Tuesday, 26 March 2019

Red Pawn, Blue Queen



As the Knight sang the last words of the ballad, he gathered up the reins, and turned his horse’s head along the road by which they had come. ‘You’ve only a few yards to go,he said, down the hill and over that little brook, and then you’ll be a Queen—But you’ll stay and see me off first?’ he added as Alice turned with an eager look in the direction to which he pointed. ‘I shan’t be long. You’ll wait and wave your handkerchief when I get to that turn in the road? I think it’ll encourage me, you see.

‘Of course I’ll wait,’ said Alice: ‘and thank you very much for coming so far—and for the song—I liked it very much.’

‘I hope so,’ the Knight said doubtfully: ‘but you didn’t cry so much as I thought you would.’

So they shook hands, and then the Knight rode slowly away into the forest. ‘It won’t take long to see him off, I expect,’ Alice said to herself, as she stood watching him. ‘There he goes! Right on his head as usual! However, he gets on again pretty easily—that comes of having so many things hung round the horse—’ So she went on talking to herself, as she watched the horse walking leisurely along the road, and the Knight tumbling off, first on one side and then on the other. After the fourth or fifth tumble he reached the turn, and then she waved her handkerchief to him, and waited till he was out of sight.

‘I hope it encouraged him,’ she said, as she turned to run down the hill: ‘and now for the last brook, and to be a Queen! How grand it sounds!’ A very few steps brought her to the edge of the brook. ‘The Eighth Square at last!’ she cried as she bounded across,
  *    *    *    *    *    *    *

    *    *    *    *    *    *

  *    *    *    *    *    *    *
and threw herself down to rest on a lawn as soft as moss, with little flower-beds dotted about it here and there. ‘Oh, how glad I am to get here! And what is this on my head?’ she exclaimed in a tone of dismay, as she put her hands up to something very heavy, and fitted tight all round her head.

‘But how can it have got there without my knowing it?’ she said to herself, as she lifted it off, and set it on her lap to make out what it could possibly be.

It was a golden crown.




CHAPTER IX. Queen Alice

‘Well, this is grand!’ said Alice. ‘I never expected I should be a Queen so soon—and I’ll tell you what it is, your majesty,’ she went on in a severe tone (she was always rather fond of scolding herself), ‘it’ll never do for you to be lolling about on the grass like that! Queens have to be dignified, you know!’

So she got up and walked about—rather stiffly just at first, as she was afraid that the crown might come off: but she comforted herself with the thought that there was nobody to see her, ‘and if I really am a Queen,’ she said as she sat down again, ‘I shall be able to manage it quite well in time.’

Everything was happening so oddly that she didn’t feel a bit surprised at finding the Red Queen and the White Queen sitting close to her, one on each side: she would have liked very much to ask them how they came there, but she feared it would not be quite civil. However, there would be no harm, she thought, in asking if the game was over. ‘Please, would you tell me—’ she began, looking timidly at the Red Queen.

‘Speak when you’re spoken to!’ The Queen sharply interrupted her.

‘But if everybody obeyed that rule,’ said Alice, who was always ready for a little argument, ‘and if you only spoke when you were spoken to, and the other person always waited for you to begin, you see nobody would ever say anything, so that—’

‘Ridiculous!’ cried the Queen. ‘Why, don’t you see, child—’ here she broke off with a frown, and, after thinking for a minute, suddenly changed the subject of the conversation. ‘What do you mean by “If you really are a Queen”? What right have you to call yourself so? You can’t be a Queen, you know, till you’ve passed the proper examination. And the sooner we begin it, the better.’

‘I only said “if”!’ poor Alice pleaded in a piteous tone.

The two Queens looked at each other, and the Red Queen remarked, with a little shudder, ‘She says she only said “if”—’

‘But she said a great deal more than that!’ the White Queen moaned, wringing her hands. ‘Oh, ever so much more than that!’

‘So you did, you know,’ the Red Queen said to Alice. ‘Always speak the truth—think before you speak—and write it down afterwards.’

‘I’m sure I didn’t mean—’ Alice was beginning, but the Red Queen interrupted her impatiently.

‘That’s just what I complain of! You should have meant! What do you suppose is the use of child without any meaning? Even a joke should have some meaning—and a child’s more important than a joke, I hope. You couldn’t deny that, even if you tried with both hands.’

‘I don’t deny things with my hands,’ Alice objected.

‘Nobody said you did,’ said the Red Queen. ‘I said you couldn’t if you tried.’

‘She’s in that state of mind,’ said the White Queen, ‘that she wants to deny something—only she doesn’t know what to deny!’

‘A nasty, vicious temper,’ the Red Queen remarked; and then there was an uncomfortable silence for a minute or two.

The Red Queen broke the silence by saying to the White Queen, ‘I invite you to Alice’s dinner-party this afternoon.’

The White Queen smiled feebly, and said ‘And I invite you.’

‘I didn’t know I was to have a party at all,’ said Alice; ‘but if there is to be one, I think I ought to invite the guests.’

‘We gave you the opportunity of doing it,’ the Red Queen remarked: ‘but I daresay you’ve not had many lessons in manners yet?’

‘Manners are not taught in lessons,’ said Alice. ‘Lessons teach you to do sums, and things of that sort.’

‘And you do Addition?’ the White Queen asked. ‘What’s one and one and one and one and one and one and one and one and one and one?’

‘I don’t know,’ said Alice. ‘I lost count.’

‘She can’t do Addition,’ the Red Queen interrupted. ‘Can you do Subtraction? Take nine from eight.’

‘Nine from eight I can’t, you know,’ Alice replied very readily: ‘but—’

‘She can’t do Subtraction,’ said the White Queen. ‘Can you do Division? Divide a loaf by a knife—what’s the answer to that?’

‘I suppose—’ Alice was beginning, but the Red Queen answered for her. ‘Bread-and-butter, of course. Try another Subtraction sum. Take a bone from a dog: what remains?’

Alice considered. ‘The bone wouldn’t remain, of course, if I took it—and the dog wouldn’t remain; it would come to bite me—and I’m sure I shouldn’t remain!’

‘Then you think nothing would remain?’ said the Red Queen.

‘I think that’s the answer.’

‘Wrong, as usual,’ said the Red Queen: ‘the dog’s temper would remain.’

‘But I don’t see how—’

‘Why, look here!’ the Red Queen cried. ‘The dog would lose its temper, wouldn’t it?’

‘Perhaps it would,’ Alice replied cautiously.

‘Then if the dog went away, its temper would remain!’ the Queen exclaimed triumphantly.

Alice said, as gravely as she could, ‘They might go different ways.’ But she couldn’t help thinking to herself, ‘What dreadful nonsense we are talking!’

‘She can’t do sums a bit!’ the Queens said together, with great emphasis.

‘Can you do sums?’ Alice said, turning suddenly on the White Queen, for she didn’t like being found fault with so much.

The Queen gasped and shut her eyes. ‘I can do Addition, if you give me time—but I can’t do Subtraction, under any circumstances!’

‘Of course you know your A B C?’ said the Red Queen.

‘To be sure I do.’ said Alice.

‘So do I,’ the White Queen whispered: ‘we’ll often say it over together, dear. And I’ll tell you a secret—I can read words of one letter! Isn’t that grand! However, don’t be discouraged. You’ll come to it in time.’

Here the Red Queen began again. ‘Can you answer useful questions?’ she said. ‘How is bread made?’

‘I know that!’ Alice cried eagerly. ‘You take some flour—’

‘Where do you pick the flower?’ the White Queen asked. ‘In a garden, or in the hedges?’

‘Well, it isn’t picked at all,’ Alice explained: ‘it’s ground—’

‘How many acres of ground?’ said the White Queen. ‘You mustn’t leave out so many things.’

‘Fan her head!’ the Red Queen anxiously interrupted. ‘She’ll be feverish after so much thinking.’ So they set to work and fanned her with bunches of leaves, till she had to beg them to leave off, it blew her hair about so.

‘She’s all right again now,’ said the Red Queen. ‘Do you know Languages? What’s the French for fiddle-de-dee?’

‘Fiddle-de-dee’s not English,’ Alice replied gravely.

‘Who ever said it was?’ said the Red Queen.

Alice thought she saw a way out of the difficulty this time. ‘If you’ll tell me what language “fiddle-de-dee” is, I’ll tell you the French for it!’ she exclaimed triumphantly.

But the Red Queen drew herself up rather stiffly, and said ‘Queens never make bargains.’

‘I wish Queens never asked questions,’ Alice thought to herself.

‘Don’t let us quarrel,’ the White Queen said in an anxious tone. ‘What is the cause of lightning?’

‘The cause of lightning,’ Alice said very decidedly, for she felt quite certain about this, ‘is the thunder—no, no!’ she hastily corrected herself. ‘I meant the other way.’

‘It’s too late to correct it,’ said the Red Queen: ‘when you’ve once said a thing, that fixes it, and you must take the consequences.’

‘Which reminds me—’ the White Queen said, looking down and nervously clasping and unclasping her hands, ‘we had such a thunderstorm last Tuesday—I mean one of the last set of Tuesdays, you know.’

Alice was puzzled. ‘In our country,’ she remarked, ‘there’s only one day at a time.’

The Red Queen said, ‘That’s a poor thin way of doing things. Now here, we mostly have days and nights two or three at a time, and sometimes in the winter we take as many as five nights together—for warmth, you know.’

‘Are five nights warmer than one night, then?’ Alice ventured to ask.

‘Five times as warm, of course.’

‘But they should be five times as cold, by the same rule—’

‘Just so!’ cried the Red Queen. ‘Five times as warm, and five times as cold—just as I’m five times as rich as you are, and five times as clever!’

Alice sighed and gave it up. ‘It’s exactly like a riddle with no answer!’ she thought.

‘Humpty Dumpty saw it too,’ the White Queen went on in a low voice, more as if she were talking to herself. ‘He came to the door with a corkscrew in his hand—’

‘What did he want?’ said the Red Queen.

‘He said he would come in,’ the White Queen went on, ‘because he was looking for a hippopotamus. Now, as it happened, there wasn’t such a thing in the house, that morning.’

‘Is there generally?’ Alice asked in an astonished tone.

‘Well, only on Thursdays,’ said the Queen.

‘I know what he came for,’ said Alice: ‘he wanted to punish the fish, because—’

Here the White Queen began again. ‘It was such a thunderstorm, you can’t think!’ (‘She never could, you know,’ said the Red Queen.) ‘And part of the roof came off, and ever so much thunder got in—and it went rolling round the room in great lumps—and knocking over the tables and things—till I was so frightened, I couldn’t remember my own name!’

Alice thought to herself, ‘I never should try to remember my name in the middle of an accident! Where would be the use of it?’ but she did not say this aloud, for fear of hurting the poor Queen’s feeling.

‘Your Majesty must excuse her,’ the Red Queen said to Alice, taking one of the White Queen’s hands in her own, and gently stroking it: ‘she means well, but she can’t help saying foolish things, as a general rule.’

The White Queen looked timidly at Alice, who felt she ought to say something kind, but really couldn’t think of anything at the moment.

‘She never was really well brought up,’ the Red Queen went on: ‘but it’s amazing how good-tempered she is! Pat her on the head, and see how pleased she’ll be!’ But this was more than Alice had courage to do.

‘A little kindness—and putting her hair in papers—would do wonders with her—’

The White Queen gave a deep sigh, and laid her head on Alice’s shoulder. ‘I am so sleepy?’ she moaned.

‘She’s tired, poor thing!’ said the Red Queen. ‘Smooth her hair—lend her your nightcap—and sing her a soothing lullaby.’

‘I haven’t got a nightcap with me,’ said Alice, as she tried to obey the first direction: ‘and I don’t know any soothing lullabies.’

‘I must do it myself, then,’ said the Red Queen, and she began:

‘Hush-a-by lady, in Alice’s lap!
Till the feast’s ready, we’ve time for a nap:
When the feast’s over, we’ll go to the ball—
l!
Red Queen, and White Queen, and Alice, and a
l

‘And now you know the words,’ she added, as she put her head down on Alice’s other shoulder, ‘just sing it through to me. I’m getting sleepy, too.’ In another moment both Queens were fast asleep, and snoring loud.

‘What am I to do?’ exclaimed Alice, looking about in great perplexity, as first one round head, and then the other, rolled down from her shoulder, and lay like a heavy lump in her lap. ‘I don’t think it ever happened before, that any one had to take care of two Queens asleep at once! No, not in all the History of England—it couldn’t, you know, because there never was more than one Queen at a time. Do wake up, you heavy things!’ she went on in an impatient tone; but there was no answer but a gentle snoring.

The snoring got more distinct every minute, and sounded more like a tune: at last she could even make out the words, and she listened so eagerly that, when the two great heads vanished from her lap, she hardly missed them.

She was standing before an arched doorway over which were the words QUEEN ALICE in large letters, and on each side of the arch there was a bell-handle; one was marked ‘Visitors’ Bell,’ and the other ‘Servants’ Bell.’

‘I’ll wait till the song’s over,’ thought Alice, ‘and then I’ll ring—the—which bell must I ring?’ she went on, very much puzzled by the names. ‘I’m not a visitor, and I’m not a servant. There ought to be one marked “Queen,” you know—’

Just then the door opened a little way, and a creature with a long beak put its head out for a moment and said ‘No admittance till the week after next!’ and shut the door again with a bang.

Alice knocked and rang in vain for a long time, but at last, a very old Frog, who was sitting under a tree, got up and hobbled slowly towards her: he was dressed in bright yellow, and had enormous boots on.

‘What is it, now?’ the Frog said in a deep hoarse whisper.

Alice turned round, ready to find fault with anybody. ‘Where’s the servant whose business it is to answer the door?’ she began angrily.

‘Which door?’ said the Frog.

Alice almost stamped with irritation at the slow drawl in which he spoke. ‘This door, of course!’

The Frog looked at the door with his large dull eyes for a minute: then he went nearer and rubbed it with his thumb, as if he were trying whether the paint would come off; then he looked at Alice.

‘To answer the door?’ he said. ‘What’s it been asking of?’ He was so hoarse that Alice could scarcely hear him.

‘I don’t know what you mean,’ she said.

‘I talks English, doesn’t I?’ the Frog went on. ‘Or are you deaf? What did it ask you?’

‘Nothing!’ Alice said impatiently. ‘I’ve been knocking at it!’

‘Shouldn’t do that—shouldn’t do that—’ the Frog muttered. ‘Vexes it, you know.’ Then he went up and gave the door a kick with one of his great feet. ‘You let it alone,’ he panted out, as he hobbled back to his tree, ‘and it’ll let you alone, you know.’

At this moment the door was flung open, and a shrill voice was heard singing:

‘To the Looking-Glass world it was Alice that said,
“I’ve a sceptre in hand, I’ve a crown on my head;
Come and dine with the Red Queen, the White Queen
Let the Looking-Glass creatures, whatever they be
,, and me.”’

And hundreds of voices joined in the chorus:

‘Then fill up the glasses as quick as you can,
And sprinkle the table with buttons and bran:
And welcome Queen Alice with thirty-times-thr
Put cats in the coffee, and mice in the tea—
ee!’

Then followed a confused noise of cheering, and Alice thought to herself, ‘Thirty times three makes ninety. I wonder if any one’s counting?’ In a minute there was silence again, and the same shrill voice sang another verse;

‘“O Looking-Glass creatures,” quoth Alice, “draw near!
‘Tis an honour to see me, a favour to hear:
Along with the Red Queen, the White Queen,
‘Tis a privilege high to have dinner and te
aand me!”’

Then came the chorus again:—

‘Then fill up the glasses with treacle and ink,
Or anything else that is pleasant to drink:
ine— And welcome Queen Alice with ninety-times-n
Mix sand with the cider, and wool with the
wine!’

‘Ninety times nine!’ Alice repeated in despair, ‘Oh, that’ll never be done! I’d better go in at once—’ and there was a dead silence the moment she appeared.

Alice glanced nervously along the table, as she walked up the large hall, and noticed that there were about fifty guests, of all kinds: some were animals, some birds, and there were even a few flowers among them. ‘I’m glad they’ve come without waiting to be asked,’ she thought: ‘I should never have known who were the right people to invite!’

There were three chairs at the head of the table; the Red and White Queens had already taken two of them, but the middle one was empty. Alice sat down in it, rather uncomfortable in the silence, and longing for some one to speak.

At last the Red Queen began. ‘You’ve missed the soup and fish,’ she said. ‘Put on the joint!’ And the waiters set a leg of mutton before Alice, who looked at it rather anxiously, as she had never had to carve a joint before.

‘You look a little shy; let me introduce you to that leg of mutton,’ said the Red Queen. ‘Alice—Mutton; Mutton—Alice.’ The leg of mutton got up in the dish and made a little bow to Alice; and Alice returned the bow, not knowing whether to be frightened or amused.

‘May I give you a slice?’ she said, taking up the knife and fork, and looking from one Queen to the other.

‘Certainly not,’ the Red Queen said, very decidedly: ‘it isn’t etiquette to cut any one you’ve been introduced to. Remove the joint!’ And the waiters carried it off, and brought a large plum-pudding in its place.

‘I won’t be introduced to the pudding, please,’ Alice said rather hastily, ‘or we shall get no dinner at all. May I give you some?’

But the Red Queen looked sulky, and growled ‘Pudding—Alice; Alice—Pudding. Remove the pudding!’ and the waiters took it away so quickly that Alice couldn’t return its bow.

However, she didn’t see why the Red Queen should be the only one to give orders, so, as an experiment, she called out ‘Waiter! Bring back the pudding!’ and there it was again in a moment like a conjuring-trick. It was so large that she couldn’t help feeling a little shy with it, as she had been with the mutton; however, she conquered her shyness by a great effort and cut a slice and handed it to the Red Queen.

‘What impertinence!’ said the Pudding. ‘I wonder how you’d like it, if I were to cut a slice out of you, you creature!’

It spoke in a thick, suety sort of voice, and Alice hadn’t a word to say in reply: she could only sit and look at it and gasp.

‘Make a remark,’ said the Red Queen: ‘it’s ridiculous to leave all the conversation to the pudding!’

‘Do you know, I’ve had such a quantity of poetry repeated to me to-day,’ Alice began, a little frightened at finding that, the moment she opened her lips, there was dead silence, and all eyes were fixed upon her; ‘and it’s a very curious thing, I think—every poem was about fishes in some way. Do you know why they’re so fond of fishes, all about here?’

She spoke to the Red Queen, whose answer was a little wide of the mark. ‘As to fishes,’ she said, very slowly and solemnly, putting her mouth close to Alice’s ear, ‘her White Majesty knows a lovely riddle—all in poetry—all about fishes. Shall she repeat it?’

‘Her Red Majesty’s very kind to mention it,’ the White Queen murmured into Alice’s other ear, in a voice like the cooing of a pigeon. ‘It would be such a treat! May I?’

‘Please do,’ Alice said very politely.

The White Queen laughed with delight, and stroked Alice’s cheek. Then she began:

‘“First, the fish must be caught.”
That is easy: a baby, I think, could have caught it.
“Next, the fish must be bought.”
uld have bought it. “Now cook me the fish!” That
That is easy: a penny, I think, w
o is easy, and will not take more than a minute. “Let it lie in a dish!”
!” It is easy to set such a dish on the ta
That is easy, because it already is in it. “Bring it here! Let me su
pble. “Take the dish-cover up!” Ah, that is so hard that I fear I’m unable! For it holds it like glue—
dishcover the riddle?’
Holds the lid to the dish, while it lies in the middle: Which is easiest to do, Un-dish-cover the fish, or

‘Take a minute to think about it, and then guess,’ said the Red Queen. ‘Meanwhile, we’ll drink your health—Queen Alice’s health!’ she screamed at the top of her voice, and all the guests began drinking it directly, and very queerly they managed it: some of them put their glasses upon their heads like extinguishers, and drank all that trickled down their faces—others upset the decanters, and drank the wine as it ran off the edges of the table—and three of them (who looked like kangaroos) scrambled into the dish of roast mutton, and began eagerly lapping up the gravy, ‘just like pigs in a trough!’ thought Alice.

‘You ought to return thanks in a neat speech,’ the Red Queen said, frowning at Alice as she spoke.

‘We must support you, you know,’ the White Queen whispered, as Alice got up to do it, very obediently, but a little frightened.

‘Thank you very much,’ she whispered in reply, ‘but I can do quite well without.’

‘That wouldn’t be at all the thing,’ the Red Queen said very decidedly: so Alice tried to submit to it with a good grace.

(‘And they did push so!’ she said afterwards, when she was telling her sister the history of the feast. ‘You would have thought they wanted to squeeze me flat!’)

In fact it was rather difficult for her to keep in her place while she made her speech: the two Queens pushed her so, one on each side, that they nearly lifted her up into the air: ‘I rise to return thanks—’ Alice began: and she really did rise as she spoke, several inches; but she got hold of the edge of the table, and managed to pull herself down again.

‘Take care of yourself!’ screamed the White Queen, seizing Alice’s hair with both her hands. ‘Something’s going to happen!’

And then (as Alice afterwards described it) all sorts of things happened in a moment. The candles all grew up to the ceiling, looking something like a bed of rushes with fireworks at the top. As to the bottles, they each took a pair of plates, which they hastily fitted on as wings, and so, with forks for legs, went fluttering about in all directions: ‘and very like birds they look,’ Alice thought to herself, as well as she could in the dreadful confusion that was beginning.

At this moment she heard a hoarse laugh at her side, and turned to see what was the matter with the White Queen; but, instead of the Queen, there was the leg of mutton sitting in the chair. ‘Here I am!’ cried a voice from the soup tureen, and Alice turned again, just in time to see the Queen’s broad good-natured face grinning at her for a moment over the edge of the tureen, before she disappeared into the soup.

There was not a moment to be lost. Already several of the guests were lying down in the dishes, and the soup ladle was walking up the table towards Alice’s chair, and beckoning to her impatiently to get out of its way.

‘I can’t stand this any longer!’ she cried as she jumped up and seized the table-cloth with both hands: one good pull, and plates, dishes, guests, and candles came crashing down together in a heap on the floor.

‘And as for you,’ she went on, turning fiercely upon the Red Queen, whom she considered as the cause of all the mischief—but the Queen was no longer at her side—she had suddenly dwindled down to the size of a little doll, and was now on the table, merrily running round and round after her own shawl, which was trailing behind her.

At any other time, Alice would have felt surprised at this, but she was far too much excited to be surprised at anything now. ‘As for you,’ she repeated, catching hold of the little creature in the very act of jumping over a bottle which had just lighted upon the table, ‘I’ll shake you into a kitten, that I will!’





CHAPTER X. Shaking

She took her off the table as she spoke, and shook her backwards and forwards with all her might.

The Red Queen made no resistance whatever; only her face grew very small, and her eyes got large and green: and still, as Alice went on shaking her, she kept on growing shorter—and fatter—and softer—and rounder—and—





CHAPTER XI. Waking

—and it really was a kitten, after all.





CHAPTER XII. Which Dreamed it?

‘Your majesty shouldn’t purr so loud,’ Alice said, rubbing her eyes, and addressing the kitten, respectfully, yet with some severity. ‘You woke me out of oh! such a nice dream! And you’ve been along with me, Kitty—all through the Looking-Glass world. Did you know it, dear?’

It is a very inconvenient habit of kittens (Alice had once made the remark) that, whatever you say to them, they always purr. ‘If they would only purr for “yes” and mew for “no,” or any rule of that sort,’ she had said, ‘so that one could keep up a conversation! But how can you talk with a person if they always say the same thing?’

On this occasion the kitten only purred: and it was impossible to guess whether it meant ‘yes’ or ‘no.’

So Alice hunted among the chessmen on the table till she had found the Red Queen: then she went down on her knees on the hearth-rug, and put the kitten and the Queen to look at each other. ‘Now, Kitty!’ she cried, clapping her hands triumphantly. ‘Confess that was what you turned into!’

(‘But it wouldn’t look at it,’ she said, when she was explaining the thing afterwards to her sister: ‘it turned away its head, and pretended not to see it: but it looked a littleashamed of itself, so I think it must have been the Red Queen.’)

‘Sit up a little more stiffly, dear!’ Alice cried with a merry laugh. ‘And curtsey while you’re thinking what to—what to purr. It saves time, remember!’ And she caught it up and gave it one little kiss, ‘just in honour of having been a Red Queen.’

‘Snowdrop, my pet!’ she went on, looking over her shoulder at the White Kitten, which was still patiently undergoing its toilet, ‘when will Dinah have finished with your White Majesty, I wonder? That must be the reason you were so untidy in my dream—Dinah! do you know that you’re scrubbing a White Queen? Really, it’s most disrespectful of you!

‘And what did Dinah turn to, I wonder?’ she prattled on, as she settled comfortably down, with one elbow in the rug, and her chin in her hand, to watch the kittens. ‘Tell me, Dinah, did you turn to Humpty Dumpty? I think you did—however, you’d better not mention it to your friends just yet, for I’m not sure.

‘By the way, Kitty, if only you’d been really with me in my dream, there was one thing you would have enjoyed—I had such a quantity of poetry said to me, all about fishes! To-morrow morning you shall have a real treat. All the time you’re eating your breakfast, I’ll repeat “The Walrus and the Carpenter” to you; and then you can make believe it’s oysters, dear!

‘Now, Kitty, let’s consider who it was that dreamed it all. This is a serious question, my dear, and you should not go on licking your paw like that—as if Dinah hadn’t washed you this morning! You see, Kitty, it must have been either me or the Red King. He was part of my dream, of course—but then I was part of his dream, too! Was it the Red King, Kitty? You were his wife, my dear, so you ought to know—Oh, Kitty, dohelp to settle it! I’m sure your paw can wait!’ But the provoking kitten only began on the other paw, and pretended it hadn’t heard the question.

Which do you think it was?

              ——
A boat beneath a sunny sky,
Lingering onward dreamily
Children three that nest
In an evening of July—
le near, Eager eye and willing ear,
Long has paled that sunny sky:
Pleased a simple tale to hear—
Echoes fade and memories die. Autumn frosts have slain July.
Never seen by waking eyes.
Still she haunts me, phantomwise, Alice moving under skies Children yet, the tale to hear,
Dreaming as the days go by,
Eager eye and willing ear, Lovingly shall nestle near. In a Wonderland they lie,
Dreaming as the summers die: Ever drifting down the stream— Lingering in the golden gleam—
Life, what is it but a dream?
                THE END

RACIAL PIXIES

This Job is DEFINITELY Not Worth $11.5k a Year...!
(Plus Dental)

PONTIFFICATION





Is he a Chairman or a Pontiff...?



Monday, 25 March 2019

Non-Violent Bystander Intervention







Defense Equal Opportunities Management Institute
(DEOMI)

1. Name and Acknowledge The Offence - 
'Excuse Me Sir, Are You Raping Her...?'

2. Identify The Obvious - 
'Sir, This Would Appear to Be a Rape.'

3. Interrupt Behaviour - 
'Sir, Would You Mind Pulling That Out of The Young Lady.'

4. Publicly Support the Aggreived Person - 
Make a Donation. Go, Victim!

5. Use Body Language - 
Hand Signals, Semaphore, Pointing.

6 Carefully Use Humour - 
Tickle his balls.

7. Encourage Dialogue - 
Talk to The Victim and The Perp

8. Ease Strong Feelings - 
Try to Calm her, and him, down.

9. If All Else Fails, Call for Help - 
"HELP US!!!"

CARPET








Language!




CANCER

Colonist Medok is The Last Honest Man in his Society, like Doestoyevski and Solzhenitsyn before him in Russia -

HE SEES THE CANCER

HE SEES GIANT CRABS




Osiris’ Virile Member was eaten by a Crab

Bad Laws were made to be broken. 

Follow me. 







“ The World can be validly construed as  
Forum for Action
or as  
Place of Things. 

The former manner of interpretation – more primordial, and less clearly understood – finds its expression in the arts or humanities, in ritualdramaliterature, and mythology

The World as Forum for Action is a place of value, a place where all things have meaning

This meaning, which is shaped as a 
consequence of social interaction, is implication for action, or – at a higher level of analysis – implication  for the configuration of the interpretive schema that produces or guides action. 

The latter manner of interpretation – The World as Place of Things – finds its formal expression in the Methods and Theories of Science. 

Science allows for increasingly precise determination of the consensually- validatable properties of things, and for efficient utilization of precisely-determined things as tools (once the direction such use is to take has been determined, through application of more fundamental narrative  processes). 

No complete world-picture can be generated, without use of both modes of construal. “



(Ben is hiding amongst the instruments, watching the Doctor and Pilot.) 

PILOT: 
But, Doctor, this is forbidden territory. 


DOCTOR: 
Yes and you'll soon see why. 

PILOT: 
Stop! Stop! 
You're breaking The law! 



DOCTOR:
 Bad Laws were made to be broken. 
Follow me. 

PILOT: 
But —

(The Doctor and Pilot go into the Pipe room) 

OFFICIA: 
What's happened to the Pilot, Ola? 
The strangers have changed him! 

OLA: The Pilot is a traitor. 

CONTROL [OC]: 
The Pilot has no more authority. 
Ola is in command! 





“ME-DOK” = DOC-ME

= ‘I am The Doctor’


MEDOK: 
I'm sorry, Doctor. 
I thought he'd listen to reason. 

DOCTOR: 
Reason's the last thing a man like Ola will listen to. 


MEDOK: 
You're going to be in trouble, and it's my fault. 

OLA: 
Silence! Pilot's headquarters. Move!

[Pilot's office]

(The Colony Pilot is making his announcements.) 

PILOT: 
Shifts to stand by for greater efforts during working hours. 
The gas from the pits must be kept in constant supply at even greater pressures. 

Remember the life of the colony is dependent upon this gas. 

All industry and activity 

(An alarm sounds.) 

VOICE [OC]: 
Emergency call. Emergency call. 

PILOT: 
Yes. Go ahead, Emergency. 
VOICE [OC]: Ola requests audience immediately. Ola requests audience immediately. 
PILOT: Look, I'm extremely busy. Unless this is a major crisis, I really don't 
VOICE [OC]: Medok has been taken prisoner and one of the strangers has been captured with him. 
PILOT: Bring the stranger in. 
DOCTOR: 
Good evening, Pilot. 
Oh, what a very nice office you have here. 

PILOT: 
Now what's this all about, Doctor? 

DOCTOR: 
Well, I 

OLA: 
We found both of them in the new buildings, Pilot. 

PILOT: 
At night? How did he get there? 
Wasn't there a guard on his sleeping quarters? 

OLA: 
All my guards were out looking for Medok, Pilot. 

PILOT: 
I see. 
Very well, you may leave us, Ola. 
I will conduct the investigation myself. 

(Ola leaves.) 

DOCTOR: 
Oh, forgive me. 

This is interesting. A telescopic viewing machine. I imagine you can keep track on the entire Colony from here and direct intercommunication between all parts. 

Very up to date, I imagine. 
Excellent, excellent. And what -

PILOT: 
You don't seem to realise how serious this business is, Doctor. 
You have committed a crime. 

[ Guilt by Association ]

DOCTOR: 
A crime? 

[ Consorting w. The Enemy of The State ]

PILOT: 
What were you doing with Medok? 
You know he's a dangerous man. 

[ Un-Mutual. ]

DOCTOR: 
I'm not so sure, Pilot.
PILOT: 
You have already been told. 

He has refused to cooperate and to obey orders. 

He suffers from hallucinations. 
 
The Cosmic Hobo
Ah, that's The Point. 
Does he?

PILOT: 
What exactly do you mean by that? 

The Cosmic Hobo : 
Let me perhaps explain. 

(The intercom buzzes.)

PILOT: 
What is it now? 
I've already said I don't want to be interrupted. 

OLA: 
Ola reporting, Pilot. 

PILOT: 
Well, what is it?
OLA: 
Medok has made a statement. 
It completely changes the situation.
PILOT: 
Oh, very well. 
Bring him in. 

The Cosmic Hobo :
I hope you're not going to listen to everything that Medok tells you? 

[ Reverse Psychology ]

PILOT: 
Why, Doctor? 
Are you afraid of something he might say? 

DOCTOR: 
Well, in his state of mind he might say anything. 

(Ola and Medok enter.) 

MEDOK: 
Doctor.
How have they been treating you? 

OLA: 
Silence. 

DOCTOR: 
Perfectly all right, Thank You. 

OLA: 
Medok's made a further statement, Pilot. It's about the Doctor. 
PILOT: Ah. 
DOCTOR: Ah. 
PILOT: Yes, Medok? 

MEDOK: 
The Doctor wasn't helping me. 

Reciprocal Lying to Protect The Innocent is Not Lying -

Because  :


He Has Done Nothing Wrong
and Therefore 
He is Not Baring False Witness
and

Enriching The Honour of Another Enriches Oneself.

He was trying to make me give myself up. 
PILOT: 
Well, that was extremely brave. 
Why didn't you tell us this? 
DOCTOR: 
Well, as a matter of fact -
MEDOK: 
Captain, Ola didn't give him a chance. 
PILOT: 
I see. Well, it seems we owe you an apology, Doctor. 
MEDOK: 
It's better we tell The Truth, Doctor. 

DOCTOR: 
Yes. Thank you, Medok. 
I quite understand. 

PILOT: Take him away. 
OLA: Come on, Medok. 
(Ola and Medok.) 
PILOT: Well, I'm extremely sorry about it, Doctor, and of course you're free to go. 
DOCTOR: What will happen to Medok? 
PILOT: Oh, well, he'll be taken back to the hospital for correction. He'll be given another course of treatment. And when he returns to the Colony, Medok will be a changed man. 
He will cooperate and he will obey orders. 
He'll be just like the rest of us. 
DOCTOR: 
Why do you want everyone to be The Same? 
PILOT: 
Doctor, this Colony was founded many centuries ago by our ancestors who came from the Earth planet, like your young friends. 

Our ancestors believed in the virtues of healthy happiness and we have tried to keep their ideals alive. 

Sometimes, alas, it is necessary to use force

(into intercom) The Doctor will be returning to his quarters now. 
VOICE [OC]: 
The Doctor's escort is ready. 
PILOT: 
Well, I'm sorry to have disturbed you, Doctor, and many thanks again for your help. 
DOCTOR: 
Not at all. Thank you. Goodnight. 
(The Doctor goes to the door, but it is locked - Because of the GIANT CRABS that come out after-dark


PILOT: 
Oh, I'm so sorry. Goodnight. 
(The Doctor leaves. The screen comes alive with the static image of the Controller.)

CONTROL [OC]: The Doctor and his friends are to be given the advantage of high powered adaption at once. They must begin to think like members of the Colony. They are to have deep sleep and thinking patterns. We cannot have criticism from these strangers! The work to do it, it must begin immediately. 
PILOT: Emergency order from Control, top priority. Are all the cubicles connected? 
VOICE [OC]: The rest cubicles for the four strangers are all connected for deep sleep and thought patterns. 
PILOT: Very good. The process is to begin immediately. Your instructions are being carried out. 

CONTROL [OC]: 
That is good. This is an emergency. 

Control must be Believed and Obeyed! 

No one on the Colony believes in Macra! 

There is no such thing as Macra! 
Macra do not exist! There are no Macra!




DOCTOR: 
Jamie, how did you sleep? 

JAMIE: 
Oh, very badly, Doctor. 
I told Ben I kept hearing wee voices. 

DOCTOR: 
That's a Good Sign. 
That means they haven't been able to get very deeply into your brain. 


JAMIE: 
Ay? I don't understand? 

DOCTOR: 
I'll show you. Watch this. 
(He burns out more State Property)
BEN: 
You're fools, all of you! 
And just look what you've done. 
You've smashed up all this equipment. 


POLLY: 
Yes, but look here. 
If they were trying to make us believe a whole load of rubbish -
BEN: 
Rubbish? It's not rubbish. 
Control knows what's best for us. 
They want us to cooperate. 

We should be helping. 
POLLY: 
What's the matter with you, Ben? 
This doesn't sound like you at all. 
BEN: We should learn to obey. The Doctor's causing trouble. I'm going to turn him in. 
JAMIE: You don't know what you're doing, Ben. 
BEN: Get off me! 
POLLY: What's the matter with him? 

DOCTOR: 
I'm very much afraid I'm too late. 

POLLY: 
Ben! 

BEN: 
Let go of me. 

POLLY: 
Ben! 

BEN: 
Guards! Guards! 

POLLY: 
Don't let him go. 

DOCTOR: 
No, it's no use, Jamie. 

JAMIE: 
But we cannot let him go, Doctor. 

DOCTOR: You'll have to. 
Violence will get you nowhere. 

POLLY: Doctor, he's going to go and tell the guards. We've got to get you out of here. 

DOCTOR: 
We can't leave Ben. 

JAMIE: 
But he's betrayed you. 

DOCTOR: 
No, no, not Ben. 
He's not in control of his actions. 

He's been given a series of instructions and he can't help himself. 

43100



Woman walking beside him: --
You sure seem to bleed a lot. 

It's part of the job.


At Cordy's apartment Angel takes down the whiteboard. 

Wesley: 
Good idea. 
Start over with a fresh slate. 

ANGEL : 
Actually, we're starting over with NO slate. 

Wesley: 
Of course. We shouldn't be keeping score. 
We're not running a race - we're doing a job - one soul at a time

ANGEL : 
You guys hold the fort. 
I've somewhere to be.

Angel picks up the phone at a prison visitor booth. 

ANGEL :
Hey. 

FAITH : 
Hey. 

ANGEL : 
How you doing? 

FAITH : 
Pretty good, I guess. 
I did sign up for this. 

ANGEL : 
Regretting the choice? 

FAITH : 
Bad day. One of the girls in the yard tried to build a rep by throwing down with me. 
She had low self esteem, and a home-made knife, so.. 

ANGEL : 
Oh. - Is she - you know - alive? 

FAITH : 
She lives to tell the tale. 
Took the knife away - 
and I can't say much for the wrist it came in. 

ANGEL : 
So you didn't kill her. 

FAITH :
I really wanted to. 
Took a big beating from the guards, too. 

ANGEL : 
Sorry.

FAITH : 
Earned worse. 
Guys like us kind of got it coming. 

ANGEL : 
I had to sing Barry Manilow. 

FAITH : 
You're kidding. 

ANGEL : 
In front of people. 

FAITH (trying not to laugh): 
And here I am talking about my petty little problems. 

ANGEL : 
Just wanted to give you a little perspective. 

FAITH : 
Copacabana? 

ANGEL : 
Mandy. 
I don't wanna dwell on it. 

FAITH : 
The road to redemption is a rocky path. 

ANGEL : 
That it is. 

FAITH : 
You think we might make it? 

ANGEL : 
We might. - -  
Food getting any better? 


FAITH : 
You know, it's not that different from what I grew up on. 
It's a little one note. 
Eating the same thing every day. 


ANGEL : 
I wonder what that's like. 

FAITH : 
 Right.. 






    FADE TO BLACK

    During the credits we get some more takes of Angel singing Mandy

COAT







Host:  
"Love the coat.  

It's all about The Coat.  

Welcome to Caritas.  

You know what that means?" 

Angel:  
It's Latin for ‘mercy.’

[ ‘Charity’, actually,  but close-enough. ]

Host:  
"Smart and cute.  How about gracing us with a number?" 

Angel:  
"I don't sing." 

Host:  
"Neither does Mordar the Bentback! 
That cat's a foghorn on two legs." 

Cordy to Wes:  
"Who is this guy?" 

Wes:  "He's, uh, anagogic." 

Cordy: 
 "Really?  He looks like he's eating enough." 

Wes:  
"Psychic.  He's connected to the mystic.  
When you sing you bare you soul.  
He sees into it." 

Host:  
"This isn't about your pipes, bro.  It's about your spirit.  I can't read you unless you sing!" 

Angel:  
"I don't sing." 

Cordy:  
"Come on, Angel.  I wanna hear you sing." 

Angel:  "No." 

Wes:  
"It would be for a good cause.  We might learn something." 

Angel:  
"Who's the boss here?" 

Host:  
"I know you're feeling smooth, in the groove.  Isn't that the thing that comes before a fall?" 

Angel as they all look at him:  
"There are three things I don't do: Tan, date - and sing in public!" 

Angel walks out. 

Host:  
"See you around. - How fabulous would I look in that coat?"




Angel:  
"What's the Tribunal?" 


Woman:  
"Some kind of otherworldly court.  Supposedly they can save me and my daughter.  You - you go before them, you got to have that charm... I don't know how it works.  Kamal said that he was gonna be my champion. - You know what?  Screw this!  I'm getting out of town!" 






Angel:  "I told her to come here. - She doesn't trust me. - Why should she?" 
Angel hits the whiteboard. 
Cordy:  "You can't see everything.  You're just a vampire like everyone else... That didn't come out right." 
Angel:  "I thought I was out of the tunnel." 
Angel slumps down on the sofa. 
Cordy:  "Sure you did... because the tunnel is - you know, it's something we all... Are we talking real tunnel or symbolic?  Just give me that much." 
Angel:  "I-I saw the light at the end of the tunnel - that some day I might become human. - - That light was so bright, I thought I was already out." 
Cordy sits down beside him with a sigh:  "Yeah.  We all got a little cocky, didn't we? - It's gonna be a long while - until you work your way out - but I know you well enough to know you *will*. - And I'll be with you until you do." 
Angel:  "What about your inevitable stardom?" 
Cordy:  "I'm not saying I won't have a day job." 
Wesley:  "I think we got something. It's medieval.  A small badge or coat of arms, to be presented when going before the Cahair Binse.  Roughly translated that's chair of judgement." 
Angel:  "The Tribunal." 
Wes:  "Right.  An ancient court to settle grievances." 
Cordy:  "You mean- with like lawyers and stuff." 
Wes:  "This is a little more primitive. It's a fight to the death." 
Angel:  "That's why she needed a champion.  Where would this Tribunal take place?" 
Wes:  "There is no way to tell.  They're mystical events, they could rise up in our reality whenever they please." 
Angel:  "Look, we got to find her right away - whatever it takes. - There's only one way."

Angel singing:  "Oh, Mandy.  Well you came and you gave without taking, but I sent you away, oh Mandy. Well, you kissed me and stopped me from shaking. (The green, horned host is watching him sing) and I need you today, oh Mandy. (Angel looks around at the demons in the audience and his singing gets a lot worse)
Cordy sitting beside Wesley at a table:  "That man will do anything to save a life." 






She'll be at Forth and Spring.  
The trial will be there." 

Angel:  
"Trial?  How does it work?" 
Host:  
"I can only tell you what I tell you.  The rest is up to you." 
Angel gets up to leave. 
Angel:  "Can I save her?" 
Host:  "Try - and find out."

The pregnant woman is hurrying down an almost empty street at night, one hand on her belly. Suddenly three stone thrones occupied by dark robbed figures rise out of the ground behind her.  A horse whinnies and a knight in armor rides up the street towards them. 
The knight throws down a bronze disk. 
Judge:  "Where is your champion?" 
Woman:  "He's-he's dead." 
Judge:  "You have no coat of arms and no champion?" 
Woman:  "I ask for asylum." 
Judge:  "Asylum is not ours to give.  Two are chosen to meet in combat.  One can save your life.  One can take it.  This is the ancient law.  Your life is forfeit.  You have no champion." 

The knight pulls his sword as the woman backs away. A bronze disk lands on top of the other one. 

Angel:  "Yes, she does."