Showing posts with label Avenge. Show all posts
Showing posts with label Avenge. Show all posts

Wednesday 27 October 2021

I Want for Nothing




“I do not desire The Captaincy. 

I am much more content with my scientific duties. 

And, I am frankly content to be a lesser target...

But if it should befall me, my operatives would avenge my death – and some of them are Vulcans.”


— SPOCK w.  Beard.










Int. Sleeping quarters.

KRYTEN, RIMMER, 
LISTER, HOLLY and CAT 
are in various positions -- 
sitting, lying down, standing, on screen.

RIMMER
Well, I should'a' guessed.  
It was all a mighty bit too strange. 
I mean, actually meeting someone who didn't want to vomit all over me in complete loathing and disgust.

KRYTEN
I shouldn't take it so personally, sir; it's the same for all of us.  
We've all been made to feel foolish, 
used, chewed up and spat out.

LISTER:
Look, she didn't mean us any harm.  She can't control how WE see her.  
She's -- A Mirror for Our Obsessions.

KRYTEN
Holly, what did you see?

HOLLY
I didn't see anything.  
I don't think I've got any Desires —
Either that, or me screen was foggy.

Monday 20 September 2021

KNIVES


Yeah. Little bit of pain never hurt anybody. If you know what I mean. 

Also, I think knives are a good idea. 
Big, fuck-off shiny ones. 
Ones that look like they could skin a crocodile. 


Knives are good, because they don't make any noise, and the less noise they make, the more likely we are to use them. 

Shit 'em right up
Makes it look like we're serious

Guns for show, Knives for A Pro.








[being taken away by the TVA to be forcibly "reset"] 

Loki : 
You ridiculous bureaucrats
 will not dictate how My Story ends!

Ravonna Renslayer
It's not Your Story, Mr. Laufeyson. 
It never was.

Loki : 
You have no idea what I'm capable of!

Mobius M. Mobius : 
[stands up in the back] 
I... think I might. 
Have an idea of what he's capable of.

Ravonna Renslayer
Approach the bench.

Mobius M. Mobius : 
[does so; whispers
Hi.

Ravonna Renslayer
[whispering
If you're thinking what I think you are, 
it's a bad idea.

Mobius M. Mobius : 
Okay, I'm just chasing a hunch.

Ravonna Renslayer: 
Anything goes sideways, and it's on you.

Mobius M. Mobius: 
Okay.
[amiable]  
I feel like I'm always looking up to you. 
I like it. It's appropriate.




[speaking in Mobius' office] 

Loki : 
You don't know anything about me.

Mobius
Maybe I'd like to learn. 
I specialize in the pursuit of dangerous Variants.

Loki
Like myself?

Mobius: 
Mmm. No
Particularly dangerous Variants. 
You're just a little pussycat. 

I got a series of questions for you. 

You answer them honestly
and then maybe I can give you 
Something You Want. 

You wanna get out of here, right? 
Yeah, so we'll start there.

Should you return, what are you gonna do?

Loki 
[firmly
Finish what I started.

Mobius
Which is?

Loki
Claim My Throne.

Mobius: 
You wanna be King?

Loki
I don't want to be, 
I was born to be.

Mobius: 
I know, but King of what exactly?

Loki
[scoffs] 
You wouldn't understand.

Mobius
Try me.

Loki
Midgard.

Mobius
AKA Earth. 
Alright, now you're 
The King of Midgard

Now What
Happily ever after?

Loki : 
Asgard, 
The Nine Realms.... 
Space?

Mobius
Space? Space is big
That'd be a nice little 
feather in your cap :
"Loki, The King of Space".

Loki
Mock me if you dare.

Mobius
No, I'm not.
[chuckles] 
 Honestly, I'm actually a fan. Yeah. 
And I guess I'm wondering 
Why does someone with so much range 
just wanna rule…?

Loki
…..I would've made it 
Easy for Them.


Mobius
People like Easy.

Mobius
You weren't Born to Be King, Loki. 

You were born to cause 
Pain and Suffering and Death

That's how it is, that's how it was, that's how it will be.

[shows the Avengers one final time] 


All so that others can achieve 
The Best Versions of Themselves.


[Mobius begins showing Loki the aftermath of the Battle of New York; Loki turns away in embarassment] 

Loki: 
[on recording] 
If it's all the same to you -- 
I'll have that drink now.

[Mobius offers Loki a soda] 

Loki: 
No. And I remember. I was there
Anything else?

Mobius: 
It's funny, for someone born to rule
you sure do lose a lot. 

You might even say it's in Your Nature.

Loki
You know, things didn't turn out so well 
for the last person who said that to me.

Mobius
Oh, yeah. Phil Coulson.

[the events of Loki stabbing Coulson in the back with Thor watching in despair are shown, followed by the Avengers coming together as a team

Mobius: 
Didn't the Avengers come together 
to literally avenge him by defeating you?

Loki: 
Little solace to A Dead Man.

[ He got better -- Couple of times, actually.... ]

Mobius
Do you enjoy hurting people? 
Making them feel small? 
Making them feel afraid?

Loki: 
Your Games don't frighten me.

Mobius
Making them feel little?

Loki
I know what I am.

Mobius
A Murderer?

Loki
A Liberator.

Mobius
Of eyeballs, maybe.

[sees the sequence where a smiling Loki carves out a man's eyeball

Mobius
Look at that smile. You are enjoying that. 
Did you enjoy hurting them?

Loki
I don't have to play This Game. 
I'm A God.

Mobius: 
Of what, again? 
Mischief, right?

Mobius: 
You're gonna start taking things more seriously.

[Mobius begins showing Loki footage of the future he hasn't experienced yet, beginning from "Thor: The Dark World"

Mobius: 
If you hadn't picked up the Tesseract, 
you would've been taken to a cell on Asgard.

[shows Loki meets with his adopted mother, Frigga

Frigga
Loki.

Loki: 
Hello, Mother. 
Have I made you proud?

Frigga: 
Please, don't make this worse.

Loki
What is this? 
This is nonsense, more tricks. 
This never even happened.

Mobius: 
Not to you, not yet.
 
Look, the TVA doesn't just know your whole past, 
we know your whole life, how it's all meant to be. 
Think of it as comforting.

Loki
This is absurd.

[Loki sees his final meeting with Frigga] 

Frigga: 
And am I not Your Mother?


Loki
You're not.

Frigga: 
Hmmm. Always so perceptive about everyone 
but yourself.

Mobius: 
And then the Dark Elves attack the palace, 
and you think you send them to Thor...

[sees Loki talking to Kurse] 

Loki
You might wanna take the stairs to the left.

Mobius: 
But instead, you send them...

[shows Frigga's death]

Frigga: 
I'll never tell!

[Frigga is killed] 

Loki
[outraged
Where do you have her? 
Where is she?

Mobius: 
You lead them right to her.

Loki: 
I don't believe you. 
You're lying. 
It's not True.

Mobius
It is True. 

That's the proper flow of time
 and it happens again 
and again and again 
because it's supposed to, 
because it has to. 
The TVA makes sure of it.

Loki
Where is she?

Mobius
Now why don't you tell me, 
Do You Enjoy Hurting People?

Loki
I don't believe you.

Mobius
Do you enjoy killing?

Loki
I'll kill you.

Mobius
Like you did your mother?


[Having seen where his future will lead to, Loki has given up escaping and returned to Mobius' office


Loki
I don't enjoy hurting people. 
I... [sighs
I don't enjoy it
I do it because I've had to.

Mobius
Okay, explain that to me.

Loki
Because it's part of The Illusion:
It's the cruel, elaborate trick 
conjured by The Weak 
to inspire Fear.

Mobius
A desperate play for Control :
You do know yourself.

Loki
A Villain.

[sighs

Mobius
That's not How I See It.

Saturday 21 August 2021

The Judge















“If there is any thought at which a Christian trembles it is the thought of God’s ‘judgement’. 

The ‘Day’ of Judgement is ‘that day of wrath, that dreadful day’. We pray for God to deliver us ‘in the hour of death and at the day of judgement’. Christian art and literature for centuries have depicted its terrors. This note in Christianity certainly goes back to the teaching of Our Lord Himself; especially to the terrible parable of the Sheep and the Goats. 

This can leave no conscience untouched, for in it the ‘Goats’ are condemned entirely for their sins of omission; as if to make us fairly sure that the heaviest charge against each of us turns not upon the things he has DONE but on those he never •did• — perhaps never dreamed of doing. 

It was therefore with great surprise that I first noticed how the Psalmists talk about the judgements of God. 

They talk like this; ‘O let the nations rejoice and be glad, for thou shalt judge the folk righteously’ (67:4), ‘Let the field be joyful … all the trees of the wood shall rejoice before the Lord, for he cometh, for he cometh to judge the earth’ (96:12, 13). 

Judgement is apparently an occasion of universal rejoicing. People ask for it: ‘Judge me, O Lord my God, according to thy righteousness’ (35:24). 

The reason for this soon becomes very plain. The ancient Jews, like ourselves, think of God’s judgement in terms of an earthly court of justice. 

The difference is that the Christian pictures the case to be tried as a criminal case with himself in the dock; the Jew pictures it as a civil case with himself as the plaintiff. 

The one hopes for acquittal, or rather for pardon; the other hopes for a resounding triumph with heavy damages. 

Hence he prays ‘judge my quarrel’, or ‘avenge my cause’ (35:23). And though, as I said a minute ago, Our Lord in the parable of the Sheep and the Goats painted the characteristically Christian picture, in another place He is very characteristically Jewish

Notice what He means by ‘an unjust judge’. 

By those words most of us would mean someone like Judge Jeffreys or the creatures who sat on the benches of German tribunals during the Nazi régime: someone who bullies witnesses and jurymen in order to convict, and then savagely to punish, innocent men. 

Once again, we are thinking of a criminal trial. We hope we shall never appear in the dock before such a judge. 

But The Unjust Judge in the parable is quite a different character. There is no danger of appearing in his court against your will : the difficulty is the opposite — to get INTO it. 

It is clearly a civil action. 

The poor woman (Luke 18:1–5) has had her little strip of land — room for a pigsty or a hen-run — taken away from her by a richer and more powerful neighbour (nowadays it would be Town-Planners or some other ‘Body’). 

And she knows she has a perfectly watertight case. If once she could get it into court and have it tried by the laws of the land, she would be bound to get that strip back. 

But no one will listen to her, she can’t get it tried. 

No wonder she is anxious for ‘Judgement’. 

Behind this lies an age-old and almost world-wide experience which we have been spared. In most places and times it has been very difficult for the ‘small man’ to get his case heard. 

The judge (and, doubtless, one or two of his underlings) has to be bribed. 

If you can’t afford to ‘oil his palm’ your case will never reach court. 

Our judges do not receive bribes. (We probably take this blessing too much for granted; it will not remain with us automatically.) 

We need not therefore be surprised if the Psalms, and the Prophets, are full of the longing for judgement, and regard the announcement that ‘judgement’ is coming as good news. 

Hundreds and thousands of people who have been stripped of all they possess and who have the right entirely on their side will at last be heard. Of course they are not afraid of judgement. They know their case is unanswerable if only it could be heard

When God comes to Judge, at last it will. Dozens of passages make the point clear. 

In Psalm 9 we are told that God will ‘minister true judgement’ (8), and that is because He ‘forgetteth not the complaint of the poor’ (12). 

He ‘defendeth the cause’ (that is, the ‘case’) ‘of the widows’ (68:5). 

The Good King in Psalm 72:2, will ‘judge’ the people rightly; that is, he will ‘defend the poor’

When God ‘arises to judgement’ he will ‘help all the meek upon earth’ (76:9), all the timid, helpless people whose wrongs have never been righted yet. 

When God accuses earthly judges of ‘wrong judgement’, He follows it up by telling them to see that the poor ‘have right’ (82:2, 3). 

The ‘just’ judge, then, is primarily he who rights a wrong in a civil case. He would, no doubt, also try a criminal case justly, but that is hardly ever what the Psalmists are thinking of

Christians cry to God for Mercy instead of Justice; They cried to God for Justice instead of Injustice. 

The Divine Judge is The Defender, The Rescuer. 

Scholars tell me that in the Book of Judges the word we so translate might almost be rendered ‘Champions’; for though these ‘Judges’ do sometimes perform what we should call judicial functions many of them are much more concerned with rescuing the oppressed Israelites from Philistines and others by force of arms

They are more like Jack the Giant Killer than like a modern judge in a wig. 

The Knights in romances of chivalry who go about rescuing distressed damsels and widows from giants and other tyrants are acting almost as ‘Judges’ in the old Hebrew sense: so is the modern solicitor (and I have known such) who does unpaid work for poor clients to save them from wrong. 

I think there are very good reasons for regarding the Christian picture of God’s Judgement as far more profound and far safer for our souls than the Jewish. But this does not mean that the Jewish conception must simply be thrown away

I, at least, believe I can still get a good deal of nourishment out of it. It supplements the Christian picture in one important way. 

For what alarms us in the Christian picture is the infinite purity of the standard against which our actions will be judged. 

But then we know that none of us will ever come up to that standard. We are all in the same boat. 

We must all pin our hopes on the mercy of God and the work of Christ, not on our own Goodness. 

Now the Jewish picture of a civil action sharply reminds us that perhaps we are faulty not only by the Divine standard (that is a matter of course) but also by a very human standard which all reasonable people admit and which we ourselves usually wish to enforce upon others

Almost certainly there are unsatisfied claims, human claims, against each one of us. For who can really believe that in all his dealings with employers and employees, with husband or wife, with parents and children, in quarrels and in collaborations, he has always attained (let alone charity or generosity) mere honesty and fairness? 

Of course we forget most of the injuries we have done. 

But the injured parties do not forget even if they forgive
And God does not forget. 

And even what we can remember is formidable enough

Few of us have always, in full measure, given our pupils or patients or clients (or whatever our particular ‘consumers’ may be called) what we were being paid for. 

We have not always done quite our fair share of some tiresome work if we found a colleague or partner who could be beguiled into carrying the heavy end. 

Our quarrels provide a very good example of the way in which the Christian and Jewish conceptions differ, while yet both should be kept in mind. 

As Christians we must of course repent of all the anger, malice, and self-will which allowed the discussion to become, on our side, a quarrel at all. 

But there is also the question on a far lower level: granted the quarrel (we’ll go into that later) did you fight fair?’ 

Or did we not quite unknowingly falsify the whole issue? 

Did we pretend to be angry about one thing when we knew, or could have known, that our anger had a different and much less presentable cause? 

Did we pretend to be ‘hurt’ in our sensitive and tender feelings (fine natures like ours are so vulnerable) when envy, ungratified vanity, or thwarted self-will was our real Trouble? 

Such tactics often succeed
The other parties give in. 

They give in not because they don’t know what is really wrong with us but because they have long known it only too well, and that sleeping dog can be roused, that skeleton brought out of its cupboard, only at the cost of imperilling their whole relationship with us. 

It needs surgery which they know we will never face. 

And so We Win; by cheating. 

But the unfairness is very deeply felt

Indeed what is commonly called ‘sensitiveness’ is the most powerful engine of domestic tyranny, sometimes a lifelong tyranny. 

How we should deal with it in others I am not sure; but we should be merciless to its first appearances in ourselves

The constant protests in the Psalms against those who oppress ‘the poor’ might seem at first to have less application to our own society than to most. But perhaps this is superficial; perhaps what changes is not the oppression but only the identity of ‘the poor’. 

It often happens that someone in my acquaintance gets a demand from the Income Tax people which he queries. 

As a result it sometimes comes back to him reduced by anything up to fifty per cent. 

One man whom I knew, a solicitor, went round to the office and asked what they had meant by the original demand. 

The creature behind the counter tittered and said, 
‘Well there’s never any harm trying it on.’ 

Now when the cheat is thus attempted against Men of The World who know How to Look After Themselves, no great harm is done. Some time has been wasted, and we all in some measure share the disgrace of belonging to A Community where such practises are tolerated, but that is all

When, however, that kind of publican sends a similarly dishonest demand to A Poor Widow, already half starving on a highly taxable ‘unearned’ income (actually earned by years of self-denial on her husband’s part) which inflation has reduced to almost nothing, a very different result probably follows. 

She cannot afford legal help; she understands nothing; she is terrified, and pays — cutting down on the meals and the fuel which were already wholly insufficient. 

The publican who has successfully ‘tried it on’ with her is precisely ‘the ungodly’ who ‘for his own lust doth persecute the poor’ (10:2). 

To be sure, he does this, not like the ancient publican, for his own immediate rake-off; only to advance himself in the service or to please his masters. This makes a difference

How important that difference is in the eyes of Him Who Avenges The Fatherless and The Widow I do not know

The publican may consider the question in the hour of death and will learn the answer at the day of ‘judgement’. 

(But—who knows?—I may be doing the publicans an injustice. Perhaps they regard their work as A Sport and observe Game Laws; and as other sportsmen will not shoot a sitting bird, so they may reserve their illegal demands for those who can defend themselves and hit back, and would never dream of ‘trying it on’ with The Helpless. If so, I can only apologise for my error. If what I have said is unjustified as a rebuke of what they are, it may still be useful as a warning of what they may yet become. Falsehood is habit-forming.) 

It will be noticed, however, that I make the Jewish conception of a civil judgement available for my Christian profit by picturing myself as the defendant, not the plaintiff. 

The writers of the Psalms do not do this

They look forward to ‘judgement’ because they think they have been wronged and hope to see their wrongs righted

There are, indeed, some passages in which the Psalmists approach to Christian humility and wisely lose their self-confidence. 

Thus in Psalm 50 (one of the finest) God is The Accuser (6–21); and in 143:2, we have the words which most Christians often repeat—‘Enter not into judgement with Thy servant, for in Thy sight shall no man living be justified.’ 

But these are exceptional. 

Nearly always the Psalmist is the indignant plaintiff. 

He is quite sure, apparently, that his own hands are clean. 

He never did to others the horrid things that others are doing to him. 
‘If I have done any such thing’—if I ever behaved like so-and-so, then let so-and-so ‘tread my life down upon the earth’ (7:3–5). 

But of course I haven’t. 
It is not as if my enemies are paying me out for any ill turn I ever did them

On the contrary, they have ‘rewarded me evil for good’. 

Even after that, I went on exercising the utmost Charity towards them. 

When they were ill I prayed and fasted on their behalf (35:12–14). 

All this of course has its spiritual danger

It leads into that typically Jewish prison of self-righteousness which Our Lord so often terribly rebuked. 

We shall have to consider that presently. 

For the moment, however, I think it is important to make a distinction: between the conviction that one is in the right and the conviction that one is ‘righteous’ is a good man

Since none of us is righteous, the second conviction is always a delusion. 

But any of us may be, probably all of us at one time or another are, in the right about some particular issue. 

What is more, the worse man may be in the right against the better man. 

Their general characters have nothing to do with it. 

The question whether the disputed pencil belongs to Tommy or Charles is quite distinct from the question which is the nicer little boy, and the parents who allowed the one to influence their decision about the other would be very unfair. 

(It would be still worse if they said Tommy ought to let Charles have the pencil whether it belonged to him or not, because this would show he had a nice disposition. That may be True, but it is an untimely Truth. An exhortation to Charity should not come as rider to A Refusal of Justice. It is likely to give Tommy a lifelong conviction that Charity is a sanctimonious dodge for condoning theft and whitewashing favouritism.) 


We need therefore by no means assume that the Psalmists are deceived or lying when they assert that, as against their particular enemies at some particular moment, they are completely in the right. 

Their voices while they say so may grate harshly on our ear and suggest to us that they are unamiable people. But that is another matter. 

And to be wronged does not commonly make people amiable.

Sunday 25 July 2021

Robin Cries, Forlorn.











Robin the Boy Wonder first appeared in Detective Comics in 1940. Introduced as “THE LAUGHING YOUNG DAREDEVIL .…” and “THE CHARACTER FIND OF 1940,” he burst through a circus ringmaster’s hoop held by a grinning Batman. It was an explosion of exuberance that signaled the arrival of a plucky can-do spirit to comics born of the Depression.

  Dick Grayson was introduced to readers as a typical Boys Town character; a feisty urchin scrapper; the orphaned son of murdered circus aerialists. Robin was a carny kid, as far from Batman’s class and social milieu as one could get, but he had a stout heart and was as brave as any boy Batman had ever met. So it made sense to team up and share the crime-fighting life.

  Robin’s upbeat, enthusiastic charisma obliged the uptight, millionaire Protestant Wayne to loosen up a little. The kid brought a big-top splash of joie de vivre to the mean streets of the urban avenger. The introduction of Robin turned Batman’s story from a shady crime-and-revenge narrative into the thrilling adventures of two swashbuckling friends who were so rich that they could do anything.

  After 1940, the formerly dour Batman rarely lost his smile. The Batcave filled with trophies, as outlandish mementoes of his adventures with Robin began to accumulate; there was a Lincoln penny as big as a Ferris wheel, a robot tyrannosaur, several deadly umbrellas from the arsenal of the Penguin, and a collection of remarkable Bat vehicles. The cave became part museum, part mega toy box, part theme park. Seen through Robin’s eyes, the Batman’s harsh, lawless world of shadows, blood, and poisonous chemicals became a Disneyland of crime. Even the attitude of the law changed toward the crime fighters: The Bat-Man of 1939 was a fearsome vigilante, hunted across rooftops by the Gotham City Police Department, but Batman and Robin were proud citizens and sworn GCPD deputies who worked alongside their uniformed, sanctioned counterparts to protect the city they loved.

  There was the sense that the young Bruce Wayne, who died emotionally along with his parents in Crime Alley, had finally met a friend with whom to share his strange, exciting secret life. The emotionally stunted Batman found a perfect pal in the ten-year-old orphaned acrobat. Batman was forced to grow up and develop responsibility as soon as Robin came on the scene, and the savage young Dark Knight of the original pulp-tinged adventures was replaced by a very different kind of hero: a dashing big brother, the best friend any kid could have. The outlaw gangbuster became a detective, a man we could trust, even with our children.

  Then came the insinuations of Wertham in an atmosphere of paranoia and self-analysis. Only a few superheroes remained in the darkness that had fallen over the face of DC Comics during the era of congressional hearings and public denunciations, turning freakish with the lights out. And it was as if their skeletons had begun to glow sickly green right through their flesh, as radioactive nightside selves came out to play. Not even Robin was immune to the scalding return of the repressed. All the creepiness, the curdled ink, the whispered innuendo floated to the surface as the Boy Wonder gave in, emasculated by the judgment of the sinister Doctor W.

  Robin began to show evidence of a fundamental lack of confidence about his permanent role in Batman’s life. In stories such as “Batman’s New Partner,” the Boy Wonder skulked, sulked, and sweated nervously as suspicions grew that he was being phased out in favor of Wingman, an adult who dressed like a pigeon spray-painted by hippies. As this primary threat of being relegated to the sidelines became more frequent, Robin’s reactions became increasingly flustered and teary.

  Lacking music and sound effects to punch up emotional scenes, comic books relied on pouring tears and melodrama. Characters really had to blubber to get the point that they were quite upset across to young readers.

  Expecting these masklike, often masked faces to convey understatement was like expecting stained glass to act. Emotions were broadcast at maximum volume. With a ban on crime, no room for good old-fashioned brawling, and a desperate need to survive, the superheroes surrendered their dignity to the zeitgeist and began to talk about their needs, their fears, and their [choke!] hopes.

  And so, in the fifties, the Boy Wonder transformed from a bounding paragon of vigilante boy justice to a weeping, petulant nervous wreck who lived in fear of losing his beloved Batman to fresher, more accomplished boy partners — or, worse, to the charms of Batwoman

With lower lip set in a permanent sullen pout courtesy of artist Sheldon Moldoff, his world became a schizoid cold war hell where Batman was secretly conniving to betray and dump him any time his guard was down. 

If he found the Caped Crusader drinking tea, Robin would instantly assume the flask was next in line to replace him at Batman’s side, then burst into tears

Covers show the boy reaching the church only to find Batman and Batwoman exchanging vows at the altar, in full costume, with the dreamlike touch of veil and tux to intensify the surreal indecency of the image. He was shown over and over opening a door only to find Batman and Batwoman with patronizing looks on their faces that suggested he was interrupting something only grown-ups could hope to understand.

  Choke!” was usually all he could manage before hanging on for dear life until the story resolved itself in the usual welter of misconceptions and misread scenarios.

  This new image of The Crying Boy haunted the fascinating and demented stories of this period. Wertham had made innocent comic superheroes aware of their own sexual potential, and like Adam and Eve blinking in the garden, there was embarrassment, denial, and overwhelming eruptions of feelings so new they could only be represented by outlandish monstrosities of a kind that were entirely original. 

Space aliens, with designs and planetary environments inspired by the spiky murals on the walls of futurist jazz clubs or Village beatnik cellars, began to outnumber the criminals in Gotham City. Robin was besieged by a delirium of fractured shapes and grotesque creatures. The code ruled out realistic depictions of crime, so Batman was maneuvered awkwardly into ever more outlandish confrontations with monsters, spacemen, and … women. 

With Doc Wertham’s seedy denunciations still ringing in their ears, DC’s editors were keen to validate Batman’s hetero credentials with an injection of estrogen into the book; elderly Aunt Harriet soon replaced the ever-attentive Alfred, but the biggest feminine intrusion came with the arrival of the shapely Batwoman and her partner, Batgirl.

  Kathy Kane, Batwoman, made her debut as a plainly obvious beard for a Batman who had (let’s remind ourselves) no real need to prove his heterosexuality, on the grounds that he was a creation of pen and ink made to entertain children and had no sex life on the page or off it. 

What made this era of kissy-kissy Batman-and-Batwoman-at-the-altar story lines even more bizarre than the alien worlds and jagged modernist design aesthetic was Kathy Kane’s mannish civilian identity as a circus-owning daredevil who wore jodhpurs and rode a motorcycle. 

Kathy Kane was Marlon Brando in drag, Honor Blackman’s Pussy Galore from Goldfinger ten years before the movie. And just like Pussy with James Bond, Kathy had fallen head over heels for Batman.

  Smitten or not, Kathy was hard as nails. Batwoman detourned the image of the atom age housewife by packing her handbag with laser lipsticks and dainty cologne sprays that could chemically castrate you there on the spot. Kathy Kane was the weaponization of the Stepford Wife, the Avon lady as a Special Forces commando: pixie boots, fringed leather gloves, high-gloss lipstick so red it was jet black and reflective. If Bettie Page were the scourge of the underworld, she would look a little like this. No wonder Batman fell in love and the Boy Wonder’s stuttering tongue kept snagging on the same expletive:

  [Choke!]

  Kathy’s niece was a fluffy blonde named Betty Kane, who later gave up crime fighting to become a tennis pro, and yes, it’s easy to imagine Wertham’s inventive neurons hastily reconfiguring to provide this new and potentially more perverse tangle of relationships with a thrilling porno twist. Far from replacing the troubling Bruce-Dick-Alfred bachelor three-way with a respectable family unit, including Mom, Dad, Sis, Junior, and Dog (a resourceful and masked German shepherd named Ace joined the cast around this time), the Wayne-Kane era comes across in a welter of mind-warping, emotionally charged psychosexual hysteria. 

The two adults’ cruel treatment and emotional manipulation of a clearly distressed Robin in stories like “Bat-Mite Meets Bat-Girl” motivated Les Daniels to observe in his book Batman: The Complete History: “If a comic book could actually turn people gay as Doctor Wertham had suggested … this one might have had the power to do it.

  If rebellion against the Comics Code took the form of these devastating, coded analyses of America’s psychosexual temperature, it was only to be expected. Squeezed down and controlled by conformity cops, comic-book creators chose the Hermetic route. Transforming their insights and rage into fables for children, the debts to the queer underground and the echoes of the narcotic, psychedelic visions of Ginsberg and Burroughs are still hard to miss.

  Imagine the tight-lipped, plausible Batman played by Christian Bale in Christopher Nolan’s twenty-first-century movie series facing some of the adversaries encountered by fifties Batman: a Rainbow Batman, a Zebra Batman, a Creature from Dimension X that resembled a one-eyed testicle on stalk-like legs. With titles including “The Jungle Batman,” “The Merman Batman” (“YES, ROBIN. I’VE BECOME A HUMAN FISH”), “The Valley of Giant Bees” (“ROBIN! HE’S BEEN CAPTURED AND MADE A JESTER IN THE COURT OF THE QUEEN BEE!”), and “Batman Becomes Bat-Baby,” it was an anything-goes atmosphere. And there’s more where they came from: a whole decade’s worth of unfiltered madness as DC writers used every trick in the book to keep Batman away from the crime-haunted streets where he belonged.

  Weisinger’s fluid bodies, his foregrounding of intense emotions, laid the groundwork for the Silver Age of comics and the arrival of a jet-powered, supersonic LSD consciousness that would turn the world’s largest-ever collection of young people into self-proclaimed superhumans overnight.

 

Saturday 3 July 2021

We Weren't Always Like This



Locutus of The Tribal Conglomerate 
of The People of The Mor-Loxx :
Come a little closer -- I don't bite. 

Do I surprise you? 

The Time Traveller :
A little. Yes.

Locutus of Mor-Loxx :
Hmm. We weren't always like this. 

After The Moon fell from The Sky, 
The Earth could no longer sustain the species. 

Some managed to stay above. 
The rest of us escaped underground. 

Then centuries later, 
when we tried to re-emerge 
into The Sun again, we couldn't

So we bred ourselves into castes. 
Some to be our eyes and ears. 
Some to be our muscles and sinews. 

The Time Traveller :
You mean, Your Hunters. 

Locutus of Mor-Loxx :
Yes. Bred to be predators, 
but bred also to be controlled

You see, my caste concentrated on expanding 
our cerebral abilities. 

The Time Traveller :
You control their thoughts. 

Locutus of Mor-Loxx :
Not just theirs. 

The Time Traveller :
The Eloi. So it's not enough that 
you hunt them down like animals. 

Locutus of Mor-Loxx :
That's their role here

The Time Traveller :
To be Your Food? 

Locutus of Mor-Loxx :
Yes. And for those who are suitable, 
to be breeding vessels for our other colonies. 

You see, I'm just one of many. 

The Time Traveller :
I don't understand how you can sit there 
and speak so coldly about this --

Have you not considered the Human Cost of... 
of what it is you're doing? 

Locutus of Mor-Loxx :
We all pay a price... 
Alexander. 

Don't worry.
You're safe. I control them.
 
Without that control, 
they would exhaust the food supply 
in a matter of months

The Time Traveller :
Food Supply
They're Human Beings! 

Locutus of Mor-Loxx :
Who are you to question 800,000 years of Evolution? 

The Time Traveller :
This is... 
This is a perversion of every Natural Law. 

Locutus of Mor-Loxx :
And what is time travel but your pathetic attempt to control The World around you,
your futile effort to have A Question answered? 

Do you think I don't know you, Alexander? 
I can look inside your memories, 
your nightmares, your dreams. 


You're A Man haunted by those two most terrible words : 
"What if....?" 


"Look at you!"

"Daddy!"

"Who's that? 
Is it Daddy?" 

"Daddy!" 

"And we're still having lots of fun -- Right?"


"Right."

"Da-da! Daddy."

Locutus of Mor-Loxx :
You built your Time Machine because of Emma's Death. 
If she had lived, it would never have existed. 
So how could you use your machine 
to go back to save her? 

You are the inescapable result of your Tragedy, 
just as I... am the inescapable result... 
of you

You have Your Answer -- 
Now go

The Time Traveller :
I believe you have something that belongs to me. 

Locutus of Mor-Loxx :
We all have our Time Machines, don't we? 
Those that take us back are Memories... 
and those that carry us forward... are Dreams

The Time Traveller :
You're forgetting one thing.

Locutus of Mor-Loxx :
Huh? 

The Time Traveller :
"What if..?" 

What are you doing with it? 

The Time Traveller :
Changing The Future. 

Avengers Endgame - Nebula and War Machine - Retrieve The Power Stone




Quill on Morag dancing to "Come And Get Your Love", we then pan over to Rhodey and Nebula hiding in the background watching Quill dance and sing to their perspective without music.

RHODEY
So he's An Idiot?

NEBULA
Yeah.

Rhodey knocks out Quill and Nebula rummages around to take Quill's tool.

RHODEY: What's that?

NEBULA: The tool of a thief.

[Nebula uses the tool to open the door that leads to The Orb A.K.A The Power Stone. Nebula tries to walk in but is stopped by Rhodey.]

RHODEY: Whoa, whoa, whoa, whoa...This is the part where spikes come out with skeletons on the end and everything...

NEBULA: What are you talking about?

RHODEY: When you break into a place called the temple of the Power Stone, There's gonna be a bunch of booby traps–

[Nebula just shakes her head and walks in.]

RHODEY: Okay. All right. Go ahead.

[Nebula forces her hand inside the force field protecting The Orb while it melts away the exterior plating on her arm. She successfully retrieves The Orb and hands it to Rhodey all the while Rhodey watched the whole thing happened.]

NEBULA: I wasn't always like this.

RHODEY: Me either. But we work with what we got, right?

[They just both look at each other solemnly.]

RHODEY: Sync up. [They both suit up.] Three.. two.. one...

[Rhodey is the only one who disappears while Nebula is left behind unable to move, then she riddled with pain on her head. She falls to the ground.]

[Sanctuary II. 2014 Nebula is being scanned in synch with her future self. A memory is played, coming from future Nebulas head.]

BRUCE (Memory): You murdered trillions!

THANOS (Memory): You should be grateful.

NATASHA (Memory): Where are the stones?

THANOS (Memory): Gone. Reduced to atoms.

BRUCE (Memory): You used them two days ago.

THANOS (Memory): I used the stones to destroy the stones. It nearly killed me. But the work is done. It always will be. I am inevitable.

[Memory pauses.]

GAMORA (2014): What did you do to them?

THANOS (2014): Nothing. Yet. They're not trying to stop something I'm going to do in our time. They're trying to undo something I've already done in theirs.

GAMORA (2014): The stones...

THANOS (2014): I found them all. I won. Tipped the cosmic scales to balance.

[Thanos (2014) caress Gamora (2014) and she kneels down]

EBONY MAW (2014): This is your future.

THANOS (2014): It's my destiny.

[Maw resumes playing the memory]

NEBULA (Memory): My father is many things. A liar is not one of them.

THANOS (Memory): Ah...Thank you, Daughter. Perhaps I treated you too harshly...

[Thanos gets beheaded in the memory, Gamora (2014) is shocked and stands up]

THANOS (2014): And that, is destiny fulfilled.

EBONY MAW (2014): [Dangerous voice.] 
Sire, your Daughter...

[Maw (2014) telekinetically wraps a chain around Nebula (2014).]

NEBULA (2014): 
No!

EBONY MAW (2014): ...is a traitor.

NEBULA (2014): 
That's not me. It's not. I could never... 
I would never betray you. Never.

[Thanos (2014) releases the chain around Nebula (2014) neck and holds her head in his palm]

THANOS (2014): I know. And you'll have the chance to prove it.

[Thanos (2014) makes sure Nebula cannot travel back to 2023. Nebula is stuck in 2014.]

NEBULA
No! He knows! 
[Runs back to the ship and gets on the comms.] Barton? Barton, come in. Romanoff? Come in, we have a problem. Come on! Come in, we have a prob....

Thanos knows
Thanos… 

He knows.

Nebula looks up in horror just to be abducted by the Sanctuary II. 
The scene cuts to Steve, who has just defeated himself, 
jumping down from a building with the scepter