JUST THROWING THAT OUT THERE
JUST THROWING THAT OUT THERE
project (v.)
late 15c., "to plan," from Latin proiectus, past participle of proicere "stretch out, throw forth," from pro- "forward" (from PIE root *per- (1) "forward") + combining form of iacere (past participle iactus) "to throw" (from PIE root *ye- "to throw, impel").
Sense of "to stick out" is from 1718. Meaning "to cast an image on a screen" is recorded from 1865. Psychoanalytical sense, "attribute to another (unconsciously)" is from 1895 (implied in a use of projective). Meaning "convey to others by one's manner" is recorded by 1955.
Related: Projected; projecting.
Imagine A Cave where those inside never see The Outside World.
Instead, they see shadows of That World projected on The Cave Wall.
But it's Real to them.
If you were to show them the world as it actually is, they would reject it as incomprehensible.
Now what if, instead of being in A Cave, you were out in The World, except you couldn't see it.
Because you weren't looking.
Because you trusted that The World You Saw through The Prism was The Real World.
But there's a difference.
You see, unlike the allegory of the cave, where the people are real and the shadows are false here other people are the shadows.
Their faces.
Their lives.
This is The Delusion of The Narcissist, who believes that they alone are Real.
Their feelings are the only feelings that matter because Other People are just Shadows, and Shadows don't feel.
Because they're Not Real.
But what if everyone lived in caves?
Then no one would be real.
Not even you.
Unless one day you woke up and left the cave.
How strange the world would look after a lifetime of staring at shadows.
[TYPING, PHONES CHIMING.]
BILL MOYERS:
When I was growing up, Tales of King Arthur,
Tales of the medieval knights,
Tales of the dragon slayers were very strong in My World.
JOSEPH CAMPBELL:
Dragons represent greed, really.
The European dragon guards things in his cave,
and what he guards are
Heaps of Gold
and
Virgins.
And he can’t make use of either of them,
but he just guards.
There’s no vitality of experience,
either of The Value of The Gold
or of The Female whom he’s guarding there.
Psychologically, the dragon is one’s own binding of oneself to one’s ego,
and you’re captured in your own dragon cage.
And the problem of the psychiatrist is to break that dragon, open him up, so that you can have a larger field of relationships.
Jung had a patient come to him who felt alone, and she drew a picture of herself as caught in the rocks, from the waist down she was bound in rocks.
And this was on a windy shore, and the wind blowing and her hair blowing, and all The Gold, which is The Sign of The Vitality of Life, was locked in The Rocks.
And the next picture that he had her draw had followed something he had said to her.
Suddenly a lightning flash hit the rocks,
and The Gold came pouring out,
and then she found reflected on rocks round about The Gold.
There was no more Gold in the rocks, it was all available on the top.
And in the conferences that followed, those patches of gold were identified.
They were her friends.
She wasn’t alone,
but she had locked herself in her own little room and life,
but she had friends.
Do you see what I mean?
This is Killing The Dragon.
And you have fears and things, this is the dragon;
that’s exactly what’s that all about.
At least The European dragon;
The Chinese dragon is different.
BILL MOYERS:
What is it?
JOSEPH CAMPBELL:
It represents The Vitality of The Swamps
and The Dragon comes out beating his belly and saying
“Ha, ha, ha, ha, ha.”
You know, that’s another kind of dragon.
And he’s The One That Yields The Bounty and The Waters and all that kind of thing.
He’s The Great Glorious Thing.
But this is The Negative One that cuts you down.
BILL MOYERS:
So what you’re saying is, if there are not dragons out there,
and there may not be at any one moment.
JOSEPH CAMPBELL:
The real dragon is in you.
BILL MOYERS:
And what is that real dragon?
JOSEPH CAMPBELL:
That’s your ego, holding you in.
BILL MOYERS:
What’s my ego?
JOSEPH CAMPBELL:
What I want, what I believe, what I can do, what I think I love, and all that.
What I regard as the aim of my life and so forth.
It might be too small.
It might be that which pins you down.
And if it’s simply that of doing what the environment tells you to do,
it certainly is pinning you down.
And so the environment is your dragon, as it reflects within yourself.
BILL MOYERS:
How do I slay…
JOSEPH CAMPBELL:
How do you?
BILL MOYERS:
Slay that dragon in me?
What’s the journey I have to make, you have to make, each of us has to make?
You talk about something called the soul’s high adventure.
JOSEPH CAMPBELL:
My general formula for my students is, follow your bliss,
I mean, find where it is, and don’t be afraid to follow it.
BILL MOYERS:
Can my bliss be my life’s love, or my life’s work?
JOSEPH CAMPBELL:
Well, it will be your life.
BILL MOYERS:
Is it my work or my life?
JOSEPH CAMPBELL:
Well, if the work that you’re doing is the work that you chose to do because you are enjoying it, that’s it.
But if you think,
“Oh, gee, I couldn’t do that,”
you know, that’s your dragon blocking you in.
“Oh, no, I couldn’t be a writer, oh, no,
I couldn’t do what so-and-so is doing.”
BILL MOYERS:
Unlike the classical heroes,
we’re not going on our journey to Save The World,
but to save ourselves.
JOSEPH CAMPBELL:
And in doing that, you Save The World.
I mean, you do.
The influence of a vital person vitalizes, there’s no doubt about it.
The World is a Wasteland.
People have the notion of saving the world by shifting it around and changing the rules and so forth.
No, any world is a living world if it’s alive, and the thing is to bring it to life.
And the way to bring it to life is to find in your own case where your life is, and be alive yourself, it seems to me.
BILL MOYERS:
But you say I have to take that journey and go down there and slay those dragons.
Do I have to go alone?
JOSEPH CAMPBELL:
If you have someone who can help you, that’s fine, too.
But ultimately the last trick has to be done by you.
BILL MOYERS:
In all of these journeys of mythology, there’s a place everyone wishes to find. What is it? The Buddhists talk of nirvana; Jesus talks of peace. There’s a place of rest and repose. Is that typical of the hero’s journey, that there’s a place to find?
JOSEPH CAMPBELL:
That’s a place in yourself of rest.
Now this I know a little bit about from athletics.
The athlete who is in championship form has a quiet place in himself. And it’s out of that that his action comes.
If he’s all in the action field, he’s not performing properly. There’s a center out of which you act.
And Jean, my wife, a dancer, tells me that in dance this is true, too, there’s the center that has to be known and held. There it’s quite physically recognized by the person. But unless this center has been found, you’re torn apart, tension comes.
Now, the Buddha’s word is nirvana; nirvana is a psychological slate of mind. It’s not a place, like heaven, it’s not something that’s not here; it is here, in the middle of the turmoil, what’s called samsara, the whirlpool of life conditions. That nirvana is what, is the condition that comes when you are not compelled by desire or by fear, or by social commitments, when you hold your center and act out of there.
BILL MOYERS:
And like all Heroes, The Buddha doesn’t show you The Truth, The Illumination;
He shows you The Way to It.
JOSEPH CAMPBELL:
The Way.
But it’s got to be Your Way, too.
I mean, how should I get rid of Fear?
The Buddha can’t tell me how I’m going to do it. There are exercises that different teachers will give you, but they may not work for you. And all a teacher can do is give you a clue of the direction. He’s like a lighthouse that says there are rocks over here, and steer clear.
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