Sunday, 18 February 2024

Carry on Sergeant

 



CARRY ON SERGEANT (1958) - 
Sergeant Grimshaw wants to retire in the flush of success 
by winning the Star Squad prize with his very 
last platoon of newly called-up National Servicemen. 
But what a motley bunch they turn out to be, and it's up to 
Grimshaw to put the no-hopers through their paces.




We don't deserve your congratulations.
It was luck. Pure luck.

Old Grandfather :
What a lot of rubbish.
Luck doesn't enter into it.

Sure it does, Grimmy.
Take you, now. Six years 
a Training Sergeant.
And never had a Champion 
Platoon. It's bad luck.

Old Grandfather :
Oh, no, it isn't.
Listen, Paddy, every man has the instinct 
of soldiering in him. Right?

Paddy :
Right enough.

Old Grandfather :
You've all done it. You've all had 
Champion Platoon at
one time or another.
So shall I. With my next platoon.

Paddy :
Why? What's the hurry?

Old Grandfather :
It's my last platoon.
I shall be leaving the army in ten
weeks and it's my last chance.

Paddy :
Don't set your heart on it.

Old Grandfather :
Now listen, when I
want your advice...

Paddy :
Like to bet on it?

Old Grandfather :
I don't bet as a rule.

Paddy :
What, scared?

Old Grandfather :
Not a bit of it.

Paddy :
All right. 50 quid says
no Champion Platoon.

********

Old Grandfather :
Sergeant Grimshawe, sir. 
Can I give you a lift to the mess, sir?

Well, that's extremely
civil of you, Sergeant.

Old Grandfather :
Thank you, sir.
Let me take the bag, sir.
Thank you, Sergeant.


Bye, darling.
Well, a very nice place
you have here, Sergeant.

Old Grandfather :
Finest depot in the command, sir.

That's encouraging.


Well, Sergeant, where do I report?

Old Grandfather :
That's the officers'
mess over there, sir.

Very nice too, but I happen
to be a National Serviceman.

Old Grandfather :
Get in the back of that
truck, will you? Fast.

Thank you, Sergeant.

Old Grandfather :
I know exactly how you feel.

Old Grandfather :
Thank you.
Judging by their names,
they should be a fine lot.
There's a lot in a man's name,
Corporal. Gives him character.
Strong, Sage, Bailey,
Heywood, Galloway, Golightly.
Golightly? 

Cpl. Copping :
Golightly.
What's in a name?

Old Grandfather :
Corporal Copping, you know how much
depends on the success of this platoon.

Cpl. Copping :
50 quid, Sergeant.


That's only money.
There's my reputation,
and perhaps er...
your recommendation
for promotion when I leave,
and possibly a slight
percentage for you if I win.

Cpl. Copping :
When you win, Sergeant.


That's the spirit, Copping.
Now er... let's have a look at
our Champion Platoon, shall we?


All right, stand by your beds.
All right, at ease, lads.
I'm Sergeant Grimshawe.
And this is Corporal Copping. Right?
Now, I'm a quiet, reasonable, humane man.
I know. My mother told me.
Oh, yes. I had a mother and a father,
even though I am a sergeant.
Only one thing rubs
me up the wrong way,
and that's a man that doesn't
pull his weight in my platoon.
In that respect, I'm a
veritable Jekyll and Hyde.
But somehow, looking around me,
I don't think that nasty side of my
character's going to
rouse itself this time.
I judge a body of men on sight.
And I don't mind telling
you lads I feel
distinctly encouraged
at the prospects.
Don't disappoint me.
Right, any questions?


Can I report sick, please?

Old Grandfather :
What's yer name?

Pvt. Strong :
Strong.
Horace Strong.

Old Grandfather :
Corporal Copping.

Cpl. Copping :
Sergeant.

Old Grandfather :
Private er... Strong...
on sick report tomorrow.
Anyone else?


Ooh er... please, sir.

Old Grandfather :
And don't call me
sir. Sergeant to you.
Are you feeling sick too?


Oh, no, Sergeant.
I want some leave.

Old Grandfather :
Leave? Why, you've only
just arrived, son.


But it's vital, Sergeant.
Compassionate. What happened...

Old Grandfather :
All right, all right, you don't
have to tell the world. Copping.
This man to see the
Company Commander.


Thank you, Sergeant.


Not now. When you're sent
for. Get back in line.


But, Sergeant...

Old Grandfather :
Quiet. I never did.
What's that?


Haven't you ever seen a guitar,
Sergeant? Where've you been living?

Old Grandfather :
Right here, you numbskull. Where you're
gonna live for the next ten weeks.
With that banjo out of sight.


Banjo?

Old Grandfather :
Yes. Out of sight. Understand?
- I dig.

Old Grandfather :
You'll dig, all right.
I'll see to that.
We've met.


Yes, Sergeant.

Old Grandfather :
And no more skylarking, right?
Or you're for it, got it?

Yes. Sergeant.

Old Grandfather :
Corporal. Empty bed.
Where's that man?


Er... I don't know, Sergeant.

Old Grandfather :
What's his name?
- His name's Golightly.

Old Grandfather :
I might have known it. Find him.


Sergeant.
Golightly.
At the double. Private Golightly.
I'm so sorry.
Hello. Did someone call?


Golightly, where have you been?
- Must I say?
Come here.
At the double.
Where have you been?
Well, I... got locked in somewhere.
You see, I... Oh, dear.
Have you hurt yourself?
I've got some lotion here.

Old Grandfather :
Quiet, the lot of you.

Oh, do stop shouting, please.

Old Grandfather :
You there.
Is that remark addressed to me?

Old Grandfather :
Stand to attention
when I'm talking.

Why?

Old Grandfather :
Why? Do as you're told,
You're in The Army, son.
Oh, not quite. I'm still a
civilian. With civilian rights.
Don't shout, please.

Old Grandfather :
What is your name? Please.

Bailey. James Bailey.
How do you do?

Old Grandfather :
Fine. Absolutely bloody fine.
But I'll feel even better
once you're in uniform.

Thank you, Sergeant.

All right, carry on, Corporal.
As you were.
The Sergeant doesn't seem to like us.
I wonder why.
I dunno. 

Old Grandfather :
Why does it happen to me? 
Isn't there any justice?

Cpl. Copping :
You don't want to worry,
Sergeant. It'll be all right.

Old Grandfather :
It'll be what? You were
there. You saw them.
Out of 24 men, I'm lumbered
with one hypochondriac,
one natural-born candidate
for the glasshouse,
a rock 'n' roller
a shadow of a man haunted 
by Lord knows what,
and a popsy-chasing layabout,
and some idiot who gets himself
locked in... well, you know where.

Cpl. Copping :
Yes, but I mean, look...

Old Grandfather :
Any one of those clots
could sabotage the squad.
But I've got 'em all. About turn.
We're 24 per cent non-effective
before we start.
How in the name of
Aldershot can it work out?

Cpl. Copping :
Well, it's got to. Your
reputation depends on it.

Old Grandfather :
My reputation, my foot.
What about my 50 quid
riding on that lot?

Cpl. Copping :
No, that's true. Oh, well.
There's only one thing for it.
Chase the living
daylights out of them.

Old Grandfather :
Oh, no, no, no. That's no
good. That'd be fatal.
Half the mob in the guardroom's 
no good to me.

Cpl. Copping :
Yes, but Sergeant...

Old Grandfather :
Will you have hush.
No, Copping, we've
got to be... subtle.

Cpl. Copping :
Subtle.

Old Grandfather :
We must be kind. Considerate.

Cpl. Copping :
Kind?

Old Grandfather :
Yes. These are delicate blooms, Copping.

Cpl. Copping :
Are they?

Old Grandfather :
Yes.


Hello. You must be the new lot.
- Greetings, cat.
- Cat?
No, my name's not Cat.
- Are you in our platoon?
- No, not Cat.
Brown. Herbert Brown.
- What did you say?
- Are you in our platoon?
No. I just live here.
Yeah, I think I can
understand him.

You er... received a severe blow on
the head as a child, didn't you?


No, that was my brother.
Horace, old man, can't you forget
psychiatry for one minute?
I was only trying to help him.
Oh, I don't need any help, thanks.
Well, ta-ra, fellas. See
you at the NAAFI perhaps.


Hello, corp.


Don't get lost.
Here, Corporal. Who
was that soldier?


Ta.
That was no soldier,
that was Herbert.
I give up.
Don't worry, so did the army.
Here we are, chaps.
Help yourselves.
Thank you.



Old Grandfather :
What a right bunch
they turned out to be.
Oh, just luck. Rotten bad luck.

I must have stood
under a ladder and
kicked 13 black cats
some time or other.

Well, don't worry, sarge, it'll all 
be behind you this time tomorrow.
Your last day in The
Army. I wish it
had turned out the
way you wanted it.

You know. You at the head
of a Champion Platoon.

Yes. It isn't given to
every man to achieve

his life's ambition.
Certainly not to me.

However, I hope when
you get the other one

up, you'll have better
luck than I had.

- Good night.
- Good night, sarge.

Don't be daft, Herbert.

Characters like Grimshawe
don't leave the

army. They can't.
They've taken root.

Listen, I heard 'em
talking about it.

Tomorrow's his last
day in the army.

Well, best of British
luck to the old b...

Oh, all right, then.

Perhaps he isn't such a bad old buzzard.
Best sergeant I ever served under.
Let's give him a present.

I know what he'd like. Us. 
The Champion Platoon tomorrow.

What a hope.

Aye, he would like that. 
I heard him saying just that to
Corporal Copping.

No, it's impossible.

In any case, why should
we knock ourselves
out after the way he's
chased us around?

When did he ever chase you, Andy?

Or any of us, for that matter.

He's yelled a lot, but sergeants can't talk quietly.
If he'd wanted to, he could have had
all of us inside over and over again.

Yeah, that's right. I wonder why he didn't.

Excuse me.

Perhaps he's been trying a
sociological experiment too.

As Miles said.

Grimshawe could have made life
purgatory for us. He didn't.

- Why?
- Why, Jim?

My theory is this.
With us, his last platoon,
Grimshawe tries the experiment
of deliberately putting a brake
on his disciplinary powers,
relying, instead, purely
on his personality.

In my opinion, such an
experiment deserves success.

Boys... we shall be
Champion Platoon tomorrow.

You're barmy.

We can but try. If the others
will cooperate. What do you say?

- Go on, boys. Try.
- Ok.

What have we got to lose?

- Nothing.
- Come on, let's tell the others.

Wednesday, 14 February 2024

You are Amazing


Please -- What is it always, 
this 'Amazing'...?

That's Your Name - The 
Amazing Spider-Man. 

You are Amazing --
I am Adjectiveless,
He is Avenging
and 
We're All-Together,
Goo-gu-ki-chu --



Amazing :
God, This is so cool.
I always wanted brothers.

Avenging :
So, you could like make your 
own web fluid in your body?

Adjectiveless :
.....I’d rather not talk about this.

Amazing :
No, I don’t mean to…

Adjectiveless :
Are you teasing me?

No, no, no. 

Avenging :
No, no, no.
He’s not teasing you. 
It’s just that… We can’t 
do that, so naturally we’re 
curious as to how your 
web situation works.
That’s all.

If it’s personal, I don’t wanna pry. 
I just think it’s cool.

Adjectiveless :
No. I wish I could tell you, 
but it’s like, I don’t do it…
Like I don’t…
Like, I don’t do breathing. Like, 
breathing just happens.

Whoa.

Avenging :
Like, does it just come out of your wrists, or…
Does it come out of anywhere else?

Adjectiveless :
Only… only the wrists.

Amazing :
You never had a web-block? Cause 
I run out of webs all the time.
I have to make my own in a lab.
And it’s a hassle.

Adjectiveless :
That sounds like a hassle. Yeah. But I did
actually, as you said that, I was like…
"I had a web-block --".

Amazing :
Why?

Adjectiveless :
....existential crisis stuff.

Amazing :
Yeah, don’t get me 
started on that.

Avenging :
Hey… What are like, some of the craziest 
villains that you guys have fought?

Adjectiveless :
Seems you’ve met some of them.

Amazing :
That’s a good question.


Adjectiveless :
I fought a… an alien… made 
out of black goo once.

Avenging :
No way! I fought an alien, too.
On Earth and in space.

Amazing :
Oh.

Avenging :
Yeah. He was purple.

Amazing :
I wanna fight an alien.

Adjectiveless :
I’m, I’m still, like…
That you fought 
an alien, in Space.

Amazing :
I’m lame, by comparison --
Like, I fought a Russian guy in a…
Like a rhinoceros-machine.

Adjectiveless :
Hey, can we wind it back 
to the “I’m lame” part?
‘Cause, You are not.

Amazing :
Aw, thanks. No, yeah. I appreciate it, 
I’m not saying I’m lame.

Adjectiveless :
But it’s just the self-talk 
maybe we should, you know…

Amazing :
Yeah, listen…

Adjectiveless :
Please… You’re… 
You’re Amazing.
Just to take it in for a minute.

Amazing :
Yeah, yeah, yeah.

Adjectiveless :
You… You are amazing.

Amazing :
I guess I am.

Adjectiveless :
You are amazing.

Amazing :
Thank you.

Adjectiveless :
Will you say it?

Amazing :
No, I kinda needed to 
hear that. Thank you.

Avenging :
Alright guys, focus up. 
Can you feel that?

Amazing :
Yeah.

Tuesday, 13 February 2024

The Time-Travelling Monk has Deceived Us.


Alongside him in Stalag Luft 3 was another prisoner, Talbot Rothwell, who would go on to write many of the best Carry On films. He and Rothwell convinced the camp commandant to allow them to build a theatre, with the sounds from the performances helping drown out the noise of digging the tunnels.
"It's where the (Carry On) humour kind of had its start, in this place surrounded by watchtowers and guard dogs," Tyler Butterworth explains.
"They worked out what made guys laughAnd that was the funny thing, he played these bumbling characters, always getting things wrong. And there's this complete flip side of this man that was totally focused writing code, working with his friends who were tunnelling on the other side of the compound."
However, all of this was never discussed within his family and it was only years later that the younger Butterworth began to understand some of his father's actions.
"He had all this going on in his mind in his life. My mother told me that when they first bought the house that we grew up in, Dad would religiously put on a dressing gown and walk around the garden in the morning, every morning, because he could, because there (in the camp) he couldn'tAnd those are the sort of things he brought back. But I didn't know about this until after he was dead."


























Mavic Chen
What are Your Terms, Doctor?

Old Grandfather :
You will release Your Prisoners -- 
I also include that Monk fellow, too.... though 
I don't know why I should bother with him

Bring all three to the place of rendezvous
and hand them over at the same time.

Mavic Chen :
Why can't you come here?

Old Grandfather
You should know The Answer 
to that as well as I do :
None of you can be trusted. You, 
and one Dalek, at The West Angle 
of The Great Pyramid.


 


The Star who helped World War II Prisoners escape
The Great Escape and The Wooden Horse are two classic British World War II escape films, but what is perhaps less well known is that one of the team involved in both of the escapes that inspired them would go on to become a star of the Carry On movies.
Now, 80 years on, Peter Butterworth's recently discovered German prison identity card is going on display as part of an exhibition telling the story of his life as a prisoner of war.
Butterworth served in the Royal Navy Fleet Air Arm during The War but was shot down in 1940, spending the rest of it as a prisoner of war.
Butterworth, who appeared in 16 Carry On films, helped hide the sand for the escape tunnels featured in The Great Escape and was on the organising committee for the tunnels featured in The Wooden Horse, but it has taken decades for the full story to emerge.
It was his wartime role - working alongside Carry On screenwriter Talbot Rothwell whose plane was also shot down - that helped birth the Carry On humour Butterworth later became famous for.
A cache of prisoner of war documents recently released from a German archive is now going on display at the National Archives in London, which adds new detail to the gradually unfolding story.
The documents arrived from Germany and have been catalogued by a team of volunteers.
For his son Tyler Butterworth, it has been a revelation.
"They keep declassifying things and more seems to bubble up. It's remarkable."
In Carry on Camping, Peter Butterworth played the avaricious campsite owner, Josh Fiddler. In Carry On Up The Khyber, he was the libidinous preacher, Brother Belcher, and in Carry on Don't Lose Your Head, he was Citizen Bidet.
However, in Stalag Luft 3, he was An Officer and Code Writer in MI9, the military intelligence agency responsible for organising escapes from prison camps. It was a mystery to even his own son until long after his death in 1979.
"He did suffer from what we now call post-traumatic stress disorder (PTSD). He never said this to my sister and I, but my mother (the impressionist Janet Brown) told me about things that happened, especially right at the start of their marriage, after The War, where he'd suddenly leap out of bed at night and throw himself on the floor and start hiding. She had to barricade the bedroom door because the staircase was outside."
Peter Butterworth (standing at the back) with the theatre company at Stalag Luft 3
In the escape immortalised in the classic film The Great Escape, Butterworth helped hide the soil from the tunnels in the camp theatre. Inmates would be encouraged to smoke pipes near where the soil was stored to mask the smell.
In the Wooden Horse escape, in which a tunnel was dug underneath a vaulting horse, he was one of the organising committee. When the story was adapted in 1950 for the big screen, he auditioned for a role but was turned down for not looking sufficiently like A Prisoner.
Carry On beginnings
Alongside him in Stalag Luft 3 was another prisoner, Talbot Rothwell, who would go on to write many of the best Carry On films. He and Rothwell convinced the camp commandant to allow them to build a theatre, with the sounds from the performances helping drown out the noise of digging the tunnels.
"It's where the (Carry On) humour kind of had its start, in this place surrounded by watchtowers and guard dogs," Tyler Butterworth explains.
"They worked out what made guys laugh. And that was the funny thing, he played these bumbling characters, always getting things wrong. And there's this complete flip side of this man that was totally focused writing code, working with his friends who were tunnelling on the other side of the compound."
However, all of this was never discussed within his family and it was only years later that the younger Butterworth began to understand some of his father's actions.
"He had all this going on in his mind in his life. My mother told me that when they first bought the house that we grew up in, dad would religiously put on a dressing gown and walk around the garden in the morning, every morning, because he could, because there (in the camp) he couldn't. And those are the sort of things he brought back. But I didn't know about this until after he was dead."
As the bewildered Brother Belcher in the shell-torn dining room scene in Carry On Up the Khyber proves, Peter Butterworth was a marvellous comic actor. However, given that he escaped from one camp near Frankfurt and helped two of the most celebrated escapes in World War Two, we should be perhaps remembering him for more than just Carry On.

The Great Escapes: Remarkable Second World War Captives is on at the National Archives in London from 2 February until 21 July.