“Now, Post-Modern Theology is quite a proposition — because you’re saying you want to have Theology without God.”
Shatner :
Did you realize that The Next Generation,
it was possible to characterize it as
Gene Roddenberry's
Dream of Heaven?
Branon Braga :
I would never have thought that at the time,
but now that we're talking,
with his conception of The Future
and Human Beings in The Future,
and Q — Q is God.
I mean, just look at the character,
look at everything about
the character.
Shatner :
Gene was a well-known Atheist,
but he invents Q.
Q. :
Typical, so Typical.
Savage Life Forms
never follow even
Their OWN Rules.
Ronald D. Moore :
As I sit here it's pretty startling —
God's a character, a LITERALISED character,
on Star Trek : The Next Generation.
Shatner :
By An Atheist.
Ronald D. Moore :
By An Atheist.
Very interesting.
Hurley:
Gene's IDEAS about
The Future and about Man —
are wacky doodle.
He sees Us now in Our Infancy
where we just gather and accumulate
like a three-year-old in a crib,
‘That's Mine, that's mine,
give me this, you can't have that
I need this, I need that.’
He believed that Mankind in the twenty-fourth century had •resolved• ALL Conflict between themselves.
Dorothy Fountuna :
That developed between the first Star Trek
and the second Star Trek.
David Gerrold :
Back in the 60's, Gene wanted
to be The Womaniser and always
gets the beautiful woman and always
punches out The Bad Guy
and always wins.
And in 1986, Gene is not going to be
down there on the front lines punching,
but he WILL be The All-Seeing ADVISOR,
The WISE Man.
Shatner:
The real Trouble in Year One
is the dictums, how to
get a good script OUT.
If you tell A Writer that the characters can't have conflict between them, you're just cutting his legs off.
Some writers really chaffed against
Gene's Vision of A Better Future
where there was No Conflict —
The ESSENCE of Drama is Conflict.
“There was No Evil.”
“There's No Money anymore.
There was No Jealousy.
There's No Fighting anymore.
No separate Individual
GOALS or IDEAS —
We just negotiate.
No Tension, what?”
Branon Braga :
I liked the Dramatic Constraints
it put on ME as A Writer.”
Shatner :
Really?
Branon Braga :
Well, I had to find new ways
to tell stories.”
“When you look at The Original Series
there's a LOT of Conflict between
those characters, they argue a lot,
and crewmen on The Enterprise
are YELLING at each other —
If Our People are Perfect and have No Conflicts
or Problems between them,
there is no STORY here.
We would walk around in each others' offices going,
"I don't know how to write about that,
I don't know how to write about Perfect People."
Hurley :
That was Gene's vision of
Star Trek: The Next Generation, take it or leave it
and work within it or DON’T.
I don't think you can sustain a show
where the characters are not
accessible to the audience.
Where you don't see somebody
over coming A Flaw,
if there's no Conflict and no tension
between people, then there's no relationship
between people and that show will wither.
And that's what was happening.
I tried to make it sustainable,
I wanted to create this new adversary, The Borg,
I want the Federation to form allies against this OVERWHELMING, awesome adversary.
At the end of the first season
there's an episode called ‘The Neutral Zone’,
which was the arc for the second season,
and the arc for the second season was going to be
“Here come The Borg.”
At the end of the second season
they DEFEAT The Borg.”
Shatner :
Then what happened?
Hurley :
Writers Strike.
End of the first season,
Writers Strike begins.
Couldn't talk to The Writers,
couldn't talk to Roddenberry.
And the hiatus dragged on and on and on,
it was five and a half months
“Patrick kept saying the trouble with the show is
there's not enough f-ing and f-ing.
Fighting and Fornicating.”
Patrick Stewart :
And I said I have a feeling Our Audience
might like to see Our Captain just getting
blown away by meeting Somebody New.
Ira Stephen Behr :
The Writers were real excited.
Well Rick says, ‘You've got to
go in to see Gene.’
So I go in and he's very nice but he says,
‘I like the idea of The Pleasure Planet
and I want it to be a place where
you see women FONDLING and
KISSING other women,
and men HUGGING and
holding hands and KISSING
and we can imply that
they're having SEX
in the background.’
Huh? Really?
I'm going, "Oh, man, I'm in
The freakin' Twilight Zone."
I go back to Rick, he goes,
‘Pft, pay no attention to that,
just get The Captain laid."
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