Showing posts with label Isis & Osiris. Show all posts
Showing posts with label Isis & Osiris. Show all posts

Wednesday 1 July 2015

Scorpion Men




Internet Book of Shadows: Ishtar, Inanna, & Ancient Astrology (Valkyrie)

Ishtar, Inanna, & Ancient Astrology By Valkyrie 
Many might be interested in some information that I came across awhile back that might shed some light on this for you. Some may have seen part of this already. Someone in a shamanic echo was asking about how scorpions and spiders were related to each other in dreams, and what meaning the scorpion had, especially in regards to an earth goddess. I ran across a reference in one of those 'feminist revisionists'" books <G> and the statement was made that the Scorpion was found nearly world wide associated with an old Mother Goddess and the constellation Scorpio. I think it might provide some of the connections you are looking for. 
So I found a book that wasn't cross-referenced by that author, which is recognized in its field (astronomical history) and was surprised to find that it wasn't an exageration. 
Richard Hinckley Allen, _Star Names: Their Lore and Meaning_, Dover Publications, Inc., New York:1963. The book was originally published by G.E. Stechert in 1899, under the former title: _Star-Names and Their Meanings_. I consider this a reliable source to balance a perhaps more "revisionist" view since it was written during a period by an expert who probably never questioned it theologically and reported facts as facts. Bear with me, the first part becomes significant as you go along. 

pg 360-365. SCORPIO, or SCORPIUS, the SCORPION, was the reputed slayer of the Giant, exalted to the skies and now rising from the horizon as Orion, still in fear of the Scorpion, sinks below it; although the latter itself was in danger, --Sackville writing in his Induction to the _Mirror of Magistrates_, in 1565. 
Whiles Scorpio, dreading Sagittarius' dart Whose bow prest bent in flight the string had slipped Down slid into the ocean flood apart. Classical authors saw in it the monster that caused the disastrous runaway of the steeds of Phoebus Apollow when in the inexperienced hands of Phaethon. 
For some centuries before the Christian era it was the largest of the zodiac figures, forming with the [Greek name] it's Claws, --the _prosectae chelae_ of Cicero, now our Libra,--a double constellation, as Ovid wrote: 
Porrigit in spatium signorum membra duorum; 
and this figuring has been adduced as the strongest proof of Scorpio's great antiquity, from the belief that only six constellations made up on the earliest zodiac, of which this extended sign was one. With the Greeks it universally was [Greek]; Aratos, singularly making but slight allusion to it, added [Greek]; while another very appropriate term with Aratos was [Greek], the Great Sign. This reported magnitude perhaps was due to the mytholgical necessity of greater size for the slayer of great Orion, in reference to which that author characterized it as [Greek] 'appearing huger still.' The Latins occasionally wrote the word _Scorpios_, but usually _Scorpius_, or Scorpio; while Cicero, Ennius, Manilius, and perhaps Columella gave the kindred African title Nepa, or Nepas, the first of which the Alfonsine Tables copy, as did Manilus the Greek adjective, [G], Walking Backward. Astronomical writers and commentators, down to comparatively modern times, occasionally mentioned its two division under the combined title Sorpius cum Chelis; while some representations even showed the Scales in the creature's Claws. Grotius said that the Barbarians called the Claws Graffias, and the Latins, according to Pliny, Forficulae. In early China it was an important part of the figure of the mighty but genial Azure Dragon of the EAst and of spring, in later days the residence of the heavenly Blue Emperor; but in the time of Confucius it was Ta Who, the Great Fire, a primeval name for its star Antares; and Shing Kung, a Divine Temple, was applied to the stars of the tail. As a member of the early zodiac it was the _Hare_, for which, in the 16th century, was substituted, from Jesuit teaching, _Tien He_, the Celestial Scorpion. Sir William Drummond asserted that in the zodiac which the partriarch Abraham knew it was an Eagle; and some commentators have located here the biblical Chambers of the South, Scorpio being directly opposite the Pleiades on the sphere, both thought to be mentioned in the same passage of the _Book of Job_ with two other opposed constellations, the Bear and Orion; but the original usually is considered a reference to the southern heavens in general. Aben Ezra identified Sorpio, or Antares, with the K'sil of the Hebrews; although that people generally considered those stars as a Scorpion, their Akrabh, and, it is claimed, inscribed it on the banners of Dan as the emblem of the tribe whose founder was 'a serpent by the way." When thus shown it was as a _crowned Snake_ or _Basilisk_. A similar figure appeared for it at one period of Egyptian astronomy; indeed it is thus met with in moder times, for Chatterton, that precocious poet of the last centruy, plainly worte of the Scorpion in his line, " The slimy serpent swelters in his course;" and long before him Spenser had, in the _Faeirie Queen_, " and now in Ocean deepe Orion flying fast from hissing snake, His flaming head did hasten for to steepe. But the Denderah zodiac shows the typical form. Kircher called the whole constellation [Gk] _Statio Isidis_, the bright Antares having been at one time a symbol of Isis. The Arabians knew it as Al Akrab, the Scorpion, from which have degenerated Alacrab, Alatrab, Alatrap, Hacrab, --Riccioli's Askrab and Hacerab; and similarly it was the syrians' Akreva. Riccioli gave us Acrobo _Chaldaeis_, which may be true, but in this Latin word he probably had reference to the astrologers. The Persians ahd a Scorpion in their Gherzdum or Kdum, and the Turks, in their Koirughi, Tailed, and Uzun Koirughi, Long tailed. The Akkadians called it Girtab, the Seizer, or Stinger, and the Place where One Bows Down, titles indicative of the creature's dangerous character, although some early translators of the cuneiform text rendered it the _Double Sword_. With later dwellers on the Euphrates it was the symbol of darkness, showing the decline of the sun's power after the autumnal equinox, then located in it. Always prominent in that astronomy. Jensen thinks that it was formed there 5000 B.C., and pictured much as it now is; perhaps also in the semi-human form of two Scorpion-men, the early circular Altar or Lamp being shown grasped in the Claws, as the Scales were in illustatoins of the 15th century. In Babylonia this calendar sign was identified with the eigth month, Arakh Savna, our October-November. Early India knew it as Ali, Vicrika, or Vrouchicam, --in Tamil, Vrishman; but later on Varah Mihira siad Kaurpya, and Al Biruni, Kaurba, both from the Greek Scorpios. On the Cingalese zodiac it was Ussika. Dante designated it as Un Secchione, "Formed like a bucket that is all ablaze; and in the _Purgatorio_ as Il Friddo Animal of our motto, not a mistaken reference to the creature's nature, but to its rising in the cold hours of the dawn when he was gazing upon it. Dante's translator Longfellow has something similar in his own _Poet's Calendar_ for October: On the frigid Scorpion I ride. Chaucer wrote of it, in the _Hous of Fame_ as the Scorpioun; his Anglo-Norman predecessors, Escopiun; and the Anglo-Saxons, Throwend. Caesisu mistakenly considered it one of the Scorpions of Rehobam; but Novidius said that it was "the scorpion or serpent whereby Pharaoh, King of Egypt, was enforced to let the children of Israel depart out of his country;" of which Hood said "there is no such thing in history." Other Christians of their day changed its figure to that of the Apostle Bartholmew; and Weigel, to a Cardinal's Hat. In some popular books of the present day it is the Kite, which it resembles as much as a Scorpion. Its symbol is now given as [Astrological symbol], but in earlier times the sting of the creature was added, perhaps so showing the feet, tail and dart; but the similarity in their symbols may indicate that there has been some intimate connection, now forgotten, between Scorpio and the formerly adjacent Virgo. Ampelius assigned to it the care of Africus, the Southwest Wind, a duty which, he said, Aries and Sagittarius shared; and the weather-wise of antiquity thought that its setting exerted a malignant influence, and was accompanied by storms; but the alchemists held it in high regard, for only when the sun was in this sign could the transmutation of iron into gold be performed. Astrologers, on the other hand, although they considered it a fruitful sign, "active and eminent," knew it as the accursed constellation, the baleful source of war and discord, the birthplace of the planet mars, and so the House of Mars, the Martis Sidus of Manilus. But this was located in the sting and tail; the claws, as [Gk] Jugum, or the Yoke of the Balance, being devoted to Venus, because this goddess united persons under the yoke of matrimony. It was supposed to govern the region of the groin in the human body and to reign over Judaea, Mauritania, Catalonia, Norway, West Silesia, Upper Batavia, Barbary, Morocco, Valencia, and Messina; the early Manilius claiming it as the tutelary sign of Carthage, Libya, Egypt, Sardinia, and other island of the Italian coast. Brown was its assigned color, 2472 and Pliny asserted that the appearance of a comet hre portended a plague of reptiles and insects, especially of locusts. Although nominally in the zodiac, the sun actually occupies but nine days in passing through the two portions that project upwards into Orhiuchus, so far south of the ecliptic is it; indeed, except for these projections, it could not be claimed as a member of the zodiac. Scorpon is famous as the region of the sky where have appeared many of the brilliant temporary stars, chief among them, perhaps, that of 134 BC., the first in astronmical annals, and the occasion, Pliny siad of the catalogue of Hipparchos, about 125 BC. The Chinese She Ke confirmed this appearance by its record of the "strange star" in June of that year, in the sieu Fang, marked by [.....] and others in Scorpio. Serviss thinks it conceivable that the strange outburst of these novae in and near Scorpio may have had some effect in causing this constellation to be regarded by the ancients as malign in its influence. But this character may, with at least equal probablity, have come from the fiery color of its _lucida_, as well as from the history of the constellation in connection with Orion, and the poisonous attributes of its earthly namesake. In southern latitudes Scorpio is magnificently seen in its entirety, nearly 45 degrees,--Gould catolguing in it 184 naked-eye stars. Along its northern border, perhaps in Orphiuchus, there was, in very early days, a constellation, the Fox, taken from the Egyptian sphere of Petosiris, but we know nothing as to its details. "Antares" The Ariabians Kalb al Akrab, the Scorpion's Heart, which probably preceded the [Gk] and Cor Scorpii of Greece and Rome respectively. -=*=- In Buffie Johnson's _Lady of the Beasts_ (Harper, San Francisco, 1981) pgs 332-335, there are illustrations and photos of statuatary and pottery which show the representation of the Scorpion Goddess, as Selket, a woman with the lower torso taking the shape of a scorpion wiht a raised tail. On her head is the "horned" headdress with the disk between the horns,the horns and sun disk of Isis. (New Kingdom 1570-332 bce). A Stamp seal showing two scorpions protecting the rosette of the goddess Inanna, from Sumer, ca 3300 bce, and a statue of Selket wearing a scorpion on her head, as well as a drawing from Ur, ca 2400 bce showing the goddess giving birth guarded by scorpions. In the _Book of the Dead_ seven scorpions accompany Isis, when her son Horus was bitten by one scorpion of the most deadly species, her scorpion friends saved her son out of love for her...and bit the son of a woman who had refused to help, then with her magic, Isis then saved the bitten boy. (A classic shamanism motif(. Selket is shown as beneficial when associated with Isis, and it is possible that the "other" woman is Isis's dark aspect. Selket symbolizes resurrection into a new life beyond earthly existence. "Gathering the setting sun into her outstretched arms she becomes the link between the living and the dead and helps the dead accomodate themselves to their new land. In another aspect, Selket isunited with 2473 Sirius, as a consequence the star if placed in her crown." (ibid. p. 334) Johnson also compares Chamunda, the scorpion deity of the central Indian tradition with the other scorpion goddess with the endowment of poison which indicates her connection with death and rebirth. "The Scorpion expresses the vital spirit in humans which, transformed, becomes the divine pneuma. One of its symbols is the scorpion which stings itself to death (E. A. Wallis Budge, _The Gods of the Egyptians_ vol. 2 (New York: Dover Publications, Inc., 1969), 377-78. "The association between serpent and scorpion, both sudden and dangerous stingers, appears in the Babylonina and Greek astrological sign of Scorpio, which corresponds to the Ctyptian sign of the autumn equinox, the serpent. In esoteric traditions, the scorpion is recognized as a spiritual insect rhough its gift of self-immolation and rebirth. The venom of the scorpion is said to contain its own antidote." the Scorpion as the dual Mother, the one who gave birth to and then "swallowed" the divine son (sun) is found in Egyptian myth as the Scorpion which killed Horus, sending him to his midwinter death and resurrection as his Mother Isis gave him rebirth. Spirits of the four points of the year were called Sons of Horus and placed as small images on the pharoah's tombs...a man, bull, lion and scorpion or serpent...which seem to have become the four angels of the Apocalypse. Istar, Babylonian, "Star" was the Great Goddess who appears as Ashtoreth, Anath, Asherah. She was refered to as the Great Whore, and described in Revelation 17:5 as Babylon the Great, the Mother of Harlots. Another of her titles was the Goddess Har, who called herself the compassionate prostitute. Interestingly enough, in the Voluspa there is mention of the Hall of Har, where Gullveig was mentioned as being, who was "held up by spears" and who supposedly started the war between the Vanir and the Aesir by being attacked in the hall of Har...which is usually translated as Odin. <G> There might be a better explanation, now that I think of it... I wonder how I missed that before. Anyway, Ishtar was also called in Bablyonian prayers: The Light of the World, Leader of Hosts, Opener of the Womb, Righteous Judge, Lawgiver, Goddess of Goddesses (Vanadis?), Bestower of Strength, Framer of all Decrees, Lady of Victory, Forgiver of Sins, among many other 'kennings'. Other sources suggest Ishtar was the same Great Goddess as Dea Syria, Astarte, Cybelle, Aphrodite, Kore, Mari, Mari-Ana and others. Preceding her though were supposedly the Sumerian Goddess Inanna, who rescued and/or gave birth to Dumuzi her sacred son/lover just as Ishtar did with Tammuz. Correlating to both was the Egyptian goddess Isis, who was the "Oldest of the Old," and the "Goddess from whom all becoming Arose," and her title was the same as the Queen Mother of Egypt's. Apuleius, a Roman philosopher, poet and Isis-worshipper, addressed her under several goddess names: For the Phrygians that are the first of all men call me the Mother of the gods of Pessinus; the Athenians, which are sprung from their own soil, Cecropian Minerva; the Cyprians, which are girt about by the sea, Pahphian Venus; the Cretans, which bear arrows, Dictynian Diana; the Sicilians, which speak three tongues, infernal Proserpine; the Eleusinians, their ancient goddess Ceres; some Juno, others Bellona, others Hecate, others Ramnusie...the Egyptians, 2474 skilled in ancient lore, worship me with proper ceremonies and call me by my true name, Queen Isis. (Richard Knight, _the Symbolical Language of Ancient Art and Mythology_. New YOrk: J.W. Bouton, 1892.) Isis/Nephthys was, or were, the Egyptian version of the creating-and-destroying Goddess, who were also typified as "weeping goddesses." And with other goddesses of this type were known as Guardians and Keepers of the Dead, and with the power over life and death, and healing. They can be found in shamanic traditions the world over as the Underworld deity and as the Lady of the Beasts. [Gk] _Statio Isidis_, the bright Antares having been at one time a symbol of Isis. This part becomes particularly interesting to me, since the Isidis is very similar to a term used for a particular group of ladies, comparable to the Disir of the Norse tradition, the OHG 'itis' or OE "ides" meaning applied to earthly women, but also used in kennings as 'goddess.' As a term for 'woman' it also has the meaning of 'virgin'. The worship of the Disir occured during the winter nights. And interesting correlation that could be made is that the Celtic and the Norse "winter" rites both involve some of the same archtypes and ceremonies, especially the duality of life and death and the door being open and "unguarded" at that time. The Wild Hunt Motif would be a defining factor here, including both the Dark Mother and the Lord of Death. The disir had two appearances, bright (swans feathers) and black (raven or crow feathers)...they were psychopomps, and hardly distinguishable from valkyrie at times. In the Wild Hunt they were accompanied by various Gods, Herne, Woden and others in various traditions and countries. 2475

Tuesday 26 May 2015

Venice


How the Dead Souls of Venice Corrupted Science

Webster G. Tarpley, Ph.D.
ICLC Conference, September, 1994
« Against Oligarchy – Table of Contents
There is a cancer growing on world history – the cancer of oligarchism. Between 1200 A.D. and about 1600 A.D., the world center of gravity for the forces of oligarchism was the oligarchy of Venice. Toward the end of that time, the Venetian oligarchy decided for various reasons to transfer its families, fortunes, and characteristic outlook to a new base of operations, which turned out to be the British Isles. The old program of a worldwide new Roman Empire with its capital in Venice was replaced by the new program of a worldwide new Roman Empire with its capital in London – what eventually came to be known as the British Empire.
This was the metastasis of the cancer, the shift of the Venetian Party from the Adriatic to the banks of the Thames, and this has been the main project of the world oligarchy during the past five centuries. The Venetian Party, wherever it is, believes in epistemological warfare. The Venetian Party knows that ideas are more powerful weapons than guns, fleets, and bombs. In order to secure acceptance for their imperial ideas, the Venetian Party seeks to control the way people think. If you can control the way people think, say the Venetians, you can control the way they respond to events, no matter what those events may be. It is therefore vital to the Venetians to control philosophy and especially science, the area where human powers of hypothesis and creative reason become a force for improvements in the order of nature. The Venetian Party is implacably hostile to scientific discovery. Since the days of Aristotle, they have attempted to suffocate scientific discovery by using formalism and the fetishism of authoritative professional opinion. The Venetian Party has also created over the centuries a series of scientific frauds and hoaxes, which have been elevated to the status of incontrovertible and unchallengeable authorities. These have been used to usurp the rightful honor due to real scientists, whom the Venetians have done everything possible to destroy.
We can identify the Venetian faction which has been responsible for the most important of these scientific and epistemological frauds. They can be called the “dead souls” faction, or perhaps the “no-soul brothers” of Venetian intelligence. This is because their factional pedigree is based on the belief that human beings have no soul. Their factional creed is the idea that human beings have no creative mental powers, are incapable of forming hypotheses, and cannot make scientific discoveries.

THREE GROUPS OF VENETIAN GAMEMASTERS

We can approach these Venetian dead souls in three groups. First there is the group around Pietro Pomponazzi, Gasparo Contarini, and Francesco Zorzi, who were active in the first part of the 1500s. Second, there is the group of Paolo Sarpi and his right-hand man Fulgenzio Micanzio, the case officers for Galileo Galilei. This was the group that opposed Johannes Kepler in the early 1600s. Third, we have the group around Antonio Conti and Giammaria Ortes in the early 1700s. This was the group that created the Newton myth and modern materialism or utilitarianism and combated Gottfried Wilhelm Leibniz. These three groups of Venetian gamemasters are responsible for a great deal of the obscurantism and garbage that weighs like a nightmare on the brain of humanity today. These Venetian intelligence officials are the original atheists and materialists of the modern world, as reflected in the sympathy of Soviet writers for figures like Galileo, Newton, and Voltaire as ancestors of what was later called dialectical materialism.
The leading figure of the first grouping in the early 1500s was Gasparo Contarini. In other locations we have told the story of how Contarini, for Venetian raisons d’état, set into motion the Protestant Reformation, including Martin Luther, King Henry VIII of England, Jean Calvin of Geneva, and the Italian crypto-Protestants known as gli Spirituali. At the same time, Contarini was the cardinal of the Roman Catholic Church who masterminded the early phases of the Catholic Counter-Reformation. Contarini was the personal protector of Ignatius of Loyola, and played a decisive role in establishing the Jesuit Order. Contarini also convoked the Council of Trent on an Aristotelian platform.
It is with Pietro Pomponazzi that we see the explicit factional pedigree of the dead souls faction. Pomponazzi started from Aristotle, as the Venetian Party always does. Aristotle asserted that there is no thought which is not mixed with sense impressions. This meant that there is no part of our mental life which is not contaminated by matter. For Pomponazzi, this proved that the soul does not exist, since it has no immaterial substance. Contarini warned Pomponazzi not to take this matter any further, but also remarked that the only time that the existence of the soul is really certain is when the person is already dead. For Contarini, as a practical matter, there is no empirical human soul that you can be aware of while you are still alive.
Francesco Zorzi was the envoy of this group to Henry VIII, to whom he became the resident sex adviser. Zorzi illustrates the typical profile of a Venetian intelligence operative in the early 1500s: He was a Franciscan friar whose main occupation was black magic of the Rosicrucian variety. He was a conjurer, a necromancer, an apparitionist. Think of Christopher Marlowe’s Doctor Faustus, and you have the portrait of Zorzi. Not exactly a role model for science nerds of any age. As the 1500s turned into the 1600s, this profile began to present serious drawbacks and limitations.

SARPI AND GALILEO

Until about 1600, the posture of the Venetian Party toward science was one of more or less open hostility, favoring black magic. But in the early 1600s, the group around Sarpi succeeded in changing their public profile from being the enemies of science to being the embodiment of the most advanced and sophisticated science. For several centuries after this, the Venetians would work inside the scientific community to take it over. They would claim to represent the highest expression of scientific values. In this way, they could institutionalize the dead hand of formalism and the fetishism of authority, so as to stifle the process of discovery.
The chief of Venetian intelligence who made this possible was Paolo Sarpi. Sarpi and his friend Fulgenzio Micanzio were Servite monks. Sarpi was part of an important Venetian salon of the day, the Ridotti Morosini, which met for discussions in the palace of the Morosini family on the Grand Canal. The Morosini were the direct ideological heirs of Gasparo Contarini. The Morosini salon centered on a discussion of science, and it became the nucleus for the youthful faction of the Venetian oligarchy, the so-called Giovani, who became powerful after 1582. The Giovani favored a policy of cooperation with Holland, England, and France in conflicts with the Austrian and Spanish Hapsburgs and the papacy. The Vecchi, the oldies, serviced the Venetian networks on the Spanish and papal side, which were also quite extensive.
We have told in other locations how Sarpi organized and unleashed the Thirty Years’ War in Central Europe, using agents like Max von Thurn und Taxis, Christian von Anhalt, Christoph von Dona, and the Elector Palatine Frederick, the so-called Winter King. In this sense, Paolo Sarpi personally exterminated about one-third of the entire population of Europe, and about one-half of the population of Germany and surrounding areas. Sarpi also caused the assassination of King Henry IV of France when Henry opposed Sarpi’s designs and exposed him as an atheist. Paolo Sarpi, we see, is a worthy predecessor to Bertrand Russell.
But Sarpi in his own time was considered an eminent mathematician. One contemporary wrote of him: “…I can say about him without any exaggeration whatsoever that no one in Europe excels him in the knowledge of [mathematical] sciences.” This is the view of Sarpi held by Galileo Galilei.
Sarpi’s companions at the Ridotto Morosini during the 1590s included the influential mystic Giordano Bruno. Starting in 1592, there was also a professor of mathematics at the nearby University of Padua: Galileo Galilei, a native of Florence. Galileo taught mathematics in Padua from 1592 to 1610, and it was during his stay on Venetian territory that he became a celebrity. Galileo was a paid agent of Sarpi and, after Sarpi’s death, of Sarpi’s right-hand man Micanzio. There is a correspondence on scientific subjects between Sarpi and Galileo, including on magnetism, which was Sarpi’s favorite, because he found it occult. Galileo proposed some of his first ideas on falling bodies to Sarpi, who enthused that Galileo had been born to solve the question of motion.
Galileo’s fame was procured when he used a small telescope to observe the moons of Jupiter, the rings of Saturn, and the phases of Venus. He reported these sightings in his essay The Starry Messenger, which instantly made him the premier scientist in Europe and thus a very important agent of influence for the Venetian Party. This entire telescope operation had been devised by Paolo Sarpi.
The first telescope had been built by Leonardo da Vinci about a hundred years before Galileo. Susan Welsh has called attention to the research of Domenico Argentieri on Leonardo’s optical manuscripts, which demonstrates that Leonardo’s telescope had a convex lens at one end and a concave lens at the other. Its magnifying power was rather weak, but it was a telescope. There are reports of a telescope made in Italy in 1590. By 1608, telescopes began to turn up in Holland, and Galileo says he was encouraged by reports of them to build his own telescope in 1609.
Sarpi’s version of these events is more revealing. He wrote on March 16, 1610 that a telescope had been found in Holland two years before, therefore in spring 1608. “Once this was found,” wrote Sarpi, “our mathematician of Padua [Galileo] and some of our other people who are not ignorant of these arts began to use the telescope on celestial bodies, adjusting it and refining it for the purpose….” Notice: Galileo “and some of our other people.” It would appear that the observations were made not from Padua, but from Paolo Sarpi’s Servite monastery in Venice. Sarpi wrote about Galileo as “our mathematician,” saying that he had “frequently discussed with him at the time” about the results of the telescopic observations, and did not need to read what Galileo had written about them.
In 1611, a Polish visitor to Venice, Rey, wrote that Galileo had not really been the inventor of the telescope, but that the “adviser, author, and director” of the telescope project had been Father Paolo Sarpi, “who is considered the greatest mathematician here.”
In 1597, Johannes Kepler had sent a copy of his new book, Mysterium Cosmographicum, to Galileo. This was the work in which Kepler proposed the Platonic solids as the basis for understanding the harmonic ordering of the planetary orbits around the Sun. Galileo thereupon sent a letter to Kepler, explaining that he, too, was a follower of the Copernican or heliocentric view, but that he “had not dared” to come forward with this view because of fear, and preferred to sit on the whole business because of the climate of opinion. Kepler had written back urging Galileo to be confident and to go forward with the struggle for truth, offering to find publishers in Germany if the Italian climate were too oppressive. Galileo did not do this, and refused to comment in detail on Kepler’s book. According to Kepler’s biographer Max Caspar, in the following years Galileo used material from Kepler in his lectures, but without giving Kepler credit.
Kepler and Galileo were in frequent contact for over 30 years. Kepler commented with benevolent interest – and with subtle polemics – about Galileo’s published works. But Galileo never commented systematically on Kepler’s laws. In 1609, Kepler published his Astronomia Nova, expounding his first and second laws of planetary motion – that the planets move in ellipses of which the Sun is one focus, and that the planets sweep out equal areas in equal times between themselves and the Sun as they revolve. In Galileo’s Dialogues on the Two Great World Systems, published in 1533, Kepler is hardly mentioned, while the discussion centers on Copernicus, with his perfect circle orbits of the planets around the Sun, which had no hope of accounting for the observed positions of the planets. At the end, one of the characters says that he is surprised at Kepler for being so “puerile” as to attribute the tides to the attraction of the Moon.
During the first years of the pontificate of Pope Urban VIII Barberini, Galileo was the semi-official scientist for the pope. But in 1631, when the Swedish Protestant army of Gustavus Adolphus fought its way through Germany, reached the Alps, and seemed ready to sweep down on Rome, Urban VIII turned abruptly from a pro-French to a pro-Spanish policy. The Spanish ascendancy is the backdrop for the trial of Galileo carried out by the Dominicans with Jesuit support. Some years earlier, Sarpi had forecast that if Galileo went to Rome, the Jesuits and others were likely to “turn … the question of physics and astronomy into a theological question,” so as to condemn Galileo as “an excommunicated heretic” and force him to “recant all his views on this subject.” Sarpi in 1616 seemed to know very well what would happen more than 15 years later, well after his own death. It is evident that the scenario sketched here corresponded to Sarpi’s own long-term plan. For Galileo, the trial was one of the greatest public relations successes of all time. The gesture of repression against Galileo carried out by the Dominicans of Santa Maria Sopra Minerva in Rome established the equation Galileo=modern experimental science struggling against benighted obscurantism. That equation has stood ever since, and this tragic misunderstanding has had terrible consequences for human thought. Lost in the brouhaha about Galileo is the more relevant fact that Kepler had been condemned by the Inquisition more than a decade before.
Sarpi’s philosophical and scientific writings were not published until after World War II. These are the Pensieri, or Thoughts, and the Arte di Ben Pensare, the Art of Thinking Well. Sarpi’s achievement for Venetian intelligence was to abstract the method of Aristotle from the mass of opinions expressed by Aristotle on this or that particular issue. In this way, sense certainty could be kept as the basis of scientific experiments, and Aristotle’s embarrassingly outdated views on certain natural phenomena could be jettisoned. This allowed the Venetians to preserve the essential Aristotle, while attacking exponents of the Aristotelian or Peripatetic school, such as the Jesuits of the Collegio Romano. These writings by Sarpi have not been translated, but they are the basis of everything written by Sir Francis Bacon. The Bacon-Hobbes menage was in close contact with Sarpi and Micanzio. Sarpi can also be found in Locke, who took almost 1,000 pages to write what Sarpi had put down in 30.
In the Art of Thinking Well, Sarpi starts from sense perception and sense certainty. He suggests that an impression made on our sensory apparatus by outside objects has to be distinguished from those objects. Especially he points to tastes, odors, and sounds, which he thinks are a matter of our nervous system, not of outside reality. In a different category are ideas of quantity, size, and time, which are objective. In the same manuscript, Sarpi lists the immortality of the soul as one on a list of wrong ideas. Sarpi repeats the argument of Pomponazzi that since there is no knowledge without sensation, the soul dies with the body. Again, the trademark of the Venetian dead souls faction.
Galileo’s epistemology comes straight from Sarpi. We can see this in Galileo’s 1623 essay Il Saggiatore, The Assayer. For Galileo, colors, tastes, sounds, smells, are mere words. They exist only for our bodies. Galileo makes the famous comparison of these to tickling. If you brush a feather over the soles of the feet or the armpits of a marble statue, you will not produce a tickle. But if you do this to a human being, you will cause that tickling sensation. So, Galileo says, it is time to get rid of ears, tongues, and noses, and go for shapes, numbers, and motions, and never odors, tastes, and sounds. From this he proceeds quickly to a reductionist theory of atoms, in which heat is explained as the effect a “fiery minims” of igneous atoms. Galileo’s epistemology is identical with that of Sarpi. This is what Galileo means when he denies Aristotle to say that the truth is written in the book of nature, and written in mathematical characters. Galileo was a reductionist.
Sarpi died in 1623, and Galileo’s case officer became the Servite monk Fulgenzio Micanzio. After Galileo had been condemned, Micanzio reminded Galileo of the assignment he had received from Sarpi 20 years earlier: to write a treatise on motion. And by the way, added Micanzio, I have 258 pounds here for you. Later, Micanzio would procure Galileo a pension of 60 scudi per year from the coffers of the Venetian state.
Galileo responded to Micanzio’s orders with the 1638 Discourses on Two New Sciences, Mechanics and Local Motion. Because Galileo had been condemned by the Inquisition, he could not be published anywhere that papal authority was strong. Micanzio therefore arranged for Galileo’s book to be printed by the Dutch Elsevir press in Leyden.
In 1634, Micanzio wrote to Galileo that he had been talking to an expert in science and philosophy – called a virtuoso in the parlance of the day – who had commented that although he did not deny Galileo’s scientific ability, “the things that you bring are not new, but are already in Kepler.” Indeed. Galileo wrote back that the correct answer to this virtuoso is that although Galileo and Kepler may sometimes seem to agree about certain astronomical phenomena, “my way of philosophizing is so different from his.” (Nov. 19, 1634).
In letters written in 1640, Galileo threw further light on his own scientific method. Galileo complained that he had been misunderstood: “Against all the reason in the world, I am accused of impugning Peripatetic doctrine, whereas I profess and am certain of observing more religiously the Peripatetic – or, to put it better, Aristotelian – teachings than many others….” (Aug. 24, 1640). Galileo asserted that he had tried to study phenomena: “that in all natural effects assure me of their existence, their “an sit” [if it be], whereas I gain nothing from their how, their “quomodo.” (June 23, 1640). Some might try to dismiss these admissions as a distortion of Galileo’s outlook caused by the crackdown of which he was still a victim, but I would submit that this is the real Galileo talking. What Galileo is trying to express here is the same thing Isaac Newton meant with his infamous “hypotheses non fingo” [I do not fabricate hypotheses]. Which brings us to Newton.

NEWTON: A CULTIST KOOK

The next phase of the corruption of science by Venice depends on a rather obscure Cambridge don by the name of Isaac Newton. For the oligarchy, Newton and Galileo are the only two contenders for the honor of being the most influential thinker of their faction since Aristotle himself. The British oligarchy praises Newton as the founder of modern science. But, at the same time, they have been unable to keep secret the fact that Newton was a raving irrationalist, a cultist kook. Among the oligarchs, it was the British economist Lord John Maynard Keynes and a fellow Cambridge graduate who began to open the black box of Newton’s real character. Was Newton the first and greatest of the modern scientists, the practitioner of cold and untinctured reason? No, said Keynes, Newton was not the first of the Age of Reason. He was the last of the magicians, the last of the Babylonians and Sumerians, the last wonderful child to whom the Magi could do sincere and appropriate homage. Keynes based his view on the contents of a box. What was in the box? The box contained papers which Newton had packed up when he left Cambridge for London in 1696, ending his Cambridge career and beginning his new life in London as member and president of the British Royal Society, director of the mint, resident magus of the new British Empire.
Inside the box were manuscripts and papers totaling some 1.2 million words. After Newton’s death, Bishop Horsley was asked to inspect the box, with a view to publication, but when he saw the contents, he recoiled in horror and slammed the lid. A century passed. Newton’s nineteenth-century biographer, Sir David Brewster, looked into the box. He decided to save Newton’s reputation by printing a few selections, but he falsified the rest with straight fibbing, as Keynes says. The box became known as the Portsmouth Papers. A few mathematical papers were given to Cambridge in 1888. In 1936, the current owner, Lord Lymington, needed money, so he had the rest auctioned off. Keynes bought as many as he could, but other papers were scattered from Jerusalem to America.
As Keynes points out, Newton was a suspicious, paranoid, unstable personality. In 1692, Newton had a nervous breakdown and never regained his former consistency of mind. Pepys and Locke thought that he had become deranged. Newton emerged from his breakdown slightly “gaga.” As Keynes stresses, Newton “was wholly aloof from women,” although he had some close young male friends. He once angrily accused John Locke of trying to embroil him with women.
In the past decades, the lid of the box has been partially and grudgingly opened by the Anglophile scholars who are the keepers of the Newton myth. What can we see inside the box?
First, Newton was a supporter of the Arian heresy. He denied and attacked the Holy Trinity, and therefore also the Filioque and the concept of Imago Viva Dei. Keynes thought that Newton was “a Judaic monotheist of the school of Maimonides,” which suggests that he was a Cabalist. For Newton, to worship Christ as God was idolatry and a mortal sin. Even in the Church of England, Newton had to keep these views secret or face ostracism.

ALCHEMY AND GREEN LIONS

Newton’s real interest was not mathematics or astronomy. It was alchemy. His laboratory at Trinity College, Cambridge was fitted out for alchemy. Here, his friends said, the fires never went out during six weeks of the spring and six weeks of the autumn. And what is alchemy? What kind of research was Newton doing? His sources were books like the “Theatrum Chemicum Britannicum” of Elias Ashmole, the Rosicrucian leader of British speculative Freemasonry. Newton owned all six heavy quarto volumes of Ashmole.
The goal of the alchemists was the quest for the mythical philosopher’s stone, which would permit the alchemist to transmute lead and other base metals into gold. The alchemists hoped the philosopher’s stone would give them other magical powers, such as rejuvenation and eternal youth.
Alchemy also involved the relations between the astrological influences of the planets and the behavior of chemicals. One treatise that dealt with these issues was the “Metamorphosis of the Planets.” Since the planet Jupiter had precedence among the planets, it also occupied a privileged position among the reagents of alchemy. Newton expressed this with a picture he drew of Jupiter Enthroned on the obverse of the title page of this book.
What were Newton’s findings? Let him speak for himself: “Concerning Magnesia of the green Lion. It is called Prometheus & the Chameleon. Also Androgyne, and virgin verdant earth in which the Sun has never cast its rays although he is its father and the moon its mother. Also common mercury, dew of heaven which makes the earth fertile, nitre of the wise. Instructio de arbore solari. It is the Saturnine stone.” This would appear to have been written in the 1670s. A sample from the 1690s: “Now this green earth is the Green Ladies of B. Valentine the beautifully green Venus and the green Venereal emerald and green earth of Snyders with which he fed his lunary Mercury and by virtue of which Diana was to bring forth children and out of which saith Ripley the blood of the green Lyon is drawn in the beginning of the work.”
During the 1680s Newton also composed a series of aphorisms of alchemy, the sixth of which reads as follows: “The young new born king is nourished in a bigger heat with milk drawn by destellation from the putrefied matter of the second work. With this milk he must be imbibed seven times to putrefy him sufficiently and then dococted to the white and red, and in passing to the red he must be imbibed with a little red oil to fortify the solary nature and make the red stone more fluxible. And this may be called the third work. The first goes on no further than to putrefaction, the second goes to the white and the third to the red.” (Westfall, pp. 292, 293, 358).
And so it goes for more than a million words, with Green Lions, Androgynes, male and female principles, Pan and Osiris. Truly it has been said that Newton had probed the literature of alchemy as it had never been probed before or since, all during the time he was supposedly writing his Principia Mathematica. In addition, he drew up plans for King Solomon’s Temple, and later a chronology of Biblical events which foreshortened that history by cutting out several hundred years.

NEWTON’S “DISCOVERIES”

And what about Newton’s supposed discoveries? Upon closer scrutiny, it turns out that he had no discoveries. Take, for example, Newton’s alleged law of universal gravitation, which states that the force of attraction of two point masses is equal to the product of the two masses divided by the square of the distance between them, times a constant. This is Newton’s so-called inverse square law. It has long been known that this was not really a new discovery, but rather derived by some tinkering from Kepler’s Third Law. Kepler had established that the cube of a planet’s distance from the Sun divided by the square of its year always equaled a constant. By supplementing this with Huygens’s formula for centrifugal acceleration and making some substitutions, you can obtain the inverse square relationship. This issue is settled in the appendices to The Science of Christian Economy [by Lyndon LaRouche, Washington, D.C.: Schiller Institute, 1991]. But the partisans of Newton still claim that Newton explained gravity.
By opening the lid of the box, we find that Newton himself confesses, in an unpublished note, that his great achievement was cribbed from Kepler. Newton wrote: “…I began to think of gravity extending to the Orb of the Moon and (having found out how to estimate the force with which a globe revolving presses the surface of a sphere) from Kepler’s rule of the periodical times of the Planets being in sesquialterate proportion of their distances from the center of their Orbs, I deduced that the forces which keep the Planets in their Orbs must be reciprocally as the squares of their distances from the centers about which they revolve….” (Westfall, 143). Newton “arrived at the inverse square relation by substituting Kepler’s Third Law into Huygens’s recently published formula for centrifugal force” (Westfall, 402). Hooke and Sir Christopher Wren claimed to have done the same thing at about the same time.
Newton’s love of alchemy and magic surfaces as the basis of his outlook, including in his supposed scientific writings. In his “Opticks,” he asks, “Have not the small particles of bodies certain powers, virtues, or forces, by which they act at a distance…. How those attractions may be performed, I do not here consider. What I call attraction may be performed by Impulse, or some other means unknown to me.” This is Newton’s notion of gravity as action at a distance, which Leibniz rightly mocked as black magic. Newton’s system was unable to describe anything beyond the interaction of two bodies, and supposed an entropic universe that would have wound down like clockwork if not periodically re-wound. Newton also wrote of an electric spirit, and of a mysterious medium he called the ether. What the basis of these is in alchemy is not clear.
Then there is the story of Newton’s invention of the calculus. In reality, Newton never in his entire life described a calculus. He never had one. What he cooked up was a theory of so-called fluxions and infinite series. This was not a calculus and quickly sank into oblivion when it was published nine years after Newton’s death. By 1710, European scientists had been working with Leibniz’s calculus for several decades. It was about that time that Newton and the British Royal Society launched their campaign to claim that Newton had actually invented the calculus in 1671, although for some strange reason he had never said anything about it in public print during a period of 30 years. This was supplemented by a second allegation, that Leibniz was a plagiarist who had copied his calculus from Newton after some conversations and letters exchanged between the two during the 1670s. These slanders against Leibniz were written up by Newton and put forward in 1715 as the official verdict of the British Royal Society. The same line was churned out by scurrilous hack writers directed by Newton. But scientists in continental Europe, and especially the decisive French Academy of Sciences, were not at all convinced by Newton’s case. Newton’s reputation on the continent was at best modest, and certainly not exalted. There was resistance against Newton in England, with a hard core of 20-25% of anti-Newton feeling within the Royal Society itself. How then did the current myth of Newton the scientist originate?

NEWTON: THE APOTHEOSIS OF A CHARLATAN

The apotheosis of Newton was arranged by Antonio Conti of Venice, the center of our third grouping of the dead souls faction. In order to create the myth of Newton as the great modern scientist, Conti was obliged to do what might well have been considered impossible at the time: to create a pro-British party in France. Conti succeeded, and stands as the founder of the Enlightenment, otherwise understood as the network of French Anglophiles. Those Frenchmen who were degraded enough to become Anglophiles would also be degraded enough to become Newtonians, and vice versa. The British had no network in Paris that could make this happen, but the Venetians did, thanks most recently to the work of such figures as Montaigne and Pierre Bayle. What the British could never have done, the Venetians accomplished for the greater glory of the Anglo- Venetian Party.
Born in Padua in 1677, Conti was a patrician, a member of the Venetian nobility. He was a defrocked priest who had joined the Oratorian order, but then left it to pursue literary and scientific interests, including Galileo and Descartes. Conti was still an abbot. In 1713, Conti arrived in Paris. This was at the time of the Peace of Utrecht, the end of the long and very bitter War of the Spanish Succession, in which the British, the Dutch, and their allies had invaded, defeated, and weakened the France of Jean-Baptiste Colbert. Louis XIV had only two more years to live, after which the throne would go to a regent of the House of Orleans.
In Paris, Conti built up a network centering on the philosopher Nicholas de Malebranche. He also worked closely with Bernard Le Bovier de Fontenelle, the permanent secretary of the French Academy of Sciences, still the premier research center in Europe. Conti saw immediately that Fontenelle was a follower of Giordano Bruno of the Ridotto Morosini. Conti become a celebrity in Paris, but he soon announced that he was growing tired to Descartes, the dominant figure on the French intellectual scene. Conti began telling the Paris salons that he was turning more and more to Newton and Leibniz. He began to call attention to the polemic between Newton and Leibniz. What a shame that these two eminent scientists were fighting each other! Perhaps these two outlooks could be reconciled. That would take a tactful mediator, an experienced man of the world. Since the English and the German scientists were at war, who better than an Italian, a Venetian, to come forward as mediator? Perhaps such a subtle Venetian could find a way to settle this nasty dispute about the calculus and propose a compromise platform for physics.
A solar eclipse was in the offing, and Conti organized a group of French astronomers to go to London and observe it – probably the London fog would be helpful. With Conti’s help these Frenchmen would be turned, made members of the Royal Society, and when they got back to France, they would become the first French Anglophiles of the eighteenth century French Enlightenment. Before leaving Paris, Conti, with classical Venetian duplicity, wrote a very friendly letter to Leibniz, introducing himself as a supporter of Leibniz’s philosophy. Conti claimed that he was going to London as a supporter of Leibniz, who would defend his cause in London just as he had done in Paris. By 1715, Leibniz’s political perspectives were very grim, since his patroness, Sophie of Hanover, had died in May 1714. Leibniz was not going to become prime minister of England, because the new British king was Georg Ludwig of Hanover, King George I.
When Conti got to London, he began to act as a diabolical agent provocateur. Turning on his magnetism, he charmed Newton. Newton was impressed by his guest and began to let his hair down. Conti told Newton that he had been trained as a Cartesian. “I was myself, when young, a Cartesian,” said the sage wistfully, and then added that Cartesian philosophy was nothing but a “tissue of hypotheses,” and of course Newton would never tolerate hypotheses. Newton confessed that he had understood nothing of his first astronomy book, after which he tried a trigonometry book with equal failure. But he could understand Descartes very well. With the ground thus prepared, Conti was soon a regular dinner guest at Newton’s house. He seems to have dined with Newton on the average three evenings per week. Conti also had extensive contacts with Edmond Halley, with Newton’s anti-Trinitarian parish priest Samuel Clarke, and other self-styled scientists. Conti also became friendly with Princess Caroline, the Princess of Wales, who had been an ally of Leibniz. Conti became very popular at the British court, and by November 1715 he was inducted by Newton as a member of the Royal Society.
Conti understood that Newton, kook that he was, represented the ideal cult figure for a new obscurantist concoction of deductive- inductive pseudo mathematical formalism masquerading as science. Thanks to the Venetians, Italy had Galileo, and France had Descartes. Conti might have considered concocting a pseudo scientific ideology for the English based on Descartes, but that clearly would not do, since Venice desired to use England above all as a tool to tear down France with endless wars. Venice needed an English Galileo, and Conti provided the intrigue and the public relations needed to produce one, in a way not so different from Paolo Sarpi a century before.

THE LEIBNIZ-NEWTON CONTEST

Conti received a letter from Leibniz repeating that Newton had never mastered the calculus, and attacking Newton for his occult notion of gravitation, his insistence on the existence of atoms and the void, his inductive method. Whenever Conti got a letter from Leibniz, he would show it to Newton, to stoke the fires of Newton’s obsessive rage to destroy Leibniz. During this time, Newton’s friend Samuel Clarke began an exchange of letters with Leibniz about these and related issues. (Voltaire later remarked of Clarke that he would have made an ideal Archbishop of Canterbury if only he had been a Christian.) Leibniz wrote that natural religion itself was decaying in England, where many believe human souls to be material, and others view God as a corporeal being. Newton said that space is an organ, which God uses to perceive things. Newton and his followers also had a very odd opinion concerning the work of God. According to their doctrine, “God Almighty wants to wind up his watch from time to time; otherwise, it would cease to move. He had not, it seems, sufficient foresight to make it a perpetual motion.” This gave rise to the Leibniz-Clarke correspondence, in which we can also see the hand of Conti. By now, the chameleon Conti was a total partisan of Newton’s line of atoms and the void, the axioms of Newtonian absolute space. “If there were no void,” wrote Conti, “all bodies would be equally heavy and the comets could not pass through heavenly spaces…. M. Leibniz has written his speech to Princess [Caroline], and he presents the world not as it is, but as it could be.” (Badaloni, Antonio Conti, 63).
Newton tried to get the ambassadors of the London diplomatic corps to review his old manuscripts and letters, hoping they would endorse the finding of the Royal Society that Leibniz had plagiarized his calculus. Leibniz had pointed out that the Royal Society had stacked the evidence. Conti used this matter to turn George I more and more against Leibniz. Conti organized the Baron von Kilmansegge, the Hanoverian minister and husband of George I’s mistress, to take the position that the review of documents would not be enough; the only way to decide the Leibniz-Newton controversy was through a direct exchange of letters between the two. King George agreed with this. Conti encouraged Newton to make a full reply to Leibniz, so that both letters could be shown to the king. When he heard Newton’s version, the king indicated that Newton’s facts would be hard for Leibniz to answer.
Conti tried to convince Leibniz to accept the 1715 verdict of the Royal Society which had given credit for the calculus to Newton. In return, to sweeten this galling proposal, Conti generously conceded that Leibniz’s calculus was easier to use and more widely accepted. By now Leibniz was well aware that he was dealing with an enemy operative, but Leibniz died on Nov. 4, 1716, a few days before Conti arrived in Hanover to meet him. Newton received word of the death of his great antagonist through a letter from Conti.

CONTI’S DEPLOYMENT TO FRANCE

Thanks to Conti’s intervention as agent provocateur, Newton had received immense publicity and had become a kind of succes de scandale. The direct exchange mandated by George I suggested to some an equivalence of Leibniz and Newton. But now Conti’s most important work was just beginning. Leibniz was still held in high regard in all of continental Europe, and the power of France was still immense. Conti and the Venetians wished to destroy both. In the Leibniz-Newton contest, Conti had observed that while the English sided with Newton and the Germans with Leibniz, the French, Italians, Dutch, and other continentals wavered, but still had great sympathy for Leibniz. These powers would be the decisive swing factors in the epistemological war. In particular, the attitude which prevailed in France, the greatest European power, would be decisive. Conti now sought to deliver above all France, plus Italy, into the Newtonian camp.
Conti was in London between 1715 and 1718. His mission to France lasted from 1718 through 1726. Its result will be called the French Enlightenment, L’Age des Lumieres. The first components activated by Conti for the new Newtonian party in France were the school and followers of Malebranche, who died in 1715. The Malebranchistes first accepted Newton’s Opticks, and claimed to have duplicated Newton’s experiments, something no Frenchman had done until this time. Here Conti was mobilizing the Malebranche network he had assembled before going to London. Conti used his friendship with Fontenelle, the secretary of the French Academy of Sciences, to secure his benevolent neutrality regarding Newton. Conti’s other friends included Mairan, Reaumur, Freret, and Desmolets.
During the late teens and ’20s in Paris, an important salon met at the Hotel de Rohan, the residence of one of the greatest families of the French nobility. This family was aligned with Venice; later, we will find the Cardinal-Prince de Rohan as the sponsor of the Venetian agent Count Cagliostro. The librarian at the Hotel de Rohan was a certain Abbe Oliva. Oliva presided over a Venetian-style conversazione attended by Conti, his Parisian friends, and numerous Italians. This was already a circle of freethinkers and libertines.
In retrospect, the best known of the participants was Charles-Louis de Secondat, Baron de la Brede et de Montesquieu. Montesquieu, before Voltaire, Rousseau, and the Encyclopedia, was the first important figure of the French Enlightenment – more respectable than Voltaire and Rousseau – and the leading theoretician of political institutions. Conti met Montesquieu at the Hotel de Rohan, and at another salon, the Club de l’Entresol. Later, when Conti had returned to Venice, Montesquieu came to visit him there, staying a month. Montesquieu was an agent for Conti.
Montesquieu’s major work is The Spirit of the Laws, published in 1748. This is a work of decidedly Venetian flavor, with republic, monarchy, and despotism as the three forms of government, and a separation of powers doctrine. Montesquieu appears to have taken many of his ideas from Conti, who wrote a profile of France called “Historical and Political Discourse on the State of France between 1700 and 1730.” In his treatise, Montesquieu points out that France has an independent judiciary, the parlements, which became a main focus for Anglo-Venetian destabilization efforts going toward the French Revolution.
Montesquieu raises the theme of Anglophilia, praising Britain’s allegedly constitutional monarchy as the ideal form. With this, the pro-British bent of Conti’s Enlightenment philosophes is established. The ground is being prepared for Newton.

ANOTHER CONTI AGENT: VOLTAIRE

One of Conti’s other friends from the Hotel de Rohan was a Jesuit called Tournemine, who was also a high school teacher. One of his most incorrigible pupils had been a libertine jailbird named Francois-Marie Arouet, who was so stubborn and headstrong that his parents had always called him “le volontaire,” meaning self-willed. Gradually this was shortened to Voltaire.
French literary historians are instinctively not friendly to the idea that the most famous Frenchman was a Venetian agent working for Conti, but the proof is convincing. Voltaire knew both Conti personally and Conti’s works. Conti is referred to a number of times in Voltaire’s letters. In one letter, Voltaire admiringly shares an anecdote about Conti and Newton. Voltaire asks, should we try to find the proof of the existence of God in an algebraic formula on one of the most obscure points in dynamics? He cites Conti in a similar situation with Newton: “You’re about to get angry with me,” says Conti to Newton, “but I don’t care.” I agree with Conti, says Voltaire, that all geometry can give us are about forty useful theorems. Beyond that, it’s nothing more than a fascinating subject, provided you don’t let metaphysics creep in.
Voltaire also relates Conti’s version of the alleged Spanish conspiracy against Venice in 1618, which was supposedly masterminded by the Spanish ambassador to Venice, Count Bedmar. Conti’s collected works and one of his tragedies are in Voltaire’s library, preserved at the Hermitage in St. Petersburg.
The book which made Voltaire famous was his Philosophical Letters, sometimes called the English letters, because they are devoted to the exaltation of all things British, which Voltaire had observed during his three years in London. In the essay on Shakespeare, Voltaire writes that Shakespeare is considered the Corneille of England. This is a quote from Conti, taken from the head note to Conti’s tragedy Giulio Cesare, which had been published in Paris in 1726. Voltaire’s view of Shakespeare as sometimes inspired, but barbarous and “crazy” for not respecting French theatrical conventions, is close to Conti’s own practice. We can thus associate Conti with Voltaire’s first important breakthrough, and the point where Anglophilia becomes Anglomania in France.
But most important, Voltaire’s Philosophical Letters center on the praise of Newton. After chapters on Francis Bacon and John Locke, there are four chapters on Newton, the guts of the work. For Voltaire, Newton was the first discoverer of the calculus, the dismantler of the entire Cartesian system. His “sublime ideas” and discoveries have given him “the most universal reputation.” Voltaire also translated Newton directly, and published Elements of Newtonian Philosophy.
The Philosophical Letters were condemned and Voltaire had to hide in the libertine underground for a time. He began to work on another book, The Century of Louis XIV. The idea here was simple: to exalt Louis XIV as a means of attacking the current king, Louis XV, by comparison. This was an idea that we can also find in Conti’s manuscripts. Louis XV was, of course, a main target of the Anglo-Venetians.
In 1759, Voltaire published his short novel Candide, a distillation of Venetian cultural pessimism expressed as a raving attack on Leibniz, through the vicious caricature Dr. Pangloss. Toward the end of the story, Candide asks Pangloss: “Tell me, my dear Pangloss, when you were hanged, dissected, cruelly beaten, and forced to row in a galley, did you still think that everything was for the best in this world?” “I still hold my original opinions, replied Pangloss, because after all, I’m a philosopher, and it wouldn’t be proper for me to recant, since Leibniz cannot be wrong, and since pre-established harmony is the most beautiful thing in the world, along with the plenum and subtle matter.” When Candide visits Venice, he meets Senator Pococurante, whom he considers a great genius because everything bores him and nothing pleases him. Senator Pococurante is clearly a figure of Abbot Antonio Conti. Conti was, we must remember, the man whom Voltaire quoted admiringly in his letter cited above telling Newton that he didn’t care – non me ne curo, perhaps, in Italian. Among Conti’s masks was certainly that of worldly boredom.
Conti later translated one of Voltaire’s plays, Merope, into Italian.

CONTI AND THE FRENCH REVOLUTION

Conti’s discussion of the supremacy of the sense of touch when it comes to sense certainty is echoed in the writing of the philosopher Condillac. Echoes of Conti have been found by some in Diderot’s Jacques the Fatalist. And then there is Buffon, who published Newton’s book on fluxions in French. More research is likely to demonstrate that most of the ideas of the French Enlightenment come from the Venetian Conti. The creation of a pro- Newton, anti-Leibniz party of French Anglomaniacs was a decisive contribution to the defeat of France in the mid-century world war we call the War of the Austrian Succession and the Seven Years’ War, which gave Britain world naval supremacy, and world domination. Conti’s work was also the basis for the later unleashing of the French Revolution. In the epistemological war, the French Newtonians were indispensable for the worldwide consolidation of the Newton myth. In Italy, there were Venetian writers like Voltaire’s friend Algarotti, the author of a book of Newtonian Philosophy for Ladies. Newton’s ideas were also spread by Abbot Guido Grandi, who labored to rehabilitate Galileo inside the Catholic Church. Another Italian intellectual in Conti’s orbit was Gimbattista Vico, later popularized by Benedetto Croce. The main point is that only with the help of Venice could the senile cultist kook Newton attain worldwide respect.
Conti was active until mid-century; he died in 1749. In Venice he became the central figure of a salon that was the worthy heir of Ridotto Morosini. This was the sinister coven that called itself the philosophical happy conversazione (“la conversazione filosofica e felice”) that gathered patrician families like the Emo, the Nani, the Querini, the Memmo, and the Giustinian. These were libertines, freethinkers, Satanists. We are moving toward the world portrayed in Schiller’s Geisterseher. After Conti’s death, the dominant figure was Andrea Memmo, one of the leaders of European Freemasonry.
An agent shared by Memmo with the Morosini family was one Giacomo Casanova, a homosexual who was backed up by a network of lesbians. Venetian oligarchs turned to homosexuality because of their obsession with keeping the family fortune intact by guaranteeing that there would only be one heir to inherit it; by this time more than two- thirds of male nobles, and an even higher percentage of female nobles, never married. Here we have the roots of Henry Kissinger’s modern Homintern. Casanova’s main task was to target the French King Louis XV through his sexual appetites. There is good reason to believe that Louis XV’s foreign minister De Bernis, who carried out the diplomatic revolution of 1756, was an agent of Casanova. One may speculate that Casanova’s networks had something to do with the approximately 25 assassination plots against Louis XV. Finally, Louis XV banned Casanova from France with a lettre de cachet.
Another agent of this group was Count Cagliostro, a charlatan and mountebank whose targets were Louis XVI and Marie Antoinette, whom he destabilized through their own folly in the celebrated Queen’s Necklace Affair of 1785. Cagliostro was able to make Louis and especially Marie Antoinette personally hated, a necessary precondition for mass insurrection against them. Emperor Napoleon later said that this operation by Cagliostro had marked the opening phase of the French Revolution of 1789.

CONTI’S LEGACY OF EVIL

Another member of the Conti-Memmo conversazione was Giammaria Ortes, who had been taught Newton by Conti personally, as well as by Grandi. Ortes was another defrocked cleric operating as an abbot. Ortes is the author of a manual of Newtonian physics for young aristocrats, including a chapter on electricity which manages to avoid Benjamin Franklin, in the same way that Galileo avoided Kepler. Ortes carried out Conti’s program of applying Newtonian methods to the social sciences. This meant that everything had to be expressed in numbers. Ortes was like the constipated mathematician who worked his problem out with a pencil. He produced a calculus on the value of opinions, a calculus of the pleasures and pains of human life, a calculus of the truth of history. This is the model for Jeremy Bentham’s felicific or hedonistic calculus and other writings. Using these methods, Ortes posited an absolute upper limit for the human population of the Earth, which he set at 3 billion. This is the first appearance of carrying capacity. Ortes was adamant that there had never been and could never be an improvement in the living standard of the Earth’s human population. He argued that government intervention, as supported by the Cammeralist school of Colbert, Franklin, and others, could never do any good. Ortes provided all of the idea-content that is found in Thomas Malthus, Adam Smith, Jeremy Bentham, the two Mills, and the rest of Lord Shelburne’s school of British philosophical radicalism in the time after 1775.
Conti has left a commentary on Plato’s Parmenides, which he interprets as Plato’s self- criticism for the mistake of having made ideas themselves the object of philosophical attention. In his Treatise on Ideas, Conti writes that the fundamental error of Plato is to attribute real existence to human ideas. All our ideas come from sense perceptions, says Conti.
In 1735 Conti was denounced to the Venetian Inquisition because of his reported religious ideas. Conti was accused of denying the existence of God. True to his factional pedigree, Conti also denied the immortality of the human soul. Conti reportedly said of the soul: “Since it is united with a material body and mixed up with matter, the soul perished with the body itself.” Conti got off with the help of his patrician aristocrat friends. He commented that God is something that we cannot know about, and jokingly confessed his ignorance. He even compared himself to Cardinal Nicolaus of Cusa. Conti described his own atheism as merely a version of the docta ignorantia [referring to Cusa’s book by the same name, On Learned Ignorance]. But this Senatore Pococurante still lives in every classroom where Newton is taught.
Surely it is time for an epistemological revolution to roll back the Venetian frauds of Galileo, Newton, and Bertrand Russell.

BIBLIOGRAPHIC NOTES

On the general thesis involving Contarini as the instigator of the reformation and counter- reformation, Sarpi and the Giovani as the organizers of the Enlightenment, and the post-Cambrai metastasis of the Venetian fondi to England and elsewhere, see Webster G. Tarpley, “The Venetian Conspiracy” in “Campaigner” XIV, 6 September 1981, pp. 22-46.
On Leonardo da Vinci and the origins of the telescope, see the work of Domenico Argentieri.
On Sarpi: The most essential works of Sarpi’s epistemology are the Pensieri and the Arte di Ben Pensare. They are available only in Italian as Fra Paolo Sarpi, “Scritti Filosofici e teologici” (Bari: Laterza, 1951). But this collection is not complete, and many pensieri and other material remain in manuscript in the libraries of Venice. Other works of Sarpi are assembled in his “Opere,” edited by Gaetano and Luisa Cozzi. There is some discussion of the pensieri in David Wooton, “Paolo Sarpi: Between Renaissance and Enlightenment” (Cambridge: Cambridge University Press). An overview of the Galileo-Sarpi relationship is found in Gaetano Cozzi, “Paolo Sarpi tra Venezia e l’Europa” (Torino: Einaudi, 1979); Cozzi avoids most of the implications of the material he presents.
On Galileo: Pietro Redondi, “Galileo: Heretic” (Princeton: Princeton University Press, 1987) has material on the political background of Galileo’s relations with the papacy and the holy orders of the day. The Galileo-Kepler correspondence is in Galileo’s 20 volume “Opere,” edited by A. Favaro and I. Del Lungo (Florence, 1929-1939).
On Kepler: The standard biography is Max Caspar, “Kepler” (London: Abelard-Schuman, 1959). Some of Kepler’s main works are now in English, including “The Secret of the Universe” translated by A.M. Duncan (New York: Abaris Books, 1981); and “New Astronomy” translated by William H. Donahue (New York: Cambridge University Press, 1992).
On Conti: A recent biography is Nicola Badaloni, “Antonio Conti: Un abate libero pensatore fra Newton e Voltaire (Milano: Feltrinelli, 1968). Selections from Conti’s many manuscript works which are found in libraries especially in and near Venice are in Nicola Badaloni (ed.), “Antonio Conti: Scritti filosofici” (Naples: Fulvio Rossi, 1972). For Conti as the teacher of Ortes, and on Ortes as a popularizer of Newton see Mauro di Lisa, “‘Chi mi sa dir s’io fingo?': Newtonianesimo e scetticismo in Giammaria Ortes” in “Giornale Critico della filosofia italiana” LXVII (1988), pp. 221-233. For the Conti- Oliva- Montesquieu Paris salons, see Robert Shackleton, “Montesquieu: a critical biography.” Voltaire’s “Candide” and “Philosophical Letters” are available in various English language editions. For Voltaire’s references to Conti, see “Voltaire’s Correspondence,” edited in many volumes by Theodore Besterman (Geneva- Les Delices: Institut et Musee Voltaire, 1964). Note that Voltaire also had extensive correspondence and relations with Algarotti. For Voltaire’s possession of Conti’s books, see the catalogue of Voltaire’s library now conserved in Leningrad published by the Soviet Academy of Sciences in 1961, p. 276. Gustave Lanson is an example of French literary critics who stubbornly avoid the obvious facts of Conti’s piloting of Voltaire; see his edition of Voltaire’s “Lettres philosophiques” (Paris, 1917), vol. II p. 90.
On Newton: Lord Keynes’s revelations on Newton’s box are in his “Essays in Biography” (New York: Norton, 1963), pp. 310-323. Louis Trenchard More, “Isaac Newton: A Biography (New York: Dover, 1962) includes a small sampling of material from Newton’s box. Richard S. Westfall, “Never at Rest: A Biography of Isaac Newton” (New York, Cambridge University Press, 1987) dips somewhat deeper into the box and supplies the green lion quotes, but still tries to defend the hoax of Newton as a scientist. For the typical lying British view of the Newton-Leibniz controversy, see A. Rupert Hall, “Philosophers at War” (Cambridge: Cambridge University Press). See Leibniz’s letters for what really happened.
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END

Tuesday 23 December 2014

James Cameron

Cameron - On the Square

Cameron - On the Level

Cameron - Upright and True


Strange Days (1995)


from Spike EP on Vimeo.


Cameron, James
THE JAMES CAMERON CONSPIRACY THEORY
(The Conspiracy Theorists Cut)



Note: this copy of the James Cameron Conspiracy Theory contains never before seen information that wasn't in the previous online version. This HTML version is divided into three 6.5 page sections for easier reading.

WARNING: The information contained within the 19.5 pages of this document will shake the core of all your belief systems. If you are prepared to read it, do so with extreme caution. You and the world will never be the same again as history itself collapses before your eyes.

Being one of the most successful movies in the world is an astounding statement from people who have seen James Cameron's "TITANIC". It is a reflection of how many people have been affected by the imagery and emotion within the film. Although there have been those who have found fault in parts of Titanic's technical side, the emotional side turned out to be perfect; or was it deliberately engineered that way? Some have called the emotion within Titanic manipulative to the point of deliberately having scenes that elate, sadden, shock and anger the audience.

This manipulation is an interesting aspect of Mr. Cameron's work. No matter what he works on or writes the emotional atmosphere is always perfect in the finished product and according to Cameron is "biographical" of his life. Born in Kapuskasing, Ontario, Canada in 1954, James Cameron grew up in Niagara Falls. He has always strived to be the best, whether his endeavors were class projects or playing soldier with his friends. According to Cameron's "official" biography, his childhood created the drive to overcome obstacles which stood in his way and would help later in life.

At this point in history, another person, who shares the surname Cameron, was at work making progress manipulating behavior and emotion for a deliberately engineered goal. The person is Dr. Donald Ewen Cameron.

Dr. Cameron began his career in psychology assisting the Office of Special Services (O.S.S.), interrogating prisoners during World War II. Among his most famous patients was Rudolf Hess, who had flown a plane to Britain in order to make a peace deal between Germany and the Allies. Hess was captured, imprisoned and was later interviewed by several psychiatrists, including Dr. Cameron. Much of Dr. Cameron's work, involved psychiatric techniques designed to modify and control a persons behavior patterns. His work was also derived from experiments performed on concentration camp prisoners in Nazi Germany and brought to the U.S. after World War II by the O.S.S. under "Operation Paper Clip".

 In the 1950's, Dr. Cameron's successful work led to his appointment as head of the American Psychological Association (APA), the Canadian Psychological Association (CPA) and the World Psychological Association (WPA). By this time, the O.S.S. had changed its name under President Harry Truman's Administration to become the Central Intelligence Agency (C.I.A.) in 1947. Dr. Cameron was contracted by the C.I.A. to continue his work in behavior manipulation under Projects Bluebird and Artichoke which would later become MK-ULTRA in 1953.

MK-ULTRA had several sub-programs, approximately 149, ranging among the subjects of biology, drugs, sexual activities, technology, physics, psychology and even motion pictures. It's no accident that movies created in the McCarthy era of the 1950's were designed to scare the public about the threat of Communists, brainwashing or space aliens. Hollywood's motion pictures became a tool of MK-ULTRA.

In the world of psychiatry, Dr. Cameron was a relentless, merciless man driven by a need to know how to control and modify human behavior, in other words direct it. His most common experiments were drug inducement, sensory deprivation, sensory overload, as well as "psychic driving", the process of replaying his voice recorded in previous sessions with his patients. Dr. Cameron also performed prefrontal lobotomies and electro-convulsive shock treatments.

According to the CIA's charter Dr. Cameron's work, especially in creating potential "Manchurian Candidates", would have violated the ban on domestic CIA operations within the United States. With the help of the Canadian government and C.I.A. Director Allen Dulles, who was one of Cameron's colleagues in the O.S.S., Dr. Cameron relocated his work to the Allen Memorial Psychiatric Institute in Montreal, Canada in 1957 and stayed there until 1963.

On a side note, Allen Dulles would run the C.I.A. until after the Bay of Pigs fiasco, when he and General Charles Cabell (brother of Earl Cabell, the mayor of Dallas) were fired by President John F. Kennedy in 1961. After the tragedy of John F. Kennedy's assassination on November 22, 1963 in Dallas, Dulles was appointed to Warren Commission by Chief Justice Earl Warren to help investigate the assassination and the background of supposed assassin or patsy, Lee Harvey Oswald.

 The Allen Institute would soon become an infamous brain butchery under Dr. Camerons control. Many patients were subjected to extreme and harsh conditions that included drug induced comas that lasted months, lobotomies, bright lights, sounds, moving images and electro-shocking that were in such excesses that it killed the patients. Other creations of Dr. Camerons butcher shop included the development of psychedelic drugs, most notably, LSD.

After Dr. Cameron left Montreal he retired to private life in the United States and vanished from the picture but his work continued on in MK-ULTRA until it was supposedly shut down by CIA Director Richard Helms in 1973.

Many of the documents from MK-ULTRA were destroyed on orders from Helms. Helms was also responsible for providing E. Howard Hunt with the information necessary for the break-in at the Watergate hotel in 1972 for the purpose of helping President Richard Nixon smear and psychologically destroy Daniel Ellsberg. Ellsberg was the Pentagon aide who had leaked the Pentagon Papers revealing Nixon's involvement in escalating the Vietnam War. The resulting Watergate scandal would eventually lead to the resignation of Nixon in 1974.

The murky world of intelligence operations became murkier as names changed to protect secrecy. MK-ULTRA simply assumed the new name MK-SEARCH and continued on into 1984.

In the late 1970's, while MK-SEARCH(MK-ULTRA) continued on the intelligence front, an unknown truck driver in California named James Cameron decided to quit his job and get into the film making business.

According to "official history", James Cameron moved to Brea, California in 1971, completed high school and attended five semesters at Fullerton College in Orange County. After dropping out of college, Cameron had convinced a consortium of dentists from Tustin, California seeking a tax writeoff to finance a short film in 35mm which he called "XenoGenesis".

The word "consortium" is interesting in itself; its dictionary term is given as "international business alliance". Since these dentists are from a local area, why are they described in this manner? If "business" is dropped from the definition, we're left with "international alliance" meaning they belong a large organization which envelops the world. The use of the word "Xenogenesis" as the name of Cameron's first film was also interesting because it meant "the birth of an alien species".

In actuality, these "dentists" were "psychiatrists" and operatives connected to the CIA's MK-ULTRA program and Dr. Donald Ewen Cameron. James Cameron and the "psychiatrists" knew each other from a fraternal organization they belonged to. This secret brotherhood helped finance Cameron's first film and would continue to help his career. He had entered this organization when he turned 21 years of age. The majority of persons in the intelligence community, including Dr. Cameron, belonged to the same organization which is commonly known as the FREEMASONS

 The Freemasons are a global fraternal organization that exist for the express purpose of enlightening those who choose to join its ranks. According to public sources, Freemasonry was created in the 1700's in Europe, but if one delves deeper into the mysteries that make up Freemasonry, it is learned that the origins of the brotherhood trace back to a highly advanced civilization named Atlantis which existed before the one we're in now. Much of the high technology, advanced thinking and philosophical ideals were handed down through the generations in secret after a "Great Flood" destroyed Atlantis.

This technology would be revealed to the people of the world once again at a prescribed moment in time. It's no accident the 20th Century is one of the most technological achieving centuries in our civilization. This century saw the creation of techniques that would be used to control the mind as we saw earlier in this document with the CIA's implementation of Dr. Cameron's mind experiments and MK-ULTRA technology. The reason the "consortium" approached James Cameron was for the opportunity to use subliminal imagery and emotional manipulation on mass numbers of people and prepare them for an engineered future.

James Cameron continued onward in his career to enter the world of Roger Corman. The studio owned by Corman was named "New World Pictures". The "New World" was short for "New World Order", a phrase that embodies the idealism of Freemasonry, a global government. The phrase would eventually be spoken in public by President George Bush(Former Director of the CIA and 33rd Degree Mason) in 1991.

Cameron worked as miniature builder, model unit Director of Photography and matte painter on a film called "Battle Beyond the Stars" . The film's title was symbolic of a belief held by many in the UFO community as well as Freemasons that an ancient battle took place in this solar system thousands of years ago. The idea was to use MK-ULTRA technology to prepare the masses to believe in extra-terrestials for the purpose of bringing humanity into the "New World Order". More of this would be used later in Cameron's film career.

Determined to get into directing, Cameron worked on another science fiction film with a symbolic name, "Galaxy of Terror". Cameron became second unit director.

In 1982, during the early years of the administration of President Ronald Reagan(33rd Degree Mason), Cameron wrote "The Terminator" along with his 2nd wife Gale Anne Hurd, who's a member of the Order of the Eastern Star, a Masonic women's organization.

The basic idea of "The Terminator" involved sending a man back through time to prevent a cyborg from killing a woman who would give birth to humanity's savior, a man who would save humanity from a world ruled by machines. The symbology of this story was taken from the Bible with the woman's situation somewhat compared to the "virgin mary" and humanity's savior paralleled to her son.

The Freemasonic symbolism in the Terminator was obvious throughout the movie. One of the first symbols was the use of "blue light" used in dark situations. This would later become one of Cameron's directing styles.

The blue light was symbolic of Cameron's ascension from the first three degrees of Freemasonry, which are known as the blue degrees, to the next level of degrees which are known as the York Rite.

One of the characters in "The Terminator" described the machines as "a new order of intelligence". You can hear the words "New World Order" in the sub-text.

The most concrete symbol was the name of the distributor for the film. Although Cameron worked with Hemdale and HBO to get the film made, the film was distributed by Orion Pictures. Orion is symbolic of Osiris, the ancient Egyptian god of enlightenment and fertility.

Osiris's counterpart was Isis, the Egyptian goddess of the Earth. Both of these ancient deities are represented by the "male" and "female" components of the "square and compass" symbol of Freemasonry. The square represents "Isis" and the compass is "Osiris". Also symbolized by Isis is the star known as Sirius. Some Freemasons believe their ancestors came from Sirius.

The purpose of Orion's release of "The Terminator" was to be the first mass use of Dr. Cameron's work in a James Cameron film. The film was designed to imprint a subliminal message to unconsciously prepare the public for a higher form of technology which would arrive on Earth in the future. Those who resist this message would be "terminated".

While Cameron was unknowingly getting financing from the "consortium" for "The Terminator" he wrote two more scripts; "Rambo: First Blood Part II" and "Aliens". The subtitle "First Blood Part II" from the Rambo sequel was symbolic of Cameron's ascension through the York Rite degrees while "Aliens" was being prepared as another step in manipulating the minds of the public with MK-ULTRA technology.

 After "The Terminator's" success, Cameron directed "Aliens" and began production in 1985 in England. The film was shot in a studio in England so Cameron could receive the rest of his York Rite degrees in the town of York while on breaks from shooting the film.

Aliens was the sequel to Alien, a 1979 movie about Earth explorers searching another planet for use as a mining colony. When they got there, they were slowly hunted down by the inhabitants of that world which were acid-blooded creatures; insect like as adults and as snake-like parasites when young that used the humans as hosts and eventually killed them by bursting out of their chests. Aliens debuted in 1986.

The film became one of the highest grossing 'R' rated films and also won Oscars for Best Visual Effects and Best Sound. It was fairly obvious to anyone with the knowledge in this document that the fear and excitement generated by the sounds and effects of the movie were the result of mind manipulation. Why? To further solidify the fact in peoples minds that humans will one day face a threat from outside this world and force them to unify as one.

Once Cameron had finished this film, he had also completed his York Rite degrees in Freemasonry and ascended to the Scottish Rite. It's aworthy to note that during this time in 1985 and 1987, 33rd Degree Mason President Ronald Reagan had made several public statements alluding to a threat from the "outside" that would unify the world.

Before Ronald Reagan had become governor of California, he and his wife Nancy had first seen a UFO over a highway near Hollywood while on their way to a casual dinner with some of their celebrity friends. The Reagans had arrived an hour late for the dinner, extremely distressed and described their experience. This would change the Reagan's view of the world forever and would influence their future actions and public statements.

These "threat from the outside statements" included a speech on December 4th, 1985 at Fallston High School in Maryland. Reagan was describing a 5 hour private discussion with Soviet Premier Gorbachev and Reagan told him(Gorbachev) to think "how easy his task and mine might be in these meetings that we held if suddenly there was a threat to this world from some other species from another planet outside in the universe. We'd forget all the little local differences that we have between our countries..."

On September 21st, 1987, in a speech before Congress, Reagan had said the following; "In our obsession with the antagonism of the moment, we often forget how much unites all the members of humanity. Perhaps we need some outside universal threat to make us recognize this common bond. I occasionally think how quickly our differences would vanish if we were facing an alien threat from outside this world". Something was definitely going on, not only in Cameron's films but the world's governments as well.

 The next project on Cameron's list was "THE ABYSS", a film about a group of oil rig workers who help recover a sunken nuclear submarine. During this recovery they are unknowingly watched by an extra-terrestial intelligence. In the special edition of the film, it was made clear the extra-terrestials were warning the human race to come together as one or face destruction.

During the shooting of the film, Cameron had been "trained" by the "consortium" in techniques similar to Dr. Cameron's "Psychic Driving" by pushing the workers and actors on the set to the limit. According to published reports, Mary Elizabeth Mastrantonio was pushed to such a limit that she now avoids Cameron at all costs. To this day, Ed Harris refuses to even talk about his experience with Cameron on the set. "The Abyss" was also the first movie using the "morphing" technique that made a photo-realistic computer animation that was used to spellbound the audience. The film had also gained Oscars for Best Visual effects which was more proof of MK-ULTRA being used and now combined with computer technology.

 The film was released to the public in 1989. This was the same year as the swearing in of President George Bush and fall of the Berlin Wall in Germany. Both events were staged by the Freemasons to prepare the world for the global coming together as one. The name "Abyss" was symbolic of Cameron getting even deeper into information which is privy to the Freemasons.

In 1990 Cameron had co-written "Point Break" with his third wife and Order of the Eastern Star member, Kathryn Bigelow who directed. He became an executive producer on the film. "Point Break" was released in 1991 and went on to make $100 million and topped the video rental charts. Although the film was about a group of persons who robbed banks, a lot of subliminal imagery was added to the film which explains why the film was popular.

Lightstorm Entertainment became a new production company created by Cameron and financed by the "consortium". The name Lightstorm was allegedly symbolic of the appearance of the Terminator in the "Terminator" films but was really symbolic of Cameron receiving more intellectual light from the Freemasons. The first film that would be produced by Cameron's new company was "Terminator 2. Judgment Day", the sequel to the Terminator.

The title of "Terminator 2: Judgment Day" was symbolic of a future war to come because of technology and to prepare the public to accept a form a destruction beyond of their control.

The film also featured the use of computer technology to make a morphing character that would leave the audience with chills. The character was created at Industrial Light and Magic. "Light and Magic" are symbolic of the mysteries inside of Freemasonry.

More incidents of "psychic driving" had also taken place. One of them being an incident involving Edward Furlong, who had played John Connor in the film, and lip balm. He was coerced by an under-cover "consortium" member to use the lip balm. After shooting a scene and congratulating Furlong for his performance, Cameron noticed the lip balm on Furlong's lips and yelled at him for screwing up the scene. Later, Furlong admitted in a magazine interview that the incident left him paranoid about the rest of the shoot.

To some people outside of the "consortium" this mind control technology was becoming apparent and needed to be covered up. Cameron's script for the film was rewritten with some of the parts removed to conceal facts related to the MK-ULTRA technology. One such example of proof follows when describing Sarah Connor's treatment in the mental institution with electro-convulsive-therapy;

---------
--------- SCENE REMOVED BY THE CONSORTIUM FROM T2 SCRIPT -------- 
INT. HOSPITAL CORRIDOR 
Sarah, straight-jacketed and strapped on to GURNEY, is being wheeleddown the corridor by Douglas and the other orderlies. Silberman is right behind her with the interns. Sarah's eyes are full of suppressed rage as she stares up and back at them.

SILBERMAN (to the interns) What's fascinating about her case is that the architecture of the delusion --

SARAH Don't talk about me like I'm not here. I'm right goddamn here!

SILBERMAN We know where you are,Sarah... (continuing to the interns, as before) ..the delusion seems to have begun with the boyfriend and then been adopted by the patient. He believed he was a soldier from the next century, send to protect her from a killer machine called a "terminator".

Frustrated, Sarah begins struggling against her restraints. Douglas, blocking the action from the doctors, casually smacks her solar plexus with his baton. Sarah gasps for air. Douglas winks at her.

SILBERMAN You see, it's all about machines, for her. We're seeing more and more of this new syndrome, a sort of acute phobic reaction to technology. It's a defensive response to the dehumanization of relationships in a high-tech world.

They sweep through a set of double doors. The doors swing closed into CLOSEUP. Big block letters stenciled across them read: 

ELECTRO-CONVULSIVE THERAPY. Yes, they still do this shit to people. 
INT. E.C.T. ROOM 
Sarah's eyes go wide, clocking the sign on the door as she is wheeled in to a room full of ominous machines. Aging shock therapy equipment.

SILBERMAN Sarah, today we're going to be trying ECT...electro-convulsive therapy --

SARAH No! Don't do this. Okay, look, Silberman -- hey! Don't put that -- HEY!

She struggles vainly against the gurney straps as a NURSE tapes electrodes to her head. Silberman leans down to Sarah. The interns and the orderlies watch from near the door.

SILBERMAN Now relax, we're found this very helpful with problems like yours. Such as this feeling that you're being persecuted --

SARAH I'm not being persecuted, you fucking moron! I'm not a threat to them anymore. I told you. It's my son who's the target!

Silberman sighs. They finish placing the electrodes on her temples.

SARAH You've got to let me go so I can protect him! He's naked if they come for him now! Why won't you listen? You know how important this is? The nurse sets the dials on the machine. Sarah starts to thrash now, becoming irrational. Starts shrieking at everyone in the room. She sounds exactly like what they say she is -- a whacko

SARAH Goddamnit. Let me go!! I'll kill you, FUCKER!!

She screams incoherently as they jam the rubber biscuit down between her teeth so she won't bite through her tongue when the voltage jump starts her brain. Silberman is smooth and cheerful as he turns to the interns.

SILBERMAN ECT is coming back into favor lately, and we've had good results with it. It looks worse than it is. As soon as the current hits her brain, she's out. It's a bit like punching the restart button on a computer when the program crashes.

He nods to the nurse and the current blasts through Sarah's brain, locking every muscle in her body into a painful contortion. It triggers an epilepsy- like seizure and she bucks and flops on the gurney.

SILBERMAN She's not feeling anything right now.

TIGHT ON SARAH'S FACE, contorted, jerking spasmodically. Then... STROBOSCOPIC FLASH CUTS speeding up in rhythm, images coming at us like a roaring freight train: TERMINATOR'S STEEL HAND lunging for her in the punch press. A CHROME SKULL, eyes burning red, a demon after her soul. STEEL FINGERS closing on her throat. Then... SARAH'S FINGERS groping endlessly for the switch to the press. Then... TERMINATOR'S RED EYES filling frame. Lightning arcing all around as the press crushes the hideous machine. But even as it dies it has her by the throat. Even now, long after it's dead, it still has her by the throat. The lightning gets brighter and brighter... WHITING OUT FRAME

------------- END MISSING SCENE FROM TERMINATOR 2 ----------

Cameron's description of the ECT scene would not be tolerated by the "consortium" who had funded his films. This scene was removed in order to prevent any person's who have been unknowingly affected by MK-ULTRA technology at the movies from discovering that they've been mind controlled. This scene also made the "consortium" wonder about Cameron's loyalty to them.

In 1991 the world witnessed the Persian Gulf War that led to massive popularity of President George Bush who had proclaimed the "New World Order" after the defeat of Iraq and the liberation of Kuwait. Later that year Terminator 2 was released on the July 4th weekend. All of the revenues from the film, including the box office receipts, video, TV and merchandising made close to 1 Billion dollars. By the end of the year the global coming together got even closer with the collapse of the Soviet Union.

 While these events were taking place in the foreground, people began reporting sightings of United Nations military equipment. This equipment which included tanks, troop transports, jeeps and trucks, were shipped to military bases on railroad cars through the backwoods of the United States. Something was definitely being planned and the American people were being kept in the dark by the mainstream media.

MK-SEARCH(MK-ULTRA) technology continued in 1992 while James Cameron was taking a break from film-making. After MK-SEARCH had ended in 1984, the technology was transferred to the U.S. Navy's Research and Development. Through intensive research, Navy R&D had created a new way of controlling the mind using microwave signals modulated from 300-3000 MHz(Megahertz).

Using this technology on a mass scale would require a massive antenna array which could reflect these signals off the upper atmosphere and bounce them back to a precise location on Earth. MK-SEARCH, through Navy R&D had evolved into a new program known as the High Altitude Auroral Research Project, or HAARP.

HAARP was first used to mind control masses of people in Los Angeles during the first four months of 1992 in order to cause stress among the population and create tension. This tension needed a match to ignite a fire. The match was the Rodney King Beating Trial. On April 29th of 1992 four police officers, who were videotaped beating King the year before, were acquitted of all charges. The use of HAARP was combined with the constant replays of Rodney Kings beating on television for nearly a year would make tensions reach a point of friction.

This friction had lit the match and HAARP's mind control of the population of South Central Los Angeles was the gasoline. The result was the Los Angeles Riots which had caused the deaths of nearly 60 people. The situation had gotten so out of control that President George Bush was going to send in the army and declare martial law. If things got too bad, Bush would have used the authority of Executive Order 11490.

E.O. 11490 was originally drafted by President Richard Nixon (33rd Degree Mason) to give him the power to abolish congress, suspend the constitution, declare martial law and put the functions of the U.S. Government under the control of the Federal Emergency Management Agency. Nixon had considered using E.O. 11490 during the Vietnam war to control the anti-war protesters in America.

Luckily for the American public the riots in the late 1960's and the riots in Los Angeles of 1992 were brought under control, but the options of E.O. 11490 were available for any sitting President after Nixon. HARRP had proven itself as a new tool in mind control.

This technology was being prepared for a future event. Ronald Reagan had already given us clues with his "threat from the outside speeches". More of this plan was being discovered by concerned citizens and militia types who had discovered "detention camps" being constructed all over the United States. The purpose of these camps are to imprison anyone who might interfere with this event.

The use of HAARP's mind control signals will coincide with this "event" in order to make the people of the Earth comply. Those unaffected such as libertarians, patriots, individualists, survivalists or anyone else who doesn't think the way the established media wants them to think, would be hauled off to these detention camps in cattle cars. Welcome to the New World Order.

In 1992, after watching the film "A Night to Remember", Cameron began doing research for a future project called "Titanic" which would fit into this pattern of mind-control and Freemasonic symbolism.

True Lies, which was released in 1994, became the next big film for Cameron. The title "True Lies" was symbolic of the inversion of words and meanings commonly found in Freemasonry to confuse outsiders. The best way to understand the title was to remember a phrase created by English Occultist/Freemason Aleister Crowley; "If you want to understand, learn to think backwards".

Symbols that appeared in the film varied from helicopters silhouetted against the morning sun so they appeared as "black helicopters" to symbolic names for chracters. There have been massive "black helicopter" sightings all over the United States throughout the 1990's.

The name "Trilby" was chosed by Cameron for the leader of the Omega group, a spy organization in "True Lies". "Trilby" was symbolic of the type of hats Freemasons would wear at many of their gatherings. A play based on a novel called "Trilby" was written in 1848 by a Freemason, the same year in which Freemasons were nearly driven out of the United States after the murder of Captian William Morgan who had revealed many Masonic secrets.

The name of the organization "Omega" was symbolic of the future as in "Alpha and Omega" from the Book of Revelations. "Alpha stood for the past while "Omega stood for the "future". It was an indication something is coming that would be a "True Lie".

With all this success, Cameron had gained enough momentum to move further up in the Scottish Rite degrees of Freemasonry in order to receive guidance and direction from an established Hollywood "consortium" known as the Hollywood Twelve. "Hollywood-12" was a mirror group for the U.S. government's Majestic-12. MJ-12 was created in 1947 after the crash of the extra-terrestial vehicle in Roswell, New Mexico, designed to manipulate history and to control information on extra-terrestials. HW-12 was originally created in the 1950's during the "Red Scare" and McCarthy witch-hunts that swept across America.

When the Freemasons and their "consortium" of psychiatrists first introduced the MK-ULTRA technology to Hollywood, to prepare the public for extra-terrestials and the New World Order, it was determined that a consortium would have to be built among those experienced in film making to implement this technology and keep it in the proper hands. All of this culminated to become Hollywood Twelve, made up of film studios and television networks. Among HW-12's members today are;

20th Century Fox, Universal, Paramount, Warner Brothers, Sony/Columbia Pictures, Amblin Entertainment, Disney, Orion, CBS, NBC, ABC.

It is the mission of HW-12 to use MK-ULTRA technology to it's limits in ALL entertainment mediums, including, films, television, magazines, computers and now the internet.

In 1995 "Strange Days" debuted, a film written and "produced" by Cameron and directed by his 3rd wife(now ex-wife) Kathryn Bigelow. "Strange Days", named after a "Doors" song was symbolic of the weird things which would be occurring from 1995 onward and would shape history toward the world government by the millennium.

The film was based on a type of technology called "SQUID" - Superconducting QUantum Interference Device. This device could be used to record human experiences on a CD ROM and play them back for later use. "SQUID" was an actual device created from MK-ULTRA technology as a device to record and play back memories as well as a "psychic driving" tool to cause "de-patternization" of human consciousness and multiple personalities. Dr. Donald Ewen Cameron had acheived similar results in the 1950's by repeatedly playing his recorded voice to mental patients.

A lot of the SQUID imagery in "Strange Days" was loaded with subliminal messages which were inserted by "consortium" members who had infiltrated "Digital Domain" a special effects company created by Cameron in 1993. The film itself didn't make much at the box office and it was designed that way to determine which types of subliminal images would draw people to Cameron's films.

The negative portrayal of the SQUID technology was influenced by Cameron and the "consortium" began to see him as a problem that needed to be handled. It turns out that while writing and researching Strange Days, Cameron had discovered the MK-ULTRA connection and read about Dr. Donald Ewen Cameron's brain butchery in Montreal in the 1950's. He was horrified to discover that his great artistic talents had been used in this way. Cameron would try to break away from this madness.

The next big project on Cameron's list was "TITANIC". A culmination of five years worth of research, Cameron was finally going to make a film that would be free of MK-ULTRA's influence. Since "Strange Days", Cameron had learned he had been manipulated and controlled since the beginning of his career by a group of "bad" Freemasons who work for evil purposes. In order to understand this, you have to trace the history of the Freemasons from Atlantis. The information goes off on a tangent and becomes lengthy but it is necessary to fully comprehend the rest of this document.

Thought to be legend by those outside Freemasonry, Atlantis was an island continent located in the Atlantic Ocean. Extra-terrestials from Orion and Sirius known as "originators" had created Atlantis by using thousands of spacecraft parked in Earth's orbit.

These spacecraft were equipped with graviton lasers that drilled thousands holes in the floor of the Atlantic Ocean and molded the exuding lava into the continent. After the lava had cooled, the "originators" terra firmed the new continent with artificial soil and rapidly grown plant life. Atlantis was finally populated with animals from various parts of the Earth as well as humanoid hybrids to create the Atlantean civilization.

These hybrids were crosses between the genetic material of the Neanderthal humans of Earth and the genetic material of the originators. This process of creating these hybrids was known as Xenogenesis; the birth of an alien species. Remember this was also the name of James Cameron's very first film in which he was helped by the Freemasons. This was a clue to the past as will be a clue for the future as you will see later.

The Xenogenesis in Atlantis created what we know as "homo-sapiens" or the modern human being. Humanity started with two hybrids who were named "Adam" and "Eve" and placed in a location the originators had named "Eden". For those of you debating whether "creation" or "evolution" had created humans, this shows that BOTH are true.

As a model for this XenoGenesis and Atlantis, the "origininators" had created a colony on Mars in the Cydonia region.. Remnants of this colony exist today such as the Cydonia pyramids and the Face on Mars. The originators who had the responsibility of creating "Eden" were known as "galactic originator disciples". The hybrids simply knew them by their acronym, "GOD".

Unfortunately, there was an unseen force resisting against the plans of "originators" that would compromise the original plan for "Eden". The opposition consisted of a group of evil "originators" from Sirius who had deliberately planned to take over and defeat the originators from Orion. They were labeled by the Orion originators as "destructive ecstalogical makers of nihilistic savagery" or "demons". Their leader was originally from Sirius and his name was "Satan".

Satan had caused a rebellion among the community of Orion and Sirius known as a "war in heaven". The civilization in the Sirius system was created in a similar fashion as Atlantis and Satan knew what it was like to be controlled. He had collected an army among the Sirius originators and had declared war on the Orion originators.

Satan was eventually defeated in massive battles between his army and "GOD" but there were losses with the destruction of the Cydonia colony, the surface of Mars and its atmosphere after a planet located between Mars and Jupiter exploded. This planet was known by the name "Fenex"

After the explosion, the remains of Fenex created the beginnings of the asteroid belt. A few survivors had escaped this exploded planet and migrated to Earth. They settled the civilization known as Mu in the southwestern portion of North America. The center of Mu was located where Phoenix, Arizona now sits. The name "Phoenix" which means "rebirth" was derived from "Fenex".

As for Satan, he and survivors from his army were cast down to Earth by "GOD", never to rejoin the galactic community, but they wouldn't stay defeated for long. By using technology stolen from "GOD", Satan would make himself appear in other forms including the shape of a snake. He had coerced "Eve" into eating an "apple" from the "tree of knowledge" which was bio-enginnered by "GOD".

The edible parts of this tree contained enzymes that would give the hybrids sentience (or self awareness) and advanced intelligence. After Eve had convinced Adam to eat from this "tree", the "originators" quickly banished the hybrids from the garden to fend for themselves. The descendants of Adam and Eve populated Atlantis and would have to work their way through life.

Eventually, Atlantis formed a goverment and founded ten separate republics. During it's history, a disagreement over how Atlantis was going to be managed had split the Atlanteans into two factions, the Sons of Belial, who's genetic ancestors had come from Sirius and the Law of One, who's genetic ancestors had come from Orion. The disagreement evolved into a civil war which led to the suppression of the Law of One, which emphasized spiritual existence, and the creation of a dictatorship by the Sons of Belial which emphasized materialism.

The continuing materialism of the Sons of Belial led to the creation of changes in the Earth's climate, via pollution and waste of resources which caused the sinking of the Atlantean continent. This sinking was described in many ancient texts including the book of "Genesis" in the Bible as the "Great Flood". It's noteworthy that "Genesis" was derived from the word XenoGenesis.

The story about "Noah" in "Genesis" describes how GOD had instructed him to build an ark to preserve the biogenetic diversity of Atlantis by gathering all the animals of his known world by twos and take them to other parts of the Earth. Before Atlantis disappeared beneath the ocean, the Law of One preserved the intellectual and philosophical idealism from Atlantis and stored it inside of two hollow pillars they named BOAZ and JACHIN which floated away after the flood. Boaz was the Atlantean word for "strength" while Jachin stood for "stability".

 The pillars were eventually discovered at a place we would now call the Straits of Gibraltar between Spain and Morocco. From the information found inside these pillars by travelers who were known as "sojourners", they founded the earliest remnants of Freemasonry with the precepts of "strength and stability". The information was first given to the Egyptians and passed down through different civilizations including Persia, Babylon, Greece and Rome.

After the collapse of the Roman Empire, the information was nearly lost in the Dark Ages(1300's) and the Inquisition (1500's) but was kept alive in various secret places known as lodges, the meeting houses of Freemasons. As Freemasonry evolved into the 1700's, a bitter dispute split Freemasonry into two factions, a revived Sons of Belial (also known as the Illuminati) and the Law of One. Both sides would work toward one goal, the recreation of Atlantis.

With the help of several of their members from both sides, including George Washington of the American Masons and Adam Weishaupt of the Bavarian Illuminati, they created the United States of America in 1776. Since then, both factions have two versions of the same goal. The Sons of Belial faction wants to enslave the human race in a "New World Order" while the Law of One Faction wants to create a "Pax Humana" or Human Peace.

The Sons of Belial faction are responsible for events that set back human history and creativity while The Law of One faction has been responsible for advancing the human race toward the it's ultimate goal, to rejoin the community of civilizations in the universe where humanity originally came from.

After breaking from the Sons of Belial faction of Freemasonry, James Cameron was finally approached by members of the Law of One faction to help him create one of the most emotionally moving and popular films of all time. When Cameron casted actors to fill the roles, the Law of One faction helped him find other Law of One members who would make the film a success.

 Among them were Order of Eastern Star members, Kate Winslet and Gloria Stuart for the young Rose and old Rose roles. For the Jack Dawson role, Cameron had chose Leonardo Dicaprio, who is a Freemason. He had admitted to being a Mason in a interview with RTL, a German television network. When the RTL reporter pressed for further details on the fraternity, Leo became uncomfortable and abruptly ended the interview. Why did he do this? He's been followed by members of the Son's of Belial faction and they've intimidated him into silence.

Cameron himself wouldn't remain completely free from the Sons of Belial faction for long. During part of the filming in Nova Scotia, someone had spiked clam chowder that was going to be fed to crew members with PCP. This had sickened many people, including Cameron who's eyes had become as red as the eyes of the Terminator. Everyone recovered but more events would take place. Another Son of Belial member posing as a Mexican mafia hitman had threatened Cameron's life on the Titanic set in Baja, Mexico.

 In March of 1997 while still shooting Titanic, Cameron had secretly traveled to Arizona to become a 32nd Degree Mason at the Masonic lodge in downtown Phoenix, on March 13th, 1997. While Cameron was receiving his initiation into the 32nd degree from his Law of One allies, millions of people had witnessed a large V-shaped formation of "lights" over the city of Phoenix.

It's worthy to note that Phoenix is just north of 33° North Latitude and it's ancient name was mentioned before in this document as "Fenex". 33 is very symbolic in Freemasonry since it is the highest degree attainable in the fraternity. The number of turns in a complete sequence of human DNA equals 33. This was deliberately engineered during the "XenoGenesis" as a clue to the fact that humans are an engineered species. As historical reminders, many sites sacred to the Law of One are located in the vicinity of 33° including North America's first Masonic Lodge in Charleston, South Carolina as well as the Pyramids of Giza in Egypt which are patterned after the belt stars of "Orion".

The lights over Phoenix were part of a large "extra-terrestial" spacecraft that was sent from Orion by the "originators". The occupants of the ship had warned them that destruction was on the horizon which would be caused by the Sons of Belial and their allies from Sirius. After many people outside of Freemasonry began making inquiries into the Phoenix Event, the spacecraft was deliberately dismissed in the media as "flares" on orders from the Sons of Belial.

Upon knowing the entire world was at stake, the Law of One continued to help Cameron make Titanic into a "religious experience" and to serve as a metaphorical warning to the world of the consequences of the Sons of Belial faction taking over with their "New World Order" and moving carelessly into the future with only technology.

Under the Sons of Belial, the population of the world would be coerced into slavery and finally destruction. Similar ideas of the choice between servitude or destruction have been placed in several recent Hollywood movies ranging from films like "Independence Day" to "The X-Files Movie" as warnings of the future to come.


The image of this frightening future was first embedded into the minds of the public early in the history of the 20th century with the sinking of Titanic. The Sons of Belial had deliberately sunk Titanic in 1912 to prevent the Law of One from creating world peace. Members of the Sons of Belial who had access to media outlets had deliberately pushed an agenda in the media to give "Titanic" the aura of unsinkability so they could proceed with their plans of taking over the world.

Before the voyage had begun, a Son of Belial member had met with and ordered Captain Smith to ignore any kind of warnings or advisories he might receive during the journey and go "full steam ahead" at all costs. The name of the member was J.P. Morgan.

 In the "official" history books, J.P. Morgan had backed out of his decision to sail on Titanic at the last minute because of his wife's "alleged" premonition of the sinking of the ship. This was an alibi for Morgan because he had taken out the world's most expensive insurance policy on Titanic through Lloyd's of London and his company White Star Lines. In order make sure the luxury liner's maiden voyage would be a disaster, J. Bruce Ismay was sent by Morgan to remind Captian Smith of his "orders".

Lets look at this in perspective. Why would such a tragic event be planned? You have to understand who was on the ship. Several influential persons on the ship who were from the Law of One faction of Freemasonry were in the process of creating the foundations of what would eventually become a "League of Nations" or Pax Humana. After the ship struck the iceberg died in the cold North Atlantic sea, the creation of the "League of Nations" was carried on by Law of One members who survived. It's now a fact that those who died on the ship were homicide victims at the hands of the Sons of Belial. Titanic was doomed from the beginning.

The very next year in 1913, the Sons of Belial faction of Freemasonry had created their own influential organization with the help of J.P. Morgan and his billionaire friend and Standard Oil Company owner John D. Rockefeller. The both of them would use the money from Titanic's insurance policy to create the foundations for the bureaucracy of the "New World Order" in 1913. That year the "Council on Foreign Relations" , an organization which would eventually have offshoots like the United Nations in 1948 and the "Trilateral Commission" in the 1970's, was unofficialy established. The CFR would be "officially established" by 1921.

By 1914, the Sons of Belial had influenced events which sparked World War I. The Law of One had to wait until after the end of the war in 1918 to begin laying the foundations for the "League of Nations". The war between the Law of One and the Sons of Belial would escalate through the rest of this century.

 The Wall Street Crash of 1929, the rise of the Third Reich and Adolf Hitler, World War II, the Holocaust, the creation of nuclear weapons(on 33° North Laditude at Almagordo, New Mexico), the rise of Communist China, the Korean War, the Cold War, the Cuban Missile Crisis, the Kennedy assassination(located on 33° North Latitude in Dallas Texas), the Gulf of Tonkin incident and the Vietnam War, and the Gulf War were caused by the Sons of Belial to wear down the Law of One. The Law of One has responded to these events in various ways including putting humans on the Moon in 1969. So far they have have prevented the world from sinking into the abyss. Here in the present, the Sons of Belial tried to destroy the Titanic movie in the media by deliberately creating bad press, but they failed in their efforts when the movie became a hit.

The number of Oscar nominations received by "Titanic" had explained the Law of One's influence on the "religious experience" side while the MK-ULTRA technology held by the Sons of Belial influenced the films subliminal imagery and created repeated viewing by audience members to the point of the film taking in 1 Billion dollars. The success of Titanic created a rewarding situation for Cameron who was now a 32nd Degree Mason. In August of 1997 he had married Linda Hamilton, who played Sarah Connor in Terminator 2 and is also a member of the Order of the Eastern Star. His success would escalate to the the Oscars.

The Academy Awards was held at the Shrine Auditorium in Los Angeles on March 23rd of 1998. The building was built in 1927 by The Ancient Arabic Order of the Nobles of the Mystic Shrine, better known as the Shriners. The Shriners are an organization which admits only 32nd degree Freemasons and was founded in New York City in the 1870's by American actor William Florence.

Upon entering the Shrine Auditorium in Los Angeles, James Cameron was inducted as 33rd Degree Freemason. Titanic had won 11 Oscars, and the categories in which it won had shown where the Law of One and the Sons of Belial had influence. When Cameron picked up the Oscar for Best Picture, he had told the audience of 1 Billion people that "we're here tonight to celebrate the magic of movies". That statement was given to expose MK-ULTRA's connections to the film industry. Cameron had also said the message of Titanic is "the unthinkable can happen, the future is unknowable, and the only thing we truly own is today and that life is precious".

This was a veiled warning about the Sons of Belials plans for our future and Cameron knows of the destruction that's coming from their "New World Order" which includes an invasion of Earth by allies of the Sons of Belial from Sirius. Finally, Cameron asked everybody to observe a moment of silence for the victims on Titanic. It was very obvious at this point that he had broken free from the grip of the Sons of Belial faction of Freemasonry and had sided with the Law of One.

The Sons of Belial and their "consortium" have made their next move by trying to corrupt James Cameron with money by giving him $100 Million dollars from the profits made by Titanic. Whether Cameron is swayed will depend on whether he stays "square" in all of his business dealings and circumscribes his passions with a moral "compass". The Sons of Belial will be waiting for him.

On an end note, anyone who tries to debunk or dismiss this document, whether they are psychiatrists, government agents, skeptics, secret society members or just plain ignoramuses who laugh at this, will forever prove the information true.




This document is delivered by C.S.M. to bring the truth to reality and to forever change the course of human history.

Morning Star the Light Bearer


REALITY IS WHAT YOU BELIEVE
NOT WHAT THEY WANT YOU TO THINK
HISTORY IS SHATTERED FOREVER
BECAUSE THE PARADIGM SHIFT IS HERE


COPYRIGHT 1998 BY MORNING STAR THE LIGHT BEARER