Showing posts with label Roddenberry. Show all posts
Showing posts with label Roddenberry. Show all posts

Tuesday 18 October 2022

RED-Alert!, SHIELDS-up..!!






Gene's Ideas, about 
The Futureand about Man
are wacky-doodle


Frakes/Cmdr. Will Riker :
RED Alert, SHIELDS-up! 

David Gerrold : 
He was a flawed man. 
He had great virtues
he had great flaws. 

John Pike :
I thought Gene was going to come 
across The Table at me. 


I saw first-hand Gene's battling
with The Studio. 

Rick Berman : 
Gene was considered somewhat 
of a pain in the neck, he was 
kind of a blustery guy. 

D.C. Fontana : 
Gene wasn't the easiest person 
to get along with but he stuck up 
for his beliefs and his concepts. 

It was just a lot of in-fighting -- 
it was all chaos

Ira Steven Behr: 
There was really scary stuff going on --
There's A Lawyer going around
looking in people's desks 
when they're not there

Brannon Braga : 
I spent the first couple of years 
just worried I was going to be fired

Sir Patrick Stewart : 
My Agent was the first person to Talk to us --
He said, "There wasn't a Hope in Hell
that this show would even make it
through The First Season


SHATNER :
This film is about the turbulent years 
that marked The Beginning of 
Star Trek: The Next Generation —
How it got off the ground 
and survived the chaos 
of the first three years. 

I became fascinated 
with The Strugglenot only 
the creative strugglebut 
The Struggle for Power

Those doors are opening up 
on Stage 6 where The Bridge 
for The Next Generation 
was first constructed. 

Power is an Ephemeral
it's What is Perceived

In order for Power to exist it has to 
be acknowledged by the people 
who are involved in The Work. 

What I Began to See was Gene Roddenberry, 
The Creator of Star Trek, aging 
and in diminishing Health 
trying desperately to 
hold on to His Creative Vision
His Legacyand ultimately 
His Power.

Thursday 21 April 2022

Power is Ephemeral



William Shatner :
Power is an ephemeral;
it's What is Perceived

In order for Power to exist it 
has to be acknowledged by the 
people who are involved in
The Work

What I began to see 
was Gene Roddenberry
The Creator of Star Trek, 
aging and in diminishing 
health trying desperately 
to hold on to his creative vision
his legacy, and ultimately, 
His Power


Hurley:
Roddenberry had an incredible Loyalty
he was very loyal to his friends. 

David Gerold :
No, Gene screwed over all his friends 
as well as his enemies. 

You know, he had a lot of demons. 

He was very perceptive, 
had a high IQ. 

Gene was a Historical Revisionist. 

Creative and contributive
and collaborative. 

Very intimidating guy.


His good nature. 
He could be a bully. 
But he was a nice man and 
was a generous man. 

Gene had a way of making you feel really good about yourself. 
He could inspire people to do better than they believed they were capable of. 

Sir Patrick Stewart :
I just found him a decent man. 


And had a lot of worldly experience. 
A bomber pilot in the Pacific, decorated 
Pan-Am pilot world wide. 

I had great arguments about philosophy 
and all sorts of things. 

He was a really remarkable man, I thought. 

Gene was fun... but then later as things were 
not going as well I think he got sour. 

There's this twenty years
in The Desert for Gene. 
He's the forgotten man. 

D.C. Fontana:
The things that didn't happen 
were disappointing 
and very saddening.
 
His wife Majel would go to the conventions 
and they would sell memorabilia 
and make some money that way 
and that money helped sustain him. 

When you're out of work as a writer 
in Hollywood and you can't find it,
it's a difficult life. 

I guarantee you he had a difficult life 
between Star Trek and the first movie — 
We get back together for Next Gen and for him 
it's like he's been called back 
out of The Desert and given 
A Position of Power again. 

At the time Gene Roddenberry was considered 
somewhat of a pain in the neck, 
he was kind of a blustery guy 
who was not very agreeable

Everybody else forgot him after
Star Trek : The Motion Picture, this epic disaster. 

Every aspect of it got out of hand, 
this was a runaway train. 

He wasn't trusted with anything. 

He had been relegated to being 
the executive consultant on the movies. 
They paid him very well
I think that may have been enough

He had a big corner office in the Hart building. 
He pretty much spent his days in correspondence with people 
from all over the world who had become Star Trek fans. 

So they gave him this emeritus status, 
and he was a Has-Been.

Friday 22 October 2021

Shiny



Maurice Hurley :
“I get a call from Paramount saying 
Come and meet Roddenberry, 
we want to consider you as a writer 
for Star Trek: The Next Generation’ 
I said that's A Joke, that's a JOKE. 

But I want to meet Roddenberry. 
Who wouldn't wanna meet Roddenberry? 

I was coming off two cop shows. 
I was coming off Miami Vice, very good show. 
Equalizer, very good show. 

So he gives me the first episode to rewrite. 
We pass each other in the hallway four or five times a day, 
he won't look at me.

Dorothy Fortuna
Apparently Gene didn't like 
What He Wrote. 
It was probably the first time 
we heard them battle.

Hurley :
And he raises up behind his desk, 
this great bird-like creature 
and he points his finger at me like this 
and he says, 
"YOU don't know the difference 
between SHIELDS 
and DEFLECTORS!." 

And that went on for weeks.”

Shatner :
What did that say to you about 
What You Were Confronting? 

Hurley :
He didn't want ME,  
Hurley, The Writer. 

He didn't want me to write Me
he wanted me to write HIM…








You cannot have 
A Protagonist 
without Desire.

It doesn't make any sense.
Any fucking sense.

You follow? Good.
Anyone else?

Yes?

Kuafman :
What if A Writer is attempting to create 
Story where nothing much happens?

Where people don't change,
they don't have any epiphanies.

They Struggle and are Frustrated,
and nothing is resolved.

More a reflection
of The Real World.


Lektor :
The REAL World?

Kaufman
Yes, sir.

Lektor :
The Real fucking World.

First of all, you write a screenplay
without Conflict or Crisis,
you'll bore your audience to tears.

Secondly, Nothing Happens
in The World?

Are you out of your fucking mind?

People are murdered every day.

There's Genocide, War, Corruption.

Every fucking day,
somewhere in the world,
somebody sacrifices his life
to save somebody.

Every day, someone somewhere
takes a conscious decision
to destroy someone else.

People find love.
People lose it.

A Child watches A Mother beaten
to death on the steps of a church.

Someone goes Hungry.
Somebody Else Betrays His Best Friend 
for a Woman.

If you can't find that stuff in life,
then you, My Friend,
don't know crap about Life!

And why the fuck are you wasting my two precious hours with your movie?

I don't have any use for it!

I don't have any bloody use for it!

Okay, thanks.

Thank you. You're welcome.

No. Thank you.

Thank you so much, Mr. McKee.

This course makes you look at
writing in a whole different way.

Mr. McKee. 

Yes?

I'm the guy you yelled at this morning.

….I need more.

I'm the one who thought
things didn't happen in life.

Ah. Right. Okay.

Nice to see you. 

I need to Talk.

Mr. McKee, my even standing here is very scary.
I don't meet people well.
But what you said this morning
shook me to the bone.

It was bigger than my screenwriting choices.

It was about my choices as 
A Human Being. Please.

Yeah.

Well, you know, I could
sure use a drink, My Friend.

"...but a little fantastic
and fleeting and out of reach."

Then what happens?

Well, that's the end of the book.
I wanted to present it simply without big character arcs or sensationalizing the story.

I wanted to show flowers as God's miracles.

I wanted to show that Orlean never
saw the blooming ghost orchid.

It was about disappointment.

I see.

That's not a movie.

You gotta go back,
put in the drama.

I can't go back. I've got pages of
false starts and wrong approaches.

I'm way past my deadline.
I'll tell you a secret.

A last act makes a film.

Wow them in the end,
and you got a hit.

You can have flaws, problems,
but wow them in the end

and you've got a hit.

Find an ending. But don't cheat.

And don't you dare bring in
a deus ex machina.

Your characters must change and The Change 
must come from them.

Do that and you'll be fine.

You promise?

Mr. McKee.

Have you taken my course before?


My Brother did.

My Twin brother, Donald.
He's the one who got me to come.

Lektor :
Twin screenwriters? 

Yeah.

Lektor :
Well, Julius and Philip Epstein,
who wrote Casablanca,
they were twins

You mentioned that in class.


Lektor :
Finest screenplay ever written.



Great writers' residence.

Donald.
Hey, how's your trip going?

You getting it on with that
lady journalist, you dog, you?

Yeah.

Listen, I'm just calling to say
congratulations on your script.

Isn't that cool? Marty says he can
get me high-sixes against a mil-five.

That's great, Donald.

I want to thank you
for all your help.

I wasn't any help.

Come on,
you let me stay in your place.

And your integrity
inspired me to even try.

It's been a wild ride.

Catherine says
she wants to play Cassie.

Oh, please! Ha, ha, ha.

Please, Donald?

Catherine Keener?

Catherine Keener's in my house?
Yeah, we're playing Boggle.

She's great. You should really
hang out with her, Charles.

Yeah. Um, look...

I've been thinking.

Maybe you'd be interested in hanging
out for a few days in New York.

Oh, my God, yes.

Yeah?

I was gonna show my script
to some people,

and, well, maybe you could
read it too, you know, if you like.

Of course. I'd be flattered.

Okay.

Thanks, Charles.

Okay, bye.

So, like, what would you do?

The script kind of
makes fun of me, huh?

I'm sorry. I was trying something...
Hey, I don't mind. It's funny.

Good. Okay.

So, what would you do?

You and me are so different,
Charles. We're different talents.

Charlie Kaufman :
I know. Just for fun...
How would the great Donald
end this script?

Heh, heh. Shut up.
"The Great Donald."
I feel like you're missing something.

All right. Like what? 


LookI did a little research
on the airplane.

"Sometimes this kind of story
turns out to be something more, some glimpse of life that expands
like those Japanese paper balls you drop in water and they bloom into flowers and the flower is so marvelous you can't believe there was a time all you saw was a paper ball and a glass of water."

First of all, that's inconsistent.
She said she didn't care about flowers.

For God's sake, it's just a metaphor.

No, it’s NOT, it’s a Similie.

Well, but for what?
What turned that paper ball into a flower?
It's not in the book, Charles.

I don't know. You're reaching.


Maybe.
But I think you actually need to
speak to this woman
To know her.

Charlie Kaufman :
I can't. Really. 

I'll go. I'll pretend I'm you.
I want to do it, Charles.

We'll get to the bottom of this.
We're gonna fix your movie, bro.

Charlie Kaufman :
But you've gotta be exactly me.
I have a reputation to maintain.

You can't be a goofball.
Can't be an asshole.

The Donald :
I'm not an asshole.

Charlie Kaufman :
You know what I mean.
No flirting. No bad jokes.
Don't laugh How You Laugh.

The Donald :
I'm not gonna laugh.
I get to have people think I'm you.
It's an honor.


******
The Donald :
So I guess I'll bring out
the big guns now.

Do you keep in touch with Larouche?
I felt I detected an attraction to him
in the subtext. 
Care to comment?

Uh...

Well, our relationship was strictly reporter-subject.

I mean, certainly an intimacy does
evolve in this kind of relationship.

By definition, I was so interested in everything he had to say.

But the relationship ends
when the book ends.

Mendacious deceit


What?

Nothing.

I just have one more question.
If you could have dinner with one
historical personage, living or dead, who would it be?

Uh, well, I would have to say...
Einstein.
Or Jesus.

Very good.
Interesting Answer.

The Donald :
She's lying. 

Charlie Kaufman :
What do you mean?
What happened?

Nothing. She said everything right.
Too right.

Well, maybe because they're True.
Did you embarrass me?

People who answer questions
Too Right are liars.

Everybody says Jesus and Einstein.
That's a prepackaged answer.

"Jesus and Einstein"?
Listen, Charles, I have an idea.
You'll need to buy me
a pair of binoculars.

What's "Jesus and Einstein"?

Come on.

Sing with me.

What the hell do you need binoculars for?

Let's go, let's go.

She hung up the phone.
She's upset.

Stop watching her.
Leave her alone.

She's crying.
She's at her computer.

This is morally reprehensible.

United to Miami.
Eleven fifty-five a.m. Tomorrow.
Thought she was done with Larouche.

Her parents live in Florida.

That was no parent phone call,
my friend.

Don't say "My Friend."

A guy entering.

Handsome.

Must be her husband.

She's acting weird with him, though, right?

Don't you think?

What's she hiding from him?

Maybe she's a lesbian
and doesn't know how to tell him.

What do you think?

Have you checked out Laroche's porn site?

No. I'm trying to read.

Anyway, I'm gonna look at the porn site. Research.

Don't tell my old lady.

You mean Mom?

No, I don't mean Mom.

Still say we should go
to Miami tomorrow.

Forget it.

Some of these chicks look okay.

Hey, guess what.
We're going to Miami tomorrow.

I said, no.
I said, oh, yeah, baby. Come here.

What I came to understand
is that Change is not A Choice.

Not for a species of plant,
and not for me.

It happens, and you are different.

Maybe the only distinction
between the plant and me
is that afterward,
I lied about my change.

I lied in my book.
I pretended with my husband

that everything was the same.

But something happened
in The Swamp that day.

Hey, look —
I told you I'd find
the jewel of the Fakahatchee.

It's A Fower.
Just A Flower.

Well, might as well grab it.
Long as I'm here.

Oh, man.
Boy, my porn site's gonna be big.

Look, something I didn't tell you that 
I want to tell you about The Ghost. Okay?

I think it might help you.

I'd just started at the nursery.
And I went back one night
to pick up something.

They wanted The Ghost
just to extract the drug.

It had been a ceremonial thing,
but the young guys, you know,
they liked to get stoned.

So Matthew?

He was one of the guys who...?
Sure.

Matthew lived on that shit 
till they ran out.

Because there was this one day
he was fascinated by me.

By my hair and my sadness.

Yeah, well, it does that.
That's what I wanted to tell you.

I mean, I think you'd like it, Susie.
It seems to help people 
be fascinated.

I can extract it for you.
I know how. I watched.

I'm probably 
the only white guy who knows.
I want to do this, Susie.

I'm done with orchids, Larouche.

Hello?

Hi.

It's John.

Did you get my package?

John?

John!

Johnny.

Hey, John? Yeah?

Very happy now.

Well, I'm glad.

Very happy.

Um, John? Hm?

Will you go like this...?

No. Keep going.

No. No.

I'm trying to make a dial tone.
And you have to sustain.

And then I will join you, and together...

See, I can't do it by myself.
Which one do you want me to do?

Yes. Yes. Yes. Okay. Here we go.

That's it. We got it.

We got it. That's fucking amazing.

Do you ever get lonely sometimes, Johnny?

Well, I was a weird kid.
Nobody liked me.
But I had this idea...
If I waited long enough, someone would come around and just,
you know, understand me.

Like my mom.

Except Someone Else.

She'd look at me and quietly say,
"Yes."
Just like that.
And I wouldn't be alone anymore.

Oh, I wish I were an ant.
Oh, they're so shiny.

You're shinier than any ant,
darling.

That's the sweetest thing
anybody has ever said to me.

Well,
I like you, that's why.

Sunday 17 October 2021

Stay Where Thou Art












Captain's log, stardate 41153.7. 
Our Destination is Planet Deneb Four, 
beyond which lies the great 
unexplored mass of The Galaxy. 

My Orders are to examine Farpoint, 
a starbase built there 
by the inhabitants of that world. 

Meanwhile, I am becoming 
better acquainted 
with my new command, this 
Galaxy Class USS Enterprise. 

I am still somewhat in awe 
of its size and complexity. 
As for my crew, 
we are short in several 
key positions, 
most notably a first officer, 
but I am informed that 
a highly experienced man, 
one Commander William Riker, 
will be waiting to join Our Ship 
at our Deneb Four destination.

[Bridge]

PICARD
You will agree, Data, that 
Starfleet's orders are... difficult

DATA: 
Difficult? Simply, 
'Solve The Mystery 
of Farpoint Station.' 

PICARD: 
As simple as that. 

TROI
Farpoint Station. Even The Name 
sounds mysterious. 

PICARD: 
It's hardly simple, Data, 
to negotiate a friendly agreement 
for Starfleet to use The Base 
while at the same time snoop around 
finding how and why the life form there built it. 

DATA: 
Inquiry. The word 'snoop?' 

PICARD: 
Data, how can you be programmed 
as a virtual encyclopedia of human information 
without knowing a simple word like 'snoop'? 

DATA: 
A Possibility : A Kind of Human Behaviour 
I was not designed to emulate. 

PICARD: 
It means 'to Spy', 'to Sneak'. 

DATA: 
Ah! To seek covertly, to go stealthily, 
to slink, slither --

PICARD: 
Exactly, yes. 

DATA: 
Glide, creep, skulk, 
pussyfoot, gumshoe. 

TROI: 
Captain, I'm sensing a powerful mind. 

(Collision alert sounds

TORRES: 
Something strange on the detector circuits. 

(A massive barrier appears in front of them in space

DATA: 
It registers as solid, Captain. 

TROI: 
Or an incredibly powerful forcefield. 
But if we collide with either it could be very -- 

PICARD: 
Shut off that damned noise. 
Go to Yellow Alert. 

WORF: 
Shields and deflectors up, sir. 

(The barrier ripples like chain mail

PICARD: 
Reverse power, full stop. 

TORRES: 
Controls to full stop, sir. 
Now reading full stop, sir. 

(There's a flash of light, and an Elizabethan era soldier appears, complete with breast plate and plumed hat

Q.: 
Thou are notified that Thy Kind 
hath infiltrated The Galaxy too far already. 
Thou art directed to return 
to Thine Own Solar System immediately

PICARD: 
That's quite a directive. 
Would you mind identifying 
What You Are? 

Q.: 
We call ourselves The Q. 
Or Thou Mayst Call Me That. 
It's all much the same thing. 

(The same force barrier stops two people exiting the turbolift

Q .: 
I Present My Self to Thee as a fellow Ship's Captain, 
that Thou Mayst better understand me.
 
Go Back whence Thou camest. 
(to Helmsman
Stay Where Thou art! 

(And the helmsman is frozen solid, phaser in hand)

PICARD
Data, call medics. 

TROI: 
He's frozen! 

PICARD
He would not have injured You -- 
Do You recognise this, the stun setting? 

Q: 
Knowing Humans as Thou Dost, Captain, 
wouldst Thou be captured helpless by Them

Now, Go Back 
or Thou Shalt 
Most Certainly Die.

Captain's log, supplementary -- 
The frozen form of Lieutenant Torres 
has been rushed to sickbay. 

The Question, Now, is 
The Incredible Power 
of The Q.-Being. 

Do We Dare Oppose It?

[Bridge]

Q. : 
Captain, thy little centuries go by so rapidly. 
Perhaps thou will better understand this. 

(A flash of light and he is wearing a 20th century US military uniform, with a cigarette in his hand

Q.
Actually, The Issue at stake is Patriotism --
You must return to Your World 
and put an end to The Commies. 

All it takes is A Few Good Men. 

PICARD : 
What? That nonsense 
is centuries behind Us. 

Q.
But You can't deny that 
You're still a dangerous, 
Savage, Child-Race. 

PICARD: 
Most certainly I deny it. 
I agree we still were 
when humans wore costumes like
that, four hundred years ago. 

Q. : 
At which time you slaughtered millions 
in silly arguments about 
How to Divide The Resources 
of Your Little World. 

And four hundred years before that
You were murdering each other 
in quarrels over tribal God-Images. 

Since then,there are no indications 
that Humans will ever change. 


PICARD
But even when we wore costumes 
like that we'd already started 
to make rapid progress. 

Q: 
Oh yeah? You want to review your rapid progress? 

(Flash, and a change into a padded suit

Q. : 
Rapid progress, to where Humans learned 
to Control Their Military with drugs

WORF
Sir, sickbay reports 
Lieutenant Torres's 
condition is better. 

Q.
Oh, concern for one's fellow comrade --
How touching. 

WORF
And now a personal request, sir. 
Permission to clean up the bridge. 

TASHA
Lieutenant Worf is right, sir. 
As Security Chief I can't just stand here and let --

PICARD: 
Yes you can, Lieutenant Yar. 

Q. : 
(taking a snort of something
Oh, better. And later, on finally 
reaching Deep Space, 
Humans of course found Enemies 
to fight Out There, too

And to broaden those struggles 
You again found allies for still more murdering. 

The Same Old Story
all over again. 

PICARD
No. The Same Old Story is The One 
We're meeting now
Self-righteous life forms 
who are eager not to learn
but to Prosecute
to Judge anything 
They don't understand 
or can't tolerate. 

Q. : 
What an interesting idea : 
Prosecute and Judge
Suppose it turns out we understand 
You Humans only too well. 

PICARD: 
We've no fear of what the true facts about us will reveal. 

Q. : 
Facts about You? Splendid, splendid, Captain! 
You're a veritable 
Fountain of Good Ideas. 

There are preparations to make, 
but when we next meet, Captain, 
We'll proceed exactly 
as You suggest. 

(A flash and He is gone

WORF: 
Sir, respectfully submit, 
Our only Choice is to Fight. 

TASHA
Fight, or Try to Escape. 

PICARD: 
Sense anything, Commander? 

TROI: 
It's Mind is much Too Powerful. 
Recommend, We Avoid Contact. 

PICARD
From This Point, 
No Station aboard, 
repeat No Station
for any reason will 
make use of 
transmitted signals 
or intercom. 

We'll Try and Take Them 
by Surprise. 

Let's see what this 
Galaxy-class Starship can Do

(to Worf

Lieutenant, inform Engine Room 
to prepare for maximum acceleration. 

WORF
Aye, sir. 

PICARD: 
Records search, Data -- 
Results of detaching saucer-section 
at high-warp velocity. 

DATA
Inadvisable at any 
Warp Speed, sir. 

PICARD: 
Search Theoretical. 

DATA: 
It is possible, sir. 
But absolutely no 
margin for error. 

PICARD: 
Using print-out only, notify all decks 
to prepare for maximum acceleration. 

Now hear this, Maximum
You're entitled to know, 
means that We'll be 
pushing Our Engines 
well beyond safety limits. 

Our Hope is to surprise 
whatever That is Out There
try and outrun it. 

Our only other option is to 
tuck tail between our legs and 
Return to Earth as They demand. 

(Worf makes his trip to Engineering and back

WORF: 
Engine Room ready, sir. 

TROI: 
The Board shows Green, Captain. All Go. 

PICARD: 
Stand by -- Engage

(They swoop along and past The Barrier, which then turns into a ball and chases them

WORF: 
Velocity, Warp 9.2. 

DATA: 
Heading 351 mark 11, sir. 

PICARD: 
Steady on that. 

TASHA: 
The Hostile is now Giving Chase, sir. 
Accelerating fast. 

WORF
We're now at Warp 9.3, sir, 
which Takes Us past 
The Red Line, sir. 

PICARD: 
Continue accelerating. 
Counsellor, at This Point, 
I'm open to guesses about 
What We've just met. 

TROI: 
It it felt Like Something Beyond 
what We'd consider A Life Form. 

PICARD: 
Beyond? 

TROI: 
Very, very advanced, sir
or certainly very, very different

WORF: 
We're at 9.4, sir. 

TASHA: 
Hostile is now beginning 
to overtake Us, sir. 

PICARD: 
Are You Sure? 

DATA
Hostile's velocity is already 
Warp 9.6, sir. 
Shall I put Them on the main viewer? 

PICARD: 
Reverse angle. 

DATA: 
Magnifying viewer image. 

TASHA
Hostile's velocity is 9.7, sir. 

PICARD: 
Worf, inform The Engine Room 
We need more

DATA: 
Engine Room attempting 
to comply, sir, 
but They caution Us... 

PICARD
Go to Yellow Alert. 
Arm aft photon torpedoes. 
Place them on ready status. 

TASHA: 
Torpedoes to ready, sir. 

TASHA: 
Hostile now at Warp 9.8, sir. 

WORF
Our Velocity is only 9.5, sir. 

DATA
Projection, sir -- We may be able 
to match Hostile's 9.8, sir. 
But at extreme risk

TASHA: 
Now reading The Hostile 
at Warp 9.9, sir. 

PICARD: 
Now hear this. 
Print-out message, urgent, 
all stations on all decks. 
Prepare for emergency saucer sever. 
You will command the saucer section, Lieutenant. 

WORF
I am a Klingon, sir. 
For me to seek escape when 
My Captain goes into battle —

PICARD
You are a Starfleet officer, Lieutenant. 

WORF
Aye, sir. 

PICARD
Make The Mark, Data. 
Note in Ship's log 
that at this StarTime, 
I'm Transferring Command to 
The Battle Bridge. 

(Picard, Data, Yar and Troi 
leave the Bridge to unnamed crew)


Captain's log, StarDate 41153.7
Preparing to detach saucer section. so that families and the majority of the ship's company can seek relative safety while the vessel's stardrive, containing The Battle Bridge and main armaments
will turn back and confront the mystery that is threatening us.

[Battle Bridge]
(Families of various races make their way along corridors as the bridge crew settle into a more compact Bridge)

PICARD: 
Lieutenant, Your Torpedoes must detonate 
close enough to the hostile 
to blind it at the moment we separate. 

TASHA: 
Understood, sir. 

TROI: 
All decks acknowledging, sir. 
PICARD: 
Worf, this is the Captain.

[Bridge]

PICARD : 
At the moment of separation, 
we will reverse power just enough 
to get your saucer section out ahead and clear of us. 

WORF: 
Understood, Captain.

[Battle Bridge]

TASHA
Torpedoes away, sir. 

(Eight red dots shoot out from the stern

PICARD: 
Begin Countdown. Mark. 

DATA: 
Starship separation in six, five, 
four, three, two, one. 

(Gracefully, the huge saucer lifts away from the body of the ship

DATA: 
Separation is Successful, sir. 


(The main body does a hand-brake turn and heads back to their pursuer. The torpedoes detonate.

TASHA
Torpedoes have detonated, sir. 

PICARD: 
Let's come to a stop. 
Reverse power. 

DATA: 
Reverse power. 
Decelerating. 

PICARD: 
Dead Stop. 
We'll hold this position 
and wait for Them. 

TROI: 
That will bring them here in just minutes, sir. 

TASHA
Will we make A Fight of it, Captain? 
If We can at least damage Their Ship 
we'll have a chance 

PICARD
Lieutenant, are You recommending 
we fight a life form that can do 
all those things? 

I'd Like to Hear Your Advice. 

TASHA : 
I Spoke before I Thought, sir. 
We should look for some way 
to distract Them from 
going after The Saucer. 

O'BRIEN
All forward motion stopped, sir. 

PICARD
Thank you, Conn. 
Commander, Signal The Following, 
in All Languages 
and on All Frequencies. 

We Surrender

State that We are not asking 
for any terms or conditions. 

TROI: 
Aye, sir. 
All language forms and frequencies.