Sunday, 22 January 2017

The Hunter and The Goddess




" As a virgin, Artemis had interested many gods and men, but only her hunting companion, Orion, won her heart. 


Orion was accidentally either by Artemis or by Gaia.

Alpheus, a river god, was in love with Artemis, but he realizes that he can do nothing to win her heart. So he decides to capture her. Artemis, who is with her companions at Letrenoi, goes to Alpheus, but, suspicious of his motives, she covers her face with mud so that the river god does not recognize her. In another story, Alphaeus tries to rape Artemis' attendant Arethusa. Artemis pities Arethusa and saves her by transforming Arethusa into a spring in Artemis' temple, Artemis Alphaea in Letrini, where the goddess and her attendant drink.

Bouphagos, the son of the Titan Iapetos, sees Artemis and thinks about raping her. Reading his sinful thoughts, Artemis strikes him at Mount Pholoe.

Sipriotes is a boy, who, either because he accidentally sees Artemis bathing or because he attempts to rape her, is turned into a girl by the goddess.




The childhood of Artemis is not fully related in any surviving myth. The Iliad reduced the figure of the dread goddess to that of a girl, who, having been thrashed by Hera, climbs weeping into the lap of Zeus.

A poem of Callimachus to the goddess "who amuses herself on mountains with archery" imagines some charming vignettes: according to Callimachus, at the age of three years, Artemis, while sitting on the knee of her father, Zeus, asked him to grant her six wishes: 

to remain always a virgin; 
to have many names to set her apart from her brother Apollo; 
to be the Phaesporia or Light Bringer; 
to have a bow and arrow and a knee-length tunic so that she could hunt; 
to have sixty "daughters of Okeanos", all nine years of age, to be her choir; 
and for twenty Amnisides Nymphs as handmaidens to watch her dogs and bow while she rested. 

She wished for no city dedicated to her, but to rule the mountains, and for the ability to help women in the pains of childbirth.

Artemis believed that she had been chosen by the Fates to be a midwife, particularly since she had assisted her mother in the delivery of her twin brother, Apollo [work that one out...].

All of her companions remained virgins, and Artemis closely guarded her own chastity. 



Her symbols included the golden bow and arrow, the hunting dog, the stag, and The Moon. 

Callimachus tells how Artemis spent her girlhood seeking out the things that she would need to be a huntress, how she obtained her bow and arrows from the isle of Lipara, where Hephaestus and the Cyclops worked.

Okeanus' daughters were filled with fear, but the young Artemis bravely approached and asked for bow and arrows. 



Callimachus then tells how Artemis visited Pan, the god of the forest, who gave her seven bitches and six dogs. 


She then captured six golden-horned deer to pull her chariot. Artemis practiced with her bow first by shooting at trees and then at wild beasts. "

Saturday, 21 January 2017

Friday, 20 January 2017

Rogue One : Rebellions are Built on Hope




"Comrades! 

The insurrection of five kulak districts should be pitilessly suppressed. The interests of the whole revolution require this because ‘the last decisive battle’ with the kulaks is now under way everywhere. 

An example must be demonstrated.

1. Hang (and make sure that the hanging takes place in full view of the people) no fewer than one hundred known landlords, rich men, bloodsuckers.

2. Publish their names.

3. Seize all their grain from them.

4. Designate hostages in accordance with yesterday’s telegram.

Do it in such a fashion that for hundreds of kilometres around the people might see, tremble, know, shout: “they are strangling, and will strangle to death, the bloodsucking kulaks”.

Telegraph receipt and implementation.

Yours, Lenin.

Find some truly hard people




KIRA
You're really not cut out for this, are you? 
Being a terrorist, I mean. 
You're not very good at it. 

RIKER
Really? 

KIRA
You're acting more like a Starfleet officer who's more interested in intelligence reports and Cardassian politics than in actually hurting Cardassians. You have one of the most powerful ships in this quadrant under your command. Why aren't you out attacking every Cardassian outpost along the border? 

RIKER
Because these stakes here are far greater than border outposts. 

KIRA:
Not for the Maquis, there're not, because the Maquis are terrorists and the only thing terrorists care about is attacking the enemy. 
I know. 
I was a terrorist. 
And if I'd had this ship then, I would've destroyed Deep Space Nine. 
I would've hit the Cardassians so hard they would have screamed for peace, but I certainly wouldn't have gone flying off into the middle of Cardassia on some wild goose chase. 

RIKER
I guess we're different kinds of terrorists. 

KIRA
No, you're trying to be a hero. 
Terrorists don't get to be heroes. 


RIKER
We'll see.

The Sun King


Here Comes The Sun King

Apollo

Prince from Another Planet

MICHAEL (mi-kai-el)



Ha-la, Kal-El!


Freddie Freeman


Captain Marvel Jr.

In the Arms of Orion, tonight

The whole rhythm section was the Purple Gang

My Crown is called Content, a Crown that seldom Kings enjoy

Christ is The King

The King of Rock & Roll

The Heir to the Line of Aaron

True Priest

Of the Tribe of Levis

Scion of Memphis

A Priest Forever of the Order of Melchizedek

Elvis Aron Presley



and God Gave Rock n' Roll to You II

There are Heroes on Both Sides. Evil is Everywhere.

There are Heroes on Both Sides. 
Evil is Everywhere.


"The Techno Union Army eeeeng ooooogn uuuuuugn iiiiing eeeeng is at your disposal Count"

"The Banking Clan will sign your treaty" 



He is The Chosen One.

He will bring Balance.


SISKO : 
Do you know what The Trouble is? 

KIRA
….no. 

SISKO
The Trouble is Earth

KIRA
Really? 

SISKO
On Earth there is no poverty
no crime, no war
You look out the window 
of Starfleet Headquarters 
and You see Paradise
Well, it's easy to be A Saint in Paradise, 
but The Maquis Do Not Live in Paradise. 
Out there in The Demilitarised Zone, 
all the problems haven't been solved yet. 

Out there, there are no saints, just people
Angry, scared, determined people 
who are going to do 
whatever it takes to survive 
whether it meets with 
Federation approval or not

KIRA
Makes sense to me. 

SISKO
I'm glad someone understands. 




SISKO:
 Mister Eddington. I have just one question. Why? 

EDDINGTON [on monitor]: 
Will knowing my personal motivation change anything at this point? 

SISKO: 
No, I don't suppose it will. 

EDDINGTON [on monitor]: 
Then let's table that for now. The only reason I've contacted you is to ask you to leave us alone. Our quarrel is with the Cardassians, not the Federation. Leave us alone and I can promise you you'll never hear from the Maquis again. 

SISKO: 
Unless you see another shipment you want to hijack. 

EDDINGTON [on monitor]: 
You keep sending replicators to Cardassia and you're going to have a lot more to worry about than hijackings. 

SISKO: 
I don't respond well to threats. I thought you would know that by now. But I'm beginning to see that you don't know me at all. 

EDDINGTON 
[on monitor]: 
I know you. 
I was like you once, but then I opened my eyes. 
Open your eyes, Captain. 

Why is the Federation so obsessed about the Maquis? 
We've never harmed you, and yet we're constantly arrested and charged with terrorism. 
Starships chase us through the Badlands and our supporters are harassed and ridiculed. 

Why?



 Because we've left the Federation, and that's the one thing you can't accept. 

Nobody leaves paradise. 

Everyone should want to be in the Federation. 

Hell, you even want the Cardassians to join. 

You're only sending them replicators because one day they can take their rightful place on the Federation Council. You know, in some ways you're worse than the Borg. At least they tell you about their plans for assimilation. You're more insidious. You assimilate people and they don't even know it. 

SISKO: 
You know what, Mister Eddington? 
I don't give a damn what you think of the Federation, the Maquis, or anything else. 

All I know is that you betrayed your oath, your duty, and me. 

And if it takes me the rest of my life, I will see you standing before a court-martial that'll break you and send you to a penal colony, where you will spend the rest of your days growing old and wondering whether a ship full of replicators was really worth it.




DAX:
Les Miserables.

SISKO:
You know it?

DAX:
I can't stand Victor Hugo. 
I tried reading The Hunchback of Notre Dame, but I couldn't get through it. 
It was so melodramatic and his heroines are so two dimensional.

SISKO:
Eddington compares me to one of the characters, Inspector Javert. A policeman who relentlessly pursues a man named Valjean, guilty of a trivial offence, and in the end Javert's own inflexibility destroys him. He commits suicide.

DAX:
You can't believe that description fits you. Eddington is just trying to get under your skin.

SISKO:
He did that eight months ago. What strikes me about this book is that Eddington said that it's one of his favourites.

DAX:
There's no accounting for taste.

SISKO:
Let's think about it.
A Starfleet security officer is fascinated by a nineteenth century French melodrama, and now he's a leader of the Maquis, a resistance group fighting the noble battle against the evil Cardassians.

DAX:
It sounds like he's living out his own fantasy.

SISKO:
Exactly. And you know what?
 Les Miserables isn't about the policeman.
It's about Valjean, the victim of a monstrous injustice who spends his entire life helping people, making noble sacrifices for others. That's how Eddington sees himself. He's Valjean, he's Robin Hood, he's a romantic, dashing figure, fighting the good fight against insurmountable odds.

DAX:
The secret life of Michael Eddington.
How does it help us?

SISKO:
Eddington is the hero of his own story. That makes me the villain. And what is it that every hero wants to do?

DAX:
Kill the bad guy.

SISKO:
That's part of it. 
Heroes only kill when they have to.
Eddington could have killed me back in the refugee camp or when he disabled the Defiant, but in the best melodramas the villain creates a situation where the hero is forced to sacrifice himself for the people, for the cause. 
One final grand gesture.

DAX:
What are you getting at, Benjamin?

SISKO:
I think it's time for me to become the villain.



There are Heroes on Both Sides. 
Evil is Everywhere.


EDDINGTON
But think about those people you saw in the caves, huddled and starving. 
They didn't attack the Malinche.

SISKO
You should have thought about that before you attacked a Federation starship. 

(Sisko turns his back on the Eddington hologram



(Transmission ends)


Captain's log, supplemental. 

Resettlement efforts in the DMZ are underway. The Cardassian and Maquis colonists who were forced to abandon their homes will make new lives for themselves on the planets their counterparts evacuated. 

The balance in the region will be restored, though the situation remains far from stable.




He is The Chosen One.

He will bring Balance.


SISKO: 
Are you all right? 

EZRI: 
I talked with Worf.
 He doesn't want to have anything to do with me. 

SISKO: 
Perhaps I should have a talk with him. 

EZRI: 
Absolutely not. You intimidate him. 

SISKO: 
Me? 

EZRI: 
Don't tell him I told you. 

SISKO: 
I intimidate Worf, huh? 

EZRI: 
You like that, don't you? 

SISKO: 
Of course not. 

EZRI: 
Come on. I've been a man, I know. 

"Now I am Become Death, The Eater of Worlds."


Is She not MAGNIFICENT..?




" We knew the world would not be the same. 
A few people laughed, a few people cried, most people were silent. 

I remembered the line from the Hindu scripture, the Bhagavad-Gita; 

Vishnu is trying to persuade the Prince that he should do his duty and, to impress him, takes on his multi-armed form and says, 


"Now I am Become Death, the Destroyer of Worlds." 

I suppose we all thought that, one way or another. "


And people wonder why "Duty" is such an unfashionable word...
(outside of Gilbert and Sullivan)


Oppenheimer is quoting from the 1944 Prabhavananda and Isherwood translation of the Bhagavad Gita

The line quoted is spoken by Krishna, one of the major avatars of Vishnu
some assert that the passage would be better translated 

"I am become Time, The Destroyer of Worlds." 

'Medusa herself is only a shadow'


A British tar is a soaring soul
As free as a mountain bird!
His energetic fist should be ready to resist
A dictatorial word;
His nose should pant and his lip should curl!
His cheeks should flame and his brow should fur!
His bosom should heave and his heart should glow!
And his fist be ever ready for a knock-down blow!!

His eyes should flash with an inborn fire
His brow with scorn be wrung
He never should bow down to a domineering frown
Or the tang of a tyrant tongue
His foot should stamp and his throat should growl
His hair should curl and his face should scowl
His eyes should flash and his breast protrude
And this should be his customary attitude

The Scientific Statement of Being



 "There is no life, truth, intelligence nor substance in matter. 

All is infinite mind and its infinite manifestation, 
for God is all in all, 
Spirit is immortal truth: 
matter is mortal error. 

Spirit is the real and eternal; 
matter is the unreal and temporal. 

Spirit is God and man is His image and likeness. 

Therefore man is not material, he is spiritual." 




The basic Christian Science mantra, known as "The Scientific Statement of Being," no less, is as follows: "There is no life, truth, intelligence nor substance in matter. All is infinite mind and its infinite manifestation, for God is all in all, Spirit is immortal truth: matter is mortal error. Spirit is the real and eternal; matter is the unreal and temporal. Spirit is God and man is His image and likeness. Therefore man is not material, he is spiritual." 

The fact that these statements are, in terms of the scientific criteria, "meaningless," "non-operational," and "footless" is actually totally irrelevant. 

They work. 
Try them and see. 

As Aleister Crowley, no friend of Mrs. Eddy's, wrote, 

"Enough of 'Because'! 
May he be damned for a dog!"

Please Allow Me to Introduce Myself - I'm a Man of Wealth and Taste.

Please allow me to introduce myself
I'm a man of wealth and taste

I've been around for a long, long year
Stole many a man's soul to waste
And I was 'round when Jesus Christ
Had his moment of doubt and pain

Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name

But what's puzzling you
Is the nature of my game

I stuck around St. Petersburg
When I saw it was a time for a change

Killed the czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a general's rank

When the blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
Ah, what's puzzling you
Is the nature of my game, oh yeah
(Woo woo, woo woo)

I watched with glee
While your kings and queens
Fought for ten decades
For the gods they made
(Woo woo, woo woo)

I shouted out,
'Who killed the Kennedys?'

When after all
It was you and me
(Who who, who who)

Let me please introduce myself
I'm a man of wealth and taste

And I laid traps for troubadours
Who get killed before they reached Bombay
(Woo woo, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
(Who who)
But what's puzzling you
Is the nature of my game, oh yeah, get down, baby
(Who who, who who)

Pleased to meet you
Hope you guessed my name, oh yeah
But what's confusing you
Is just the nature of my game
(Woo woo, who who)

Just as every cop is a criminal
And all the sinners saints
As heads is tails
Just call me Lucifer
'Cause I'm in need of some restraint
(Who who, who who)

So if you meet me
Have some courtesy
Have some sympathy, and some taste
(Woo woo)
Use all your well-learned politesse
Or I'll lay your soul to waste, mm yeah

(Woo woo, woo woo)
Pleased to meet you
Hope you guessed my name, mm yeah
(Who who)
But what's puzzling you
Is the nature of my game, 

Mmm mean it, get down
(Woo woo, woo woo)
Woo, who
Oh yeah, get on down
Oh yeah
Oh yeah!
(Woo woo)
Tell me baby, what's my name
Tell me honey, can ya guess my name
Tell me baby, what's my name
I tell you one time, you're to blame
Oh, who
Woo, woo
Woo, who
Woo, woo
Woo, who, who [x2]
Oh, yeah
What's my name
Tell me, baby, what's my name
Tell me, sweetie, what's my name
Woo, who, who [x6]
Oh, yeah
Woo woo [x2]



Thursday, 19 January 2017

Hell for Leather


do you, don't you 
want me to love you? 
(I'm) coming down fast but miles above you 
tell me, tell me, 
tell me the answer
(you) may be a lover but you ain't no dancer 

do you, don't you want me to make you? 
(I'm) coming down fast 
but don't let me break you 
tell me, tell me, 
tell me the answer 
you may be a lover but you ain't no dancer 

when I get to the bottom 
I go back to the top of the ride 
and I know as I get that I never get high 
but I (zip) to the bottom  
and I see you again
yeah yeah yeah 

do you, don't you 
want me to love you? 
I'm coming down fast but miles above you 
tell me, tell me, tell me the answer 
may be a lover but you ain't no dancer 
dancer, dancer, dancer, dancer yeah 

look out now, 
helter skelter 
hell for leather 
hell for leather 


ow, woo look out now, 

helter skelter 
helter skelter 
helter skelter