In some cultures and families, children may refer to the cousins of their parents as “aunt” or “uncle”.
It is also a title of respect for elders (for example older cousins, neighbors, acquaintances, close family friends, and even sometimes total strangers).
Using the term in this way is a form of fictive kinship.
Textbook Joseph Campbell.
The way Campbell explained it,
Young Men need a Secondary Father to finish raising them.
Beyond their Biological Father, they need a surrogate, traditionally a minister or a coach or a military officer.
The floatsam and jetsam of a generation washed up on the beach of last resort.
That's why street gangs are so appealing.
They send you men out, like Knights on Quests to hone their skills and improve themselves.
And all the TRADITIONAL Mentors --
forget it.
Men are presumptive predators. They're leaving Teaching in droves.
Religious Leaders are pariahs.
Sports Coaches are stigmatized as odds-on pedophiles.
Even The Military is sketchy with sexual goings-on.
“Men men men men, manly men men men!" "Men men men men, manly men men men!" "Men men men men, manly men, oo hoo hoo, hoo hoo, oo "Men men men men, manly men men men!" "Men men men men, manly men men men!" "Men ..."
MAZ A map to Skywalker himself? You're right back in the mess.
HAN Maz, I need you to get this droid to Leia.
MAZ
Hmm. No. You've been running away from this fight for too long.
Han, nyakee nago wadda. Go home!
HAN
Leia doesn't want to see me.
FINN
Please, we came here for your help.
REY
What fight?
MAZ
The only fight: against the dark side. Through the ages, I've seen evil take many forms.
The Sith.
The Empire.
Today, it is the First Order.
Their shadow is spreading across the galaxy.
We must face them.
Fight them.
All of us.
FINN
There is no fight against the First Order! Not one we can win. Look around. There's no chance we haven't been recognized already. I bet you the First Order is on their way right--
Finn stops, seeing Maz adjusting her goggles, scrutinizing him -- her eyes get HUGE.
FINN (CONT'D)
What's this? What are you doing?
Maz adjusts the goggles again.
Her eyes get impossibly BIGGER.
She grunts recognition. She hoists herself on the tabletop, knocking over food and plates, crawling towards Finn.
FINN (CONT'D)
Solo, what is she doing?
HAN
I don't know, but it ain't good.
MAZ
If you live long enough you see the same eyes in different people.
I'm looking at the eyes of a man who wants to run.
FINN (eyes on Maz)
You don't know a thing about me.
Where I'm from. What I've seen.
(MORE)
(CONTINUED)
CONTINUED:
FINN (CONT'D)
You don't know the First Order like I do.
They'll slaughter us.
We all need to run.
Rey is stunned. Maz, not so much. She crawls back to her chair. She points to some pirates in the corner.
MAZ You see those two? They'll trade work for transportation to the Outer Rim. There, you can disappear. Finn sees them. Considers.
REY Finn!
FINN Come with me.
REY What about BB-8? We're not done yet. We have to get him back to your base.
FINN I can't. Finn stands to leave. He offers the gun back to Han.
HAN Keep it, kid. Finn heads off. Rey gets up to follow. Maz dials her lenses back to normal, and turns to Han.
MAZ Who's the girl?
ON FINN Who has arrived at the table with the ALIEN SMUGGLERS.
FINN I was told you could get me to the Outer Rim. Rey barges into the conversation, interrupting.
REY What are you doing? Finn gets up to talk to her.
FINN (to Big Head) Don't leave without me.
(CONTINUED)
CONTINUED: Embarrassed, Finn moves her away.
REY You can't just go. I won't let you.
FINN I'm not who you think I am.
REY Finn, what are you talking about?
FINN I'm not Resistance. I'm not a hero. I'm a Stormtrooper.
(STOPS HER) Like all of them, I was taken from a family I'll never know. And raised to do one thing...
(EMOTIONAL) But my first battle, I made a choice. I wasn't going to kill for them. So I ran.
FINN (CONT'D) Right into you. And you looked at me like no one ever had. I was ashamed of what I was. But I'm done with the First Order. I'm never going back. Rey, come with me.
REY Don't go.
FINN Take care of yourself. Please. Rey looks at him, crushed. With quiet resignation, Rey watches Finn return to the aliens... And all three head off. He gets to the front door and walks through it. Rey is heartsick, but she turns as she hears the sound of a young girl in anguish, crying. She follows the sound into the castle, turning so she can't see that Finn has looked back at her one last time.
Leo and Fitzwallace are sitting across from each other.
LEO
This is always when you say something.
FITZWALLACE
Nah. Have you changed shampoo? You have, I can tell.
LEO
I like to look good for you.
FITZWALLACE
Well, I appreciate it. Can you tell when its Peacetime and Wartime anymore?
LEO
No.
FITZWALLCE
I don't know who The World's leading expert on warfare is, but any list of The Top 10 has got to include me, and I can't tell when it's Peacetime and Wartime anymore.
LEO
Look, International Law has always recognized certain protected person's who you couldn't attack. It's been this way since the Romans.
FITZWALLACE
In peacetime.
LEO
Yes.
FITZWALLACE
At the Battle of Agincourt, this was The French fighting against The British archers, this was like a polo match. The battles were observed by heralds and they picked the winners.
And if a soldier laid down his arms, he was treated humanely.
LEO
Yeah.
FITZWALLACE
And the International Laws that you're talking about, this is when a lot of them were written. At a time and in a place, where a person could tell between peacetime and wartime.
The idea of targeting one person was ridiculous. It wouldn't have occurred to The French to try to kill William Pitt. That is absolute bollocks, Sorkin, because the American Transatlantic Merchant Shipping Lobby didin-actual-fact, have and I am compelled and
That all changed after Pearl Harbor.
LEO
I don't like where this conversation's going.
FITZWALLACE
Leo.
LEO
In the Situation Room, Fitz?
FITZWALLACE
We killed Yamamoto. We shot down his plane.
LEO
We declared war.
FITZWALLACE
If Dietrich Bonhoeffer had been successful...
LEO
And the plot to kill Hitler was an internal rebellion.
FITZWALLACE
...there would've been statues built of an assassin. We'd have to explain that to our kids.
LEO
I'm going to get back to the office.
FITZWALLACE
We measure the success of a mission by two things: Was it successful? and How few civilians did we hurt? They measure success by how many. Pregnant women are delivering bombs. You're talking to me about International Laws? The Laws of Nature don't even apply here. I've been a soldier for 38 years. And I found an Enemy I can Kill. He can't cancel Shareef's trip, Leo.
You've got to tell him he can't cancel it.
CUT TO: INT. THE PRESIDENT'S PRIVATE STUDY - DAY
Bartlet is in another session with the psychiatrist, Dr. Stanley Keyworth.
BARTLET
It's "The War of the Roses." All the Henrys, and all the Richards, for that matter.
STANLEY
In some kind of condensed form?
BARTLET
Yeah.
STANLEY
'Cause you'd be there for weeks, right, if...?
BARTLET
Yeah. There's also singing.
STANLEY
Oh, it's a musical?
BARTLET
No, but they're gonna sing from time to time, and one of the songs is a song I love.
I can't think of the name now, but it's an Edwardian... It always reminds me... It makes me think of college, like, I don't know, like they should be singing it in the dining
hall at Christ College at Cambridge. The chorus is, "And victorious in war shall be made
glorious in peace." I was just singing it this morning.
A moment of silence.
STANLEY
How have you been sleeping?
BARTLET
Good. Yeah. Let me ask you something. Is there a crime, which if it wasn't illegal, you would do?
STANLEY
I'd park anywhere I want.
BARTLET
Right, but you wouldn't rob a bank?
STANLEY
No.
BARTLET
Connecticut had a law prohibiting the use of contraceptives. It was written out of rage against adultery. But in the age of AIDS, don't Connecticut residents do more for The General Welfare by flagrantly breaking the law?
STANLEY
There was a law against... contraceptives?
BARTLET
Yeah.
STANLEY
Can I ask, sir, how somebody used to get caught?
BARTLET
Stanley...
STANLEY
What's on your mind, Mr. President?
BARTLET
I can't tell you.
STANLEY
Yeah, but you can.
Bartlet pauses, looks away and thinks.
BARTLET
No, I really can't. It's high security. To say nothing of... [sighs heavily]
STANLEY
To say nothing of what?
BARTLET
If I tell you I intend to commit a crime, you're required by law to report it. [beat]
I have a strange meeting coming up. [beat] I'm gonna go. It's good seeing you.
Bartlet stands, grabs his jacket, and leaves Stanley inside.
FADE OUT.
END ACT ONE
* * *
This shows the ending sequence of West Wing season 3 finale, Posse Comitatus, where Sorkin's fictional War of the Roses play performs the Patriotic Song (written by composer Stephen Oliver) against the backdrop of the assassination of Abdul Shareef. You will then see the rare version of the song, performed by the RSC, from a 1982 production of the Life and Adventures of Nicholas Nickleby. For those fellow West Wing fans/nerds, the actor Roger Rees (who also played Lord John Marbury) leads the cast....
What was the music that the Shakespeare company was singing at the end in "Posse Comitatus"?
Mel Kirby tells us "the song sung by the supposed Shakespeare Company at the end of the segment of the 'Wars of the Roses' being watched on Broadway by Pres. Bartlett is called 'Patriotic Chorus' by Stephen Oliver.
It was originally composed as the Finale of the mock-Victorian revisionist 'Romeo and Juliet' which closes Part One of the9 hour-long, 1983 Royal Shakespeare Company production of Dickens 'The Life and Adventures of Nicholas Nickelby' which was an actual hit in London's West End and on Broadway in the early 80's.
One would assume that the RSC and 'endlessly long', high-brow nature of both plays would have created the intellectual resonance for Sorkin.
And the originally tongue-in-cheek words and tune, a send-up of typical Victorian xenophobia, have a certain irony as played over the assassination of the Qumari defense minister."
Mel Kirby also sent us the following Lyrics:
"England arise! Join in the chorus! It is a new made song you should be singing. See in the skies, flutt'ring before us what the bright bird of peace is bringing!
Chorus: See upon our smiling land where the wealths of nations stand where prosperity and industry walk ever hand in hand. Where so many blessings crowd, 'tis our duty to be proud. Up and answer, English Yeoman, sing it joyfully aloud.
Evermore upon our country God will pour his rich increase, And victorious in war shall be made glorious in peace, And victorious in war shall be made glorious in peace.
this verse omitted on West Wing
[ See each one do what he can to further God's almighty plan. The benificence of heaven help the skilfulness of man. Ev'ry garner fill'd with grain, Ev'ry meadow blest with rain: Rich and fertile is the golden corn that bear and bears again.]
Where so many blessings crowd, 'Tis our duty to be proud. Up and answer, fellow Britons, sing it joyfully aloud.
Evermore upon our country God will pour his rich increase...etc."p
DAPHNE, WITH HER head tied up in Mary Poppins’ bandanna handkerchief, was in bed with earache.
“What does it feel like?” Michael wanted to know.
“Like guns going off inside my head,” said Daphne.
“Cannons?”
“No, pop-guns.”
“Oh,” said Michael. And he almost wished he could have earache, too. It sounded so exciting.
“Shall I tell you a story out of one of the books?” said Michael, going to the bookshelf.
“No. I just couldn’t bear it,” said Daphne, holding her ear with her hand.
“Well, shall I sit at the window and tell you what is happening outside?”
“Yes, do,” said Daphne.
So Michael sat all the afternoon on the window seat telling her everything that occurred in the Lane. And sometimes his accounts were very dull and sometimes very exciting.
“There’s Admiral Boom!” he said once. “He has come out of his gate and is hurrying down the Lane. Here he comes. His nose is redder than ever and he’s wearing a top hat. Now he is passing Next Door—”
“Is he saying ‘Blast my gizzard!’?” enquired Daphne.
“I can’t hear. I expect so. There’s Miss Lark’s second housemaid in Miss Lark’s garden.
And Robertson Ay is in our garden, sweeping up the leaves and looking at her over the fence. He is sitting down now, having a rest.”
“He has a weak heart,” said Daphne.
“How do you know?”
“He told me. He said his doctor said he was to do as little as possible. And I heard Daddy say if Robertson Ay does what his doctor told him to he’ll sack him. Oh, how it bangs and bangs!” said Daphne, clutching her ear again.
“Hulloh!” said Michael excitedly from the window.
“What is it?” cried Daphne, sitting up. “Do tell me.”
“A very extraordinary thing. There’s a cow down in the Lane,” said Michael, jumping up and down on the window seat.
“A cow? A real cow – right in the middle of a town? How funny! Mary Poppins,” said Daphne, “there’s a cow in the Lane, Michael says.”
“Yes, and it’s walking very slowly, putting its head over every gate and looking round as though it had lost something.”
“I wish I could see it,” said Daphne mournfully.
“Look!” said Michael, pointing downwards as Mary Poppins came to the window. “A cow. Isn’t that funny?”
Mary Poppins gave a quick, sharp glance down into the Lane.
She started with surprise.
“Certainly not,” she said, turning to Daphne and Michael. “It’s not funny at all. I know that cow. She was a great friend of my Mother’s and I’ll thank you to speak politely to her.”
She smoothed her apron and looked at them both very severely.
“Have you known her long?” enquired Michael gently, hoping that if he was particularly polite he would hear something more about the cow.
“Since before she saw the King,” said Mary Poppins.
“And when was that?” asked Daphne, in a soft encouraging voice.
Mary Poppins stared into space, her eyes fixed upon something that they could not see.
Daphne and Michael held their breath, waiting.
“It was long ago,” said Mary Poppins, in a brooding story-telling voice.
She paused, as though she were remembering events that happened hundreds of years before that time.
Then she went on dreamily, still gazing into the middle of the room, but without seeing anything.