WE Just Have to Figure-out A Way to MOBILISE It

There are 

Three Physical Gateways 

and The Three are One.

This is The Place 

from which 

The Masters came. 

Here, A Great Empire 

once stood, 

Ruling All Known Space.

“I remind myself of A Navajo Story — 

Twin War Gods 

come to Their Father, 

seeking Magic and Weapons 

to eliminate 

The Monsters of The World.

My Hope is the same for You, 

and that We might reconcile 

the differences between Us.

Your Loving Father.”

Ghostbusters 2 (1989) - No Dent, A Symbol

RAY: 

(half-heartedly)

Pull 'em.

EGON: 

Full neutronas.

RAY : 

Let's cook!

They open fire on The Shell but it becomes apparent 

they are shooting in vain.

RAY : 

Save 'em.

The crowds boo and hiss at them.

PERSON: 

C'mon!

PERSON: 

Aw, c'mon Ghostbusters!

EGON : 

That slime mold is PULSING with Evil. 

It would take a TREMENDOUS amount of Positive Energy to Crack That Shell 

and I seriously DOUBT 

there's enough Goodwill left 

in This Town to DO it.

Ray plants his face on Ecto-1A's hood in frustration 

then stands back up.

RAY : 

You know, 

I just Can't Believe Things have gotten 

So BAD in This City 

that there's 

No Way BACK. 

I mean, sure, it's Dirty, it's Crowded, it's Polluted, it's Noisy 

and there's People all around 

who'd just as soon step on your face 

as look at you. 

But Come on! 

There's gotta be a FEW Sparks of Sweet Humanity 

left in This Burned-out 'burg 

and WE just have to figure out 

A Way to MOBILISE it.

EGON : 

He's Right. 

We need Something that 

EVERYONE 

in This Town 

can GET Behind --

We Need... A Symbol.

They all started looking downwards.

RAY: 

Something that appeals to 

The Best in Each and 

Every One of Us.

Egon squats down.

EGON: 

Something GOOD.

WINSTON: 

Something DECENT.

VENKMAN: 

Something PURE.

The camera POV shifts down to Ecto-1a's license plate. 

It features An Image of 

The Statue of Liberty.

“Don’t Look for it, Taylor — 

You may not Like 

What You Find….”

Evening. Liberty Island. The Ghostbusters stare at The Statue.

VENKMAN: 

Kind of makes you wonder, doesn't it?

RAY : 

Wonder what?

VENKMAN: 

Whether she's naked under that toga. 

She's French -- You know that.

VENKMAN: 

Oh darn it. Oh, darn it.

Vigo raises Oscar in His Arms. 

Oscar cries.

VIGO: 

NOW We Become ONE --

"Auld Lang Syne" can be heard from The Skylight. 

Vigo recoils in Pain.

RAY : 

Where's that singing coming from?

WINSTON: 

It's The People OUTSIDE.

The crowds of people outside the Manhattan Museum of Art celebrate New Years TOGETHER.

Louis passes through The Crowd and makes His Way to The Front. 

The Statue of Liberty is on her back on The Street.

LOUIS : 

Sorry folks! Excuse me. 

Ghostbusters. Wow. 

I'm Here with You Guys.

Louis readies his particle thrower.

EGON : 

He's Weakening! 

The singing is neutralizing The Slime!

RAY: 

I can move!

Peter hobbles forward.

DANA : 

Oscar!

Vigo is forcibly propelled back into The Painting. 

Peter catches Oscar just in time.

DANA : 

Oh, sweetie.

EGON : 

He's back in The Painting!

VENKMAN: 

All right, go find a shady spot.

Ray turns towards The Painting and locks eyes with Vigo.

VENKMAN:

Vigi, Vigi, Vigi. 

You have been a BAD monkey!

Ray suddenly walks up to The Painting and stares at it.

EGON : 

Ray? We'd like to Shoot The Monster, 

Could you move, please?

VENKMAN: 

Ray?

WINSTON : 

Ray?

PETER, EGON, WINSTON: 

Ray?!!!

Ray turns around to reveal he is possessed by Vigo 

and transmogrified to resemble his True Ghost Form.

VIGO: 

No! I, Ray, am Vigo, shall rule the earth! 

Be gone, you pitiful half-men!

VENKMAN: 

Now!

Peter and Egon fire at The Painting. 

Winston slimes Ray.

At the same time -- in front of an ELECTRIFIED Crowd of THOUSANDS -- Louis fires on The Slime Shell.

Ray drops to the ground as Vigo is ejected out of His Body and back into The Painting as The Giant Floating Head. 

They continue to fire on him. 

Vigo is drenched in the positively charged psychomagnotheric ectoplasm.

VIGO: 

No!

Vigo is sent spiraling further into The Painting until there 

is an explosion and a bright white light is projected. 

The Slime Shell disintegrates 

and shoots up into the sky. 

The people cheer. Several congratulate Louis.

LOUIS : 

I did it! I did it!

MAN: 

That was great! I loved it!

LOUIS: 

I'm a Ghostbuster!

Bill Denbrough first found the information about the Ritual when he found Night's Truth in Derry Public Library, where he also found It was a Glamour known to many cultures under many different names. The Ritual itself is from Himalayan belief, who recognized It as a sort of taelus. In the Himilayan tradition, a holyman and the taelus overlapped tongues, bit in to each other, and told riddles until one laughed despite the pain. If the taelus laughs first, it gets sent away for a hundred years, while if the man laughs first the taelus gets to eat the mans soul.

As children, Bill is the only one to engage with It, being thrust toward the Macroverse, heading to the Deadlights, but his physical body remains put. He speeds by the Turtle, who only offers advice that "–you must help yourself, son," and "you've got to thrust your fists against the posts and still insist you see the ghosts[...] once you get into cosmological shit like this, you got to throw away the instruction manual."

Bill engages with it telepathically, biting his teeth into Its' tongue, saying "He Thrusts his fists against the posts and still insists he see the ghosts" in his fathers voice repeatedly. Overall, the fight is one of the Losers optimism, imagination, unity, and belief over Its malice and anger. The Losers come out victorious, but ignore The Turtle's advice to make sure they finish The Deal, and It escapes, which the Losers suspect but are not sure of.

As adults, Bill is the first to engage It again. However, without his childlike imagination, he is weaker in the battle. It taunts him, saying that the Turtle died some time ago. 

Bill 'misses' Its tongue, and Beverly calls out that something is wrong, It is laughing. Richie quickly realizes something is wrong and screams out in his Irish cop voice, catching Its tongue and being thrown into the universal sprawl with Bill. He saves Bill from the Deadlights, threatens It with His Voices, but they still struggle against it. As before, their bodies remain still in the real world, but Eddie hears Richie calling for help, and rather than enter with them, he uses his aspirator as before to seriously hurt It in the physical world, losing his arm in the process and dying of blood loss. In this time It is able to escape further into her lair, dropping eggs along the way that Ben stays to crush, as Beverly remains with Eddie's body. 

Reluctantly Richie leaves Eddie and Bill leaves Audra to go further after It needing to ensure It dies this time. 

Finding It, they hit It with their collective belief and love and childhood nostalgia along with the power of The Other[3]. Richie is knocked out, Bill crushes Its heart between his hands, and carries Richie, who he believes may be dead, back to the other Losers.

It (1990)

Bill Denbrough first battled It with the Ritual of Chüd with advice that was given to him by Maturin. The ritual was a psychic battle in which the two forces dueled with their wits. The children believed that the metal silver had supernatural abilities, as seen in numerous monster movies. Because the children believed it, the silver became real and was a chief weapon that was used in the ritual as children. Because Beverly was good with a slingshot, the Losers' Club injured It the first time when Beverly shot a chunk of silver into Its skull. The Losers thought that they killed It, but weren't sure, so they made a pact to return to Derry should It ever return. 

It was finally destroyed in the second Ritual of Chüd by the adult Bill, Richie Tozier, Beverly Marsh, Eddie Kaspbrak (he was killed by It) and Ben Hanscom.

It Chapter 2 (2019)

Here Mike Hanlon discovers the Ritual of Chüd himself by visiting with local Native American tribes as an adult. The Ritual involves burning tokens special to all those in the Ritual to expose Its true form as the Deadlights and trapping them in a vessel Mike stole from the tribe. Unlike the novel, the ritual is unsuccessful, as the Native Americans that attempted to use it to trap It failed and were brutally slaughtered. 

Mike withholds this truth from his friends, believing that the tribe was unsuccessful because they had not truly faced their fears and felt that his own group stood a far better chance at Survival and Victory. The Losers' performing of the Ritual exposes the Deadlights, but fails to actually contain It and are forced to back off. 

Taking the form of a half-spider/half-Pennywise hybrid, It separates the Losers to go through personal trials, overcoming each together giving them strength. 

However, this exposes Richie to the Deadlights causing Eddie to attack It with a spear, dealing a serious blow. It retaliates, killing him over Richie, but not before Eddie is able to tell the Losers they have to make It small to kill it. The Losers succeed in doing this, convincing each other that Pennywise is small by insulting It, until all the remaining Losers crush Its heart together, finally killing the ancient evil.

Later

Jamie Conklin is introduced to the Ritual of Chüd by former neighbor Professor Martin Burkett, whom Jamie confides in about his continued "haunting" by the revenant of deceased bomber Kenneth "Thumper" Therriault[4]. Jamie, confused and frightened by the fact that months pass and Therriault's specter refuses to "pass over," and indeed appears to be getting stronger instead of fading, explains his predicament to Professor Burkett, who speculatively posits that perhaps Therriault's soul has been infested by a demon since his death. Burkett, though lightly skeptical of Jamie's experience, suggests that there might not be a way to get rid of the unnamed entity residing in Therriault, but that Jamie can instead conquer it.

Though Burkett is a professor of English and European Literature, he claims to know much of the mystic arts through his consumption of supernatural literature, and espouses on the Tibetan tribal ritualistic tradition to Jamie. A present-day Jamie, narratively reflecting on the incident some ten years in his past, has since researched the ritual for an anthropology paper in college, and fact-checks Burkett. Burkett claims the Ritual was practiced by a series of Tibetan and Nepalese Buddhists, who used it as a meditative aid "to achieve a sense of perfect nothingness and the resulting state of serenity and spiritual clarity," which Jamie confirms, and that it was also used in combating demons, both mental and supernatural ("a gray area," according to Jamie). Burkett suggests the Ritual for this reason - theoretically it will be of use to Jamie whether or not Therriault's entity actually exists. Burkett then claims (later refuted by Jamie) that Chüd was commonly used against yetis, who are said to haunt their observers to their deaths, unless they engage and best the beast in a Ritual.

Despite Jamie's obvious disgust, Burkett explains the binding of tongues and subsequent battle of wills, which he surmises happens telepathically in order to not disrupt the physical link, explaining that the first to withdraw loses all power over the winner. Jamie has qualms about engaging Therriault in the Ritual, unsure if he will be given an opportunity to get close enough without luring the spirit and potentially harming himself, which he expresses facetiously, but Burkett explains the tongue-biting aspect is meant to be symbolic, comparing it to the Christian Eucharistic tradition. He also compares the ritual to other ceremonial wartime greetings, such as the Māori haka, Japanese kamikaze mizu no sakazuki, an ancient Egyptian tradition of exchanging forehead strikes between members of warring houses before the formal battle, and Japanese sumo Chirichozu. Burkett says all these traditions have the same meaning, which is a combative meeting of enemies with an expectation that a winner will be declared.

Jamie surmises later that perhaps the Ritual was already in motion, and that every confrontation with Therriault had been an engagement of wills, but he follows Burkett's advice and engages Therriault in a Chüd soon after[5]. During the ritual (in which Jamie simply grabs the entity full-bodied and refuses to let go), he experiences the entity's singular deadlight, implying that he was fighting a Glamour. Jamie describes the experience as a trembling of the world like a plucked guitar string, perceptible at low levels even to passers-by who unknowingly came near the spirit, but which increases to near-unbearable levels with proximity and duration. The Glamour attempts to bargain with Jamie throughout, but Jamie is familiar with the entity's ability (distinct from that of a "normal" spirit) to make untrue claims when unprompted- though it abides by the spirit rule of being unable to lie when directly questioned. For this reason Jamie persists until the Glamour agrees not only to cease haunting him, but instead to be haunted by Jamie- that is, to remain at his beck and call. Jamie also compels the Glamour to admit to being afraid of Jamie before releasing it. The Ritual occurred outside of linear time (as remaining by the elevator doors remaining open), and caused a localized power surge and minor explosions upon its completion. Though Jamie felt invigorated afterwards, these manifestations of the Glamour on the physical world make him believe that it drew power from him, as well, and was no longer bound to the purely incorporeal nature of Therriault's spirit