Saturday, 22 September 2018

Please Allow Me to Introduce Myself - I'm a Lady of Rank and Appetites














Please Allow Me to Introduce Myself - I'm a Lady of Rank and Appetites



" The story is good enough in itself. It is a romance, a fairy-tale for adults, full of life and colour; and it has virtues that would be lost in a summary, though they can be perceived when it is read at length: good scenery, urbane or humorous dialogue, and a skilfully ordered narrative. 

Of this the most notable example is the long Third Part with its interlacing of the hunting-scenes and the temptations. By this device all three main characters are kept vividly in view during the three crucial days, while the scenes at home and in the field are linked by the Exchange of Winnings, and we watch the gains of the chase diminish as the gains of Sir Gawain increase and the peril of his testing mounts to a crisis. 

But all this care in formal construction serves also to make the tale a better vehicle of the ‘moral’ which the author has imposed on his antique material. He has re-drawn according to his own faith his ideal of knighthood, making it Christian knighthood, showing that the grace and beauty of its courtesy (which he admires) derive from the Divine generosity and grace, Heavenly Courtesy, of which Mary is the supreme creation: the Queen of Courtesy, as he calls her in Pearl. 

This he exhibits symbolically in mathematical perfection in the Pentangle, which he sets on Gawain’s shield instead of the heraldic lion or eagle found in other romances. 

But while in Pearl he enlarged his vision of his dead daughter among the blessed to an allegory of the Divine generosity, in Sir Gawain he has given life to his ideal by showing it incarnate in a living person, modified by his individual character, so that we can see a man trying to work the ideal out, see its weaknesses (or man’s weaknesses). 

But he has done more. His major point is the rejection of unchastity and adulterous love, and this was an essential part of the original tradition of amour courtois or ‘courtly love’; but this he has complicated again, after the way of morals in real life, by involving it in several minor problems of conduct, of courtly behaviour to women and fidelity to men, of what we might call sportsmanship or playing the game. 

On these problems he has been less explicit, and has left his hearers more or less to form their own views of the scale of their values, and their relation to the governing value of sin and virtue. "


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