Showing posts with label Astronaut. Show all posts
Showing posts with label Astronaut. Show all posts

Friday 11 January 2019

Space


" Well, I suppose you all know the old story about The Astronaut who went far out into Space, and was asked on his return if he had been to Heaven and seen God. 

And he said 
“Yes.”

So they said 
“Well, What About God?”  

And he said, 
“She is Black.”



+




Wednesday 26 December 2018

Jack


Origin

Late Middle English: from Jack, pet form of the given name John. The term was used originally to denote an ordinary man ( jack (sense 6)), also a youth (mid 16th century), hence the ‘knave’ in cards and ‘male animal’. 

The word also denoted various devices saving human labour, as though one had a helper ( jack (sense 1, jack sense 3, jack sense 9, jack sense 10), and in compounds such as jackhammer and jackknife); the general sense ‘labourer’ arose in the early 18th century and survives in cheapjack, lumberjack, steeplejack, etc. 

Since the mid 16th century a notion of ‘smallness’ has arisen, hence jack (sense 4, jack sense 5, jack sense 7, jack sense 13).



jack
ADJECTIVE

Australian 
informal 
predicative Tired of or bored with someone or something.
‘people are getting jack of strikes’

" The fictional company which owns and operates the lunar base is called Lunar Industries Ltd.  As a nod to this, the production company used to make the movie is also called Lunar Industries Ltd (UK Companies House company number 06346944), whose company directors are Duncan Zowie Hayward Jones (the movie's director) and Stuart Douglas Fenegan (one of the movie's producers). "

So, how is it a fictional company?

And who is Stuart Douglas Fenegan....?

And what does "Hayward" mean....? 

Other than being the forename of Haywood Floyd, the Chairman of the National Council of Astronautics and protagonist of both the novel and movie 2010 : The Year We Make Contact AND the novel 2061 : The Next Odyssey (which is about rogue Affrikaaner agents illegally prospecting for diamonds on the surface of (a populated/inhabited) Europa.

 JACK 
I don't understand. Why does a weak person have to go out and find a strong person... to hang onto?

 MARLA 
What do you get out of it?

 Faint SOUND of SAWING and HAMMERING. Jack can't quite figure where it's coming from.

 JACK 
You hear that?

 MARLA Hear what?

 JACK 
That... sawing and hammering.

 MARLA 
Have we been talking too long? Must we change the subject?

 Jack turns -- through the crack of the open basement door, Tyler's staring at Jack from the bottom of the stairs.

 TYLER (harsh whisper) 
You're not talking about me, are you?

 Jack reacts, turns back to Marla.

 JACK (to Marla and Tyler) 
No.

 MARLA 
That day you came over to my place to play doctor... what was going on there?

 TYLER (still a whisper) 
What are you talking about?

 JACK (to Marla and Tyler) Nothing.

 MARLA Nothing? I don't think so.

 TYLER (whisper) This conversation...

 JACK This conversation...

 TYLER ... is over.

 JACK ... is over.

 Marla comes to touch Jack's hair. Jack closes the basement door. Marla sees the kiss-scar on Jack's hand, grabs his hand. Jack tries to pull it back, but Marla keeps a grip.

 MARLA What is this? Who did this?

 JACK ... A person.

 MARLA Guy or girl?

 JACK Why would you ask if it's a guy or a girl?!

 MARLA Why would you get bent if I asked?

 JACK Let go of me... (pulls his hand free) Leave me alone.

 MARLA You're afraid to say.

 Marla backs away, closes her eyes, struggling with frustration. She leaves out the back door, not looking back.

 Jack leans against the wall. After a moment, he opens the basement door, heads downstairs...

 INT. BASEMENT STAIRCASE

 Tyler walks upstairs, passing as Jack continues down...

 INT. BASEMENT - CONTINUOUS

 Jack looks around. TRIPLE-DECKER BUNKS clutter the basement, as many as can fit into the space.

 JACK (calling upstairs) Tyler... ? What's this for?

 From upstairs, the SOUND of the DOORBELL.

 INT. LIVING ROOM - MOMENTS LATER

 Jack opens the door. Ricky stands on the porch, staring ahead in subordinate military style. He's in black pants, black shirt, black shoes, holds a PAPER BAG, with an army surplus MATTRESS rolled-up at his feet.

 JACK Um... what can I do for you, Ricky?

 Tyler steps up beside Jack, looks Ricky over.

 TYLER You're too young. Sorry.

 JACK Wait a minute...

 Tyler comes back inside, shuts the door.

 JACK "Too young?"

 TYLER If the applicant is young, we tell him he's too young. Old, too old. Fat, too fat.

 JACK "Applicant?"

 TYLER If the applicant waits at the door for three days without food, shelter or encouragement, then he can enter and begin training.

 JACK "Training?" Tyler...

 EXT. PORCH - MOMENTS LATER

 Jack comes out, walks around Ricky, hands in his pockets, unsure. Tyler watches, nods for Jack to go ahead.

 JACK Uh, look. You're too... young to... train here. You should probably be on you way.

 No response from Ricky, who remains at attention. Jack goes back inside. Tyler closes the door.

 EXT. PORCH - NIGHT

 Ricky remains at attention. Jack bursts out with a BROOM, knocks the brown bag out of Ricky's hand, kicks it away.

 JACK Are you deaf?! I told you to leave! You will never get inside this house!

 EXT. PORCH - MORNING

 Ricky's still there. Tyler comes out, friendly.

 TYLER Look, friend, I'm sorry for the misunderstanding. It's not the end of the world. Just go away. You're trespassing and I will call the police. Nothing personal.

 EXT. PORCH - NIGHT

 Ricky, same spot. Jack bursts outside with the broom again.

 JACK You're never getting through this door, you stupid little weasel! Look at me when I talk to you... !

 He WHACKS Ricky in the shoulder with the broom.

 JACK What is your major malfunction!?

 INT. JACK'S ROOM - CONTINUOUS

 At the window, Tyler sips coffee, watches this scene on the PORCH below.

 JACK (V.O.) Sooner or later, we all became what Tyler wanted us to be.

 EXT. PORCH - MORNING

 Ricky's there. Bob is now next to him, in black, with a paper bag in hand, mattress at his feet. Tyler steps out. Jack stays in the doorway, locking eyes on Bob. To all the following questions, Ricky answers "Sir!" --

 TYLER You have two black shirts? Two pair black trousers? One pair black boots? Two pair black socks? One black coat? Three hundred dollars personal burial money? Go inside.

 Ricky goes in. Tyler turns to Bob.

 TYLER You're too old. Sorry. And, you're too fat. Nice seeing you.

 Bob looks genuinely hurt. He picks up his mattress and starts away. Tyler looks at Jack and rolls his eyes. Jack follows Bob...

 JACK Bob... Bob, wait... (leading Bob back) Let me explain this to you...

 EXT. PORCH -- NIGHT

 CRICKETS CHIRP. Bob stands at at rigid attention.

 INT. 2ND FLOOR LANDING - NIGHT

 Tyler and Jack stand in bathroom doorway, watching Ricky finish SHAVING off all of his HAIR. Tyler comes to give the top of Ricky's head a sharp SLAP.

 TYLER A monkey, ready to be shot into space. A Space Monkey, ready to sacrifice himself for Project Mayhem.

 From here on, all those with shaved heads: "SPACE MONKEYS."

 EXT. PORCH - DAY

 Jack looks out the window. Bob stands motionless. There's another "applicant," a SHORT GUY, beside Bob. Ricky comes out the front door with the BROOM...

 RICKY (to Bob) You're too fucking old, fatty! We don't want your kind here! (to short guy) You're too short. Go away, stumpy! Go back to the circus!

 Ricky HITS them with the broom, then goes in, SLAMS THE DOOR.

 JACK (V.O.) So it went...

 EXT. BACKYARD - DAY

 Tyler works with a HALF DOZEN SPACE MONKEYS, preparing the square of backyard. They pull weeds, clear rocks; working with shovels, rakes, etc. They cart away WHEELBARROWS of rocks and carry in SACKS of FERTILIZER.

 JACK (V.O.) Tyler built his army.

 IN THE KITCHEN WINDOW, Jack watches...

 INT. KITCHEN - CONTINUOUS

 Jack keeps watching out the window, eats toast.

 JACK (V.O.) To what purpose, might one ask? Well, one might ask, if not for the first rule of Project Mayhem.

 Jack turns to look around the kitchen. THREE SPACE MONKEYS work -- one SCRUBBING the FLOOR, one WASHING DISHES, one SCRUBBING the walls. Jack walks out.

 JACK (V.O.) In Tyler We Trust.

 INT. JACK'S ROOM - DAY

 Jack opens his eyes, awakening to sunlight thru the window.

 JACK (V.O.) And, then...

 INT. UPSTAIRS LANDING - DAY

 Jack slowly pushes open the door to Tyler's room...

 JACK Tyler...

 The room is empty. Jack stares.

 JACK (V.O.) He was gone.

 INT. LIVING ROOM - DAY

 Jack comes downstairs... finds DOZENS of SPACE MONKEYS.

 INT. KITCHEN - NIGHT

 Jack enters. Space Monkeys render fat and make soap. They pinch HERBS, adding them to the mix. They add VODKA. Off to the side, a couple Monkeys stir a vat of RICE. On the wall is a big bulletin board with HUNDREDS of DRIVER's LICENSES; a sign above it: "HUMAN SACRIFICES."

 FRECKLED SPACE MONKEY "You are not a beautiful and unique snowflake. You are the same decaying organic matter as everything else. We are all part of the same compost heap."

 JACK (V.O.) Planet Tyler.

 Jack dips a spoon into the rice, chomps on it irritatingly.

 FRECKLED SPACE MONKEY "We are the all-singing, all-dancing crap of the world."

 Jack picks up a BOTTLE of VODKA.

 JACK (V.O.) I had to hug the walls, trapped inside this clockwork of Space Monkeys, cooking and working and sleeping in teams.

 INT. READING ROOM - NIGHT

 Jack enters, vodka in hand. TEN SPACE MONKEYS here, reading.

 JACK (V.O.) The house became a living thing, wet inside from so many people sweating and breathing. So many people moving, the house moved.

 Jack walks out.

 INT. OFFICE - DAY

 Jack enters. Angel Face reads a book, marks on a chart. Space Monkeys shuffle PAPERS and NEWS CLIPPINGS. Walls are lined with FILES, each labeled with a STREET ADDRESS, under SIGNS: "Mischief," "Disinformation," "Arson."

 Jack's eye lingers on "Arson." He starts flipping through a file. Angel Face comes to take the file from him.

 ANGEL FACE That wouldn't interest you.

 JACK Where's Tyler?

 ANGEL FACE The first rule of Project --

 JACK Right, right.

 As Angel Face replaces the file, Jack notices -- a LYE- BURNED KISS-SCAR on the back of Angel Face's hand.

 EXT. BACK YARD - NIGHT

 Jack takes a swig of vodka, smokes. In the BACKGROUND, a Space Monkey WHACKS an APPLICANT with a BROOM. It's a ritual; no words. Other Space Monkeys tend the garden.

 JACK (V.O.) 
I'm all alone. I Am Jack's Broken Heart.

 Jack drops his cigarette in the gravel, steps on it. A Space Monkey immediately comes to clean it up.





The Second Coming 

Turning and turning in the widening gyre   
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere   
The ceremony of innocence is drowned;
The best lack all conviction, while the worst   
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.   
The Second Coming! Hardly are those words out   
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert   
A shape with lion body and the head of a man,   
A gaze blank and pitiless as the sun,   
Is moving its slow thighs, while all about it   
Reel shadows of the indignant desert birds.   
The darkness drops again; but now I know   
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,   
And what rough beast, its hour come round at last,   
Slouches towards Bethlehem to be born?

Thursday 28 June 2018

House Negroes



A 'Spencer', or 'Spence' is a butler; 

An indoor servant 
(as opposed to a groom or field-worker);

A House Negro.

Rick is Field Negro (at this point - all he is doing is, he is going out into The World, earning and producing for Negan)





"Back during slavery, when Black people like me talked to the slaves, they didn't kill 'em, they sent some old House Negro along behind him to undo what he said. You have to read the history of slavery to understand this. There were two kinds of Negroes. There was that old House Negro and the Field Negro.

And the house Negro always looked out for his master. When the field Negroes got too much out of line, he held them back in check. He put 'em back on the plantation. The House Negro could afford to do that because he lived better than the field Negro. 

He ate better, he dressed better, and he lived in a better house. He lived right up next to his master - in the attic or the basement. He ate the same food his master ate and wore his same clothes. And he could talk just like his master - good diction. And he loved his master more than his master loved himself. That's why he didn't want his master hurt. If the master got sick, he'd say, "What's the matter, boss, we sick?" 

When the master's house caught afire, he'd try and put the fire out. He didn't want his master's house burned. He never wanted his master's property threatened. And he was more defensive of it than The Master was.

That was the House Negro. But then you had some field Negroes, who lived in huts, had nothing to lose. They wore the worst kind of clothes. They ate the worst food. And they caught hell. They felt the sting of the lash. They hated their master. Oh yes, they did. If The Master got sick, they'd pray that the master died. If the master's house caught afire, they'd pray for a strong wind to come along. This was the difference between the two.

And today you still have house Negroes and field Negroes. 


I'm a Field Negro." 


~~~ Malcolm X

http://www.malcolm-x.org

http://www.malcolmx.com/







To understand this, you have to go back to what [the] young brother here referred to as the house Negro and the field Negro -- back during slavery. There was two kinds of slaves. There was the house Negro and the field Negro. The house Negroes - they lived in the house with master, they dressed pretty good, they ate good 'cause they ate his food -- what he left. They lived in the attic or the basement, but still they lived near the master; and they loved their master more than the master loved himself. They would give their life to save the master's house quicker than the master would. The house Negro, if the master said, "We got a good house here," the house Negro would say, "Yeah, we got a good house here." Whenever the master said "we," he said "we." That's how you can tell a house Negro.

If the master's house caught on fire, the house Negro would fight harder to put the blaze out than the master would. If the master got sick, the house Negro would say, "What's the matter, boss, we sick?" We sick! He identified himself with his master more than his master identified with himself. And if you came to the house Negro and said, "Let's run away, let's escape, let's separate," the house Negro would look at you and say, "Man, you crazy. What you mean, separate? Where is there a better house than this? Where can I wear better clothes than this? Where can I eat better food than this?" That was that house Negro. In those days he was called a "house nigger." And that's what we call him today, because we've still got some house niggers running around here. This modern house Negro loves his master. He wants to live near him. He'll pay three times as much as the house is worth just to live near his master, and then brag about "I'm the only Negro out here." "I'm the only one on my job." "I'm the only one in this school." You're nothing but a house Negro. And if someone comes to you right now and says, "Let's separate," you say the same thing that the house Negro said on the plantation. "What you mean, separate? From America? This good white man? Where you going to get a better job than you get here?" I mean, this is what you say. "I ain't left nothing in Africa," that's what you say. Why, you left your mind in Africa.


On that same plantation, there was the field Negro. The field Negro -- those were the masses. There were always more Negroes in the field than there was Negroes in the house. The Negro in the field caught hell. He ate leftovers. In the house they ate high up on the hog. The Negro in the field didn't get nothing but what was left of the insides of the hog. They call 'em "chitt'lings" nowadays. In those days they called them what they were: guts. That's what you were -- a gut-eater. And some of you all still gut-eaters.


The field Negro was beaten from morning to night. He lived in a shack, in a hut; He wore old, castoff clothes. He hated his master. I say he hated his master. He was intelligent. That house Negro loved his master. But that field Negro -- remember, they were in the majority, and they hated the master. When the house caught on fire, he didn't try and put it out; that field Negro prayed for a wind, for a breeze. When the master got sick, the field Negro prayed that he'd die. If someone come to the field Negro and said, "Let's separate, let's run," he didn't say "Where we going?" He'd say, "Any place is better than here." You've got field Negroes in America today. I'm a field Negro. The masses are the field Negroes. When they see this man's house on fire, you don't hear these little Negroes talking about "our government is in trouble." They say, "The government is in trouble." Imagine a Negro: "Our government"! I even heard one say "our astronauts." They won't even let him near the plant -- and "our astronauts"! "Our Navy" -- that's a Negro that's out of his mind. That's a Negro that's out of his mind.


Just as the slavemaster of that day used Tom, the house Negro, to keep the field Negroes in check, the same old slavemaster today has Negroes who are nothing but modern Uncle Toms, 20th century Uncle Toms, to keep you and me in check, keep us under control, keep us passive and peaceful and nonviolent. That's Tom making you nonviolent. It's like when you go to the dentist, and the man's going to take your tooth. You're going to fight him when he starts pulling. So he squirts some stuff in your jaw called novocaine, to make you think they're not doing anything to you. So you sit there and 'cause you've got all of that novocaine in your jaw, you suffer peacefully. Blood running all down your jaw, and you don't know what's happening. 'Cause someone has taught you to suffer -- peacefully.


The white man do the same thing to you in the street, when he want to put knots on your head and take advantage of you and don't have to be afraid of your fighting back. To keep you from fighting back, he gets these old religious Uncle Toms to teach you and me, just like novocaine, suffer peacefully. Don't stop suffering -- just suffer peacefully. As Reverend Cleage pointed out, "Let your blood flow In the streets." This is a shame. And you know he's a Christian preacher. If it's a shame to him, you know what it is to me.


There's nothing in our book, the Quran -- you call it "Ko-ran" -- that teaches us to suffer peacefully. Our religion teaches us to be intelligent. Be peaceful, be courteous, obey the law, respect everyone; but if someone puts his hand on you, send him to the cemetery. That's a good religion. In fact, that's that old-time religion. That's the one that Ma and Pa used to talk about: an eye for an eye, and a tooth for a tooth, and a head for a head, and a life for a life: That's a good religion. And doesn't nobody resent that kind of religion being taught but a wolf, who intends to make you his meal.


This is the way it is with the white man in America. He's a wolf and you're sheep. Any time a shepherd, a pastor, teach you and me not to run from the white man and, at the same time, teach us not to fight the white man, he's a traitor to you and me. Don't lay down our life all by itself. No, preserve your life. it's the best thing you got. And if you got to give it up, let it be even-steven.


The slavemaster took Tom and dressed him well, and fed him well, and even gave him a little education -- a little education; gave him a long coat and a top hat and made all the other slaves look up to him. Then he used Tom to control them. The same strategy that was used in those days is used today, by the same white man. He takes a Negro, a so-called Negro, and make him prominent, build him up, publicize him, make him a celebrity. And then he becomes a spokesman for Negroes -- and a Negro leader.


I would like to just mention just one other thing else quickly, and that is the method that the white man uses, how the white man uses these "big guns," or Negro leaders, against the black revolution. They are not a part of the Negro revolution. They are used against the Negro revolution.


When Martin Luther King failed to desegregate Albany, Georgia, the civil-rights struggle in America reached its low point. King became bankrupt almost, as a leader. Plus, even financially, the Southern Christian Leadership Conference was in financial trouble; plus it was in trouble, period, with the people when they failed to desegregate Albany, Georgia. Other Negro civil-rights leaders of so-called national stature became fallen idols. As they became fallen idols, began to lose their prestige and influence, local Negro leaders began to stir up the masses. In Cambridge, Maryland, Gloria Richardson; in Danville, Virginia, and other parts of the country, local leaders began to stir up our people at the grassroots level. This was never done by these Negroes, whom you recognize, of national stature. They controlled you, but they never incited you or excited you. They controlled you; they contained you; they kept you on the plantation.


As soon as King failed in Birmingham, Negroes took to the streets. King got out and went out to California to a big rally and raised about -- I don't know how many thousands of dollars. [He] come to Detroit and had a march and raised some more thousands of dollars. And recall, right after that [Roy] Wilkins attacked King, accused King and the CORE [Congress Of Racial Equality] of starting trouble everywhere and then making the NAACP [National Association for the Advancement of Colored People] get them out of jail and spend a lot of money; and then they accused King and CORE of raising all the money and not paying it back. This happened; I've got it in documented evidence in the newspaper. Roy started attacking King, and King started attacking Roy, and Farmer started attacking both of them. And as these Negroes of national stature began to attack each other, they began to lose their control of the Negro masses.


And Negroes was out there in the streets. They was talking about [how] we was going to march on Washington. By the way, right at that time Birmingham had exploded, and the Negroes in Birmingham -- remember, they also exploded. They began to stab the crackers in the back and bust them up 'side their head -- yes, they did. That's when Kennedy sent in the troops, down in Birmingham. So, and right after that, Kennedy got on the television and said "this is a moral issue." That's when he said he was going to put out a civil-rights bill. And when he mentioned civil-rights bill and the Southern crackers started talking about [how] they were going to boycott or filibuster it, then the Negroes started talking -- about what? We're going to march on Washington, march on the Senate, march on the White House, march on the Congress, and tie it up, bring it to a halt; don't let the government proceed. They even said they was going out to the airport and lay down on the runway and don't let no airplanes land. I'm telling you what they said. That was revolution. That was revolution. That was the black revolution.


It was the grass roots out there in the street. [It] scared the white man to death, scared the white power structure in Washington, D. C. to death; I was there. When they found out that this black steamroller was going to come down on the capital, they called in Wilkins; they called in Randolph; they called in these national Negro leaders that you respect and told them, "Call it off." Kennedy said, "Look, you all letting this thing go too far." And Old Tom said, "Boss, I can't stop it, because I didn't start it." I'm telling you what they said. They said, "I'm not even in it, much less at the head of it." They said, "These Negroes are doing things on their own. They're running ahead of us." And that old shrewd fox, he said, "Well If you all aren't in it, I'll put you in it. I'll put you at the head of it. I'll endorse it. I'll welcome it. I'll help it. I'll join it."


A matter of hours went by. They had a meeting at the Carlyle Hotel in New York City. The Carlyle Hotel is owned by the Kennedy family; that's the hotel Kennedy spent the night at, two nights ago; [it] belongs to his family. A philanthropic society headed by a white man named Stephen Currier called all the top civil-rights leaders together at the Carlyle Hotel. And he told them that, "By you all fighting each other, you are destroying the civil-rights movement. And since you're fighting over money from white liberals, let us set up what is known as the Council for United Civil Rights Leadership. Let's form this council, and all the civil-rights organizations will belong to it, and we'll use it for fund-raising purposes." Let me show you how tricky the white man is. And as soon as they got it formed, they elected Whitney Young as the chairman, and who [do] you think became the co-chairman? Stephen Currier, the white man, a millionaire. Powell was talking about it down at the Cobo [Hall] today. This is what he was talking about. Powell knows it happened. Randolph knows it happened. Wilkins knows it happened. King knows it happened. Everyone of that so-called Big Six -- they know what happened.


Once they formed it, with the white man over it, he promised them and gave them $800,000 to split up between the Big Six; and told them that after the march was over they'd give them $700,000 more. A million and a half dollars -- split up between leaders that you've been following, going to jail for, crying crocodile tears for. And they're nothing but Frank James and Jesse James and the what-do-you-call-'em brothers.


[As] soon as they got the setup organized, the white man made available to them top public relations experts; opened the news media across the country at their disposal; and then they begin to project these Big Six as the leaders of the march.


Originally, they weren't even in the march. You was [sic ] talking this march talk on Hastings Street -- Is Hastings Street still here? -- on Hasting Street. You was talking the march talk on Lenox Avenue, and out on -- What you call it? -- Fillmore Street, and Central Avenue, and 32nd Street and 63rd Street. That's where the march talk was being talked. But the white man put the Big Six [at the] head of it; made them the march. They became the march. They took it over. And the first move they made after they took it over, they invited Walter Reuther, a white man; they invited a priest, a rabbi, and an old white preacher. Yes, an old white preacher. The same white element that put Kennedy in power -- labor, the Catholics, the Jews, and liberal Protestants; [the] same clique that put Kennedy in power, joined the march on Washington.


It's just like when you've got some coffee that's too black, which means it's too strong. What you do? You integrate it with cream; you make it weak. If you pour too much cream in, you won't even know you ever had coffee. It used to be hot, it becomes cool. It used to be strong, it becomes weak. It used to wake you up, now it'll put you to sleep. This is what they did with the march on Washington. They joined it. They didn't integrate it; they infiltrated it. They joined it, became a part of it, took it over. And as they took it over, it lost its militancy. They ceased to be angry. They ceased to be hot. They ceased to be uncompromising. Why, it even ceased to be a march. It became a picnic, a circus. Nothing but a circus, with clowns and all. You had one right here in Detroit -- I saw it on television -- with clowns leading it, white clowns and black clowns. I know you don't like what I'm saying, but I'm going to tell you anyway. 'Cause I can prove what I'm saying. If you think I'm telling you wrong, you bring me Martin Luther King and A. Philip Randolph and James Farmer and those other three, and see if they'll deny it over a microphone.


No, it was a sellout. It was a takeover. When James Baldwin came in from Paris, they wouldn't let him talk, 'cause they couldn't make him go by the script. Burt Lancaster read the speech that Baldwin was supposed to make; they wouldn't let Baldwin get up there, 'cause they know Baldwin's liable to say anything. They controlled it so tight -- they told those Negroes what time to hit town, how to come, where to stop, what signs to carry, what song to sing, what speech they could make, and what speech they couldn't make; and then told them to get out town by sundown. And everyone of those Toms was out of town by sundown. Now I know you don't like my saying this. But I can back it up. It was a circus, a performance that beat anything Hollywood could ever do, the performance of the year. Reuther and those other three devils should get a Academy Award for the best actors 'cause they acted like they really loved Negroes and fooled a whole lot of Negroes. And the six Negro leaders should get an award too, for the best supporting cast.


Tuesday 2 May 2017

Saturnalia







Yes, because in 1963, they saw "Lolita" and thought THIS IS THE GUY WE NEED..!!

This is the guy for The Job!!

Well, the chronology in the song presents it as "We gotta get the President out of the way and hire Stanley Kubrick".

You know - the Spartacus guy...!

All of which Kubrick/Apollo nonsense is, for me, a MASSIVE distraction from the REAL question :

 Why is Stanley so afraid of Saturn...?



The God who ate all his own children and castrated his own father with a scythe in his sleep to steal his power and his throne -

Well - Wouldn't You Be...?

III - BETWEEN PLANETS

 15 - Discovery

 The ship was still only thirty days from Earth, yet David Bowman sometimes found it hard to believe that be had ever known any other existence than the closed little world of Discovery. All his years of training, all his earlier missions to the Moon and Mars, seemed to belong to another man, in another life.

 Frank Poole admitted to the same feelings, and had sometimes jokingly regretted that the nearest psychiatrist was the better part of a hundred million miles away. But this sense of isolation and estrangement was easy enough to understand, and certainly indicated no abnormality.

 In the fifty years since men had ventured into space, there had never been a mission quite like this.

 It had begun, five years ago, as Project Jupiter - the first manned round trip to the greatest of the planets. The ship was nearly ready for the two-year voyage when, somewhat abruptly, the mission profile had been changed.

 Discovery would still go to Jupiter; but she would not stop there. She would not even slacken speed as she raced through the far-ranging Jovian satellite system. On the contrary - she would use the gravitational field of the giant world us a sling to cast her even farther from the Sun.

 Like a comet, she would streak on across the outer reaches of the solar system to her ultimate goal, the ringed glory of Saturn. And she would never return.

 For Discovery, it would be a one-way trip - yet her crew had no intention of committing suicide. If all went  well, they would be back on Earth within seven years - five of which would pass like a flash in the dreamless sleep of hibernation, while they awaited rescue by the still unbuilt Discovery II.

 The word "rescue" was carefully avoided in all the Astronautics Agency's statements and documents; it implied some failure of planning, and the approved jargon was "re-acquisition." If anything went really wrong, there would certainly be no hope of rescue, almost a billion miles from Earth.

 It was a calculated risk, like all voyages into the unknown. But half a century of research had proved that artificially induced human hibernation was perfectly safe, and it had opened up new possibilities in space travel. Not until this mission, however, had they been exploited to the utmost.

 The three members of the survey team, who would not be needed until the ship entered her final orbit around Saturn, would sleep through the entire outward flight. Tons of food and other expendables would thus be saved; almost as important, the team would be fresh and alert, and not fatigued by the ten-month voyage, when they went into action.

 Discovery would enter a parking orbit around Saturn, becoming a new moon of the giant planet.

 She would swing back and forth along a two-million-mile ellipse that took her close to Saturn, and then across the orbits of all its major moons. They would have a hundred days in which to map and study a world with eighty times the area of Earth, and surrounded by a retinue of at least fifteen known satellites - one of them as large as the planet Mercury.



19 - Transit of Jupiter

 Even front twenty million miles away, Jupiter was already the most conspicuous object in the sky ahead. The planet was now a pale, salmon-hued disk, about half the size of the Moon as seen from Earth, with the dark, parallel bands of its cloud belts clearly visible.

 Shuttling back and forth in the equatorial plane were the brilliant stars of Io, Europa, Ganymede, and Callisto - worlds that elsewhere would have counted as planets in their own right, but which here were merely satellites of a giant master.

Through the telescope, Jupiter was a glorious sight - a mottled, multicolored globe that seemed to fill the sky. It was impossible to grasp its real size; Bowman kept reminding himself that it was eleven times the diameter of Earth, but for a long time this was a statistic with no real meaning.

 Then, while he was briefing himself from the tapes in Hal's memory units, he found something that suddenly brought the appalling scale of the planet into focus. It was an illustration that showed the Earth's entire surface peeled off and then pegged, like the skin of an animal, on the disk of Jupiter. Against this background, all the continents and oceans of Earth appeared no larger than India on the terrestrial globe.

 When Bowman used the highest magnification of Discovery's telescopes, he appeared to be hanging above a slightly flattened globe, looking down upon a vista of racing clouds that had been smeared into bands by the giant world's swift rotation. Sometimes those bands congealed into wisps and knots and continent-sized masses of colored vapor; sometimes they were linked by transient bridges thousands of miles in length. Hidden beneath those clouds was enough material to outweigh all the other planets in the Solar System. And what else, Bowman wondered, was also hidden there?

 Over this shifting, turbulent roof of clouds, forever hiding the real surface of the planet, circular patterns of darkness sometimes glided. One of the inner moons was transiting the distant sun, its shadow marching beneath it over the restless Jovian cloudscape.

 There were other, and far smaller, moons even out here - twenty million miles from Jupiter.

 But they were only flying mountains, a few dozen miles in diameter, and the ship would pass nowhere near any of them. Every few minutes the radar transmitter would gather its strength and send out a silent thunderclap of power; no echoes of new satellites came pulsing back from the emptiness.

 What did come, with ever growing intensity, was the roar of Jupiter's own radio voice. In 1955, just before the dawn of the space age, astronomers had been astonished to find that Jupiter was blasting out millions of horsepower on the ten-meter band. It was merely raw noise, associated with haloes of charged particles circling the planet like the Van Allen belts of Earth, but on a far greater scale.

 Sometimes, during lonely hours on the control deck, Bowman would listen to this radiation. He would turn up the gain until the room filled with a crackling, hissing roar; out of this background, at irregular intervals, emerged brief whistles and peeps like the cries of demented birds. It was an eerie sound, for it had nothing to do with Man; it was as lonely and as meaningless as the murmur of waves on a beach, or the distant crash of thunder beyond the horizon.

 Even at her present speed of over a hundred thousand miles an hour, it would take Discovery almost two weeks to cross the orbits of all the Jovian satellites. More moons circled Jupiter than planets orbited the Sun; the Lunar Observatory was discovering new ones every year, and the tally had now reached thirty-six. The outermost - Jupiter XXVII - moved backwards in an unstable path nineteen million miles from its temporary master. It was the prize in a perpetual tug-of-war between Jupiter and the Sun, for the planet was constantly capturing short-lived moons from the asteroid belt, and losing them again after a few million years. Only the inner satellites were its permanent property; the Sun could never wrest them from its grasp.

 Now there was new prey for the clashing gravitation at fields, Discovery was accelerating toward Jupiter along a complex orbit computed months ago by the astronomers on Earth, and constantly checked by Hal. From time to time there would be minute, automatic nudges from the control jets, scarcely perceptible aboard the ship, as they made fine adjustments to the trajectory.

 Over the radio link with Earth, information was flowing back in a constant stream. They were now so far from home that, even traveling at the speed of light, their signals were taking fifty minutes for the journey. Though the whole world was looking over their shoulder, watching through their eyes and their instruments as Jupiter approached, it would be almost an hour before the news of their discoveries reached home.


The telescopic cameras were operating constantly as the ship cut across the orbit of the giant inner satellites - every one of them larger than the Moon, every one of them unknown territory.

 Three hours before transit, Discovery passed only twenty thousand miles from Europa, and all instruments were aimed at the approaching world, as it grew steadily in size, changed from globe to crescent, and swept swiftly sunward.

 Here were fourteen million square miles of land which, until this moment, had never been more than a pinhead in the mightiest telescope. They would race past it in minutes, and must make the most of the encounter, recording all the information they could. There would be months in which they could play it back at leisure.

 From a distance, Europa had seemed like a giant snowball, reflecting the light of the far-off sun with remarkable efficiency. Closer observations confirmed this; unlike the dusty Moon, Europa was a brilliant white, and much of its surface was covered with glittering hunks that looked like stranded icebergs. Almost certainly, these were formed from ammonia and water that Jupiter's gravitational field had somehow failed to capture.

 Only along the equator was bare rock visible; here was an incredibly jagged no-man's-land of canyons and jumbled boulders, forming a darker band that completely surrounded the little world.
 There were a few impact craters, but no sign of vulcanism; Europa had obviously never possessed any internal sources of heat. There was, as had long been known, a trace of atmosphere. When the dark edge of the satellite passed across a star, it dimmed briefly before the moment of eclipse.

 And in somr areas there was a hint of cloud - perhaps a mist of ammonia droplets, borne on tenuous methane winds.

 As swiftly as it had rushed out of the sky ahead, Europa dropped astern; and now Jupiter itself was only two hours away. Hal had checked and rechecked the ship's orbit with infinite care, and there was no need for further speed corrections until the moment of closest approach. Yet, even knowing this, it was a strain on the nerves to watch that giant globe ballooning minute by minute. It was difficult to believe that Discovery was not plunging directly into it, and that the planet's immense gravitational field was not dragging them down to destruction. Now was the time to drop the atmospheric probes - which, it was hoped, would survive long enough to send back some information from below the Jovian cloud deck. Two stubby, bomb-shaped capsules, enclosed in ablative heat-shields, were gently nudged into orbits which for the first few thousand miles deviated scarcely at all from that of Discovery.

 But they slowly drifted away; and now, at last, even the unaided eye could see what Hal had been asserting. The ship was in a near-grazing orbit, not a collision one; she would miss the atmosphere. True, the difference was only a few hundred miles - a mere nothing when one was dealing with a planet ninety thousand miles in diameter - but that was enough.

 Jupiter now filled the entire sky; it was so huge that neither mind nor eye could grasp it any longer, and both had abandoned the attempt. If it had not been for the extraordinary variety of color - the reds and pinks and yellows and salmons and even scarlets - of the atmosphere beneath them, Bowman could have believed that he was flying low over a cloudscape on Earth.

 And now, for the first time in all their journeying, they were about to lose the Sun. Pale and shrunken though it was, it had been Discovery's constant companion since her departure from Earth, five months ago. But now her orbit was diving into the shadow of Jupiter; she would soon pass over the night side of the planet.

 A thousand miles ahead, the band of twilight was hurtling toward them; behind, the Sun was sinking swiftly into the Jovian clouds, its rays spread out along the horizon like two flaming, down-turned horns, then contracted and died in a brief blaze of chromatic glory. The night had come.

 And yet - the great world below was not wholly dark. It was awash with phosphorescence, which grew brighter minute by minute as their eyes grew accustomed to the scene. Dim rivers of light were flowing from horizon to horizon, like the luminous wakes of ships on some tropical sea. Here and there they gathered into pools of liquid fire, trembling with vast, submarine disturbances welling up from the hidden heart of Jupiter. It was a sight so awe-inspiring that Poole and Bowman could have stared for hours; was this, they wondered, merely the result of chemical and electrical forces down there in that seething caldron - or was it the by-product of some fantastic form of life? 

These were questions which scientists might still be debating when the newborn century drew to its close.

 As they drove deeper and deeper into the Jovian night, the glow beneath them grew steadily brighter.
 Once Bowman had flown over northern Canada during the height of an auroral display; the snowcovered landscape had been as bleak and brilliant as this. And that arctic wilderness, he reminded himself, was more than a hundred degrees warmer than the regions over which they were hurtling now.

 "Earth signal is fading rapidly," announced Hal. "We are entering the first diffraction zone."

 They had expected this - indeed, it was one of the mission's objectives, as the absorption of radio waves would give valuable information about the Jovian atmosphere. But now that they had actually passed behind the planet, and it was cutting off communication with Earth, they felt a sudden overwhelming loneliness. The radio blackout would last only an hour; then they would emerge from Jupiter's eclipsing screen, and could resume contact with the human race. That hour, however, would be one of the longest of their lives.

 Despite their relative youth, Poole and Bowman were veterans of a dozen space voyages, but now they felt like novices. They were attempting something for the first lime; never before had any ship traveled at such speeds, or braved so intense a gravitational field. The slightest error in navigation at this critical point and Discovery would go speeding on toward the far limits of the Solar System, beyond any hope of rescue.
 The slow minutes dragged by. Jupiter was now a vertical wall of phosphorescence stretching to infinity above them - and the ship was climbing straight up its glowing face. Though they knew that they were moving far too swiftly for even Jupiter's gravity to capture them, it was hard to believe that Discovery had not become a satellite of this monstrous world.

 At last, far ahead, there was a blaze of light along the horizon. They were emerging from shadow, heading out into the Sun. And at almost the same moment Hal announced: "I am in radio contact with Earth. I am also happy to say that the perturbation maneuver has been successfully completed. Our time to Saturn is one hundred and sixty-seven days, five hours, eleven minutes."

 That was within a minute of the estimate; the fly-by had been carried out with impeccable precision. Like a ball on a cosmic pool table, Discovery had bounced off the moving gravitational field of Jupiter, and had gained momentum from the impact. Without using any fuel, she had increased her speed by several thousand miles an hour.

 Yet there was no violation of the laws of mechanics; Nature always balances her books, and Jupiter had lost exactly as much momentum as Discovery had gained. The planet had been slowed down - but as its mass was a sextillion times greater than the ship's, the change in its orbit was far too small to be detectable. The time had not yet come when Man could leave his mark upon the Solar System.

As the light grew swiftly around them, and the shrunken Sun lifted once more into the Jovian sky, Poole and Bowman reached out silently and shook each other's hands.

 Though they could hardly believe it, the first part of the mission was safely over.



Tuesday 28 February 2017

A Hidden Figure : Vladimir Ilyushin, First Man in Space




In 1961, the Soviet media reported that Yuri Gagarin had become the first man in space. However, with the breakup of the Soviet Union and the release of previously classified documents, an astonishing truth has been unearthed. The first man in space was not Gagarin, but Vladimir Ilyushin, one of Russia's most celebrated test pilots. This breakthrough documentary reveals for the first time ever how Ilyushin's mission ended in severe injury and how Soviet authorities, robbed of the image of a conquering hero, decided to conceal the facts from the world. 

Explore the hidden history of space exploration. Discover how some of the most dangerous events were concealed from the public and how several of the greatest heroes of early space exploration went totally unrecognized. 


Learn that the real first man in space was not Yuri Gagarin. This distinction belongs to Vladimir Ilyushin, one of Russia's most celebrated test pilots. 






"On April 12, 1961 the Soviet Union's Yury Gagarin became the first man in space, in a successful flight that lasted 108 minutes

Gagarin and his famous charming smile became the symbol of the Soviet Union. 

But on March 27, 1968 the star of Gagarin was gone. "









Soyuz nerushimy respublik svobodnykh

Unbreakable Union of freeborn Republics,

Splotila naveki velikaya Rus’!

Great Russia has welded forever to stand.

Da zdravstvuyet sozdanny voley narodov

Created in struggle by will of the people,

Yediny, moguchy Sovetsky Soyuz!

United and mighty, our Soviet land!


CHORUS:

Slav'sya, Otechestvo nashe svobodnoye,

Sing to the Motherland, home of the free,

Druzhby narodov nadyozhny oplot!

Bulwark of peoples in brotherhood strong.

Partiya Lenina - sila narodnaya

O Party of Lenin, the strength of the people,

Nas k torzhestvu Kommunizma vedyot!

To Communism's triumph lead us on!

Skvoz’ grozy siyalo nam solntse svobody,

Through tempests the sunrays of freedom have cheered us,

I Lenin veliky nam put’ ozaril,

Along the new path where great Lenin did lead.

Na pravoye delo on podnyal narody,

To a righteous cause he raised up the peoples,

Na trud i na podvigi nas vdohnovil!

Inspired them to labour and valourous deed.


CHORUS

V pobede bessmertnyh idey Kommunizma

In the victory of Communism's deathless ideal,

My vidim gryadushcheye nashey strany,

We see the future of our dear land.

I Krasnomu znameni slavnoy Otchizny

And to her fluttering scarlet banner,

My budem vsegda bezzavetno verny!

Selflessly true we always shall stand!


CHORUS


Daily Worker 13 April 1961: 

‘A communist in space’


From Dennis Ogden, Moscow


There’s a hero’s welcome to end all hero’s welcomes waiting for 27-year-old pilot-astronaut Major Yuri Gagarin when he gets to Moscow on Friday morning.

News of the “Chelovek v kosmos” – “The man in space” – flashed around the city at cosmic speed this morning. Crowds gathered at loudspeakers in squares and streets to hear the reports on his 108-minute flight in the 4.5-ton space ship called “Vostok”(“East”).

Motorists in Gorky Street pulled in to the pavement and turned on their radios to let the people hear the latest news.

A buzz of excitement and murmurs of “molodets” – “good fellow” – greeted the words that the flight was proceeding normally and that Major Gagarin felt fine.

“Good luck to you and may you come back safely,” murmured a silver-haired old lady standing by my shoulder.

Students of Moscow University interrupted their lectures and headed to Red Square, already thronged with people. They carried hurriedly written posters saying: “Glory to the Soviet spaceman.”

When news winged through the city that the portrait of the first spaceman would be shown on television, people in the street knocked at the homes of strangers, eager to see the face of the hero.

Then as the final triumphant news of Yuri Gagarin’s safe landing without even a bruise came through, the crowds gathered in Mayakovsky Square, broke into cheers and applause, the almost unbearable tension broken at last.

As the whole Soviet Union went wild with joy, Moscow Radio dubbed Major Gagarin“the Columbus of inter-planetary space.”

One woman said over and over again: “I am so glad.”

The official Tass announcement ended a period of uncertainty arising from the clear indications that such a major space flight was imminent.

“The landing went off normally; I feel fine and have no injuries or bruises,” was the message Major Gagarin, on his return from space, asked should be sent to Mr Kruschov.

“Your flight turns a new page in the history of mankind’s conquest of space and fills the hearts of Soviet people with great joy and pride for their Socialist homeland,” the Soviet Prime Minister replied by telegram.

“With all my heart I congratulate you on your happy return to earth after your journey in space. I embrace you. Till we meet soon in Moscow-N Kruschov,” the message ends.

Soviet Air Force colleagues are hoping to provide a fighter escort for Major Gagarinwhen he arrives in Vnukovo airport. There are proposals for a giant celebration in Red Square later on Friday.

A special edition of Pravda, normally a morning paper, was on the street today.

News of today’s triumph over the forces of nature came in a series of Tass statements, the first broadcast at 10.20 a.m., Moscow time.

“On April 12, 1961, the world’s first sputnik spaceship the Vostok, with a man on board, was placed in orbit in the Soviet Union,” proclaimed the ringing tones of Moscow radio’s chief announcer Yuri Levitan.



“The pilot of the sputnik spaceship Vostok is a citizen of the Soviet Union, Air Force Major Yuri Alexeyevich Gagarin.”