Monday, 26 August 2024

Goblin Men



Goblin Market
BY CHRISTINA ROSSETTI

Morning and evening 
Maids heard the goblins cry: 
“Come buy our orchard fruits, 
Come buy, come buy: 
Apples and quinces, 
Lemons and oranges, 
Plump unpeck’d cherries, 
Melons and raspberries, 
Bloom-down-cheek’d peaches, 
Swart-headed mulberries, 
Wild free-born cranberries, 
Crab-apples, dewberries, 
Pine-apples, blackberries, 
Apricots, strawberries;— 
All ripe together 
In summer weather,— 
Morns that pass by, 
Fair eves that fly; 
Come buy, come buy: 
Our grapes fresh from the vine, 
Pomegranates full and fine, 
Dates and sharp bullaces, 
Rare pears and greengages, 
Damsons and bilberries, 
Taste them and try: 
Currants and gooseberries, 
Bright-fire-like barberries, 
Figs to fill your mouth, 
Citrons from the South, 
Sweet to tongue and sound to eye; 
Come buy, come buy.” 

Evening by evening 
Among the brookside rushes, 
Laura bow’d her head to hear, 
Lizzie veil’d her blushes: 
Crouching close together 
In the cooling weather, 
With clasping arms and cautioning lips, 
With tingling cheeks and finger tips. 
“Lie close,” Laura said, 
Pricking up her golden head: 
“We must not look at goblin men, 
We must not buy their fruits: 
Who knows upon what soil they fed 
Their hungry thirsty roots?” 
“Come buy,” call the goblins 
Hobbling down the glen. 

“Oh,” cried Lizzie, “Laura, Laura, 
You should not peep at goblin men.” 
Lizzie cover’d up her eyes, 
Cover’d close lest they should look; 
Laura rear’d her glossy head, 
And whisper’d like the restless brook: 
“Look, Lizzie, look, Lizzie, 
Down the glen tramp little men. 
One hauls a basket, 
One bears a plate, 
One lugs a golden dish 
Of many pounds weight. 
How fair the vine must grow 
Whose grapes are so luscious; 
How warm the wind must blow 
Through those fruit bushes.” 
No,” said Lizzie, “No, no, no; 
Their offers should not charm us, 
Their evil gifts would harm us.” 
She thrust a dimpled finger 
In each ear, shut eyes and ran: 
Curious Laura chose to linger 
Wondering at each merchant man. 
One had a cat’s face, 
One whisk’d a tail, 
One tramp’d at a rat’s pace, 
One crawl’d like a snail, 
One like a wombat prowl’d obtuse and furry, 
One like a ratel tumbled hurry skurry. 
She heard a voice like voice of doves 
Cooing all together: 
They sounded kind and full of loves 
In the pleasant weather. 

Laura stretch’d her gleaming neck 
Like a rush-imbedded swan, 
Like a lily from the beck, 
Like a moonlit poplar branch, 
Like a vessel at the launch 
When its last restraint is gone. 

Backwards up the mossy glen 
Turn’d and troop’d the goblin men, 
With their shrill repeated cry, 
Come buy, come buy.” 
When they reach’d where Laura was 
They stood stock still upon the moss, 
Leering at each other, 
Brother with queer brother; 
Signalling each other, 
Brother with sly brother. 
One set his basket down, 
One rear’d his plate; 
One began to weave a crown 
Of tendrils, leaves, and rough nuts brown 
(Men sell not such in any town); 
One heav’d the golden weight 
Of dish and fruit to offer her: 
Come buy, come buy,” was still their cry. 
Laura stared but did not stir, 
Long’d but had no money: 
The whisk-tail’d merchant bade her taste 
In tones as smooth as honey, 
The cat-faced purr’d, 
The rat-faced spoke a word 
Of welcome, and the snail-paced even was heard; 
One parrot-voiced and jolly 
Cried “Pretty Goblin” still for “Pretty Polly;”— 
One whistled like a bird. 

But sweet-tooth Laura spoke in haste: 
Good folk, I have no coin; 
To take were to purloin: 
I have no copper in my purse, 
I have no silver either, 
And all my gold is on the furze 
That shakes in windy weather 
Above the rusty heather.” 
“You have much gold upon your head,” 
They answer’d all together: 
“Buy from us with a golden curl.” 
She clipp’d a precious golden lock, 
She dropp’d a tear more rare than pearl, 
Then suck’d their fruit globes fair or red: 
Sweeter than honey from the rock, 
Stronger than man-rejoicing wine, 
Clearer than water flow’d that juice; 
She never tasted such before, 
How should it cloy with length of use? 
She suck’d and suck’d and suck’d the more 
Fruits which that unknown orchard bore; 
She suck’d until her lips were sore; 
Then flung the emptied rinds away 
But gather’d up one kernel stone, 
And knew not was it night or day 
As she turn’d home alone. 

Lizzie met her at the gate 
Full of wise upbraidings: 
Dear, you should not stay so late, 
Twilight is not good for maidens; 
Should not loiter in the glen 
In the haunts of goblin men. 
Do you not remember Jeanie, 
How she met them in the moonlight, 
Took their gifts both choice and many, 
Ate their fruits and wore their flowers 
Pluck’d from bowers 
Where summer ripens at all hours? 
But ever in the noonlight 
She pined and pined away; 
Sought them by night and day, 
Found them no more, but dwindled and grew grey; 
Then fell with the first snow, 
While to this day no grass will grow 
Where she lies low: 
I planted daisies there a year ago 
That never blow. 
You should not loiter so.” 
Nay, hush,” said Laura: 
Nay, hush, my sister: 
I ate and ate my fill, 
Yet my mouth waters still; 
To-morrow night I will 
Buy more;” and kiss’d her: 
“Have done with sorrow; 
I’ll bring you plums to-morrow 
Fresh on their mother twigs, 
Cherries worth getting; 
You cannot think what figs 
My teeth have met in, 
What melons icy-cold 
Piled on a dish of gold 
Too huge for me to hold, 
What peaches with a velvet nap, 
Pellucid grapes without one seed: 
Odorous indeed must be the mead 
Whereon they grow, and pure the wave they drink 
With lilies at the brink, 
And sugar-sweet their sap.” 

Golden head by golden head, 
Like two pigeons in one nest 
Folded in each other’s wings, 
They lay down in their curtain’d bed: 
Like two blossoms on one stem, 
Like two flakes of new-fall’n snow, 
Like two wands of ivory 
Tipp’d with gold for awful kings. 
Moon and stars gaz’d in at them, 
Wind sang to them lullaby, 
Lumbering owls forbore to fly, 
Not a bat flapp’d to and fro 
Round their rest: 
Cheek to cheek and breast to breast 
Lock’d together in one nest. 

Early in the morning 
When the first cock crow’d his warning, 
Neat like bees, as sweet and busy, 
Laura rose with Lizzie: 
Fetch’d in honey, milk’d the cows, 
Air’d and set to rights the house, 
Kneaded cakes of whitest wheat, 
Cakes for dainty mouths to eat, 
Next churn’d butter, whipp’d up cream, 
Fed their poultry, sat and sew’d; 
Talk’d as modest maidens should: 
Lizzie with an open heart, 
Laura in an absent dream, 
One content, one sick in part; 
One warbling for the mere bright day’s delight, 
One longing for the night. 

At length slow evening came: 
They went with pitchers to the reedy brook; 
Lizzie most placid in her look, 
Laura most like a leaping flame. 
They drew the gurgling water from its deep; 
Lizzie pluck’d purple and rich golden flags, 
Then turning homeward said: “The sunset flushes 
Those furthest loftiest crags; 
Come, Laura, not another maiden lags. 
No wilful squirrel wags, 
The beasts and birds are fast asleep.” 
But Laura loiter’d still among the rushes 
And said the bank was steep. 

And said the hour was early still 
The dew not fall’n, the wind not chill; 
Listening ever, but not catching 
The customary cry, 
“Come buy, come buy,” 
With its iterated jingle 
Of sugar-baited words: 
Not for all her watching 
Once discerning even one goblin 
Racing, whisking, tumbling, hobbling; 
Let alone the herds 
That used to tramp along the glen, 
In groups or single, 
Of brisk fruit-merchant men. 

Till Lizzie urged, “O Laura, come; 
I hear the fruit-call but I dare not look: 
You should not loiter longer at this brook: 
Come with me home. 
The stars rise, the moon bends her arc, 
Each glowworm winks her spark, 
Let us get home before the night grows dark: 
For clouds may gather 
Though this is summer weather, 
Put out the lights and drench us through; 
Then if we lost our way what should we do?” 

Laura turn’d cold as stone 
To find her sister heard that cry alone, 
That goblin cry, 
“Come buy our fruits, come buy.” 
Must she then buy no more such dainty fruit? 
Must she no more such succous pasture find, 
Gone deaf and blind? 
Her tree of life droop’d from the root: 
She said not one word in her heart’s sore ache; 
But peering thro’ the dimness, nought discerning, 
Trudg’d home, her pitcher dripping all the way; 
So crept to bed, and lay 
Silent till Lizzie slept; 
Then sat up in a passionate yearning, 
And gnash’d her teeth for baulk’d desire, and wept 
As if her heart would break. 

Day after day, night after night, 
Laura kept watch in vain 
In sullen silence of exceeding pain. 
She never caught again the goblin cry: 
“Come buy, come buy;”— 
She never spied the goblin men 
Hawking their fruits along the glen: 
But when the noon wax’d bright 
Her hair grew thin and grey; 
She dwindled, as the fair full moon doth turn 
To swift decay and burn 
Her fire away. 

One day remembering her kernel-stone 
She set it by a wall that faced the south; 
Dew’d it with tears, hoped for a root, 
Watch’d for a waxing shoot, 
But there came none; 
It never saw the sun, 
It never felt the trickling moisture run: 
While with sunk eyes and faded mouth 
She dream’d of melons, as a traveller sees 
False waves in desert drouth 
With shade of leaf-crown’d trees, 
And burns the thirstier in the sandful breeze. 

She no more swept the house, 
Tended the fowls or cows, 
Fetch’d honey, kneaded cakes of wheat, 
Brought water from the brook: 
But sat down listless in the chimney-nook 
And would not eat. 

Tender Lizzie could not bear 
To watch her sister’s cankerous care 
Yet not to share. 
She night and morning 
Caught the goblins’ cry: 
“Come buy our orchard fruits, 
Come buy, come buy;”— 
Beside the brook, along the glen, 
She heard the tramp of goblin men, 
The yoke and stir 
Poor Laura could not hear; 
Long’d to buy fruit to comfort her, 
But fear’d to pay too dear. 
She thought of Jeanie in her grave, 
Who should have been a bride; 
But who for joys brides hope to have 
Fell sick and died 
In her gay prime, 
In earliest winter time 
With the first glazing rime, 
With the first snow-fall of crisp winter time. 

Till Laura dwindling 
Seem’d knocking at Death’s door: 
Then Lizzie weigh’d no more 
Better and worse; 
But put a silver penny in her purse, 
Kiss’d Laura, cross’d the heath with clumps of furze 
At twilight, halted by the brook: 
And for the first time in her life 
Began to listen and look. 

Laugh’d every goblin 
When they spied her peeping: 
Came towards her hobbling, 
Flying, running, leaping, 
Puffing and blowing, 
Chuckling, clapping, crowing, 
Clucking and gobbling, 
Mopping and mowing, 
Full of airs and graces, 
Pulling wry faces, 
Demure grimaces, 
Cat-like and rat-like, 
Ratel- and wombat-like, 
Snail-paced in a hurry, 
Parrot-voiced and whistler, 
Helter skelter, hurry skurry, 
Chattering like magpies, 
Fluttering like pigeons, 
Gliding like fishes,— 
Hugg’d her and kiss’d her: 
Squeez’d and caress’d her: 
Stretch’d up their dishes, 
Panniers, and plates: 
“Look at our apples 
Russet and dun, 
Bob at our cherries, 
Bite at our peaches, 
Citrons and dates, 
Grapes for the asking, 
Pears red with basking 
Out in the sun, 
Plums on their twigs; 
Pluck them and suck them, 
Pomegranates, figs.”— 

“Good folk,” said Lizzie, 
Mindful of Jeanie: 
“Give me much and many: — 
Held out her apron, 
Toss’d them her penny. 
“Nay, take a seat with us, 
Honour and eat with us,” 
They answer’d grinning: 
“Our feast is but beginning. 
Night yet is early, 
Warm and dew-pearly, 
Wakeful and starry: 
Such fruits as these 
No man can carry: 
Half their bloom would fly, 
Half their dew would dry, 
Half their flavour would pass by. 
Sit down and feast with us, 
Be welcome guest with us, 
Cheer you and rest with us.”— 
“Thank you,” said Lizzie: “But one waits 
At home alone for me: 
So without further parleying, 
If you will not sell me any 
Of your fruits though much and many, 
Give me back my silver penny 
I toss’d you for a fee.”— 
They began to scratch their pates, 
No longer wagging, purring, 
But visibly demurring, 
Grunting and snarling. 
One call’d her proud, 
Cross-grain’d, uncivil; 
Their tones wax’d loud, 
Their looks were evil. 
Lashing their tails 
They trod and hustled her, 
Elbow’d and jostled her, 
Claw’d with their nails, 
Barking, mewing, hissing, mocking, 
Tore her gown and soil’d her stocking, 
Twitch’d her hair out by the roots, 
Stamp’d upon her tender feet, 
Held her hands and squeez’d their fruits 
Against her mouth to make her eat. 

White and golden Lizzie stood, 
Like a lily in a flood,— 
Like a rock of blue-vein’d stone 
Lash’d by tides obstreperously,— 
Like a beacon left alone 
In a hoary roaring sea, 
Sending up a golden fire,— 
Like a fruit-crown’d orange-tree 
White with blossoms honey-sweet 
Sore beset by wasp and bee,— 
Like a royal virgin town 
Topp’d with gilded dome and spire 
Close beleaguer’d by a fleet 
Mad to tug her standard down. 

One may lead a horse to water, 
Twenty cannot make him drink. 
Though the goblins cuff’d and caught her, 
Coax’d and fought her, 
Bullied and besought her, 
Scratch’d her, pinch’d her black as ink, 
Kick’d and knock’d her, 
Maul’d and mock’d her, 
Lizzie utter’d not a word; 
Would not open lip from lip 
Lest they should cram a mouthful in: 
But laugh’d in heart to feel the drip 
Of juice that syrupp’d all her face, 
And lodg’d in dimples of her chin, 
And streak’d her neck which quaked like curd. 
At last the evil people, 
Worn out by her resistance, 
Flung back her penny, kick’d their fruit 
Along whichever road they took, 
Not leaving root or stone or shoot; 
Some writh’d into the ground, 
Some div’d into the brook 
With ring and ripple, 
Some scudded on the gale without a sound, 
Some vanish’d in the distance. 

In a smart, ache, tingle, 
Lizzie went her way; 
Knew not was it night or day; 
Sprang up the bank, tore thro’ the furze, 
Threaded copse and dingle, 
And heard her penny jingle 
Bouncing in her purse,— 
Its bounce was music to her ear. 
She ran and ran 
As if she fear’d some goblin man 
Dogg’d her with gibe or curse 
Or something worse: 
But not one goblin scurried after, 
Nor was she prick’d by fear; 
The kind heart made her windy-paced 
That urged her home quite out of breath with haste 
And inward laughter. 

She cried, “Laura,” up the garden, 
“Did you miss me? 
Come and kiss me. 
Never mind my bruises, 
Hug me, kiss me, suck my juices 
Squeez’d from goblin fruits for you, 
Goblin pulp and goblin dew. 
Eat me, drink me, love me; 
Laura, make much of me; 
For your sake I have braved the glen 
And had to do with goblin merchant men.” 

Laura started from her chair, 
Flung her arms up in the air, 
Clutch’d her hair: 
“Lizzie, Lizzie, have you tasted 
For my sake the fruit forbidden? 
Must your light like mine be hidden, 
Your young life like mine be wasted, 
Undone in mine undoing, 
And ruin’d in my ruin, 
Thirsty, canker’d, goblin-ridden?”— 
She clung about her sister, 
Kiss’d and kiss’d and kiss’d her: 
Tears once again 
Refresh’d her shrunken eyes, 
Dropping like rain 
After long sultry drouth; 
Shaking with aguish fear, and pain, 
She kiss’d and kiss’d her with a hungry mouth. 

Her lips began to scorch, 
That juice was wormwood to her tongue, 
She loath’d the feast: 
Writhing as one possess’d she leap’d and sung, 
Rent all her robe, and wrung 
Her hands in lamentable haste, 
And beat her breast. 
Her locks stream’d like the torch 
Borne by a racer at full speed, 
Or like the mane of horses in their flight, 
Or like an eagle when she stems the light 
Straight toward the sun, 
Or like a caged thing freed, 
Or like a flying flag when armies run. 

Swift fire spread through her veins, knock’d at her heart, 
Met the fire smouldering there 
And overbore its lesser flame; 
She gorged on bitterness without a name: 
Ah! fool, to choose such part 
Of soul-consuming care! 
Sense fail’d in the mortal strife: 
Like the watch-tower of a town 
Which an earthquake shatters down, 
Like a lightning-stricken mast, 
Like a wind-uprooted tree 
Spun about, 
Like a foam-topp’d waterspout 
Cast down headlong in the sea, 
She fell at last; 
Pleasure past and anguish past, 
Is it death or is it life? 

Life out of death. 
That night long Lizzie watch’d by her, 
Counted her pulse’s flagging stir, 
Felt for her breath, 
Held water to her lips, and cool’d her face 
With tears and fanning leaves: 
But when the first birds chirp’d about their eaves, 
And early reapers plodded to the place 
Of golden sheaves, 
And dew-wet grass 
Bow’d in the morning winds so brisk to pass, 
And new buds with new day 
Open’d of cup-like lilies on the stream, 
Laura awoke as from a dream, 
Laugh’d in the innocent old way, 
Hugg’d Lizzie but not twice or thrice; 
Her gleaming locks show’d not one thread of grey, 
Her breath was sweet as May 
And light danced in her eyes. 

Days, weeks, months, years 
Afterwards, when both were wives 
With children of their own; 
Their mother-hearts beset with fears, 
Their lives bound up in tender lives; 
Laura would call the little ones 
And tell them of her early prime, 
Those pleasant days long gone 
Of not-returning time: 
Would talk about the haunted glen, 
The wicked, quaint fruit-merchant men, 
Their fruits like honey to the throat 
But poison in the blood; 
(Men sell not such in any town): 
Would tell them how her sister stood 
In deadly peril to do her good, 
And win the fiery antidote: 
Then joining hands to little hands 
Would bid them cling together, 
“For there is no friend like a sister 
In calm or stormy weather; 
To cheer one on the tedious way, 
To fetch one if one goes astray, 
To lift one if one totters down, 
To strengthen whilst one stands.”

Matrimony

 




HARKER :
You're a Monster. 

DRACULA :
And you're a Lawyer!
Nobody's Perfect.

(turns to the dying Bride he just murdered)
AhA Stake through The Heart.
You see, sometimes 
The Legends are right.

This is not one you can 
test too often, though.
I only ever have three 
brides at a time.

HARKER:
"Brides"?

DRACULA :
Brides, yes
think that's 
The Right Word for it.
You seeum...
[ • ahem  ] ....I am 
trying to reproduce...
 
...which, frankly
can be a bit of 
A Challenge when 
There is Only 
One of You.










[English] The Master Scene - [The Wedding]

The Master :
Would you scrub yourself 
and make yourself clean.

My Daughter is 
getting married.
Come and join us —

Leave your worries for a while.
They'll still be there
when you get back.

And your memories 
aren't invited.
Stand wherever you like.





Good day, good day, 
good day, good day.

What a day. What a day.

Mama.

Rascal.

Clark, big day?

Big day indeed, sir.
How are you feeling?

I feel pretty well, thank you. How are you?

Wonderful.

As long as you 
hold these bodies,
in this life, you will 
be Man and Wife.

You may kiss the bride.



Master :
Marriage!
Previous to The Cause 
was awful.... Awful --

It was a cycle
like Life.

Birth, excitement, 
growth, decay, death.

Now... now...
...how about this?

Here it comes... 
a large dragon.

Teeth...
...blood dripping, 
red eyes. 
What do I got?

lasso. I whip it up.

wrap it around 
its neck, and I wrestle,
wrestle, wrestle him 
to the ground.

I snap up. I say, 
"Sit, Dragon." 
Dragon sits.

I say "Stay." 
Dragon stays.

Now it's got leash on it.

I take it for a walk.

And that's where 
we're at with it now.

It stays on command.

Next we're going to teach it 
to roll over and 
play dead.




Love that story.
So, where are you from?


Huh? 

Where are you from?

Lynn, Massachusetts.

Freddie Quell, how do you do?
I'm Val. I'm his son.

Oh, yeah, I see it.

So what kind of Work 
will you be doing?

- Not sure.

Done any Time Hole work?

- Any what?

Any Time Hole work?

I don't think so. I don't know what that is.
I'm sure you're going to love it. - I hope so.

- Nice to meet you and welcome aboard. - Looking forward to it.

- How long have you known him? - Good night!

- About three years. - Good night, good night, good night.

Thank you, thank you for being here.

- Norman... - Three years?

Thank you.

- Good night, Master.

 Good night.(turns to Freddie --)
When can we have some 
more of your potion?

Whenever you like, 
I'll make it.

When I like it, I'll 
give you a signal.

I'll rub my nose 
and scratch my ear.

What will you need?
I'll take care of it.
Good.

Anything you need.
Thank you, good night.

Good night, everyone.

Don't get up. Don't get up.
I love you. I love you, too.

What a day.

We fought against the day 
and we won. We won.

Freddie, feel free 
to sit with us.

Can you invite him over?

Say, come on over.

Can you say hi?

He's... been 
writing all night.

You seem to inspire 
something in him.

Yeah?

Mm.

When we're at 
Home, on land,there's 
too much pulling 
him in each direction.

Every time he sits 
to write, a new attack 
is launched against him, and 
he spends too much time 
defending himself.

Who's attacking him?

People who are scared.

People who 
are greedy.

Ex-wives. Hugs.
That's what's so nice 
about being at sea.

He gets his 
studies done.

Hm.

Advances The Learning. 
He writes Book Two.

Currently codenamed,
euphamistically as either,
Book Two, or 
The Second Book —






Fathers of The First Fruit of Thy Invention

"SO BE GOOD...!!

For Goodness Sake!

Wo-Oah..!!

Somebody's Commin'!
Somebody's Commin'...!!!"

"Well now — I'm not gonna 
Talk about Judy...


She would be 24-25 by now — 
I wonder where She is...

I kinda hope it isn't Harley Quinn
adorable though she is, because 
that would just be kinda strange...



Putrid





Schools will teach children about spotting extremist content and fake news online in an overhaul of the curriculum after far-right riots erupted across the UK.

The education secretary announced on Saturday that English, ICT (information and communication technology) and maths are among the lessons that will be used to “arm” pupils against “putrid conspiracy theories”.


Students will begin acquiring the critical thinking skills that enable identifying misinformation online as young as five, said Bridget Phillipson.

She told The Telegraph: “It’s more important than ever that we give young people the knowledge and skills to be able to challenge what they see online.

“That’s why our curriculum review will develop plans to embed critical skills in lessons to arm our children against the disinformation, fake news and putrid conspiracy theories awash on social media.”

The Education Secretary announced on Saturday that English, ICT (information and communication technology) and maths are among the lessons that will be used (PA Wire)

Our renewed curriculum will always put high and rising standards in core subjects first – that’s non-negotiable. But alongside this we will create a broad, knowledge-rich curriculum that widens access to cultural subjects and gives pupils the knowledge and skills they need to thrive at work and throughout life.

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The new plans come as a 13-year-old boy was due to appear at Manchester Crown Court on Saturday charged with violent disorder offences over the riots that broke out following the killings of three young girls in Southport.

A number of false claims about the fatal knife attack, primarily disinformation about the suspect, spread widely online in the aftermath, sparking the disorder – which, in turn, triggered a fresh debate over a crackdown on social media companies.

Government sources said the risks young people face being “sucked into dangerous online spaces” were highlighted by the unrest and must urgently be addressed.

Ms Phillipson criticised the primary and secondary school curriculum for failing to “prepare enough of our children for work and for life”, as she pledged to look at “embedding” critical thinking skills across lessons in many subjects, with a view to teaching children how to spot and reject extremist content.

English classes might be used to scrutinise newspaper reports, comparing their style and language to fake news, while pupils may be taught how to identify fake news websites via their designs in computer lessons, and maths students could learn to analyse statistics in context.

Prof Becky Francis is leading the review and is set to report back next year, which would mean its recommendations could be introduced as early as September next year.

Sunday, 25 August 2024

Expiation






Anne's apartment

Lily is there waiting for her to return. She finds Buffy's stuffed duck and picks it up to stroke it. 

Buffy opens the door, 

comes in and closes it behind her.

Lily puts the duck down and steps closer to Buffy.


Lily: Did you find Rickie? I thought of--well, he likes to go to this movie house, you can get in around the back--


Buffy: (interrupting) Lily . . . I think he's dead.


Lily: (very sad and lost) But . . . he takes care of me.


Buffy: I'm sorry.


Lily: We're gonna get a place. His cousin can get him a job at the car wash.


Buffy: Lily, there's (exhales) there's something else. (sits on the bed) The, the person that I found . . . was old. He-he looked about eighty.


Lily: Well, that's not Rickie!


Buffy: I'm SURE it was. I, I don't know how, but . . . it was like something drained the life out of him.


Lily: Do you mean like a vampire?


Buffy: No. A vampire couldn't accelerate the aging process. Maybe it was something in his blood. (has a thought) When was the last time you guys gave blood together?


Lily: I don't understand. Maybe it's not Rickie, okay?


Buffy: (stands up) Lily, this is something you're just gonna have to deal with.


Lily: (flustered) But he didn't do anything wrong! Why would this happen to him?


Buffy: That's *not* the point. (Lily calms a bit) These things happen all the time. You can't just . . . close your eyes and hope that they're gonna go away.


Lily: Is it 'cause of you?


Buffy: (confused) What?


Lily: You know about . . . monsters and stuff. You could have brought this with you.


Buffy: (very annoyed) I didn't bring anything with me. And I didn't ask for you to come to me with your problems. I just wanted to be left alone. If you can't deal, then *don't* lay it off on me!


Lily can't take it. She holds up her hands to deny what she's hearing and walks out of the apartment. Buffy sighs, regretting raising her voice to Lily.

Evil against Evil




“Text after Farber 2014 : 155, translation mine

Lamashtu was the most articulated and identifiable of the forces of evil between the rivers. 

Note, incidentally, that the only Hollywood film in which ancient Mesopotamian evil is taken to be alive and kicking, the monstrous production of 1973 entitled The Exorcist, attributed the spectacularly disfiguring possession of a young but increasingly green girl by a ‘demon’, who appeared right at the outset of the film, when most people were probably still parking or leaving their coats. 

This so-styled ‘demon’ in fact was our good Pazuzu, a hero to human beings and definitely on OUR Side, for the very sight of Pazuzu was anathema to Lamashtu, and he could always be relied on to see off the savage, baby-consuming demoness Lamashtu

That poor Pazuzu was blamed for what happened in that film is nothing short of solicitor-activating slander.