Showing posts with label Clarice. Show all posts
Showing posts with label Clarice. Show all posts

Friday, 2 May 2025

Savage Pleasure


Big lonesome girls trying to satisfy somebody.

Problem-solving is Hunting
it is savage pleasure and 
We are born to it.

Nothing makes us more vulnerable 
than Loneliness, except Greed







“She needed to organise a little, before her head was full of Fredrica’s things. 

Okay, the premise is Buffalo Bill did Fredrica first, weighted her and hid her well, in a river far from Home. He hid her better than the others — she was the only one weighted — because he wanted the later ones found first. He wanted the idea of random selection of victims in widely scattered towns well established before Fredrica, of Belvedere, was found. It was important to take attention away from Belvedere. Because he lives here, or maybe in Columbus. He started with Fredrica because he coveted her hide. 

We don’t begin to covet with imagined things.

Coveting is a very literal sin — we begin to covet with tangibles, we begin with what we see every day. 

He saw Fredrica in the course of his daily life. He saw her in the course of her daily life. What was the course of Fredrica’s daily life? All right… Starling pushed the door open. Here it was, this still room smelling of mildew in the cold. On the wall, last year’s calendar was forever turned to April. Fredrica had been dead ten months. Cat food, hard and black, was in a saucer in the corner. Starling, veteran yard-sale decorator, stood in the center of the room and turned slowly around. Fredrica had done a pretty good job with what she had. There were curtains of flowered chintz. Judging from the piped edges, she had recycled some slipcovers to make the curtains. There was a bulletin board with a sash pinned to it. BHS BAND was printed on the sash in glitter. A poster of the performer Madonna was on the wall, and another of Deborah Harry and Blondie. On a shelf above the desk, Starling could see a roll of the bright self-adhesive wallpaper Fredrica had used to cover her walls. It was not a great job of papering, but better than her own first effort, Starling thought. In an average home, Fredrica’s room would have been cheerful. In this bleak house, it was shrill; there was an echo of desperation in it. Fredrica did not display photographs of herself in the room. Starling found one in the school yearbook on the small bookcase. Glee Club, Home-Ec Club, Sew ’n’ Sew, Band, 4-H Club—maybe the pigeons served as her 4-H project. Fredrica’s school annual had some signatures. “To a great pal,” and a “great gal” and “my chemistry buddy,” and “Remember the bake sale?!!” Could Fredrica bring her friends up here? Did she have a friend good enough to bring up those stairs beneath the drip? There was an umbrella beside the door. Look at this picture of Fredrica, here she’s in the front row of the band. Fredrica is wide and fat, but her uniform fits better than the others. She’s big and she has beautiful skin. Her irregular features combine to make a pleasant face, but she is not attractive looking by conventional standards. Kimberly Emberg wasn’t what you would call fetching either, not to the mindless gape of high school, and neither were a couple of the others. Catherine Martin, though, would be attractive to anybody, a big, good-looking young woman who would have to fight the fat when she was thirty. Remember, he doesn’t look at women as a man looks at them. Conventionally attractive doesn’t count. They just have to be smooth and roomy. Starling wondered if he thought of women as “skins,” the way some cretins call them “cunts.” She became aware of her own hand tracing the line of credits beneath the yearbook picture, became aware of her entire body, the space she filled, her figure and her face, their effect, the power in them, her breasts above the book, her hard belly against it, her legs below it. What of her experience applied? Starling saw herself in the full-length mirror on the end wall and was glad to be different from Fredrica. But she knew the difference was a matrix in her thinking. What might it keep her from seeing? How did Fredrica want to appear? What was she hungry for, where did she seek it? What did she try to do about herself? Here were a couple of diet plans, the Fruit Juice Diet, the Rice Diet, and a crackpot plan where you don’t eat and drink at the same sitting. Organized diet groups—did Buffalo Bill watch them to find big girls? Hard to check. Starling knew from the file that two of the victims had belonged to diet groups and that the membership rosters had been compared. An agent from the Kansas City office, the FBI’s traditional Fat Boys’ Bureau, and some overweight police were sent around to work out at Slenderella, and Diet Center, and join Weight Watchers and other diet denominations in the victims’ towns. She didn’t know if Catherine Martin belonged to a diet group. Money would have been a problem for Fredrica in organized dieting. Fredrica had several issues of Big Beautiful Girl, a magazine for large women. Here she was advised to “come to New York City, where you can meet newcomers from parts of the world where your size is considered a prized asset.” Right. Alternatively, “you could travel to Italy or Germany, where you won’t be alone after the first day.” You bet. Here’s what to do if your toes hang out over the ends of your shoes. Jesus! All Fredrica needed was to meet Buffalo Bill, who considered her size a “prized asset.” How did Fredrica manage? She had some makeup, a lot of skin stuff. Good for you, use that asset. Starling found herself rooting for Fredrica as though it mattered anymore. She had some junk jewelry in a White Owl cigar box. Here was a gold-filled circle pin that most likely had belonged to her late mother. She’d tried to cut the fingers off some old gloves of machine lace, to wear them Madonna-style, but they’d raveled on her. She had some music, a single-shot Decca record player from the fifties with a jackknife attached to the tone arm with rubber bands for weight. Yard-sale records. Love themes by Zamfir, Master of the Pan Flute. When she pulled the string to light the closet, Starling was surprised at Fredrica’s wardrobe. She had nice clothes, not a great many, but plenty for school, enough to get along in a fairly formal office or even a dressy retail job. A quick look inside them, and Starling saw the reason. Fredrica made her own, and made them well; the seams were bound with a serger, the facings carefully fitted. Stacks of patterns were on a shelf at the back of the closet. Most of them were Simplicity, but there were a couple of Vogues that looked hard. She probably wore her best thing to the job interview. What had she worn? Starling flipped through her file. Here: last seen wearing a green outfit. Come on, Officer, what the hell is a “green outfit”? Fredrica suffered from the Achilles’ heel of the budget wardrobe—she was short on shoes—and at her weight she was hard on the shoes she had. Her loafers were strained into ovals. She wore Odor-Eaters in her sandals. The eyelets were stretched in her running shoes. Maybe Fredrica exercised a little—she had some outsized warmups. They were made by Juno. Catherine Martin also had some fat pants made by Juno. Starling backed out of the closet. She sat on the foot of the bed with her arms folded and stared into the lighted closet. Juno was a common brand, sold in a lot of places that handle outsizes, but it raised the question of clothing. Every town of any size has at least one store specializing in clothes for fat people. Did Buffalo Bill watch fat stores, select a customer and follow her? Did he go into oversize shops in drag and look around? Every oversize shop in a city gets both transvestites and drag queens as customers. The idea of Buffalo Bill trying to cross over sexually had just been applied to the investigation very recently, since Dr Lecter gave Starling his theory. What about his clothes? All of the victims must have shopped in fat stores—Catherine Martin would wear a twelve, but the others couldn’t, and Catherine must have shopped in an oversize store to buy the big Juno sweats. Catherine Martin could wear a twelve. She was the smallest of the victims. Fredrica, the first victim, was largest. How was Buffalo Bill managing to down-size with the choice of Catherine Martin? Catherine was plenty buxom, but she wasn’t that big around. Had he lost weight himself? Might he have joined a diet group lately? Kimberly Emberg was sort of in-between, big, but with a good waist indention … Starling had specifically avoided thinking about Kimberly Emberg, but now the memory swamped her for a second. Starling saw Kimberly on the slab in Potter. Buffalo Bill hadn’t cared about her waxed legs, her carefully glittered fingernails : he looked at Kimberly’s flat bosom and it wasn’t good enough and he took his pistol and blew a starfish in her chest. The door to the room pushed open a few inches. Starling felt the movement in her heart before she knew what it was. A cat came in, a large tortoiseshell cat with one eye gold, the other blue. It hopped up on the bed and rubbed against her. Looking for Fredrica. Loneliness. Big lonesome girls trying to satisfy somebody. The Police had eliminated lonely-hearts clubs early. Did Buffalo Bill have another way to take advantage of loneliness? Nothing makes us more vulnerable than loneliness, except greed

Loneliness might have permitted Buffalo Bill an opening with Fredrica, but not with Catherine. Catherine wasn’t lonesome. 

Kimberly was lonesome. Don’t start this. Kimberly, obedient and limp, past rigor mortis, being rolled over on the mortician’s table so Starling could fingerprint her. Stop it. Can’t stop it. Kimberly lonesome, anxious to please; had Kimberly ever rolled over obediently for someone, just to feel his heart beat against her back? She wondered if Kimberly had felt whiskers grating between her shoulder blades. 

Staring into the lighted closet, Starling remembered Kimberly’s plump back, the triangular patches of skin missing from her shoulders. 

Staring into the lighted closet, Starling saw the triangles on Kimberly’s shoulders outlined in the blue dashes of a dressmaking pattern. The idea swam away and circled and came again, came close enough for her to grab it this time and she did with a fierce pulse of joy : THEY’RE DARTS — HE TOOK THOSE TRIANGLES TO MAKE DARTS SO HE COULD LET OUT HER WAIST. MOTHERFUCKER CAN SEW. BUFFALO BILL’S TRAINED TO SERIOUSLY SEW — HE’S NOT JUST PICKING OUT READY-TO-WEAR. 

What did Dr Lecter say? “He’s making himself a girl suit out of real girls.” What did he say to me? “Do you sew, Clarice?” Damn straight I do. 

Starling put her head back, closed her eyes for one second. Problem-solving is Hunting; it is savage pleasure and We are born to it. 

She’d seen a telephone in the parlor. She started downstairs to use it, but Mrs Bimmel’s reedy voice was calling up to her already, calling her to the phone.

Sunday, 2 October 2022

True Man






CLARICE : 
Who Were We Fighting? 

THE DWARF : 
Cybermen. Technologically upgraded Warriors. 
We Couldn't Win. 

Sometimes We 
Fought to a Draw
but then 
They'd Upgrade Themselves, 
Fix Their Weaknesses 
and Destroy Us. 

It's Hard to Fight An Enemy 
that uses Your Armies 
as Spare Parts. 

CLARICE: 
You Beat Them, though. 
You Beat Them, or you wouldn't Be Here. How? 

THE DWARF : 
Look Up There. 
That corner of Sky? 
What do you see? 

CLARICE : 
Nothing. It's just Black. 
No Stars, No Nothing. 

THE DWARF: 
It use to be 
The Tiberion Spiral Galaxy. 

A million star systems, 
a hundred million worlds, 
a billion trillion people. 

It's Not There any more. 
No More Tiberion Galaxy. 
No More Cybermen. 
It was Effective

CLARICE: 
It's Horrible. 

THE  DWARF: 
Yeah -- I feel Like 
A Monster sometimes. 

CLARICE: 
Why? 

THE DWARF : 
Because instead of mourning 
a Billion Trillion Dead People, 
I just feel sorry for 
The Poor Blighter who had 
to Press The Button 
and Blow it All Up.

Hawk.  
Electricity is Humming.  
You Hear it in The Mountains and Rivers. 
You See it Dance among 
The Seas and Stars 
and Glowing around The Moon, 
but in these days 
The Glow is Dying. 

What will be in 
The Darkness That Remains? 
 
The Truman Brothers are both True Men. 
They are Your Brothers. 

And The Others, 
The Good Ones 
who have been with you…

Now The Circle 
is almost complete. 

Watch and Listen 
to The Dream of 
Time and Space.

It all comes out now, 
flowing like A River. 

That Which Is and Is Not.
 
Hawk. 
Laura is The One.

Then the song
“No Stars”.

Stay where you are!
Something's happening !
Get out of the way, Fidgit !
Get out of the way !
Fidgit !

Hey ! 
Hey, Fidgit !
Fidgit !
Quick ! 

Push it off him !

Push it off. Quick.

He's dead.

What ?

Fidgit's Dead.

Oh, no. I'm sorry.


It wasn't your fault, Wally.

It was, it was his fault.

Get down, Wally !

Get down !


Wally ! Get down, Wally !

Evil !
Come on back !
Evil !

He killed My Friend !
I'll kill Him !
Get off me !
Get down !


I'll Kill Him !


Huh ?
Oh, no !


He's found us !
Quick ! Run for it !

Him :
Oh ! I hate having 
to appear like that.
Really, it's the most 
tiresome way.
Noisy manifestation.
Still, rather expected 
of One, I suppose.

Get down ! 
Get down !
O Great One !
O Supreme Being !

O Creator of 
All The Universe,
without whom We would be naught but scarab beetles on the--

Him :
What a dreadful mess !

Is The Pig with you ?


Right. Well, We'll 
sort him out first.


Og !


Og, here ! 
Quick ! 
Out of the way !


I was enjoying that.

One thing I can't 
stand, it's mess.
I want all this stuff 
picked up.


Yes, Sir. Anything you say.
Anything you say, Sir.
Wally, tidy up !


But, but He's Dead, Randall.
Fidgit, Fidgit's Dead.

Him :
Dead ?No excuse for 
laying-off Work.


Fidgit.


Fidgit.

Fidgit ?

What Happened ?


I'm sorry I killed you, Fidgit.
He's okay ! He's okay !

Him :
Oh, do hurry up.


Oh, yes, sir.


Yes, sir.
I'd like to explain everything.


We didn't mean 
to steal The Map. 
We didn't mean 
to run away--

Him :
What do you mean, 
you didn't mean 
to steal the map ?


It, it just sort of--- 

Him :
Of course you didn't 
mean to steal it.
I gave it to you. 
You Silly Little Man. And that.
Do you really think 
I didn't know ?

Sir ?


I had to have some way of testing My Handiwork.
I think it turned out 
rather well.

Don't You?

Hmm ?

Him :
Evil turned out 
rather well.

Mm-hmm.
Whose are these ?
Mine, sir.
They're mine, sir.

Him :
You really are an untidy boy.
Sign... here.

Do you mean you knew 
what was happening 
to us all the time ?


Well, of course.
I am the Supreme Being.

I'm not entirely dim.

Oh, no, sir.
We're not suggesting that, sir. 
It's just--

Him :
That I let you 
borrow My Map.
Now I want every bit 
of Evil placed in here.
Right away.

Of course, sir.
Come on.


You mean you let 
all those people die, 
just to test Your Creation ?

Him :
Yes. You really are 
a clever boy.

Why did they have to die ?

Him :
You might as well say,
"Why do we have 
to have Evil ?"

Oh, we wouldn't 
dream of asking 
A Question like that, sir.


Yes. Why DO We Have 
to Have Evil ?

Him :
Ah. I Think it's something 
to do with Free Will.
Do be Careful.
You weren't watching.
Don't lose any of that stuff.
That's Concentrated Evil.
One drop of that 
could turn you all into hermit crabs.

I'm sorry, sir.


I, I was just wondering how if there's, um, 
any chance we might have 
our old jobs back, sir.

Him :
Oh, you certainly were appallingly bad robbers.

Yes, sir.

Him :
I really should do 
something very extrovert 
and vengeful with you.
Honestly, I'm too tired.
But I think I'll just transfer 
you to The Undergrowth Department--
yes, bracken, small shrubs--that sort of thing-- 
with a 19% cut in salary 
back-dated to 
The Beginning of Time.

Thank you, sir.


Oh, Thank You, sir.

Him :
Well, I am The Nice One.
Right ! Come on, then — 
Back to Creation.
I mustn't waste any more time.

Bye, Kevin.
They'll think I've 
lost Control again 
and put it all down to Evolution.
Come on.

Sir ?

Him :
Yes ?

What about My Friend, sir ?
Can he come with us ?

Him :
No, of course not.
This isn't a School Outing.

But, sir, He Deserves something.
I mean, without him--- 

Him :
Oh, don't go on about it --
He's got to stay here 
to carry on The Fight.

Tuesday, 31 May 2022

Cerebus







Foreword to a Fatal Interview 

I WANT TO tell you the circumstances in which I first encountered Hannibal Lecter, M.D. 

In the fall of 1979, owing to an illness in my family, I returned home to the Mississippi Delta and remained there eighteen months. I was working on Red Dragon

My neighbor in the village of Rich kindly gave me the use of a shotgun house in the center of a vast cotton field, and there I worked, often at night. 

To write a novel, you begin with what you can see and then you add what came before and what came after. Here in the village of Rich, Mississippi, working under difficult circumstances, I could see the investigator Will Graham in the home of the victim family, in the house where they all died, watching the dead family’s home movies. 

I did not know at the time who was committing the crimes. 

I pushed to find out, to see what came before and what came after I went through the home, the crime scene, in the dark with Will and could see no more and no less than he could see. 

Sometimes at night I would leave the lights on in my little house and walk across the flat fields. When I looked back from a distance, the house looked like a boat at sea, and all around me the vast Delta night. 

I soon became acquainted with the semi-feral dogs who roamed free across the fields in what was more or less a pack. Some of them had casual arrangements with the families of farm workers, but much of the time they had to forage for themselves. In the hard winter months with the ground frozen and dry, I started giving them dog food and soon they were going through fifty pounds of dog food a week. 

They followed me around, and they were a lot of company – tall dogs, short ones, relatively friendly dogs and big rough dogs you could not touch. They walked with me in the fields at night and when I couldn’t see them, I could hear them all around me, breathing and snuffling along in the dark. 

When I was working in the cabin, they waited on the front porch, and when the moon was full they would sing

Standing baffled in the vast fields outside my cabin in the heart of the night, the sound of breathing all around me, my vision still clouded with the desk lamp, I tried to see what had happened at the crime scene. 

All that came to my dim sight were loomings, intimations, the occasional glow when a retina not human reflected the moon. There was no question that something had happened. 

You must understand that when you are writing a novel you are not making anything up. It’s all there and you just have to find it. 

Will Graham had to ask somebody, he needed some help and he knew it. He knew where he had to go, long before he let himself think about it. 

I knew Graham had been severely damaged in a previous case. I knew he was terribly reluctant to consult the best source he had. 

At the time, I myself was accruing painful memories every day, and in my evening’s work I felt for Graham. 

So it was with some trepidation that I accompanied him to the Baltimore State Hospital for the Criminally Insane, and there, maddeningly, before we could get down to business, we encountered the kind of fool you know from conducting your own daily business, Dr. Frederick Chilton, who delayed us for two or three interminable days. 

I found that I could leave Chilton in the cabin with the lights on and look back at him from the dark, surrounded by my friends the dogs. 

I was invisible then, out there in the dark, the way I am invisible to my characters when I’m in a room with them and they are deciding their fates with little or no help from me. 

Finished with the tedious Chilton at last, Graham and I went on to the Violent Ward and the steel door slammed shut behind us with a terrific noise. 

Will Graham and I, approaching Dr. Lecter’s cell. Graham was tense and I could smell fear on him. I thought Dr. Lecter was asleep and I jumped when he recognized Will Graham by scent without opening his eyes. 

I was enjoying my usual immunity while working, my invisibility to Chilton and Graham and the staff, but I was not comfortable in the presence of Dr. Lecter, not sure at all that the doctor could not see me. 

Like Graham, I found, and find, the scrutiny of Dr. Lecter uncomfortable, intrusive, like the humming in your thoughts when they X-ray your head. 

Graham’s interview with Dr. Lecter went quickly, in real time at the speed of swordplay, me following it, my frantic notes spilling into the margin and over whatever surface was uppermost on my table. 

I was worn out when it was over – the incidental clashes and howls of an asylum rang on in my head, and on the front porch of my cabin in Rich thirteen dogs were singing, seated with the eyes closed, faces upturned to the full moon. Most of them crooned their single vowel between O and U, a few just hummed along. 

I had to revisit Graham’s interview with Dr. Lecter a hundred times to understand it and to get rid of the superfluous static, the jail noises, the screaming of the damned that had made some of the words hard to hear. 

I still didn’t know who was committting the crimes, but I knew for the first time that we would find out, and that we would arrive at him. 

I also knew the knowledge would be terribly, perhaps tragically, expensive to others in the book. 

And so it turned out. 

Years later when I started The Silence of the Lambs, I did not know that Dr. Lecter would return. 

I had always liked the character of Dahlia Lyad in Black Sunday and wanted to do a novel with a strong woman as the central character. So I began with Clarice Starling and, not two pages into the novel, I found she had to go visit The Doctor. 

I admired Clarice Starling enormously and I think I suffered some feelings of jealousy at the ease with which Dr. Lecter saw into her, when it was so difficult for me

By the time I undertook to record the events in Hannibal, The Doctor, to my surprise, had taken on a life of his own. You seemed to find him as oddly engaging as I did. 

I dreaded doing Hannibal, dreaded the personal wear and tear, dreaded the choices I would have to watch, feared for Starling. 

In the end I let them go, as you must let characters go, let Dr. Lecter and Clarice Starling decide events according to their natures

There is a certain amount of courtesy involved. 

As a sultan once said: I do not keep falcons – they live with me. 

When in the winter of 1979 I entered the Baltimore State Hospital for the Criminally Insane and the great metal door crashed closed behind me, little did I know what waited at the end of the corridor; how seldom we recognize the sounds when the bolt of our fate slides home. 

T.H. Miami, 
January 2000





Hannibal

There's someone here 

to see you.


Wants to ask a few questions.

I said you'd probably refuse….


A Young Woman

Says she's from The FBI.

Though she's far too pretty

if you ask me….

I'll tell her you said, “No.”


Lecter :

…..What is Her Name?


******





Starling!

Starling.

Crawford wants to 

see you in his office.




Thank you, sir.


-Clarice.

-Hey.


Hey, I got right to the end.


So there shouldn't be any problem

if you could ?


-You looking for Crawford?

-Yes, sir.


He should be back 

in a couple minutes.

Why don't you wait 

in his office.


Okay.


Then I think they were over into Flushing.


Starling. Clarice M.


-Good morning.

-Good morning, Mr. Crawford.


Sorry to pull you off the course

on such short notice.


Your instructors tell me you're doing well.

Top quarter of your class.




I hope so.

They haven't posted any grades yet.


A job's come up, and I thought about you.


Not a job really.

More of an interesting errand.


-Sit down.

-Yes, sir.


-I remember you from my seminar at UVA.

-Yeah.


You grilled me pretty hard, as I recall,


on the Bureau's civil rights record

in the Hoover years.


-I gave you an "A."

-A-minus, sir.


Let's see —

Double-Major ? Psych and Criminology.


Graduated magna.

Summer internships at the Reitzinger Clinic.


It says here, when you graduate,

you wanna come to work for me

in behavioral science.


Yes. Very much, sir. 

Very much.


We're interviewing

all the serial killers now in custody

for a psycho-behavioral profile.

Could be a real help 

in unsolved cases.

Most of them have been 

happy to talk to us - 

You spook easily, Starling?


Not yet, sir.


See, the one we want most

refuses to cooperate.


I want you to go after him 

again today in the asylum.


Who's The Subject?


The psychiatrist, Hannibal Lecter.


"Hannibal the Cannibal."


I don't expect him to talk to you...

but I have to be able to say we tried.

So, if he won't cooperate, 

I want just straight reporting - 

how's he look, how's his cell look.

Is he sketching, drawing?

If he is, WHAT's he sketching?

Here's a, uh, dossier on Lecter... 

Copy of our questionnaire, 

and a special ID for you.

Have Your Memo on My Desk 

by 0800 Wednesday.


Okay.

Um, excuse me, sir, 

but Why The Urgency?

Lecter's been in Prison 

for so many years now.

Is there some connection between him and Buffalo Bill maybe?


I wish there were.

I want your full attention, Starling.


Yes, sir.


Be VERY careful with 

Hannibal Lecter.


Dr. Chilton at the asylum 

will go over all the 

PHYSICAL Procedures 

used with him —

Do not deviate from them 

for any reason whatsoever :


And you're to tell him 

nothing personal, Starling.


Believe Me

You Don't Want 

Hannibal Lecter 

inside Your Head.


Just Do Your Job, 

but never forget 

What He Is.


And What is That?


Oh, He’s A Monster.

Pure Psychopath.

So rare to capture one alive.

From a research point of view, 

Lecter is our most prized asset.



Well. You know, we get a lot of detectives here, 

but, I must say, I can't ever remember one as attractive.

Will you be in Baltimore overnight?

Because this can be quite a Fun Town. 

….if you have The Right Guide.


I'm sure this is a great town, 

Dr. Chilton, but, um, 

My Instructions are 

to Talk to Dr. Lecter 

and report back 

This Afternoon.


I see. Well, let's make 

this quick,  then —

We've tried to study him, of course, 

but he's much too sophisticated 

for the standard tests.

And, oh, My, Does He hate Us.

He thinks I'm His Nemesis.

….Crawford's Very Clever, 

isn't he, using you?


What do you mean, sir?


Pretty, Young Woman 

to Turn Him On.

I don't believe Lecter's even SEEN a Woman in eight years.

And, oh, are you ever to his taste - So to Speak.


I graduated from UVA, Doctor.

It is not a Charm School.


Good. Then you should be able 

to remember The Rules :


Do not touch The Glass,

Do not approach The Glass.


You pass him nothing 

but soft paper.


No pencils or pens.

No staples or paper clips 

in his paper.


Use the sliding food carrier,

No Exceptions.


If he attempts to pass you anything, DO NOT ACCEPT IT.


Do You Understand Me?


Yes, I Understand, sir.


I'm going to show you why we insist on such precautions.

On the afternoon of July 8, 1981, he complained of chest pains and was taken to The Dispensary.

His mouthpiece and restraints were removed for an EKG.

When The Nurse leaned over him, he did THIS to her.

The Doctors managed to reset her jaw, more or less, save ONE of her eyes.

His pulse never got above 85 - Even When He Ate Her Tongue.

I keep him in here.



Dr. Chilton.

Um, if Lecter feels that 

You're His Enemy

then, um, well, maybe 

we'll have more luck 

if I go in by myself.

What do you think?


You might have suggested this 

in My Office and saved me 

the time.


Yes, sir, but then I - 

I would have missed 

The Pleasure of Your Company, sir.


When she's Finished, 

Bring Her Out.


Hi. I'm Barney.

He told you don't get 

near The Glass?


Yes, he did. 

Clarice Starling.



Mm-hmm.

Nice to Meet You, Clarice.

You can hang your coat 

up here if you like.


Oh, Thank You. I will.


He's past The Others - 

The Last Cell.

You keep to The Right.

I put out a chair for you.



Oh, yes. That's Very Good. 

Thank You.


I'll Be Watching

You'll Do Fine.


Hi.


I can smell your cunt!


Good Morning.


Dr. Lecter, 

My Name is Clarice Starling.

May I Speak with You?