weren't my idea either

Proverbs 25:2.

[She storms out of the room then turns back.]

SCULLY: 
What?!

FATHER JOE: 
God's glory to conceal a thing, 
for the honor of kings. 
To search out a matter.

SCULLY: 
Don't you quote scripture to me!

FATHER JOE: 
What are you doing here? 
What are you afraid of?

[She walks back to confront him.]

SCULLY: 
"Don't give up"! 
What was that for?!

FATHER JOE: 
I don't know.

SCULLY: 
I don't believe you!

FATHER JOE: 
I'm telling you the truth.

SCULLY: 
They were your words!

FATHER JOE: 
I don't know why I said...

SCULLY: 
You said them to my face!

FATHER JOE: 
All I ever wanted was to serve Him. 
All I've ever wanted was to serve God.

[His hands start shaking.]

SCULLY: 
You can ask for His pity, but don't expect mine. 
You can stop the act any time.

[The bible falls out of his hands on to the floor, his hands visibly shaking.]

SCULLY: 
Look at me!

[She takes hold of his chin. Shaking all over now, he falls back on to the bed.]

Thursday, 18 March 2021

RoboCop is NOT Superman





Dr. Faxx :
Robocop's command program...
His set of directives...
It determines his behavior.
It's time to update the program and I would like to hear from each one of you.

It's about time they asked us.

We're getting a lot of heat
from parents' groups.

Personally, I don't blame them.
I'm a parent myself.
All that destructive behavior.

He's become a role model for our children.
Now, what are we teaching them?

Dr. Faxx :
You have A Point.

If he talked things out with people
instead of firing that gun.

Couldn't he take a little time
to address environmental issues?

Dr. Faxx :
What was that?

Don't see any reason why not.

For all the shooting he does, 
I've never once seen him take
the time to do anything nice...
like visit an orphanage.

Johnson,
Robocop’s Kindly Uncle :
You're absolutely right.
Or Help A Cat out of a Tree,
or go door to door collecting for The Red Cross 
or maybe even roasting some marshmallows with some Cub Scouts.

Dr. Faxx :
Why, Mr. Johnson, that is wonderful. 
Thank you so much.

"A True Story, Word for Word as I Heard It" by Mark Twain

 




For Twain, a humorist from the West, breaking into The Atlantic was an accomplishment he had aspired to for some time. As the author Ron Powers wrote in his biography of Twain, without the friendship and help of the magazine’s editor, William Dean Howells, “Twain might have flared for a while, a regional curiosity among many, and then faded, forgotten.” Ten years after this tale of slavery, Twain would create a literary icon in the escaped slave Jim in The Adventures of Huckleberry Finn. 


Above, Twain is pictured with John T. Lewis, who lived near him in Elmira, New York. “I have not known a honester man or a more respect-worthy one,” the author once said of his friend. (Library of Congress)


A fruitful relationship between Samuel Clemens and The Atlantic began in 1869, when William Dean Howells, then an assistant editor, wrote a favorable review of Clemens’s first book, Innocents Abroad. Clemens, who wrote under the name Mark Twain, was so pleased with the review that he stopped by The Atlantic’s offices to meet Howells. The two became friends, and after this first story was published in 1874, Twain’s work began to appear regularly in the magazine.


Twain submitted the manuscript for this piece with the following note: “I enclose … a ‘True Story,’ which has no humor in it … I have not altered the old colored woman’s story except to begin at the beginning, instead of the middle, as she did —and traveled both ways.” The woman in question was Mary Ann Cord (rechristened “Aunt Rachel” here), the cook at his sister-in-law’s farm in Elmira, New York.


Twain’s straightforward writing style marked a dramatic departure from the stilted language and rarefied tastes of the New England literary establishment, and through its embrace of Twain, The Atlantic helped chart a new direction in American literature.


—Sage Stossel

IT WAS SUMMER TIME, and twilight. We were sitting on the porch of the farm-house, on the summit of the hill, and “Aunt Rachel” was sitting respectfully below our level, on the steps,—for she was our servant, and colored. She was of mighty frame and stature; she was sixty years old, but her eye was undimmed and her strength unabated. She was a cheerful, hearty soul, and it was no more trouble for her to laugh than it is for a bird to sing. She was under fire, now, as usual when the day was done. That is to say, she was being chaffed without mercy, and was enjoying it. She would let off peal after peal of laughter, and then sit with her face in her hands and shake with throes of enjoyment which she could no longer get breath enough to express. At such a moment as this a thought occurred to me, and I said : —


“Aunt Rachel, how is it that you ’ve lived sixty years and never had any Trouble?”


She stopped quaking. She paused, and there was a moment of silence. She turned her face over her shoulder toward me, and said, without even a smile in her voice:—


“Misto C , is you in ’arnest?”


It surprised me a good deal; and it sobered my manner and my speech, too. I said : —


“Why, I thought— that is, I meant— why, you can’t have had any trouble. I’ve never heard you sigh, and never seen your eye when there wasn’t a laugh in it.”


She faced fairly around, now, and was full of earnestness.


Has I had any trouble? Misto C , I’s gwyne to tell you, den I leave it to you. I was bawn down ’mongst de slaves; I knows all ’bout slavery, ’case I ben one of ’em my own se’f. Well, sah, my ole man—dat’s my husban’—he was lovin’ an’ kind to me, jist as kind as you is to yo’ own wife. An’ we had chil’en—seven chil’en—an’ we loved dem chil’en jist de same as you loves yo’ chil’en. Dey was black, but de Lord can’t make no chil’en so black but what dey mother loves ’em an’ wouldn’t give ’em up, no, not for anything dat’s in dis whole world.


“Well, sah, I was raised in Ole Fo’-ginny, but my mother she was raised in Maryland; an’ my souls! she was turrible when she’d git started! My lan’! but she’d make de fur fly! When she’d git into dem tantrums, she always had one word dat she said. She’d straighten herse’f up an’ put her fists in her hips an’ say, ‘I want you to understan’ dat I wa’ n’t bawn in de mash to be fool’ by trash! I’s one o’ de ole Blue Hen’s Chickens, I is!’ ’Ca’se, you see, dat’s what folks dat’s bawn in Maryland calls deyselves, an’ dey’s proud of it. Well, dat was her word. I don’t ever forgit it, beca’se she said it so much, an’ beca’se she said it one day when my little Henry tore his wris’ awful, an’ most busted his head, right up at de top of his forehead, an’ de niggers did n’t fly aroun’ fas’ enough to ’tend to him. An’ when dey talk’ back at her, she up an’ she says, ‘Look-a-heah!’ she says, ‘I want you niggers to understan’ dat I wa’ n’t bawn in de mash to be fool’ by trash! I’s one o’ de ole Blue Hen’s Chickens, I is!’ an’ den she clar’ dat kitchen an’ bandage’ up de chile herse’f. So I says dat word, too, when I’s riled.


“Well, bymeby my ole mistis say she’s broke, an’ she got to sell all de niggers on de place. An’ when I heah dat dey gwyne to sell us all off at oction in Richmon’, oh de good gracious! I know what dat mean!”


Aunt Rachel had gradually risen, while she warmed to her subject, and now she towered above us, black against the stars.


“Dey put chains on us an’ put us on a stan’ as high as dis po’ch,—twenty foot high,—an’ all de people stood aroun’, crowds an’ crowds. An’ dey’d come up dah an’ look at us all roun’, an’ squeeze our arm, an’ make us git up an’ walk, an’ den say, ‘Dis one too ole,’ or ‘Dis one lame,’ or ‘Dis one don’t ’mount to much.’ An’ dey sole my ole man, an’ took him away, an’ dey begin to sell my chil’en an’ take dem away, an’ I begin to cry; an’ de man say, ‘Shet up yo’ dam blubberin’,’ an’ hit me on de mouf wid his han’. An’ when de las’ one was gone but my little Henry, I grab’ him clost up to my breas’ so, an’ I ris up an’ says, ‘You shan’t take him away,’ I says; ‘I’ll kill de man dat tetches him!’ I says. But my little Henry whisper an’ say, ‘I gwyne to run away, an’ den I work an’ buy yo’ freedom.’ Oh, bless de chile, he always so good! But dey got him—dey got him, de men did; but I took and tear de clo’es mos’ off of ’em, an’ beat ’em over de head wid my chain; an’ dey give it to me, too, but I did n’t mine dat.


“Well, dah was my ole man gone, an’ all my chil’en, all my seven chil’en—an’ six of ’em I hain’t set eyes on ag’in to dis day, an’ dat’s twenty-two year ago las’ Easter. De man dat bought me b’long’ in Newbern, an’ he took me dah. Well, bymeby de years roll on an’ de waw come. My marster he was a Confedrit colonel, an’ I was his family’s cook. So when de Unions took dat town, dey all run away an’ lef’ me all by myse’f wid de other niggers in dat mons’us big house. So de big Union officers move in dah, an’ dey ask would I cook for dem. ‘Lord bless you,’ says I, ‘dat’s what I’s for.’


“Dey wa’ n’t no small-fry officers, mine you, dey was de biggest dey is; an’ de way dey made dem sojers mosey roun’! De Gen’l he tole me to boss dat kitchen; an’ he say, ‘If anybody come meddlin’ wid you, you jist make ’em walk chalk; don’t you be afeard,’ he say; ‘you’s ’mong frens, now.’


“Well, I thinks to myse’f, if my little Henry ever got a chance to run away, he ’d make to de Norf, o’ course. So one day I comes in dah whah de big officers was, in de parlor, an’ I drops a kurtchy, so, an’ I up an’ tole ’em ’bout my Henry, dey a-listenin’ to my troubles jist de same as if I was white folks; an’ I says, ‘What I come for is beca’se if he got away and got up Norf whah you gemmen comes from, you might ’a’ seen him, maybe, an’ could tell me so as I could fine him ag’in; he was very little, an’ he had a sk-yar on his lef’ wris’, an’ at de top of his forehead.’ Den dey mournful, an’ de Gen’l say, ‘How long sence you los’ him?’ an’ I say, ‘Thirteen year.’ Den de Gen’l say, ‘He would n’t be little no mo’, now—he’s a man!’


“I never thought o’ dat befo’! He was only dat little feller to me, yit. I never thought ’bout him growin’ up an’ bein’ big. But I see it den. None o’ de gemmen had run acrost him, so dey could n’t do nothin’ for me. But all dat time, do’ I did n’t know it, my Henry was run off to de Norf, years an’ years, an’ he was a barber, too, an’ worked for hisse’f. An’ bymeby, when de waw come, he ups an’ he says, ‘I’s done barberin’,’ he says; ‘I’s gwyne to fine my ole mammy, less’n she’s dead.’ So he sole out an’ went to whah dey was recruitin’, an’ hired hisse’f out to de colonel for his servant; an’ den he went all froo de battles everywhah, huntin’ for his ole mammy; yes indeedy, he’d hire to fust one officer an’ den another, tell he ’d ransacked de whole Souf; but you see I did n’t know nuffin ’bout dis. How was I gwyne to know it?


“Well, one night we had a big sojer ball; de sojers dah at Newbern was always havin’ balls an’ carryin’ on. Dey had ’em in my kitchen, heaps o’ times, ’ca’se it was so big. Mine you, I was down on sich doin’s; beca’se my place was wid de officers, an’ it rasp’ me to have dem common sojers cavortin’ roun’ my kitchen like dat. But I alway’ stood aroun’ an’ kep’ things straight, I did; an’ sometimes dey’d git my dander up, an’ den I’d make ’em clar dat kitchen, mine I tell you!


“Well, one night—it was a Friday night—dey comes a whole plattoon f’m a nigger ridgment dat was on guard at de house,—de house was head-quarters, you know,—an’ den I was jist a-bilin’! Mad? I was jist a-boomin’! I swelled aroun’, an’ swelled aroun’; I jist was a-itchin’ for ’em to do somefin for to start me. An’ dey was a-waltzin’ an a-dancin’! my! but dey was havin’ a time! an’ I jist a-swellin’ an’ a-swellin’ up! Pooty soon, ’long comes sich a spruce young nigger a-sailin’ down de room wid a yaller wench roun’ de wais’; an’ roun’ an’ roun’ an’ roun’ dey went, enough to make a body drunk to look at ’em; an’ when dey got abreas’ o’ me, dey went to kin’ o’ balancin’ aroun’, fust on one leg, an’ den on t’other, an’ smilin’ at my big red turban, an’ makin’ fun, an’ I ups an’ says, ‘Git along wid you!—rubbage!’ De young man’s face kin’ o’ changed, all of a sudden, for ’bout a second, but den he went to smilin’ ag’in, same as he was befo’. Well, ’bout dis time, in comes some niggers dat played music an’ b’long’ to de ban’, an’ dey never could git along widout puttin’ on airs. An’ de very fust air dey put on dat night, I lit into ’em! Dey laughed, an’ dat made me wuss. De res’ o’ de niggers got to laughin’, an’ den my soul alive but I was hot! My eye was jist a-blazin’! I jist straightened myself up, so,—jist as I is now, plum to de ceilin’, mos’,—an’ I digs my fists into my hips, an’ I says, ‘Look-a-heah!’ I says, ‘I want you niggers to understan’ dat I wa’ n’t bawn in de mash to be fool’ by trash! I’s one o’ de ole Blue Hen’s Chickens, I is!’ an’ den I see dat young man stan’ a-starin’ an’ stiff, lookin’ kin’ o’ up at de ceilin’ like he fo’got somefin, an’ could n’t ’member it no mo’. Well, I jist march’ on dem niggers,—so, lookin’ like a gen’l,—an’ dey jist cave’ away befo’ me an’ out at de do’. An’ as dis young man was a-goin’ out, I heah him say to another nigger, ‘Jim,’ he says, ‘you go ’long an’ tell de cap’n I be on han’ ’bout eight o’clock in de mawnin’; dey’s somefin on my mine,’ he says; ‘I don’t sleep no mo’ dis night. You go ’long,’ he says, ‘an’ leave me by my own se’f.’


“Dis was ’bout one o’clock in de mawnin’. Well, ’bout seven, I was up an’ on han’, gittin’ de officers’ breakfast. I was a-stoopin’ down by de stove,—jist so, same as if yo’ foot was de stove,—an’ I’d opened de stove do wid my right han’,—so, pushin’ it back, jist as I pushes yo’ foot,—an’ I’d jist got de pan o’ hot biscuits in my han’ an’ was ’bout to raise up, when I see a black face come aroun’ under mine, an’ de eyes a-lookin’ up into mine, jist as I’s a-lookin’ up clost under yo’ face now; an’ I jist stopped right dah, an’ never budged! jist gazed, an’ gazed, so; an’ de pan begin to tremble, an’ all of a sudden I knowed! De pan drop’ on de flo’ an’ I grab his lef’ han’ an’ shove back his sleeve,—jist so, as I’s doin’ to you,—an’ den I goes for his forehead an’ push de hair back, so, an’ ‘Boy!’ I says, ‘if you an’t my Henry, what is you doin’ wid dis welt on yo’ wris’ an’ dat sk-yar on yo’ forehead? De Lord God ob heaven be praise’, I got my own ag’in!’


“Oh, no, Misto C , I hain’t had no Trouble. An’ no joy!”

RoboCop Rides Out

"This Guy is REALLY Good..!!"
 
 
RoboCop 1987 - birth & reveal scene clip [longer version]- HD 720p
 
OCP Vice-President Bob Morton,
RoboCop's Father :
 Reed --
 
Captain Reed :
Yeah?
 
OCP Vice-President Bob Morton,
RoboCop's Father :
He needs a car.
 
[Reed tosses him The Keys]
 
RoboCop :
Thank you.
 
 
The Old Man :
I've been very patient, Johnson. 
Five months. 
 
 
Johnson,
Robocop’s Kindly Uncle :
Who's that? 
 
R&D Guy :
That's Dr. Juliette Faxx. 
She's just moved up, 
to head the Attitude Adjustment team. 
 

The Old Man :
Five months. Ninety million dollars! 
I want to see some results. 
 
 
Yes, sir. I'll show you what we have. 
 
OCP pioneered cyborg technology. 
And now we take a quantum leap forward. 
State-of-the-art destructive capabilities... commanded by a unique combination of software and organic systems. 
 
In every way, an improvement over the original. 
It gives me great pleasure to introduce to you, Robocop 2. 

You are under arrest. 
Stop, or I'll shoot. 
Stop, or I'll shoot... 
 
OCP is proud to present the future of urban pacification: Robocop 2. 


The Old Man : 
Ninety Million. 
They all go crazy.
Robots with emotional problems. 

Dr. Faxx : 
No sir, no sir, not robots, cyborgs. 
Cybernetic organisms. 
We use living human tissue 
and that's our whole problem, sir. 
 

Johnson,
Robocop’s Kindly Uncle :
The candidates were all fine men, 
respected Police Officers. 
I reviewed their files, myself. 

Dr. Faxx : 
Sir, Police Officers may not be 
The Best candidates for our purposes. 
They're a physical bunch -- 
They're macho, body-proud. 
Finding themselves stripped of all that, 
there's no wonder they become suicidal. 


Johnson,
Robocop’s Kindly Uncle : 
Our one success was a cop. 
 
Dr. Faxx :
Well, yes, Mr. Johnson. Alex Murphy. 
Top of his class, devout Irish Catholic, Family Man -- 
 
Everything in his profile indicates a 
Fierce sense of Duty. 
That's probably what kept him alive. 
 

Johnson,
Robocop’s Kindly Uncle :
With due respect, Dr. Faxx, 
your area of expertise is Psychology. 
Not Robotics. 
 
The Old Man :
There's no harm in hearing The Young Lady out, is there? 
 

Johnson,
Robocop’s Kindly Uncle :
No, sir. 
 
Dr. Faxx :
Thank you, sir. 
I believe that Murphy's case was unusual, but not unique. 
We can find Someone Else. 
Someone to whom the prospect might even be... desirable. 
 

Johnson,
Robocop’s Kindly Uncle :
Sir, I've never met anyone who wanted to be a robot. 
 
Well, it would require a screening process...
one I'd be happy to supervise. 
 
The cost would be negligible. 
And, uh... it'd be a shame to waste all the work that's been done, wouldn't it? 
 
The Old Man :
It certainly would, my dear. 
Go to it. Report to me, directly. 
 
Yes, sir.
 
The Old Man :
You could learn a thing or two from that girl, Johnson.